Портрет Thomas Barber

33 самых известных картин Thomas Barber: подборка галереи

Обновлено Ноябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 45 работ Thomas Barber в нашем каталоге

Вкратце

Из всех оригинальных работ, оставленных Thomas Barber, самой известной является Self Portrait (1841) из коллекции Nottingham Castle Museum And Art Gallery, Ноттингем. Сразу за ними следуют The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) и Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812). В нашем каталоге представлено 45 работ Thomas Barber; галерея сохранила 33 самых почитаемых в мире произведений, каждое из которых сопровождается датой создания, информацией о музее и своей историей.

1771 – 1843, Nottingham Neoclassicism Больше всего работ: Nottingham Castle Museum And Art Gallery

10 лучших картин Thomas Barber: выбор галереи

1
Self Portrait (1841) работы Thomas Barber

Self Portrait

1841 · Oil · Nottingham Castle Museum And Art Gallery, Ноттингем

In this 1841 work, we encounter the artist himself, captured in a moment of quiet introspection. The portrait presents a man dressed in the formal attire of the nineteenth century, wearing a dark coat, a crisp white collar, and a tie. A mustache defines his features, lending a sense of maturity and gravity to his expression. It is an intimate study of character, rendered with a precision that suggests a…

2
The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) работы Thomas Barber

The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds)

1784 · Oil On Canvas · Национальный фонд Великобритании, Честерфилд

The subject sits anchored in a sea of dark blues and deep browns. He is a man of middle age, his face etched with the quiet gravity of a life spent in the public eye. Light falls from the upper left, carving the contours of his brow and the sharp lines around his mouth. He holds books against his chest, his hands resting with a heavy, certain stillness. These volumes…

3
Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812) работы Thomas Barber

Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon

1812 · Oil On Canvas

The oil painting titled Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon was executed by the artist Thomas Barber the Elder. This work depicts three children: Alfred Curzon, Francis James Curzon, and Mary Curzon. These subjects are the children of the 2nd Baron Scarsdale and Félicité de Wattines, of Flanders. The figures are presented in a three-quarter length portrait format.

4
Lady Caroline Gordon (1785–1866), Lady Chesham (1814) работы Thomas Barber

Lady Caroline Gordon (1785–1866), Lady Chesham

1814 · Oil On Canvas · Национальный фонд Великобритании, Честерфилд

This oil on canvas portrait, executed in 1814, depicts Lady Caroline Gordon, later known as Lady Chesham. The subject is positioned in a seated posture, facing the viewer with a centered composition that emphasizes the head and upper torso. She is rendered against a dark, indistinct background that provides a high level of contrast to her pale skin and the light-colored fabric of her attire. The lighting is diffused from…

Подборка Thomas Barber продолжается, с 11 по 33

11Francis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850) (1812) работы Thomas BarberFrancis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850)1812 · National Trust 12Lady Anne Margaret Coke, Viscountess Anson (1815) работы Thomas BarberLady Anne Margaret Coke, Viscountess Anson1815 · Shugborough Hall 13The Honourable Anne Margaret Anson, Countess of Rosebery (1815) работы Thomas BarberThe Honourable Anne Margaret Anson, Countess of Rosebery1815 · Shugborough Hall 14General Sir George Anson (1769–1849) (1815) работы Thomas BarberGeneral Sir George Anson (1769–1849)1815 · National Trust 15General Sir William Anson (1772–1847), 1st Bt (1815) работы Thomas BarberGeneral Sir William Anson (1772–1847), 1st Bt1815 · National Trust 16Landscape near Bath (1835) работы Thomas BarberLandscape near Bath1835 · Национальная галерея Ирландии 17Lord Denman (1779–1854) (1833) работы Thomas BarberLord Denman (1779–1854)1833 · Nottingham Castle Museum And Art Gallery 18The Trent at Wilford (1840) работы Thomas BarberThe Trent at Wilford1840 · Nottingham Castle Museum And Art Gallery 19The Reverend John Thomas Becher (1770–1848) работы Thomas BarberThe Reverend John Thomas Becher (1770–1848) 20James Montgomery (1771–1854) работы Thomas BarberJames Montgomery (1771–1854) 21Henry Kirke White, Poet работы Thomas BarberHenry Kirke White, PoetNottingham Castle Museum And Art Gallery 22The Reverend Lewis Sneyd (c.1788–1858) работы Thomas BarberThe Reverend Lewis Sneyd (c.1788–1858)Национальный фонд Великобритании 23Charles Compton Cavendish (1793–1863), 1st Lord Chesham работы Thomas BarberCharles Compton Cavendish (1793–1863), 1st Lord CheshamНациональный фонд Великобритании 24Cecil Brooke Boothby (1813–1883) работы Thomas BarberCecil Brooke Boothby (1813–1883)Национальный фонд Великобритании 25Landscape with Cattle работы Thomas BarberLandscape with CattleReading Public Museum 26Jonathan Dunn работы Thomas BarberJonathan DunnNottingham Castle Museum And Art Gallery 27Joseph Murray (1737–1820) работы Thomas BarberJoseph Murray (1737–1820) 28Reverend Richard Smith работы Thomas BarberReverend Richard SmithНациональный фонд Великобритании 29Benjamin Mayo (c.1779–1843), the Old General работы Thomas BarberBenjamin Mayo (c.1779–1843), the Old General 30Sophia Baillie (1771–1843) работы Thomas BarberSophia Baillie (1771–1843) 31David Love (1750–1827), Ballad Writer работы Thomas BarberDavid Love (1750–1827), Ballad WriterNottingham Castle Museum And Art Gallery 32View across Nottingham Park with Lenton Priory in the Distance работы Thomas BarberView across Nottingham Park with Lenton Priory in the DistanceNottingham Castle Museum And Art Gallery 33Cornelius Smelt (1748–1832), Lieutenant Governor of the Isle of Man (1805–1832) (1826) работы Thomas BarberCornelius Smelt (1748–1832), Lieutenant Governor of the Isle of Man (1805–1832)1826 · Manx Museum

Сюжеты, которые вдохновляли Thomas Barber

Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.

Музеи, в которых хранятся оригиналы работ Thomas Barber

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы Thomas Barber Картины из этого списка
Nottingham Castle Museum And Art Gallery, НоттингемNottingham Castle Museum And Art Gallery Ноттингем 7 Self Portrait, Lord Denman (1779–1854), The Trent at Wilford
Национальный фонд Великобритании, ЧестерфилдНациональный фонд Великобритании Честерфилд 7 The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds), Lady Caroline Gordon (1785–1866), Lady Chesham, Lady Harriet Cavendish (1785–1862), Countess Granville
National Trust, ДербиNational Trust Дерби 2 Mrs Garnett (1724–1809), in the Marble Hall, Francis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850)
Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 Lady Anne Margaret Coke, Viscountess Anson, The Honourable Anne Margaret Anson, Countess of Rosebery
National Trust, MilfordNational Trust Milford 2 General Sir George Anson (1769–1849), General Sir William Anson (1772–1847), 1st Bt
Sheffield City Art Galleries, ШеффилдSheffield City Art Galleries Шеффилд 1 James Montgomery
Royal College of Physicians of London, ЛондонRoyal College of Physicians of London Лондон 1 Matthew Baillie
Национальная галерея Ирландии, ДублинНациональная галерея Ирландии Дублин 1 Landscape near Bath

Thomas Barber по десятилетиям: оригиналы, определяющие каждую эпоху

Произведения по десятилетиям

Выберите десятилетие, чтобы увидеть шедевр, определяющий его.

Вопросы коллекционеров о картинах Thomas Barber

Какая работа Thomas Barber наиболее известна?Узнать ответ

Self Portrait (1841), Nottingham Castle Museum And Art Gallery, Ноттингем. Далее следуют The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) и Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812).

Сколько лет было Thomas Barber, когда была создана работа Self Portrait?Узнать ответ

70 лет: Self Portrait датируется 1841 годом, а Thomas Barber родился в 1771.

Какие десять самых известных картин написал Thomas Barber?Узнать ответ

Self Portrait, The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds), Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon, Lady Caroline Gordon (1785–1866), Lady Chesham, James Montgomery, Mrs Garnett, in the Marble Hall, Mrs Garnett (1724–1809), in the Marble Hall, Matthew Baillie, Matthew Baillie (1761–1823) и Lady Harriet Cavendish (1785–1862), Countess Granville. В рейтинге выше указаны год создания и музей для каждой работы.

Сколько картин оставил(а) Thomas Barber?Узнать ответ

В нашем каталоге представлено 45 работ Thomas Barber, созданных в период с 1784 по 1841.

В каких музеях представлены шедевры Thomas Barber?Узнать ответ

В основном в Nottingham Castle Museum And Art Gallery (Ноттингем), Национальный фонд Великобритании (Честерфилд) и National Trust (Дерби). В таблице выше перечислены все музеи.

В какие годы Thomas Barber написал свои самые известные работы?Узнать ответ

В 1810s: 8 из 33 работ на этой странице были созданы в этот период, Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon из них.

Каковы первые и последние известные оригинальные работы Thomas Barber?Узнать ответ

На этой странице самая ранняя работа датирована The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784), а самая поздняя — Self Portrait (1841).

Какие сюжеты Thomas Barber выбирал чаще всего?Узнать ответ

Portrait (4), Dignified (4) и Formal (4) в 33 работах на этой странице.

Какую технику чаще всего использовал(а) Thomas Barber?Узнать ответ

Oil On Canvas, для 4 из 33 работ на этой странице.

К какому художественному направлению относится Thomas Barber?Узнать ответ

Neoclassicism, судя по оригиналам на этой странице.

Какие работы Thomas Barber представлены в Nottingham Castle Museum And Art Gallery?Узнать ответ

Self Portrait, Lord Denman (1779–1854) и The Trent at Wilford: в коллекции Nottingham Castle Museum And Art Gallery, Ноттингем находится 7 работ со страницы.

Thomas Barber: жизнь и творчество

The Multifaceted Legacy of Thomas Barber

In the vibrant tapestry of the early nineteenth century, few figures embodied the intersection of military discipline and artistic refinement as uniquely as Thomas Barber. Known to many in his era as Barber Beaumont, this remarkable individual led a life that defied simple categorization. Born on December 21, 1774, in the heart of St Marylebone, London, Barber was far more than a mere painter; he was a British army officer, an author, a philanthropist, and a pioneer of miniature portraiture. His journey from the bustling streets of London to the service of royalty and the establishment of significant social institutions reflects a life driven by an unyielding ambition and a profound dedication to both aesthetic beauty and public service.

The artistic soul of Barber was nurtured through a rigorous classical education, which instilled in him a lifelong reverence for historical narrative and neoclassical ideals. Under the influential tutelage of Henry Kirke White, Barber developed a stylistic language characterized by meticulous detail and a dramatic use of light. This training allowed him to navigate the prestigious circles of the Royal Academy's aesthetic, where he mastered the ability to breathe life into both grand historical scenes and intimate portraits. His work often sought to capture the very essence of his subjects, blending the monumental scale of history painting with the delicate, emotive precision required for miniature portraiture.

Mastery of the Miniature and Royal Patronage

While his ambitions reached toward the epic, it was in the intimate realm of miniature painting that Barber achieved his most enduring acclaim. His ability to render the dignity and grace of the aristocracy within a small, exquisitely crafted frame made him a sought-after portraitist for the British elite. Most notably, his role as the miniature painter to the Duke of Clarence—who would later ascend the throne as King William IV—cemented his status within the highest echelons of society. Through these small-scale masterpieces, Barber did not merely record faces; he captured the social standing, character, and enduring legacy of a generation.

His portfolio serves as a window into the Neoclassical era, showcasing a range of subjects that highlight his technical versatility:

  • Lady Caroline Gordon: An 1814 oil portrait that stands as a testament to his ability to convey elegance and wealth through refined brushwork.
  • Henry Kirke White, Poet: A poignant neoclassical portrait that utilizes subtle expression and masterful oil techniques to evoke a sense of remembrance and intellectual status.
  • The Reverend John Thomas Becher: A later work from 1848 that demonstrates his command over dramatic lighting and meticulous detail, reflecting the dignified style of his mature period.

A Life of Service and Entrepreneurial Spirit

Beyond the studio and the battlefield, Barber’s life was defined by a remarkable entrepreneurial spirit and a commitment to social welfare. His experiences as an officer, which included service in South America, provided him with a worldly perspective that informed his later ventures in London. He was not content to remain solely within the realm of fine arts; he applied the same precision found in his paintings to the world of commerce and philanthropy. His involvement in founding insurance offices and his leadership roles in organizations such as the Royal Victoria Rifle Club and the Provident Institution reveal a man deeply invested in the stability and progress of British society.

Ultimately, the historical significance of Thomas Barber lies in this rare synthesis of talents. He was an artist who understood the weight of history, an officer who understood the necessity of order, and a businessman who understood the value of security. Though his name may sometimes be obscured by the alias Beaumont, his contribution to the visual and social fabric of the nineteenth century remains indelible. Through his canvases, we continue to witness the grace of a bygone era, preserved through the eyes of a man who mastered both the brush and the complexities of life itself.