Portrét Gherardo Starnina

33 najznámejších obrazov od Gherardo Starnina, výber z galérie

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 33 dielov umelca Gherardo Starnina v našom katalógu

Stručne povedané

Z všetkých originálov, ktoré Gherardo Starnina zanechal, je najznámejší Dormition of the Virgin (1408), ktorý sa nachádza v zbierkach Philadelphia Museum of Art v meste Philadelphia. Hneď za ním nasledujú Archangel Michael (1404) a Christ as Salvator Mundi (1405). Náš katalóg obsahuje 33 diel od Gherardo Starnina; galéria si zachovala tých 33, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.

1354 – 1413, Florence Najviac diel: Städel Museum

Top 10 obrazov umelca Gherardo Starnina: výber galérie

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Dormition of the Virgin (1408) od Gherardo Starnina

Dormition of the Virgin

1408 · Tempera On Panel · Philadelphia Museum of Art, Philadelphia

The scene depicts the Dormition of the Virgin Mary, a crowded assembly of figures gathered around a central reclining form. The composition is dense, with bodies layered closely together against a flat, patterned gold background. Deep blues, vibrant reds, and ochre tones define the garments of the apostles and angels. Each figure is marked by a circular golden halo, creating a rhythmic repetition of shapes across the panel. The lighting…

Výber umelcov Gherardo Starnina pokračuje, od 11 do 33

Motívy, ktoré zaujali Gherardo Starnina

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Múzeá, ktoré uchovávajú originály umelca Gherardo Starnina

8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Gherardo Starnina Obrazy z tohto zoznamu
Städel Museum, FrankfurtStädel Museum Frankfurt 4 Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 4 Jeremiah with Two Angels, Isaiah with Two Angels, Saint Stephen
Galleria degli Uffizi, FlorenciaGalleria degli Uffizi Florencia 3 Thebaid (detail), Thebaid (detail), Thebaid
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Two Evangelists, St. Matthew (Two Evangelists)
Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 1 Dormition of the Virgin
Museo Nazionale di Villa Guinigi, LuccaMuseo Nazionale di Villa Guinigi Lucca 1 Archangel Michael
The Nelson-Atkins Museum of Art, Kansas CityThe Nelson-Atkins Museum of Art Kansas City 1 Adoration of the Magi
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Madonna and Child

Gherardo Starnina rok po roku: originály, ktoré definujú každú éru

V priebehu len desiatich rokov, od 1400 do 1410, predstavili v tomto výberu všetky dátované originály od Gherardo Starnina: tu sú, rok po roku.

Diela podľa roku

Vyberte si rok a pozrite si originály.

Otázky zberateľov o obrazoch od Gherardo Starnina

Ktorým dielom je Gherardo Starnina najznámejší/najznámejšia?Odhaľte odpoveď

Dormition of the Virgin (1408), Philadelphia Museum of Art, Philadelphia. Nasledujú Archangel Michael (1404) a Christ as Salvator Mundi (1405).

V akom veku bol/a Gherardo Starnina, keď vzniklo dielo Dormition of the Virgin?Odhaľte odpoveď

54 rokov: Dormition of the Virgin vzniklo v roku 1408 a Gherardo Starnina sa narodil/a v roku 1354.

Ktorých desať najznámejších obrazov má Gherardo Starnina?Odhaľte odpoveď

Dormition of the Virgin, Archangel Michael, Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate, Salvator Mundi, The Angel of the Annunciation and the Virgin Annunciate, Adoration of the Magi, Madonna and Child, A Bishop Saint and Saint Lawrence a Jeremiah with Two Angels. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko obrazov zanechal umenec Gherardo Starnina?Odhaľte odpoveď

Náš katalóg obsahuje 33 diel od umelca Gherardo Starnina z perioda od 1400 do 1410.

V ktorých múzeách visia majstrovské diela umelca Gherardo Starnina?Odhaľte odpoveď

Väčšinou v Städel Museum (Frankfurt), Museum of Fine Arts (Boston) a Galleria degli Uffizi (Florencia). Tabuľka múzeí vyššie ich všetky uvádza.

V ktorých rokoch vytvoril Gherardo Starnina svoje najznámejšie diela?Odhaľte odpoveď

V období 1410: 8 z 33 diel na tejto stránke bolo vytvorených vtedy, pričom Jeremiah with Two Angels z nich.

Aké sú prvé a posledné známe originály od Gherardo Starnina?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z Madonna and Child (1400) a najnovšie z Jeremiah with Two Angels (1410).

Aké témy si Gherardo Starnina najčastejšie vyberal/a?Odhaľte odpoveď

People (3), Figures (2) a Medieval art (2), v rámci 33 diel na tejto stránke.

Ktorú techniku používal(a) Gherardo Starnina najčastejšie?Odhaľte odpoveď

Tempera On Panel, pre 5 z 33 diel na tejto stránke.

Aké diela umelca Gherardo Starnina sa nachádzajú v múzeu Städel Museum?Odhaľte odpoveď

Christ as Salvator Mundi, Archangel Gabriel a Virgin Annunciate: múzeá Städel Museum, Frankfurt uchovávajú 4 z diel na tejto stránke.

Gherardo Starnina: život a dielo

The Soul of the Venetian Renaissance: The Life of Gherardo di Jacopo Starnina

In the golden twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the warmth of burgeoning humanism, there emerged a painter whose brush captured the very essence of spiritual devotion and intricate beauty. Gherardo di Jacopo Starnina, known to history by the affectionate moniker “Starnina,” stands as a vital bridge in the evolution of Italian art. Born in Florence around 1354, his early years were steeped in the prestigious traditions of the Florentine school. As an apprentice to the renowned Agnolo Gaddi, Starnina was immersed in a world where the emotional depth of Giotto met the delicate, lyrical elegance of Simone Martini. This formative period instilled in him a lifelong duality: a profound commitment to realistic observation paired with an unwavering devotion to the spiritual narrative.

The trajectory of Starnina’s life took a transformative turn when he migrated toward Venice around 1380. This move was not merely a change in geography but a shift in artistic atmosphere. In Venice, the light was different, more luminous and atmospheric, and the burgeoning trade brought new textures and colors to the artist's palette. It was here that Starnina truly found his voice, establishing himself as a master of detail and a painter of profound faith. His work began to reflect the unique Venetian sensibility—a blend of rich, decorative splendor and a deep, contemplative stillness that invited the viewer into a state of prayerful meditation.

Mastery of Detail and the Sacred Narrative

To gaze upon a Starnina masterpiece is to enter a world where every fold of fabric and every subtle gesture carries weight. He was not an artist preoccupied solely with grand, sweeping movements; rather, he found the divine in the minute. His technique was characterized by a remarkable attention to texture and nuance, a hallmark that would define the Venetian Renaissance style. In works such as Virgin with Child and Saints, one can witness his ability to weave together angelic figures and holy saints within a composition that feels both mathematically structured and emotionally fluid. He utilized color not just as a means of representation, but as a tool to convey the sanctity of his subjects.

His contributions to sacred spaces remain some of his most enduring legacies. The frescoes adorning the Basilica di San Frediano and the collections within the Museo di Bassano serve as windows into a lost era of craftsmanship. Starnina’s ability to render the Thebaid—the desert landscapes inhabited by hermits—demonstrates his skill in blending landscape with spiritual struggle, using light and shadow to evoke the isolation and piety of the saints. His work on the façades and interiors of religious institutions showcased a mastery of perspective that, while still rooted in Gothic tradition, pointed toward the revolutionary advancements of the coming centuries.

A Lasting Legacy in Art History

While the names of later Venetian giants like Titian or Tintoretto often dominate the historical discourse, the significance of Starnina cannot be overstated. He provided the essential foundation upon which the later masters built their triumphs. By integrating the emotional intensity of his Florentine training with the luminous, decorative richness of Venice, he helped create a new visual language for the Renaissance. His life’s work represents a period of transition, where the symbolic rigidity of the past was gracefully yielding to a more human-centric, observant way of seeing the world.

The enduring impact of Gherardo di Jacopo Starnina can be summarized through several key artistic contributions:

  • Stylistic Synthesis: The seamless blending of Florentine emotional realism with Venetian decorative splendor.
  • Devotional Precision: A unique ability to use intricate detail and texture to enhance the spiritual impact of religious iconography.
  • Historical Continuity: Serving as a crucial link between the late Gothic tradition and the dawn of the High Renaissance.
  • Architectural Integration: The masterful execution of large-scale frescoes and mosaics that transformed sacred spaces into immersive spiritual environments.

Today, when we study the works of Starnina, we are not merely looking at relics of the 15th century; we are witnessing the birth of a new way of perceiving the divine through the lens of human beauty and meticulous artistry.