Обновлено Октябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 37 работ Марлен Дюма в нашем каталоге
In short
To the gallery's eye, Марлен Дюма's most famous painting is The Painter (1994). The Accident (1986) and Young Boy (Blue Body) (2008) complete the trio every eye recognises. Of the 37 works by Марлен Дюма in our catalog, the gallery presents the 37 most famous below, each original with its year, its museum and what makes it unique.
Although based on a snapshot of Dumas’s daughter finger painting on a hot summer day, the child in The Painter is far removed from the little girl in the photograph. Dumas intentionally uses an aesthetic of the indistinct; the thinly painted background and the unevenly colored figure—sketchy in part and incomplete at the feet—reveal the artist’s fascination with the expressive qualities of non finito. The abstract, painterly characteristics of the…
In 2015, Marlene Dumas produced Skulls, a work that centers on the stark reality of mortality and death. The painting presents a series of skulls, stripping the human form down to its most essential, skeletal remains. These objects are arranged in a row, stripped of the flesh and identity that once defined them. The subject matter focuses on the inevitability of the end, using the skull as a primary vessel…
Marlene Dumas's "Skulls," painted in 2015, isn’t merely a depiction of mortality; it’s an intensely personal meditation on the fragility of existence, layered with echoes of South African history and the unsettling power of photographic memory. The painting immediately confronts the viewer with a stark arrangement: a row of skulls presented against a muted, almost bleached background—a deliberate choice that amplifies their presence and forces a direct engagement with death’s…
No Interviews, Please1989 · Фондация Серральвеш
12
Big Artists1991 · Амстердамский музей
13
The Last Supper, Marlene Dumas, c. 1985 - c. 19911991
14
Untitled (497)
15
Untitled (672)
16
Untitled (791)
17
Untitled (596)
18
Untitled (572)
19
Untitled (141)
20
Untitled (111)
21
Untitled (497)
22
Untitled (501)
23
Untitled (106)
24
Untitled (690)
25
Untitled (391)
26
Untitled (510)
27
Untitled (438)
28
Untitled (915)
29
Untitled (342)
30
Untitled (987)
31
Untitled (543)
32
Untitled (571)
33
Untitled (101)
34
Oh, Oh, Oh, Not AgainНациональный музей искусств женщин
35
Skulls2015 · Биеннале ди Венеция
36
The Futility of artistic confessionBonnefanten Museum
37
Snowwhite in the wrong StoryBonnefanten Museum
The four subjects that come back most often in these originals, each with its finest example.
6 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы Марлен Дюма | Картины из этого списка |
|---|---|---|---|
 Биеннале ди Венеция |
Venice | 3 | Skulls, Skulls, Skulls |
 Bonnefanten Museum |
Маастрихт | 2 | The Futility of artistic confession, Snowwhite in the wrong Story |
 Баварские государственные живописные коллекции |
Мюнхен | 1 | The Accident |
 Фондация Серральвеш |
Порту | 1 | No Interviews, Please |
 Амстердамский музей |
Амстердам | 1 | Big Artists |
 Национальный музей искусств женщин |
Вашингтон, округ Колумбия | 1 | Oh, Oh, Oh, Not Again |
Pick a decade to see the original that defines it.
Although based on a snapshot of Dumas’s daughter finger painting on a hot summer day, the child in The Painter is far removed from the little girl in the photograph. Dumas intentionally uses an aesthetic of the indistinct; the thinly painted background and the unevenly colored figure—sketchy in part and incomplete at the feet—reveal the artist’s fascination with the expressive qualities of non finito. The abstract, painterly characteristics of the…
In 2015, Marlene Dumas produced Skulls, a work that centers on the stark reality of mortality and death. The painting presents a series of skulls, stripping the human form down to its most essential, skeletal remains. These objects are arranged in a row, stripped of the flesh and identity that once defined them. The subject matter focuses on the inevitability of the end, using the skull as a primary vessel…
The Painter (1994). The Accident (1986) and Young Boy (Blue Body) (2008) come next.
41 years old: The Painter dates from 1994, and Марлен Дюма was born in 1953.
The Painter, The Accident, Young Boy (Blue Body), Untitled (675), Untitled (830), Untitled (347), Untitled (681), Untitled (807), Skulls и Skulls. The ranking above gives each one's year and museum.
Our catalog holds 37 works by Марлен Дюма, dated from 1986 to 2015.
Mostly in Биеннале ди Венеция (Venice), Bonnefanten Museum (Маастрихт) и Баварские государственные живописные коллекции (Мюнхен). The museum table above lists them all.
In 1990s: 3 of the 37 works on this page were made then, The Painter among them.
On this page, the earliest is The Accident (1986) and the latest Skulls (2015).
Portraiture (5), Human form (4) и Emotional portrait (2), across the 37 works on this page.
Acrylic On Canvas, for 2 of the 37 works on this page.
Contemporary realism, judging by the originals on this page.
Skulls, Skulls и Skulls: the Биеннале ди Венеция, Venice holds 3 of the works on this page.
