Portrét Arnold Boonen

55 najznámejších obrazov od Arnold Boonen, výber z galérie

Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 55 dielov umelca Arnold Boonen v našom katalógu

Stručne povedané

Z všetkých originálov, ktoré Arnold Boonen zanechal, je najznámejší Portrait of Pieter van de Poel (1654-1710), Arnold Boonen, 1705 (1705), ktorý sa nachádza v zbierkach Rijksmuseum v meste Amsterdam. Hneď za ním nasledujú Portrait of Nicolaas Listingh (1630-1705) (1702) a Portrait of Anna Elisabeth Versijl (1686-1763) (1712). Náš katalóg obsahuje 55 diel od Arnold Boonen; galéria si zachovala tých 55, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.

1669 – 1729, Dordrecht Baroque Najviac diel: Amsterdam Museum

Top 10 obrazov umelca Arnold Boonen: výber galérie

1
Portrait of Pieter van de Poel (1654-1710), Arnold Boonen, 1705 (1705) od Arnold Boonen

Portrait of Pieter van de Poel (1654-1710), Arnold Boonen, 1705

1705 · Oil On Canvas · Rijksmuseum, Amsterdam

This striking portrait depicts Pieter van de Poel, a prominent figure from the late 17th and early 18th centuries (1654-1710). Arnold Boonen masterfully captures Van de Poel in a half-length view, presenting him with an air of dignity and authority. The composition is carefully balanced; Van de Poel is positioned slightly off-center, drawing the viewer's eye to his face while allowing space for the details of his attire and the…

2
Portrait of Nicolaas Listingh (1630-1705) (1702) od Arnold Boonen

Portrait of Nicolaas Listingh (1630-1705)

1702 · Oil · Amsterdam Museum, Amsterdam

A single finger rests upon a page, frozen in a moment of quiet study. Nicolaas Listingh sits amidst a heavy silence, his presence defined by the stark contrast of a white clerical collar against the deep shadows of his garments. The light, descending from the upper left, carves the topography of his face, tracing the fine lines of weathered skin and the soft drift of white hair. He is a…

3
Portrait of Anna Elisabeth Versijl (1686-1763) (1712) od Arnold Boonen

Portrait of Anna Elisabeth Versijl (1686-1763)

1712 · Oil On Canvas · Frans Hals Museum, Haarlem

In this oval-format portrait, we encounter Anna Elisabeth Versijl, a woman whose poise suggests a life of quiet nobility. Painted in 1712, the work captures her in a moment of stillness, her gaze meeting ours with a subtle, knowing smile. She is framed by a heavy navy blue velvet cloak that seems to absorb the light, providing a deep, dark anchor for the composition. This weight is balanced by the…

4
Portrait of a lady (1710) od Arnold Boonen

Portrait of a lady

1710 · Oil · Rijksmuseum, Amsterdam

The painting titled Portrait of a lady is a work by the artist Arnold Boonen. This specific object is a portrait of a lady, rendered as a painting. It is currently held in the collection of the Rijksmuseum in Amsterdam.

5
Portrait of an unknown woman (1687) od Arnold Boonen

Portrait of an unknown woman

1687 · Oil · Dordrechts Museum, Dordrecht

A single light source strikes from the upper left, carving the subject out of a heavy, dark void. The woman sits in a quiet, intimate space, her gaze meeting the viewer with a subtle, knowing smile. She is draped in a robe of shimmering reddish-orange, a hue that glows like heated copper against the deep shadows of the background. Beneath the heavy silk, a white undergarment catches the light, providing…

6
Portrait of an Unknown Princess (1699) od Arnold Boonen

Portrait of an Unknown Princess

1699 · Oil On Canvas · Bavarské štátne múzeá výtvarného umenia, Mních

The subject emerges from a dark, indistinct void, her presence defined by the soft geometry of an oval frame. She is a young woman caught in a moment of quietude, her gaze directed toward the viewer with a calm, neutral expression. Her hair is swept upward into an elaborate, high updo, a silhouette of late 17th-century fashion that speaks of courtly ritual. A low-cut bodice clings to her form, accented…

7
Portrait of an Unknown Prince (1699) od Arnold Boonen

Portrait of an Unknown Prince

In Portrait of an Unknown Prince, Arnold Boonen presents a man in a formal, aristocratic pose. The subject is depicted from the chest up, facing slightly toward the viewer to establish a sense of direct engagement. He is framed by voluminous, curly hair that cascades down his shoulders, adding weight to the upper portion of the composition. An ornate, lace-trimmed cravat or jabot rests at the neck, providing a sharp…

8
Portrait of the physician and poet David van Hoogstraten (1658-1724) (1694) od Arnold Boonen

Portrait of the physician and poet David van Hoogstraten (1658-1724)

1694 · Oil On Canvas

A single man emerges from a void of deep blacks and somber browns. He is David van Hoogstraten, a man of medicine and verse, caught in a moment of quiet stillness. The light does not flood the room; it strikes only what matters. It catches the sharp, white crispness of his collar and the pale, smooth landscape of his face. This chiaroscuro effect pulls him from the shadows, making his…

9
Regents of the Spinner's and New Workhouse, 1699 (1699) od Arnold Boonen

Regents of the Spinner's and New Workhouse, 1699

1699 · Oil On Canvas · Amsterdam Museum, Amsterdam

Six men are arranged in a dignified, somber composition, their presence commanding the space through a structured, pyramidal arrangement. This formal group portrait, executed in the Dutch Baroque style, captures the regents of the Spinner's and New Workhouse in a moment of institutional solemnity. The subjects are positioned at eye-level, creating a direct confrontation with the viewer that emphasizes their collective authority and the weight of their responsibilities. Shadows deepen…

10
Portrait of Johann Adolf von Plettenberg (ca. 1656-1697), Herr zu Lenhausen (1696) od Arnold Boonen

Portrait of Johann Adolf von Plettenberg (ca. 1656-1697), Herr zu Lenhausen

1696 · Oil On Canvas · City Museum of Münster, Münster

Arnold Boonen’s Portrait of Johann Adolf von Plettenberg (ca. 1656-1697), Herr zu Lenhausen presents a three-quarter length study of the nobleman, positioned slightly off-center to create a sense of formal presence. The subject maintains a calm, composed expression, directing a steady gaze toward the viewer. He is dressed in an elaborate dark blue or black velvet doublet, punctuated by gold buttons that catch the light. A voluminous white lace cravat…

Výber umelcov Arnold Boonen pokračuje, od 11 do 55

11Portrait of a lady (1700) od Arnold BoonenPortrait of a lady1700 · Fitzwilliam Museum 12Portrait of Cornelia van Strijen (1675-1745) (1705) od Arnold BoonenPortrait of Cornelia van Strijen (1675-1745)1705 · Amsterdam Museum 13Regents of the Oudezijds Almshouse, 1705 (1705) od Arnold BoonenRegents of the Oudezijds Almshouse, 17051705 · Amsterdam Museum 14Portrait of Mr. Cornelis Backer (1693-1775) (1710) od Arnold BoonenPortrait of Mr. Cornelis Backer (1693-1775)1710 · Amsterdam Museum 15Portrait of David de Wildt (1662-1729) (1705) od Arnold BoonenPortrait of David de Wildt (1662-1729)1705 · Amsterdam Museum 16Portrait of Johanna Maria de Raedt (1704) od Arnold BoonenPortrait of Johanna Maria de Raedt1704 · Museum Gouda 17The regents of the Walenweeshuis, Amsterdam 1709 (1709) od Arnold BoonenThe regents of the Walenweeshuis, Amsterdam 17091709 · Amsterdam Museum 18Portrait of a woman (1706) od Arnold BoonenPortrait of a woman1706 · New York Historical Society 19Portrait of a man (1707) od Arnold BoonenPortrait of a man1707 · New York Historical Society 20Portrait of Margaretha van de Eeckhout (1639-1701), Wife of Pieter van de Poel, Arnold Boonen, 1705 (1705) od Arnold BoonenPortrait of Margaretha van de Eeckhout (1639-1701), Wife of Pieter van de Poel, Arnold Boonen, 17051705 · Rijksmuseum 21Portrait of a Young Man (1712) od Arnold BoonenPortrait of a Young Man1712 · Gemäldegalerie 22The Regents of the Leper's Asylum (1715) od Arnold BoonenThe Regents of the Leper's Asylum1715 · Amsterdam Museum 23Governors of the Burgerweeshuis te Amsterdam, 1716 (1716) od Arnold BoonenGovernors of the Burgerweeshuis te Amsterdam, 17161716 · Amsterdam Museum 24Portrait of Christina Johanna Backer (1688-1737) (1715) od Arnold BoonenPortrait of Christina Johanna Backer (1688-1737)1715 · Amsterdam Museum 25Portrait of  Sara Backer (1695-1732) (1715) od Arnold BoonenPortrait of Sara Backer (1695-1732)1715 · Amsterdam Museum 26Portrait of Catharina Backer (1689-1766) (1713) od Arnold BoonenPortrait of Catharina Backer (1689-1766)1713 · Amsterdam Museum 27Regents of the Amsterdam Workhouse (1714) od Arnold BoonenRegents of the Amsterdam Workhouse1714 · Amsterdam Museum 28Group  portrait of five overlieden of the Chirurgijnsgilde Amsterdam (1716) od Arnold BoonenGroup portrait of five overlieden of the Chirurgijnsgilde Amsterdam1716 · Amsterdam Museum 29Portrait of Mr. Allard de la Court (1688-1755) (1714) od Arnold BoonenPortrait of Mr. Allard de la Court (1688-1755)1714 · Amsterdam Museum 30Portrait of Dirk van Heymenbergh (?-1749) (1712) od Arnold BoonenPortrait of Dirk van Heymenbergh (?-1749)1712 · Huis Zypendaal 31Portrait of Petronella Wilhelmina van Hoorn (1698-1764) (1722) od Arnold BoonenPortrait of Petronella Wilhelmina van Hoorn (1698-1764)1722 · Huis Zypendaal 32Portrait of Lubbert Adolf Torck (1687-1758) (1722) od Arnold BoonenPortrait of Lubbert Adolf Torck (1687-1758)1722 · Huis Zypendaal 33The Regents of the Spin- and Nieuwe Werkhuis (1725) od Arnold BoonenThe Regents of the Spin- and Nieuwe Werkhuis1725 · Amsterdam Museum 34Nicolaas Calkoen (1698-1744) (1727) od Arnold BoonenNicolaas Calkoen (1698-1744)1727 35Anna Maria Muyssart (1703-1729). wife of Nicolaas Calkoen (1727) od Arnold BoonenAnna Maria Muyssart (1703-1729). wife of Nicolaas Calkoen1727 36Portrait of Nicolaas Calkoen (1666-1738) (1726) od Arnold BoonenPortrait of Nicolaas Calkoen (1666-1738)1726 37Portrait of Pieter Calkoen (1705-1747) (1727) od Arnold BoonenPortrait of Pieter Calkoen (1705-1747)1727 · Dordrechts Museum 38A young boy holding a tambourine, at an arch (1729) od Arnold BoonenA young boy holding a tambourine, at an arch1729 39Group portrait of the Regentessen and the binnenmoeder of the Spin- & Nieuwe Werkhuis Amsterdam (1728) od Arnold BoonenGroup portrait of the Regentessen and the binnenmoeder of the Spin- & Nieuwe Werkhuis Amsterdam1728 · Amsterdam Museum 40James Smithson (1765) od Arnold BoonenJames Smithson1765 · Smithsonian American Art Museum 41Portrait of Jan van Huysum (1720) od Arnold BoonenPortrait of Jan van Huysum1720 · Ashmolean Museum 42Portrait of a Woman SK-A-1915 (1709) od Arnold BoonenPortrait of a Woman SK-A-19151709 · Rijksmuseum 43Portrait of Jan van Huysum, Arnold Boonen, c. 1720 (1720) od Arnold BoonenPortrait of Jan van Huysum, Arnold Boonen, c. 17201720 · Rijksmuseum 44Portrait of a Man (1720) od Arnold BoonenPortrait of a Man1720 45Brechje Hooft (1640-1721). Widow of Harmen van de Poll, Arnold Boonen (attributed to), c. 1700 - c. 1729 (1729) od Arnold BoonenBrechje Hooft (1640-1721). Widow of Harmen van de Poll, Arnold Boonen (attributed to), c. 1700 - c. 17291729 · Rijksmuseum 46Jan van de Poll (1668-1745) and his Son Harmen Hendrick (1697-1772)., Arnold Boonen, 1700 - 1729 (1729) od Arnold BoonenJan van de Poll (1668-1745) and his Son Harmen Hendrick (1697-1772)., Arnold Boonen, 1700 - 17291729 · Rijksmuseum 47Portrait of Mr. Pieter Schaep (1628-1708) od Arnold BoonenPortrait of Mr. Pieter Schaep (1628-1708)Dordrechts Museum 48Portrait of Mr Reynier Schaep (1657-1734) od Arnold BoonenPortrait of Mr Reynier Schaep (1657-1734)Dordrechts Museum 49Portrait of Elisabeth Schaep-van Strijen, wife of Mr. Pieter Schaep od Arnold BoonenPortrait of Elisabeth Schaep-van Strijen, wife of Mr. Pieter SchaepDordrechts Museum 50Portrait of Eva Maria Muilman (1676-1731) od Arnold BoonenPortrait of Eva Maria Muilman (1676-1731)Dordrechts Museum 51Portrait of a man od Arnold BoonenPortrait of a manNárodné múzeum vo Varšave 52Portrait of a Man, Arnold Boonen (attributed to), 1690 - 1729 (1729) od Arnold BoonenPortrait of a Man, Arnold Boonen (attributed to), 1690 - 17291729 · Rijksmuseum 53Portrait of a Man, Arnold Boonen (manner of), 1690 - 1750 (1750) od Arnold BoonenPortrait of a Man, Arnold Boonen (manner of), 1690 - 17501750 · Rijksmuseum 54Portrait of a Woman, Arnold Boonen (manner of), 1690 - 1750 (1750) od Arnold BoonenPortrait of a Woman, Arnold Boonen (manner of), 1690 - 17501750 · Rijksmuseum 55A Young Man Seated at a Table od Arnold BoonenA Young Man Seated at a Table

Motívy, ktoré zaujali Arnold Boonen

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Múzeá, ktoré uchovávajú originály umelca Arnold Boonen

8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Arnold Boonen Obrazy z tohto zoznamu
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 17 Portrait of Nicolaas Listingh (1630-1705), Regents of the Spinner's and New Workhouse, 1699, Portrait of Cornelia van Strijen (1675-1745)
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 10 Portrait of Pieter van de Poel (1654-1710), Arnold Boonen, 1705, Portrait of a lady, Portrait of Margaretha van de Eeckhout (1639-1701), Wife of Pieter van de Poel, Arnold Boonen, 1705
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 6 Portrait of an unknown woman, Portrait of Pieter Calkoen (1705-1747), Portrait of Mr. Pieter Schaep (1628-1708)
Huis Zypendaal, ArnhemHuis Zypendaal Arnhem 3 Portrait of Dirk van Heymenbergh (?-1749), Portrait of Petronella Wilhelmina van Hoorn (1698-1764), Portrait of Lubbert Adolf Torck (1687-1758)
Bavarské štátne múzeá výtvarného umenia, MníchBavarské štátne múzeá výtvarného umenia Mních 2 Portrait of an Unknown Princess, Portrait of an Unknown Prince
New York Historical Society, New YorkNew York Historical Society New York 2 Portrait of a woman, Portrait of a man
Frans Hals Museum, HaarlemFrans Hals Museum Haarlem 1 Portrait of Anna Elisabeth Versijl (1686-1763)
City Museum of Münster, MünsterCity Museum of Münster Münster 1 Portrait of Johann Adolf von Plettenberg (ca. 1656-1697), Herr zu Lenhausen

Arnold Boonen dekáda po dekáde: originál, ktorý definuje každú z nich

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Otázky zberateľov o obrazoch od Arnold Boonen

Ktorým dielom je Arnold Boonen najznámejší/najznámejšia?Odhaľte odpoveď

Portrait of Pieter van de Poel (1654-1710), Arnold Boonen, 1705 (1705), Rijksmuseum, Amsterdam. Nasledujú Portrait of Nicolaas Listingh (1630-1705) (1702) a Portrait of Anna Elisabeth Versijl (1686-1763) (1712).

V akom veku bol/a Arnold Boonen, keď vzniklo dielo Portrait of Pieter van de Poel (1654-1710), Arnold Boonen, 1705?Odhaľte odpoveď

36 rokov: Portrait of Pieter van de Poel (1654-1710), Arnold Boonen, 1705 vzniklo v roku 1705 a Arnold Boonen sa narodil/a v roku 1669.

Ktorých desať najznámejších obrazov má Arnold Boonen?Odhaľte odpoveď

Portrait of Pieter van de Poel (1654-1710), Arnold Boonen, 1705, Portrait of Nicolaas Listingh (1630-1705), Portrait of Anna Elisabeth Versijl (1686-1763), Portrait of a lady, Portrait of an unknown woman, Portrait of an Unknown Princess, Portrait of an Unknown Prince, Portrait of the physician and poet David van Hoogstraten (1658-1724), Regents of the Spinner's and New Workhouse, 1699 a Portrait of Johann Adolf von Plettenberg (ca. 1656-1697), Herr zu Lenhausen. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko obrazov zanechal umenec Arnold Boonen?Odhaľte odpoveď

Náš katalóg obsahuje 55 diel od umelca Arnold Boonen z perioda od 1687 do 1729.

V ktorých múzeách visia majstrovské diela umelca Arnold Boonen?Odhaľte odpoveď

Väčšinou v Amsterdam Museum (Amsterdam), Rijksmuseum (Amsterdam) a Dordrechts Museum (Dordrecht). Tabuľka múzeí vyššie ich všetky uvádza.

V ktorých rokoch vytvoril Arnold Boonen svoje najznámejšie diela?Odhaľte odpoveď

V období 1720s: 15 z 55 diel na tejto stránke bolo vytvorených vtedy, pričom Portrait of Petronella Wilhelmina van Hoorn (1698-1764) z nich.

Aké sú prvé a posledné známe originály od Arnold Boonen?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z Portrait of an unknown woman (1687) a najnovšie z A young boy holding a tambourine, at an arch (1729).

Aké témy si Arnold Boonen najčastejšie vyberal/a?Odhaľte odpoveď

Man (15), Woman (14) a Portrait (9), v rámci 55 diel na tejto stránke.

Ktorú techniku používal(a) Arnold Boonen najčastejšie?Odhaľte odpoveď

Oil On Canvas, pre 28 z 55 diel na tejto stránke.

Do ktorého umeleckého smeru patrí Arnold Boonen?Odhaľte odpoveď

Baroque, podľa originálov na tejto stránke.

Aké diela umelca Arnold Boonen sa nachádzajú v múzeu Amsterdam Museum?Odhaľte odpoveď

Portrait of Nicolaas Listingh (1630-1705), Regents of the Spinner's and New Workhouse, 1699 a Portrait of Cornelia van Strijen (1675-1745): múzeá Amsterdam Museum, Amsterdam uchovávajú 17 z diel na tejto stránke.

Arnold Boonen: život a dielo

Arnold Boonen: Bridging Genre and Grandeur in 18th-Century Dutch Portraiture

Arnold Boonen (1669-1729) emerges from the vibrant tapestry of the Dutch Golden Age as a skilled and subtly influential portrait painter. Born in Dordrecht, a city steeped in artistic tradition, Boonen’s career unfolded across decades, marked by a fascinating evolution from genre scenes to a distinguished focus on formal portraits – particularly those capturing the personalities of Europe's most prominent figures. While not immediately recognized as a revolutionary force, his meticulous technique, astute observation, and ability to imbue even stately subjects with a sense of humanity cemented his position as one of the leading artists of his day, quietly shaping the visual language of Dutch society.

Boonen’s early artistic training was rooted in the workshop of Arnold Verbuis and later refined under Godefried Schalken. These formative experiences instilled within him a strong foundation in genre painting, a style characterized by its depiction of everyday life – often illuminated by candlelight, as evidenced by his early works. This penchant for capturing scenes bathed in soft light, creating an atmosphere of intimacy and drama, would later inform his approach to portraiture. However, Boonen’s artistic trajectory shifted decisively when he encountered encouragement to pursue portrait painting, a field where his talent truly flourished. He quickly demonstrated an aptitude for capturing the likenesses of his subjects with remarkable accuracy and sensitivity.

A Master of Light and Detail

Boonen's technical prowess is immediately apparent in his portraits. He possessed an exceptional eye for color, meticulously blending hues to achieve a luminous quality that brought his subjects to life. His compositions were carefully balanced, utilizing light and shadow to sculpt the forms and emphasize key features. Unlike some of his contemporaries who favored overly elaborate or theatrical displays, Boonen’s approach was characterized by restraint and elegance. He skillfully rendered fabrics, textures, and details – from the lace collars of noblewomen to the intricate patterns of court attire – with a level of precision that spoke volumes about his dedication to realism.

A key element of Boonen's style was his ability to capture not just physical likenesses but also the personalities of his subjects. He wasn’t merely reproducing appearances; he sought to convey character, mood, and even subtle expressions. This is particularly evident in his portraits of Peter the Great, a commission that showcased his talent for portraying powerful figures with both authority and a hint of human vulnerability. His ability to translate complex political and social dynamics into visual form made him highly sought after by European courts.

Notable Portraits and Influences

Boonen’s most celebrated works include portraits of prominent figures such as Margaretha van de Eeckhout, the wife of Pieter van de Poel, and Jan van Huysum, a renowned organist. These paintings demonstrate his mastery of capturing the elegance and sophistication of 18th-century Dutch society. The portrait of Margaretha van de Eeckhout, in particular, is notable for its dramatic lighting and evocative portrayal of the subject’s personality. Similarly, Boonen's depiction of Jan van Huysum showcases his ability to render intricate details with remarkable skill – from the musician’s instruments to the folds of his clothing.

Boonen was influenced by a number of artists, including Godefried Schalken, whose style he initially adopted. However, he quickly developed his own distinctive voice, blending genre painting techniques with refined portraiture. His work also reflects the influence of other Dutch masters, such as Rembrandt van Rijn and Frans Hals, particularly in his use of light and shadow and his ability to capture the essence of his subjects.

Legacy and Historical Significance

Despite not achieving widespread fame during his lifetime, Arnold Boonen’s contribution to Dutch portraiture is undeniable. He played a crucial role in shaping the visual culture of the 18th century, providing portraits for European royalty, nobility, and prominent citizens. His meticulous technique, astute observation, and ability to capture both physical likenesses and personalities made him one of the most sought-after artists of his day.

Boonen’s legacy endures through his surviving works, which are now housed in museums and private collections around the world. His paintings offer a valuable glimpse into the lives and times of 18th-century Europe, revealing the elegance, sophistication, and political complexities of the era. He stands as a testament to the enduring power of portraiture – not merely as a means of recording likenesses, but as a vehicle for conveying character, status, and ultimately, the human spirit.