Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 82 dielov umelca Joachim Wtewael v našom katalógu
Stručne povedané
Z všetkých originálov, ktoré Joachim Wtewael zanechal, je najznámejší Actaeon is changed into a stag and killed by his own dogs (1607), ktorý sa nachádza v zbierkach Kunsthistorisches Museum v meste Viedeň. Hneď za ním nasledujú Mars and Venus Surprised by Vulcan (1610) a Adoration by the Shepherds (1625). Náš katalóg obsahuje 82 diel od Joachim Wtewael; galéria si zachovala tých 77, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
The air in the wooded landscape feels heavy with the scent of damp earth and sudden, sharp terror. Actaeon, once a hunter of men and beasts, now finds himself the prey, caught in a moment of agonizing metamorphosis. His limbs, once sturdy and human, seem to ripple and shift under a skin that is no longer his own. The transformation into a stag is not a quiet change; it is…
Mars and Venus Surprised by Vulcan is a mythological painting by Joachim Wtewael. Executed in 1610, the work captures a moment of divine discovery. The scene centers on the theme of mythological adultery, specifically the instant Vulcan interrupts the illicit affair between Mars and Venus.
The scene unfolds within a courtyard where a group of thirteen figures has assembled around a central infant. This child lies in a manger, the focal point of the composition. Mary and Joseph are positioned near the baby, their bodies oriented toward the center of the event. Surrounding the holy family, several shepherds and onlookers are arranged in various states of standing and leaning. The figures are rendered with a…
The Adoration of the Shepherds by Joachim Wtewael brings a sacred moment into sharp, immediate focus. This religious painting emerges from the Netherlands, capturing a scene of profound spiritual presence. Joachim Wtewael, who was born in 1566 in Utrecht, Netherlands, infuses the work with a sense of immediate, lived experience. The figures cluster together in a tight, intimate space, their gazes and gestures pulling the viewer into the center of…
The artwork titled St John the Evangelist is a painting by the artist Joachim Wtewael. This specific work is dated 1591. The subject is depicted in a vertical composition, presented as a close-up portrait that focuses on the figure of the saint.
is an oil on copper by Joachim Wtewael. The work measures 15.8 by 20.4 cm. This small-scale painting exemplifies the technical precision required for such a compact medium.
In this oil on copper work from 1603, we find ourselves drawn into a lush, wooded landscape where the boundaries between the pastoral and the mythological blur. A group of nymphs dances in a rhythmic ring around a pond, their movements fluid and sinuous. This circular arrangement creates a sense of continuous motion, pulling the viewer's gaze toward the center of the composition. To the left, a muscular male figure…
The Wedding of Peleus and Thetis is a work by Joachim Wtewael. Born in Utrecht, Netherlands, in 1566, the artist remained tied to this city throughout his life until his death in 1638. His hand moved with a precision that mirrored the intricate details of his early training as a glassmaker and engraver. In this specific composition, he captures a moment of celestial gathering, where the air is thick with…
The work reflects the disciplined hand of a man trained in the traditions of engraving. There is a porcelain-like polish to the rendering of the skin, even within this monochromatic medium. The composition relies on the tension between the subject's worldly status—signified by the ornate armor—and his spiritual focus. The lines are sharp, defining the shape of the man against the receding, hazy hills. It is a portrait of a…
In "Adoration of the Shepherds" by Joachim Wtewael, the Nativity unfolds within a crowded, intimate space. Painted about 1598, the work centers on the Christ child, a small figure of light amidst the shadows. This divine presence acts as the anchor for the surrounding figures. Shepherds gather close, their bodies leaning toward the manger in a moment of quiet reverence. The scene is thick with the presence of others, creating…
Judith and the Head of Holofernes1597
12
The judgement of Paris1605 · Staatliche Kunsthalle Karlsruhe
13
Mars and Venus Surprised by Vulcan1601 · Mauritshuis Royal Picture Gallery
14
Mars, Venus and Cupid1601
15
The Marriage of Peleus and Thetis1610 · Rhode Island School of Design Museum of Art
16
judgement of Paris1614 · Kráľovské múzeum výtvarných umení Antverpy
17
Actaeon Watching Diana and Her Nymphs Bathing1612 · Museum of Fine Arts
18
John the Baptist Preaching in the Forest1618 · Statens Museum For Kunst
19
Saint Matthew1616 · Walters Art Museum
20
Susanna harassed by the Elders (Daniel 13:1-63)1612 · Museum Gouda
21
The Wedding of Peleus and Thetis1612
22
Portrait of Johan Pater, husband of Antonetta Wtewael, daughter of Joachim Wtewael1626 · Centraal Museum
23
Portrait of Johan Wtewael (1598-1652)1628 · Centraal Museum
24
The Meeting of David and Abigail1597 · Rijksmuseum
25
Lot and his daughters (Gen. 19:31-38)1700 · Centraal Museum
26
A Shepherd1623 · Harvard Art Museums
27
A Shepherdess1623 · Harvard Art Museums
28
Lot and his Daughters1600 · Hermitáž
29
The Judgment of Paris1615 · National Gallery
30
The Battle Between the Gods and the Titans1600 · Art Institute of Chicago
31
The Golden Age1605 · Metropolitné múzeum umenia
32
The Golden Age (detail)1605 · Metropolitné múzeum umenia
33
The Fruit and Vegetable Seller1618 · Centraal Museum
34
Portrait of a lady1605 · Pushkin State Museum
35
Mars and Venus Discovered by the Gods1603
36
Portrait Of The Artist's Wife1601 · Centraal Museum
37
Martyrdom of Saint Sebastian1600 · Nelson-Atkins Museum of Art
38
The Judgment of Paris1605
39
Cephalus and Procris (The Death of Procris)1600 · Saint Louis Art Museum
40
Mars and Venus Surprised by Vulcan1601
41
The Annunciation to the Shepherds1606 · Rijksmuseum
42
The Tribute Money1616
43
The Temptation of Adam and Eve1614
44
Mars and Venus Surprised by Vulcan1611
45
The Judgement of Paris1615
46
Mars and Venus Surprised by the Gods1610 · J. Paul Getty Museum
47
Charity1627
48
A Kitchenmaid1625 · Centraal Museum
49
Moses Striking the Rock1624
50
Moses Striking the Rock1624 · National Gallery
51
Portrait of Eva Wtewael1628 · Centraal Museum
52
Peter Wtewael1628 · Centraal Museum
53
The Adoration of the Shepherds1606 · The Ashmolean Museum of Art And Archaeology
54
JUPITER ET DANAELouvre
55
The Judgement of ParisFitzwilliam Museum
56
Diana and Actaeon
57
Bacchus
58
Antonetta WtewaelCentraal Museum
59
LA RESURRECTION DE LAZAREPalais des Beaux-Arts de Lille
60
Venus and Cupid
61
Persée secourant AndromèdeLouvre
62
Lot and his Daughters1600 · Gemäldegalerie
63
The Golden Age1605 · Metropolitné múzeum umenia
64
Self portrait1601 · Centraal Museum
65
Charity1627
66
Kitchen Scene1605 · Gemäldegalerie
67
Supper at Emmaus
68
Adoration of the Shepherds (detail)
69
Aphrodite Ares and Eros Sun
70
Adoration by the Shepherds
71
Bacchus between Ceres and Venus
72
Diana
73
DanaëStaatliche Graphische Sammlung
74
Adam and Eve
75
The Raising of Lazarus
76
Lot and His Daughters
77
Perseus and Andromeda1611 · Louvre
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Joachim Wtewael | Obrazy z tohto zoznamu |
|---|---|---|---|
 Centraal Museum |
Utrecht | 13 | Banquet of the Gods, Portrait of Steven de Witt (?-1571), Adoration of the Shepherds |
 Rijksmuseum |
Amsterdam | 3 | Mars and Venus Surprised by Vulcan, The Meeting of David and Abigail, The Annunciation to the Shepherds |
 Metropolitné múzeum umenia |
New York | 3 | The Golden Age, The Golden Age (detail), The Golden Age |
 Louvre |
Paríž | 3 | JUPITER ET DANAE, Persée secourant Andromède, Perseus and Andromeda |
 Kunsthistorisches Museum |
Viedeň | 2 | Actaeon is changed into a stag and killed by his own dogs, Adoration of the Shepherds |
 Harvard Art Museums |
Cambridge | 2 | A Shepherd, A Shepherdess |
 National Gallery |
Londýn | 2 | The Judgment of Paris, Moses Striking the Rock |
 Gemäldegalerie |
Berlín | 2 | Lot and his Daughters, Kitchen Scene |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
The artwork titled St John the Evangelist is a painting by the artist Joachim Wtewael. This specific work is dated 1591. The subject is depicted in a vertical composition, presented as a close-up portrait that focuses on the figure of the saint.
The air in the wooded landscape feels heavy with the scent of damp earth and sudden, sharp terror. Actaeon, once a hunter of men and beasts, now finds himself the prey, caught in a moment of agonizing metamorphosis. His limbs, once sturdy and human, seem to ripple and shift under a skin that is no longer his own. The transformation into a stag is not a quiet change; it is…
Mars and Venus Surprised by Vulcan is a mythological painting by Joachim Wtewael. Executed in 1610, the work captures a moment of divine discovery. The scene centers on the theme of mythological adultery, specifically the instant Vulcan interrupts the illicit affair between Mars and Venus.
The scene unfolds within a courtyard where a group of thirteen figures has assembled around a central infant. This child lies in a manger, the focal point of the composition. Mary and Joseph are positioned near the baby, their bodies oriented toward the center of the event. Surrounding the holy family, several shepherds and onlookers are arranged in various states of standing and leaning. The figures are rendered with a…
Actaeon is changed into a stag and killed by his own dogs (1607), Kunsthistorisches Museum, Viedeň. Nasledujú Mars and Venus Surprised by Vulcan (1610) a Adoration by the Shepherds (1625).
41 rokov: Actaeon is changed into a stag and killed by his own dogs vzniklo v roku 1607 a Joachim Wtewael sa narodil/a v roku 1566.
Actaeon is changed into a stag and killed by his own dogs, Mars and Venus Surprised by Vulcan, Adoration by the Shepherds, Adoration of the Shepherds, St John the Evangelist, Banquet of the Gods, The Apulian Shepherd, The Wedding of Peleus and Thetis, Portrait of Steven de Witt (?-1571) a Adoration of the Shepherds. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 82 diel od umelca Joachim Wtewael z perioda od 1591 do 1628.
Väčšinou v Centraal Museum (Utrecht), Rijksmuseum (Amsterdam) a Metropolitné múzeum umenia (New York). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1600s: 24 z 77 diel na tejto stránke bolo vytvorených vtedy, pričom Actaeon is changed into a stag and killed by his own dogs z nich.
Na tejto stránke je najstaršie dielo z St John the Evangelist (1591) a najnovšie z Portrait of Johan Wtewael (1598-1652) (1628).
Man (11), Mythology (11) a Gods (10), v rámci 77 diel na tejto stránke.
Oil On Canvas, pre 13 z 77 diel na tejto stránke.
Northern renaissance a Mannerism, podľa originálov na tejto stránke.
Banquet of the Gods, Portrait of Steven de Witt (?-1571) a Adoration of the Shepherds: múzeá Centraal Museum, Utrecht uchovávajú 13 z diel na tejto stránke.
Joachim Anthonisz Wtewael, meno šeptané medzi znalcami holandského zlatého veku, zostáva fascinujúcou postavou, ktorej umenie sa vzdoruje ľahkému zaradeniu do kategórií. Narodený v roku 1566 a odchádzajúci do smrti v roku 1638, jeho život bol rovnako mnohostranný ako jeho plátna. Zatiaľ čo jeho umelecký genius žiiaril jasne, rovnako významné je, že bol aj úspešným obchodníkom s ľanom a aktívnym radným mestím Utrechtu. Táto dvojitá existencia — precízny umelec naraz so stĺpom občianskej spoločnosti — naznačuje muža, ktorého život si vyžadoval tak worldly acumen, ako aj hlboký tvorivý sústredenie. Wtewaelov charakteristický štýl však disponoval pozoruhodnou konzistenciou; zostal v podstate nedotknutý ničivými naturalistickými prúdmi, ktoré počas jeho života pretvárali umenie po celej Európe.
Joachim Wtewael si svoje rané vzdelávanie hlboko zakotvil v sofistikovanom jazyku haarlemského manierizmu konca 16. storočia. Jeho raná profesijná cesta sa začala v otcovskej dielni, kde pracoval ako skláreň a rytier, čo bolo učňovstvo, ktoré mu bez wątpou vyostrilo ruku pre precízny detail. Zlomový okamih nastal v roku 1586, keď sa vydal na svoje cestovanie cez Itáliu a Francúzsko. Tieto pobyty boli rozhodujúce, pretože ho vystavili bohatým umeleckým prúdovom druhej školy z Fontainebleau. Napriek týmto vplyvom však Joachim Wtewael disponoval unikátnym vnútorným kompasom. Jeho diela definujú postavy majstrovsky vykreslené s takmer porcelánovým leskom, často usadené v pózach, ktoré pôsobia nádherne náhodne a dramaticky nabité energiou.
Celistvý súbor jeho pretrvajúcich diel—zahŕňajúci približne sto obrazov spolu s početnými kresbami a návrhmi na vitráže—odhaľuje fascinujúcu tematickú dualitu. Joachim Wtewael sa rovnako prirodzene pohyboval v rámci hlbokých náboženských naratív, ako aj pri oslavovaní bujnej drámy klasickej mytológie. Stačí sa pozrieť na diela ako Uctevanie pastierov postavené vedľa Venuše a Marsa prekvapených Vulkanom. Tieto kusy demonštrujú jeho výnimočnú schopnosť prepletať konvenčné sakralné témy s pohanskými legendami, pričom oba svety často preniká hmatateľný, niekedy silný erotický podtón, ktorý vtáča diváka do svojho naratívneho objatia. Jeho precíznosť v detailoch je dychberúca; v díelach ako Perseus a Andromeda, ktoré sa nachádzajú napríklad v múzeu Mauritshuis v Utrechte, možno jasne vystíhliť jeho bezprecedentné umelecké zručnosti.
To, čo činí Wtewaelov prínos tak významným, je práve tento neochvebný odpor voči zmene. Zatiaľ čo naturalizmus lákal umelcov k väčšiemu realizmu, Joachim Wtewael sa držal vypracovanej, idealizovanej estetiky, čím vytvoril súbor diel, ktoré pôsobia zároveň historicky zakotvene a večne živé. Jeho kabinetné obrazy, vykonávané na medených platnách, sú mimoriadne odlišné a početné, pričom ponúkajú intímne pohľady do jeho umeleckého procesu. Hoci posledné desaťročie jeho života patrilo útechu od maliarstva — obdobie, ktoré bolo možno poznačené osobným smútkom po smrti jeho manželky — dopad jeho vízie pretrváva. Daroval umeleckým dejinám štýl, ktorý zostáva vysoko vypracovaný a zároveň nádherne nepredvídateľný.
