Портрет Сюзанна Валадон

Картины Сюзанна Валадон: 80 самых известных работ, взгляд галереи

Обновлено Ноябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 83 работ Сюзанна Валадон в нашем каталоге

Вкратце

По мнению экспертов галереи, самой известной картиной Сюзанна Валадон является Комната Сизуанны Валадон (1923), оригинал которой находится в Центр Помпиду, Париж. My Son (1896) и Woman with a Double Bass (1908) завершают трио, которое узнает каждый. Из 83 работ Сюзанна Валадон в нашем каталоге ниже представлены 80 самых известных: каждая из них является оригиналом с указанием года создания, музея и уникальных особенностей.

1865 – 1938, Бессин-сюр-Гартамп Post-impressionism Больше всего работ: Центр Помпиду

Топ-10 картин художника Сюзанна Валадон в галерее

1
Комната Сизуанны Валадон (1923) работы Сюзанна Валадон

Комната Сизуанны Валадон

1923 · Масло на холсте · Центр Помпиду, Париж

Шедевр 1923 года, созданный Сюзанной Валадон, представляет собой поразительно современное видение женской наготы, отходя от традиционных академических канонов и предлагая взгляд на меняющуюся роль женщины в обществе после Первой мировой войны. Эта интерьерная сцена, исполненная в смелых тонах, — не просто изображение полулежащей фигуры; это манифест независимости, самопознания и всей сложности современной жизни.

2
My Son (1896) работы Сюзанна Валадон

My Son

1896 · Charcoal

In this intimate study, Suzanne Valadon presents My Son, a work that captures a quiet, private moment from about 1896. The subject is a nude figure, a young man who rests in a relaxed pose. There is a profound sense of familiarity in the way the figure is rendered, suggesting that the model is indeed the artist's own son. This personal connection breathes a sense of vulnerability into the scene,…

4
Bouquet and a Cat (1919) работы Сюзанна Валадон

Bouquet and a Cat

1919 · Oil

A cat sits with a heavy, human-like assurance upon the ground. It is a creature of stillness, its gaze fixed on something unseen just beyond the frame. Beside this silent observer, a vase holds a bouquet of flowers, their colors breathing life into the center of the composition. Two potted plants flank the scene, anchoring the edges of the frame and providing a sense of depth to this intimate corner…

5
Portraits of the Family (1912) работы Сюзанна Валадон

Portraits of the Family

1912 · Oil On Canvas · Музей Орсе, Париж

Four figures occupy a tight, overlapping space, their bodies pressed together as if seeking warmth or perhaps shielding one another from an unseen weight. The air within the frame feels heavy, thick with a psychological tension that pulls the viewer into their shared orbit. An elderly woman gazes out with eyes that seem to carry the weariness of many years, her weathered skin catching the diffuse light. Beside her, a…

8
Nude Reclining on a Sofa (1928) работы Сюзанна Валадон

Nude Reclining on a Sofa

1928 · Oil On Canvas

In this 1928 oil on canvas, a nude woman reclines upon a floral-patterned sofa. She is positioned with her body turned toward the viewer, her legs pulled up and crossed at the knees. This posture creates a natural fold in the abdomen, a physical detail rendered with directness. Her hands hold a hat, an object that introduces a sense of the everyday into the private setting. The light enters from…

9
View from My Window in Genets (Brittany) (1922) работы Сюзанна Валадон

View from My Window in Genets (Brittany)

1922 · Oil On Canvas

This 1922 oil on canvas, titled View from My Window in Genets (Brittany), presents a post-impressionist depiction of a village scene. The composition is balanced, utilizing houses and trees as focal points that guide the viewer's eye into the landscape. Within the scene, several people are scattered throughout the environment; some figures are positioned near the houses, while others are located further away in the distance.

10
My Utrillo at the Age of Nine (1892) работы Сюзанна Валадон

My Utrillo at the Age of Nine

1892 · Charcoal

My Utrillo at the Age of Nine is a charcoal drawing by the artist Suzanne Valadon. Created about 1892, this work presents a portrait of a young boy. The subject is likely Maurice Utrillo at the age of nine. The figure is depicted in a state of repose, captured in a moment of intimacy and vulnerability.

Картины художника Сюзанна Валадон, в рейтинге с 11 по 80

11Self-Portrait (1898) работы Сюзанна ВаладонSelf-Portrait1898 · Музей изящных искусств Хьюстона 12Maurice Utrillo Playing with a Sling Shot (1895) работы Сюзанна ВаладонMaurice Utrillo Playing with a Sling Shot1895 13Woman Preparing for a Bath (1895) работы Сюзанна ВаладонWoman Preparing for a Bath1895 14Utrillo Nude Sitting on a Couch (1895) работы Сюзанна ВаладонUtrillo Nude Sitting on a Couch1895 15Juliet sitting in a chair (1909) работы Сюзанна ВаладонJuliet sitting in a chair1909 16Mother and Daughter After the Bath II (1908) работы Сюзанна ВаладонMother and Daughter After the Bath II1908 17Nu assis sur un canapé (1916) работы Сюзанна ВаладонNu assis sur un canapé1916 18Young Girl Bathing (1919) работы Сюзанна ВаладонYoung Girl Bathing1919 19Nude on a Red Couch (1920) работы Сюзанна ВаладонNude on a Red Couch1920 · Musee du Petit Palais 20Seated Nude with Shawl Carpet (1921) работы Сюзанна ВаладонSeated Nude with Shawl Carpet1921 21Self-Portrait (1918) работы Сюзанна ВаладонSelf-Portrait1918 22Louson and Raminou (1920) работы Сюзанна ВаладонLouson and Raminou1920 23Portrait de Louis Moysés (1924) работы Сюзанна ВаладонPortrait de Louis Moysés1924 24Young Girl in Front of a Window (1930) работы Сюзанна ВаладонYoung Girl in Front of a Window1930 · San Diego Museum of Art 25Nude Sitting on the Edge of a Bed (1929) работы Сюзанна ВаладонNude Sitting on the Edge of a Bed1929 26Portrait of a woman (1934) работы Сюзанна ВаладонPortrait of a woman1934 · Музей Тулуз-Латрик 27Vase of flowers (1922) работы Сюзанна ВаладонVase of flowers1922 · Музей Тулуз-Латрик 28Lilacs and Peonies (1929) работы Сюзанна ВаладонLilacs and Peonies1929 · Метрополитен-музей 29Bouquet of flowers работы Сюзанна ВаладонBouquet of flowersЦентр Помпиду 30The Circus (1889) работы Сюзанна ВаладонThe Circus1889 · Кливлендский музей искусств 31Woman Seated работы Сюзанна ВаладонWoman SeatedPhoenix Art Museum 32La Pedicure работы Сюзанна ВаладонLa PedicureBoca Raton Museum of Art 33André Utter et ses chiens работы Сюзанна ВаладонAndré Utter et ses chiens 34Nude at the Mirror (1909) работы Сюзанна ВаладонNude at the Mirror1909 35After the bath (1908) работы Сюзанна ВаладонAfter the bath1908 36The Bath (1908) работы Сюзанна ВаладонThe Bath1908 37Raminou cat study (1917) работы Сюзанна ВаладонRaminou cat study1917 · Musée Des Beaux 38Fruit bowl (1917) работы Сюзанна ВаладонFruit bowl1917 39Route dans la forêt de Compiègne (1914) работы Сюзанна ВаладонRoute dans la forêt de Compiègne1914 · Musée Fabre 40L'Acrobate, ou La Roue (1916) работы Сюзанна ВаладонL'Acrobate, ou La Roue1916 41Portrait of a Woman (1917) работы Сюзанна ВаладонPortrait of a Woman1917 42Roses in a Vase (1914) работы Сюзанна ВаладонRoses in a Vase1914 43Femme a la Toilette (1913) работы Сюзанна ВаладонFemme a la Toilette1913 44Study of a cat (1918) работы Сюзанна ВаладонStudy of a cat1918 45Flower vase on a round table (1920) работы Сюзанна ВаладонFlower vase on a round table1920 46Two cats (1918) работы Сюзанна ВаладонTwo cats1918 47Raminou sitting on a cloth (1920) работы Сюзанна ВаладонRaminou sitting on a cloth1920 48Portrait of Maurice Utrillo (1921) работы Сюзанна ВаладонPortrait of Maurice Utrillo1921 49Woman Looking at Herself in the Mirror (1920) работы Сюзанна ВаладонWoman Looking at Herself in the Mirror1920 50Louison and Raminou (1920) работы Сюзанна ВаладонLouison and Raminou1920 51Nude on the sofa (1920) работы Сюзанна ВаладонNude on the sofa1920 52Portrait of Monsieur Mori (1922) работы Сюзанна ВаладонPortrait of Monsieur Mori1922 53Nudes (1919) работы Сюзанна ВаладонNudes1919 · Музей искусства Сан-Паулу Ассиса Чьятаубрианда 54Nude with a Striped Blanket (1922) работы Сюзанна ВаладонNude with a Striped Blanket1922 55Miss Lily Walton (1922) работы Сюзанна ВаладонMiss Lily Walton1922 56Gilbert, Nude Fixing Her Hair (1920) работы Сюзанна ВаладонGilbert, Nude Fixing Her Hair1920 57Farm Montcorin (1918) работы Сюзанна ВаладонFarm Montcorin1918 58Nude Woman with Drapery (1919) работы Сюзанна ВаладонNude Woman with Drapery1919 59Spring Flowers (1928) работы Сюзанна ВаладонSpring Flowers1928 · Statens Museum For Kunst 60Self-Portrait (1927) работы Сюзанна ВаладонSelf-Portrait1927 61Reclining nude (1928) работы Сюзанна ВаладонReclining nude1928 · Метрополитен-музей 62Landscape at Saint-Bernard (Ain) (1932) работы Сюзанна ВаладонLandscape at Saint-Bernard (Ain)1932 63Raminou and pitcher with carnations (1932) работы Сюзанна ВаладонRaminou and pitcher with carnations1932 64Andre Utter and His Dogs (1932) работы Сюзанна ВаладонAndre Utter and His Dogs1932 65Nude Seated on a Bed (1929) работы Сюзанна ВаладонNude Seated on a Bed1929 66Still life with white rose (1936) работы Сюзанна ВаладонStill life with white rose1936 67Self-Portrait (1938) работы Сюзанна ВаладонSelf-Portrait1938 68Still life работы Сюзанна ВаладонStill life 69Bouquet de fleurs dans un vase Empire работы Сюзанна ВаладонBouquet de fleurs dans un vase Empire 70L'Etable en Beaujolais работы Сюзанна ВаладонL'Etable en Beaujolais 71Nu à la draperie blanche Nu debout работы Сюзанна ВаладонNu à la draperie blanche Nu debout 72Casting the Net (1914) работы Сюзанна ВаладонCasting the Net1914 · Музей изящных искусств Нанси 73Adam and Eve (1909) работы Сюзанна ВаладонAdam and Eve1909 · Центр Помпиду 74The Abandoned Doll работы Сюзанна ВаладонThe Abandoned DollНациональный музей искусств женщин 75Nu au châle bleu (1930) работы Сюзанна ВаладонNu au châle bleu1930 · Музей Унтерлинден 76Joy of Life (1911) работы Сюзанна ВаладонJoy of Life1911 · Метрополитен-музей 77Portrait of Erik Satie (1892) работы Сюзанна ВаладонPortrait of Erik Satie1892 · Центр Помпиду 78La Couturière (1914) работы Сюзанна ВаладонLa Couturière1914 · Центр Помпиду 79Le Canard работы Сюзанна ВаладонLe CanardЦентр Помпиду 80The Two Bathers (1923) работы Сюзанна ВаладонThe Two Bathers1923 · Musée d'Arts de Nantes

Знаменитые картины Сюзанна Валадон по периодам творчества

Early Modern

1918 – 1920 · 3 работ в этом списке

Сюжеты, которые вдохновляли Сюзанна Валадон

Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.

Музеи, в которых хранятся оригиналы работ Сюзанна Валадон

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы Сюзанна Валадон Картины из этого списка
Центр Помпиду, ПарижЦентр Помпиду Париж 6 Комната Сизуанны Валадон, Bouquet of flowers, Adam and Eve
Метрополитен-музей, Нью-ЙоркМетрополитен-музей Нью-Йорк 3 Lilacs and Peonies, Reclining nude, Joy of Life
Музей Тулуз-Латрик, АльбиМузей Тулуз-Латрик Альби 2 Portrait of a woman, Vase of flowers
Музей Орсе, ПарижМузей Орсе Париж 1 Portraits of the Family
Музей изящных искусств Хьюстона, ХьюстонМузей изящных искусств Хьюстона Хьюстон 1 Self-Portrait
Musee du Petit Palais, GenevaMusee du Petit Palais Geneva 1 Nude on a Red Couch
San Diego Museum of Art, Сан-ДиегоSan Diego Museum of Art Сан-Диего 1 Young Girl in Front of a Window
Кливлендский музей искусств, КливлендКливлендский музей искусств Кливленд 1 The Circus

Сюзанна Валадон, одна знаковая картина в десятилетие

Произведения по десятилетиям

Выберите десятилетие, чтобы увидеть шедевр, определяющий его.

Картины Сюзанна Валадон: ответы галереи

Какая картина Сюзанна Валадон является самой известной из всех?Узнать ответ

Комната Сизуанны Валадон (1923), Центр Помпиду, Париж. Далее следуют My Son (1896) и Woman with a Double Bass (1908).

Сколько лет было Сюзанна Валадон, когда была завершена работа Комната Сизуанны Валадон?Узнать ответ

58 лет: Комната Сизуанны Валадон датируется 1923 годом, а Сюзанна Валадон родился в 1865.

Какие 10 лучших картин принадлежат Сюзанна Валадон?Узнать ответ

Комната Сизуанны Валадон, My Son, Woman with a Double Bass, Bouquet and a Cat, Portraits of the Family, Nude on the Red Sofa (Nu au canapé rouge) - Suzanne Valadon, Female Nude, washing herself, Nude Reclining on a Sofa, View from My Window in Genets (Brittany) и My Utrillo at the Age of Nine. В рейтинге выше указаны год создания и музей для каждой работы.

Сколько работ создал(а) Сюзанна Валадон?Узнать ответ

В нашем каталоге представлено 83 работ Сюзанна Валадон, созданных в период с 1889 по 1938.

Где висят самые известные оригинальные работы Сюзанна Валадон?Узнать ответ

В основном в Центр Помпиду (Париж), Метрополитен-музей (Нью-Йорк) и Музей Тулуз-Латрик (Альби). В таблице выше перечислены все музеи.

Когда Сюзанна Валадон создал свои самые известные картины?Узнать ответ

В 1920s: 25 из 80 работ на этой странице были созданы в этот период, Комната Сизуанны Валадон из них.

Какие из самых известных работ Сюзанна Валадон являются наиболее ранними и наиболее поздними?Узнать ответ

На этой странице самая ранняя работа датирована The Circus (1889), а самая поздняя — Self-Portrait (1938).

К каким сюжетам Сюзанна Валадон обращался чаще всего?Узнать ответ

Woman (17), Nudes (15) и Flowers (11) в 80 работах на этой странице.

В какой технике чаще всего работал(а) Сюзанна Валадон?Узнать ответ

Oil On Canvas, для 17 из 80 работ на этой странице.

С каким направлением связан Сюзанна Валадон?Узнать ответ

Post-impressionism, судя по оригиналам на этой странице.

Какие оригинальные работы Сюзанна Валадон хранятся в Центр Помпиду?Узнать ответ

Комната Сизуанны Валадон, Bouquet of flowers и Adam and Eve: в коллекции Центр Помпиду, Париж находится 6 работ со страницы.

Сюзанна Валадон: художник

A Life Forged in Montmartre: The Trailblazing Art of Suzanne Valadon

Suzanne Valadon, born Marie-Clémentine Valadon in 1865 amidst the rural landscapes of Bénesse-sur-Gartempe, France, carved a singular path through the late 19th and early 20th century art world. Her story is one of remarkable resilience, defying societal constraints and artistic conventions to emerge as a pioneering Post-Impressionist painter. Unlike many of her contemporaries who benefited from formal training and privileged backgrounds, Valadon’s education was born of observation, necessity, and an unwavering spirit. Growing up in poverty with her mother in Montmartre—a district then blossoming into the bohemian heart of Paris—she navigated a life of hardship, taking on various jobs to survive: waitress, factory worker, even a brief stint as a circus acrobat after a fall ended that career path. This early exposure to the vibrant, often gritty realities of Parisian life would profoundly shape her artistic vision. It was within this milieu that she first entered the art world, not as a creator, but as a muse.

From Model to Master: A Unique Artistic Development

For nearly a decade, Valadon worked as an artist’s model, posing for prominent figures like Pierre-Auguste Renoir, Henri de Toulouse-Lautrec, and Edgar Degas. These sessions weren't merely financial transactions; they were immersive lessons in technique, composition, and the artistic process itself. She absorbed knowledge by watching masters at work, studying their methods, and engaging in conversations about art. Toulouse-Lautrec, recognizing her innate talent and striking appearance, encouraged her to pursue drawing, and it was Degas who provided more formal guidance, solidifying her foundational skills. This period of modeling proved pivotal; Valadon wasn’t simply a passive subject but an active observer, dissecting the artistic gaze and internalizing its principles. She began to draw prolifically, initially focusing on scenes from her everyday life—her mother, her son Maurice Utrillo (whose paternity remains uncertain, though Miguel Utrillo later acknowledged him), and intimate domestic settings. Her style quickly developed a distinctive character: bold lines, expressive brushwork, and an unflinching honesty in portraying the human form. She rejected the delicate, idealized depictions of women prevalent at the time, instead offering raw, unvarnished portrayals that captured their strength, vulnerability, and lived experiences. Her early works often depicted scenes from her own life – a laundress’s work, a crowded market, or simply her mother's face – imbued with a remarkable sense of realism and emotional depth.

Challenging Conventions and Embracing Boldness

Valadon’s artistic style is immediately recognizable for its directness and emotional intensity. Her paintings are characterized by a masterful use of line and color, creating compositions that are both visually striking and psychologically compelling. She became particularly renowned for her female nudes, which were revolutionary in their time. Unlike the mythological or allegorical nudes favored by many male artists, Valadon’s figures were often depicted with a sense of realism and psychological depth rarely seen before. She presented women not as objects of desire but as complex individuals with their own thoughts, feelings, and desires. Works like Nu à la draperie blanche (Nude with White Drapery) and Nu debout (Standing Nude) exemplify this approach, showcasing the female body with a frankness that challenged prevailing societal norms. Her subject matter extended beyond nudes to include portraits, still lifes, and landscapes, all imbued with her unique perspective and technical skill. She wasn’t afraid to tackle difficult themes—aging, sexuality, loneliness—with an unflinching gaze. Her use of color was often dramatic and expressive, reflecting the emotional intensity of her subjects. She deliberately avoided the pastel hues favored by many Impressionists, opting instead for bolder, more saturated tones that conveyed a sense of urgency and vitality.

Influences and Artistic Connections

Valadon’s artistic development was profoundly shaped by her diverse experiences and encounters within the Parisian art scene. Her early years as an artist's model provided invaluable exposure to the techniques and philosophies of leading painters like Renoir, Toulouse-Lautrec, and Degas. Degas, in particular, recognized her potential and offered her formal instruction in drawing and etching, significantly enhancing her artistic skills. The influence of Toulouse-Lautrec is particularly evident in her depictions of Parisian nightlife and cabaret scenes – a world she frequented as a model and later as an artist. She also maintained close friendships with other prominent artists of the time, including Erik Satie, whose music deeply influenced her work. Her relationship with Maurice Utrillo, her son by an unknown father, was another significant source of inspiration throughout her life. Valadon’s art reflects a synthesis of these diverse influences – a blend of Impressionistic techniques, Post-Impressionist color palettes, and a distinctly personal vision.

Legacy and Lasting Impact

Suzanne Valadon's achievements extended beyond her artistic innovations. In 1894, she became the first woman painter admitted to the prestigious Société Nationale des Beaux-Arts, a significant milestone in breaking down barriers for female artists. Her work paved the way for future generations of women to pursue their creative ambitions and challenge the male-dominated art world. Art historians like Patricia Mathews have recognized Valadon’s crucial contribution to the Post-Impressionist movement, highlighting her unique perspective and stylistic originality. She is now considered a precursor to feminist art movements, with her honest and empowering depictions of women resonating deeply with contemporary audiences. Her legacy continues to inspire artists today, not only for her technical skill but also for her courage in defying convention and embracing her own artistic vision. Valadon’s story serves as a powerful reminder that true artistry transcends social boundaries and celebrates the diversity of human experience. She died in 1938, leaving behind a body of work that continues to captivate and challenge viewers, solidifying her place as a truly groundbreaking figure in art history.