Portrét Federico Barocci

94 najznámejších obrazov od umelca Federico Barocci, každý jedinečný

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 116 dielov umelca Federico Barocci v našom katalógu

Stručne povedané

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) je obrazom umelca Federico Barocci, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Galleria Nazionale delle Marche, Urbino. Potom sa pohľad presunie na River Divinity (Città del Vaticano, Casino of Pius IV) (1563) a Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569). Z 116 diel umelca Federico Barocci v našom katalógu je týchto 94 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.

1535 – 1612, Urbino Manierizmus Najviac diel: Galleria degli Uffizi

Top 10 obrazov umelca Federico Barocci podľa výberu galérie

1
Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) od Federico Barocci

Virgin and Child with Sts Simon and Jude (Madonna di San Simone)

1567 · Acrylic On Canvas · Galleria Nazionale delle Marche, Urbino

Federico Fiori Barocci’s “Virgin and Child with Sts Simon and Jude,” painted in 1567, stands as a cornerstone of Italian Renaissance art—a pivotal moment marking the transition towards the exuberant dynamism of the Baroque style. Executed for the Santuario Madonna dei Miracoli basilica in Saronno, Lombardy, this altarpiece embodies Barocci’s signature blend of meticulous observation and emotive spirituality, capturing an idealized depiction of motherhood and faith.

2
River Divinity (Città del Vaticano, Casino of Pius IV) (1563) od Federico Barocci

River Divinity (Città del Vaticano, Casino of Pius IV)

1563 · Graphite · Galleria degli Uffizi, Florencia

To gaze upon Federico Fiori Barocci's "River Divinity" is to step into a moment suspended between classical repose and profound vulnerability. This exquisite drawing, executed with the delicate precision of graphite on paper, immediately draws the viewer into its monochromatic embrace. It is not merely an image; it is a meditation rendered in shades of gray, black, and white—a visual whisper from the heart of the Renaissance spirit, yet imbued…

3
Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569) od Federico Barocci

Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)

1569 · Charcoal · Galleria degli Uffizi, Florencia

To gaze upon this preparatory drawing by Federico Fiori Barocci is to witness art not as a finished statement, but as pure, unbridled thought taking physical form. This piece, titled "Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)," offers us an intimate glimpse into the mind of a master at work. It is less a depiction to be admired…

4
Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) (1563) od Federico Barocci

Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)

1563 · Oil On Canvas · Galleria degli Uffizi, Florencia

In this 1563 fresco, Federico Barocci arranges the figures of the Holy Family within a pyramidal structure. At the center, the Virgin Mary and the infant Jesus are positioned beneath a concentrated halo of light. To their side, Saint Elizabeth is depicted with an outstretched hand, a gesture directed toward the central group. The young Saint Giovannino, representing John the Baptist, is also present within the scene. Surrounding these primary…

5
Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) od Federico Barocci

Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)

1579 · Acrylic On Canvas · Galleria degli Uffizi, Florencia

Federico Barocci’s “Five Studies of Male Figure and two of His Right Hand and Arm,” created in 1579, isn’t merely a preparatory drawing; it’s a profound meditation on the act of creation itself. This intimate charcoal study, measuring just 20 x 32 cm, offers an unparalleled glimpse into the artist's meticulous process – a testament to Barocci’s dedication and his revolutionary approach to capturing human form. Far from a static…

6
Francesco II della Rovere (1572) od Federico Barocci

Francesco II della Rovere

1572 · Acrylic On Canvas · Galleria degli Uffizi, Florencia

Federico Fiori Barocci’s “Francesco II della Rovere” – A Portrait of Power and Renaissance Grace Federico Fiori Barocci, later known simply as Baroccio, stands as a pivotal figure bridging the Mannerist elegance of the late 16th century with the burgeoning dynamism of the Baroque. His portrait of Francesco Maria II della Rovere, painted in 1572, is not merely a likeness; it’s a carefully constructed tableau of power, lineage, and the…

7
Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) od Federico Barocci

Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)

1612 · Acrylic On Canvas · Galleria degli Uffizi, Florencia

Federico Fiori Barocci’s “Young Man’s Head with His Right Hand on His Face” – often referred to as “Assumption of the Virgin, Milano, Collezione Castelbarco Albani” – is not merely a portrait; it's a distilled essence of human vulnerability and a poignant meditation on mortality. Painted in 1612 during a period of profound artistic transition from Mannerism to Baroque, this intimate work offers a glimpse into the soul of its…

8
Composition Study (for “Circumcision”, Paris, musée du Louvre) (1590) od Federico Barocci

Composition Study (for “Circumcision”, Paris, musée du Louvre)

1590 · Acrylic On Canvas · Galleria degli Uffizi, Florencia

Federico Fiori Barocci's "Composition Study (for ‘Circumcision’, Paris, musée du Louvre)” isn’t merely a preparatory sketch; it’s a profound distillation of the artist’s vision for a monumental work depicting a pivotal scene from biblical history. Completed around 1590, this drawing offers an intimate glimpse into Barocci's meticulous process and reveals a remarkable sensitivity to light, gesture, and the emotional weight of the subject matter – the Circumcision of Isaac. It’s…

9
Ritratto di monsignor Giuliano della Rovere (1595) od Federico Barocci

Ritratto di monsignor Giuliano della Rovere

1595 · Oil On Canvas · Kunsthistorisches Museum, Viedeň

The portrait presents Monsignore Giuliano della Rovere in a moment of quiet study. Seated at a three-quarter length, the subject faces the viewer with a direct, focused gaze. He is positioned within an austere room characterized by grey walls, which provides a somber backdrop for his dark clerical attire. A diagonal line guides the eye from the upper left across the composition, leading toward a collection of books stacked in…

10
Maľba obrezovania (1500) od Federico Barocci

Maľba obrezovania

1500 · Olej na plátne · Museo Archeologico Nazionale di Taranto, Taranto

Fresko „Cirumcizovanie Ježiša Krista“ – Výrazné prelúdie barokovej estetiky Federico Barocciho freska „Cirumcizovanie Ježiša Krista“, vytvorená okolo roku 1590 pre kostol Konfraternita del Nome di Gesù v Pesare, predstavuje jednu z najvýznamnejších diel talianskej renesanse a zároveň prelúdie nástupu barokovej estetiky. Tento obraz, dnes vystavený v Louvri, je výsledkom rozsiahlej spolupráce s ďalším významným umeleckým štúdiom Taddea a Federika Zuccariho v Ríme, kde Barocci získal množstvo nových poznatkov a ovplyvnení.…

Slávne obrazy umelca Federico Barocci, čísla 11 až 94

11Portrait of a Man (1579) od Federico BarocciPortrait of a Man1579 · Hermitáž 12Madonna di san Giovanni (1564) od Federico BarocciMadonna di san Giovanni1564 · Galleria Nazionale delle Marche 13Il Perdono di Assisi (1580) od Federico BarocciIl Perdono di Assisi1580 · Galleria Nazionale delle Marche 14Quintilia Fischieri (1600) od Federico BarocciQuintilia Fischieri1600 · National Gallery of Art 15Immacolata Concezione (1575) od Federico BarocciImmacolata Concezione1575 · Galleria Nazionale delle Marche 16Head of an Old Bearded Man, 1584-1586 (1586) od Federico BarocciHead of an Old Bearded Man, 1584-15861586 · Albertina 17Portrait of Ippolito della Rovere (1602) od Federico BarocciPortrait of Ippolito della Rovere1602 · Italian Embassy 18Head of Saint Mary Magdalene (1550) od Federico BarocciHead of Saint Mary Magdalene1550 · Musée Bonnat-Helleu 19Burial of Christ (1550) od Federico BarocciBurial of Christ1550 20Communion of Saint Magdalene (1573) od Federico BarocciCommunion of Saint Magdalene1573 · Bavarské štátne múzeá výtvarného umenia 21Crocifissione con i dolenti (1566) od Federico BarocciCrocifissione con i dolenti1566 · Galleria Nazionale delle Marche 22The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy (1587) od Federico BarocciThe Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy1587 23Cristo e la Maddalena (1590) od Federico BarocciCristo e la Maddalena1590 · Bavarské štátne múzeá výtvarného umenia 24Assumption (1606) od Federico BarocciAssumption1606 · Galleria Nazionale delle Marche 25Portrait of men (1602) od Federico BarocciPortrait of men1602 26Saint Francis (1604) od Federico BarocciSaint Francis1604 · Metropolitné múzeum umenia 27Martyrdom of Saint Catherine of Alexandria (1610) od Federico BarocciMartyrdom of Saint Catherine of Alexandria1610 28Annunciation (1610) od Federico BarocciAnnunciation1610 29Portrait of Antonio Galli (1600) od Federico BarocciPortrait of Antonio Galli1600 · Statens Museum For Kunst 30Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) od Federico BarocciThree Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 31Aeneas' Flight from Troy (detail) (1598) od Federico BarocciAeneas' Flight from Troy (detail)1598 · Galleria Borghese 32Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) od Federico BarocciThree Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)1612 · Galleria degli Uffizi 33The Nativity (1597) od Federico BarocciThe Nativity1597 · Museo del Prado 34Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) od Federico BarocciThree Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 35Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) od Federico BarocciThree Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galleria degli Uffizi 36Head of a Woman, 1568-1569 (1569) od Federico BarocciHead of a Woman, 1568-15691569 · Albertina 37Annunciation (1582) od Federico BarocciAnnunciation1582 · Vatikánska Pinacoteca 38Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani) (1573) od Federico BarocciDonkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani)1573 · Galleria degli Uffizi 39Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) od Federico BarocciNude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)1579 · Galleria degli Uffizi 40Presentation of Virgin Mary at the Temple (1600) od Federico BarocciPresentation of Virgin Mary at the Temple1600 · Santa Maria in Vallicella 41Portrait of a Man (1572) od Federico BarocciPortrait of a Man1572 42Portrait of a Lady (1595) od Federico BarocciPortrait of a Lady1595 · Hermitáž 43The Farewell of Christ to His Mother (1612) od Federico BarocciThe Farewell of Christ to His Mother1612 · Musée Condé 44Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) od Federico BarocciReclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galleria degli Uffizi 45Figure genuflesse e studi di mani (per la od Federico BarocciFigure genuflesse e studi di mani (per laGalleria degli Uffizi 46Portrait of a Young Lady (1600) od Federico BarocciPortrait of a Young Lady1600 · National Gallery of Denmark 47Portrait of a Young Woman (1570) od Federico BarocciPortrait of a Young Woman1570 · Galleria degli Uffizi 48The Adoration of the Magi (1561) od Federico BarocciThe Adoration of the Magi1561 · Rijksmuseum 49Christ on the Cross (1604) od Federico BarocciChrist on the Cross1604 · Museo del Prado 50Male Figure Stooping to Lift a Cauldron (1590) od Federico BarocciMale Figure Stooping to Lift a Cauldron1590 · Louvre 51Female Portrait od Federico BarocciFemale PortraitHermitáž 52St Jerome (1598) od Federico BarocciSt Jerome1598 · Galleria Borghese 53Eternal Father and Angels od Federico BarocciEternal Father and AngelsGalleria Nazionale delle Marche 54The Head of a Priest, study for The Circumcision od Federico BarocciThe Head of a Priest, study for The CircumcisionNárodné múzeum 55Head of Christ od Federico BarocciHead of ChristBonnefanten Museum 56Con una figura che sorregge l od Federico BarocciCon una figura che sorregge lGalleria degli Uffizi 57Francesco II della Rovere od Federico BarocciFrancesco II della Rovere 58Rest on the Flight into Egypt od Federico BarocciRest on the Flight into EgyptStädel Museum 59Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) od Federico BarocciCloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 60Stone-thrower for the Martyrdom of St Vitalis (1582) od Federico BarocciStone-thrower for the Martyrdom of St Vitalis1582 · Art Gallery of South Australia 61Head of a Shepherd, study for The Circumcision od Federico BarocciHead of a Shepherd, study for The CircumcisionNárodné múzeum 62Saint Lawrence od Federico BarocciSaint LawrenceGalleria Nazionale delle Marche 63Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) od Federico BarocciHalf-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galleria degli Uffizi 64Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies (1579) od Federico BarocciTwo Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies1579 · Galleria degli Uffizi 65Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) od Federico BarocciMan’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 66Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) od Federico BarocciPartial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 67Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile (1595) od Federico BarocciThree Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile1595 · Galleria degli Uffizi 68Self-Portrait (1600) od Federico BarocciSelf-Portrait1600 · Residenzgalerie 69Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) (1573) od Federico BarocciStudies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana)1573 · Galleria degli Uffizi 70Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) od Federico BarocciKneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 71Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) od Federico BarocciBending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galleria degli Uffizi 72Study of a Bent Right Arm (1590) od Federico BarocciStudy of a Bent Right Arm1590 · Louvre 73Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) od Federico BarocciThree Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)Galleria degli Uffizi 74Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) od Federico BarocciDrapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)Galleria degli Uffizi 75Self portrait od Federico BarocciSelf portrait 76One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) od Federico BarocciOne Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 77Putto od Federico BarocciPuttoGalleria degli Uffizi 78Face of a Woman with Downcast Eyes od Federico BarocciFace of a Woman with Downcast EyesLouvre 79Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) od Federico BarocciKneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta)Galleria degli Uffizi 80Schizzo compositivo (per l od Federico BarocciSchizzo compositivo (per lGalleria degli Uffizi 81Angels in Flight and Drapery Studies od Federico BarocciAngels in Flight and Drapery StudiesGalleria degli Uffizi 82Tre schizzi di figure od Federico BarocciTre schizzi di figureGalleria degli Uffizi 83The Institution of the Eucharist (1608) od Federico BarocciThe Institution of the Eucharist1608 · Basilica di Santa Maria sopra Minerva 84The nativity od Federico BarocciThe nativityMuseo del Prado 85Studies for the figure of Christ in the painting Noli me tangere od Federico BarocciStudies for the figure of Christ in the painting Noli me tangereKupferstichkabinett 86Madonna del Popolo (1575) od Federico BarocciMadonna del Popolo1575 · Galleria degli Uffizi 87The Madonna of the Cat (La Madonna del Gatto) od Federico BarocciThe Madonna of the Cat (La Madonna del Gatto)National Gallery 88Descent from the Cross (1568) od Federico BarocciDescent from the Cross1568 89Aeneas' Flight from Troy od Federico BarocciAeneas' Flight from TroyGalleria Borghese 90Rest on the Flight to Egypt od Federico BarocciRest on the Flight to Egypt 91Portrait of a Young Man (1580) od Federico BarocciPortrait of a Young Man1580 · Musée des Beaux-Arts de Strasbourg 92Annunciation od Federico BarocciAnnunciationMúzeum krásnych umení v Nancy 93The Circumcision (1590) od Federico BarocciThe Circumcision1590 · Louvre 94Self-Portrait (1570) od Federico BarocciSelf-Portrait1570 · Galleria degli Uffizi

Slávne obrazy umelca Federico Barocci podľa jednotlivých období

Motívy, ktoré zaujali Federico Barocci

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Múzeá, ktoré uchovávajú originály umelca Federico Barocci

8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Federico Barocci Obrazy z tohto zoznamu
Galleria degli Uffizi, FlorenciaGalleria degli Uffizi Florencia 36 River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)
Galleria Nazionale delle Marche, UrbinoGalleria Nazionale delle Marche Urbino 8 Virgin and Child with Sts Simon and Jude (Madonna di San Simone), Madonna di san Giovanni, Il Perdono di Assisi
Louvre, ParížLouvre Paríž 4 Male Figure Stooping to Lift a Cauldron, Study of a Bent Right Arm, Face of a Woman with Downcast Eyes
Hermitáž, PetrohradHermitáž Petrohrad 3 Portrait of a Man, Portrait of a Lady, Female Portrait
Galleria Borghese, RímGalleria Borghese Rím 3 Aeneas' Flight from Troy (detail), St Jerome, Aeneas' Flight from Troy
Museo del Prado, MadridMuseo del Prado Madrid 3 The Nativity, Christ on the Cross, The nativity
Albertina, ViedeňAlbertina Viedeň 2 Head of an Old Bearded Man, 1584-1586, Head of a Woman, 1568-1569
Bavarské štátne múzeá výtvarného umenia, MníchBavarské štátne múzeá výtvarného umenia Mních 2 Communion of Saint Magdalene, Cristo e la Maddalena

Federico Barocci naprieč dekádami: jeden jedinečný originál pre každý

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Obrazy umelca Federico Barocci: otázky pre galériu

Akým najznámejším dielom sa pýta Federico Barocci?Odhaľte odpoveď

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567), Galleria Nazionale delle Marche, Urbino. Nasledujú River Divinity (Città del Vaticano, Casino of Pius IV) (1563) a Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569).

V akom veku vytvoril/a Federico Barocci dielo Virgin and Child with Sts Simon and Jude (Madonna di San Simone)?Odhaľte odpoveď

32 rokov: Virgin and Child with Sts Simon and Jude (Madonna di San Simone) vzniklo v roku 1567 a Federico Barocci sa narodil/a v roku 1535.

Ktorých desať obrazov Federico Barocci je najznámejších?Odhaľte odpoveď

Virgin and Child with Sts Simon and Jude (Madonna di San Simone), River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV), Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi), Francesco II della Rovere, Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani), Composition Study (for “Circumcision”, Paris, musée du Louvre), Ritratto di monsignor Giuliano della Rovere a Maľba obrezovania. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko je známych diel umelca Federico Barocci?Odhaľte odpoveď

Náš katalóg obsahuje 116 diel od umelca Federico Barocci z perioda od 1550 do 1612.

Kde možno vidieť najznámejšie originály od Federico Barocci?Odhaľte odpoveď

Väčšinou v Galleria degli Uffizi (Florencia), Galleria Nazionale delle Marche (Urbino) a Louvre (Paríž). Tabuľka múzeí vyššie ich všetky uvádza.

V akom období vytvoril/a Federico Barocci svoje najznámejšie obrazy?Odhaľte odpoveď

V období 1570s: 13 z 94 diel na tejto stránke bolo vytvorených vtedy, pričom Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) z nich.

Ktorý z najslávnejších obrazov autora Federico Barocci je najstarší a ktorý najnovší?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z Head of Saint Mary Magdalene (1550) a najnovšie z Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612).

Aké témy obľúbené Federico Barocci?Odhaľte odpoveď

Renaissance (30), Man (19) a Woman (19), v rámci 94 diel na tejto stránke.

S akými materiálmi mal(a) Federico Barocci najčastejšie pracuje?Odhaľte odpoveď

Oil On Canvas, pre 33 z 94 diel na tejto stránke.

Do ktorého smeru patrí tvorba umelca Federico Barocci?Odhaľte odpoveď

Manierizmus, podľa originálov na tejto stránke.

Aké originály od Federico Barocci môžem vidieť v Galleria degli Uffizi?Odhaľte odpoveď

River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) a Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV): múzeá Galleria degli Uffizi, Florencia uchovávajú 36 z diel na tejto stránke.

Federico Barocci: portrét umelca

Raný život a formovanie umelca

Federico Fiori Barocci, rodený v roku 1535 v Urbine, Taliansko, bol jedným z najvýznamnejších predstaviteľov prechodu od renesancie k baroku. Pôvodne známy ako Federico Fiori, prezývku “il Baroccio” získal podľa názvu jednoduchého vozíka ťahaného volmi – symbolu jeho skromných začiatkov a možno aj odrazu jeho vytrvalosti v umeleckom remesle. Jeho prvý umelecký výcvik prebehol pod vedením otca, Ambrogia Barocciho, rešpektovaného miestneho sochára. Následne sa stal učňom u Battistu Franca v Urbine, kde položil základy svojej budúcej slávy. Táto raná fáza formovania ho pripravila na prijatie rozsiahlejších umeleckých výziev a rozvinutie jeho jedinečného štýlu.

Umelecká kariéra a podmanivé vplyvy

Barocciho dielo si rýchlo získalo uznanie a stalo sa predzvesťou barokového slohu, ktorý neskôr tak majstrovsky rozvinul Peter Paul Rubens. Počiatočné skúsenosti nadobudol v renomovanom štúdiu Taddea a Federica Zuccariho v Ríme, kde bol vystavený rôznym umeleckým prúdom a technikám. Jeho prvou významnejšou prácou bola *svätá Margaréta*, vytvorená pre bratstvo Svätej sakramentu. Neskôr ho pápež Pius IV pozval k účasti na výzdobe Vatikánskeho Belvedere paláca v Ríme, kde namaľoval Madonu s dieťaťom a svätcami, ako aj fresku *Zvestovanie*. Barocciho štýl bol charakteristický prepojením manieriérnych prvkov s novými barokovými tendenciami – hľadanie dynamiky, emocionality a bohatého farebného výrazu. Jeho schopnosť zachytiť vnútornú krásu postáv a ich vzájomnú interakciu bola obdivuhodná.

Významné diela a trvalý odkaz

Barocciho tvorba zahŕňa rozsiahly repertoár náboženských obrazov, portrétov a štúdií. Medzi jeho najvýznamnejšie práce patrí *Päť štúdií mužskej postavy a dve štúdie pravej ruky a ramena* (Uffizi Gallery, Florencia), svedectvo jeho majstrovstva v zachytávaní ľudského tela. *Kompozičná štúdia* (pre “Obriezku”, Paríž, Musée du Louvre) demonštruje jeho schopnosť vyvážiť kompozíciu a emocionálny dopad obrazu. *Hlava muža* (pre “Volanie svätého Ondreja”, Brusel, Musées Royaux des Beaux-Arts de Belgique) odhaľuje jeho pozornosť k detailom a výrazu tváre. Ďalej vynikajú obrazy ako *Narodenie Pána* (1597, olej na plátne v Prado), *Madonna del Popolo* (Uffizi Gallery, Florencia) a ikonická *Madona s mačkou (La Madonna del Gatto)*. Jeho freska *Zvestovanie* z roku 1582 je ďalším príkladom jeho výnimočného talentu.

Umelecký dopad a nasledovníci

Barocciho vplyv bol rozsiahly a prenikal do tvorby mnohých umelcov, vrátane Petra Paula Rubensa, ktorý sa inšpiroval Barocciho dramatickým a emotívnym maliarskym štýlom. Jeho technika pastelových farieb a jemné modelovanie postáv ovplyvnili generácie umelcov. Dielo Federica Barocciho je dodnes oslavované v múzeách po celom svete, ako napríklad Uffizi Gallery (Florencia) a Musée du Louvre (Paríž), kde si návštevníci môžu vychutnať jeho majstrovské diela a obdivovať jeho trvalý odkaz. Jeho schopnosť prepojiť renesančnú eleganciu s barokovou emocionalitou z neho robí jedného z najvýznamnejších umelcov talianskej histórie umenia.