Портрет Robert Herdman

Картины Robert Herdman: 52 самых известных работ, взгляд галереи

Обновлено Октябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 52 работ Robert Herdman в нашем каталоге

Вкратце

По мнению экспертов галереи, самая известная картина Robert Herdman — это John Campbell Shairp (1819–1885), LLD (1886). The young seamstress (1860) и The Arrochar Gleaner (1862) завершают трио, которое узнает каждый. Из 52 работ Robert Herdman в нашем каталоге ниже представлены 52 самых известных: каждая из них является оригиналом с указанием года создания, музея и уникальных особенностей.

1829 – 1888 Romanticism Больше всего работ: Шотландская национальная портретная галерея

Топ-10 картин художника Robert Herdman в галерее

7
Morning (1861) работы Robert Herdman

Morning

1861

The painting "Morning" by Robert Inerarity Herdman is a beautiful and captivating piece of art that showcases the artist's skill and attention to detail. Created in 1861, this oil on panel painting measures 31 x 23 cm and is currently displayed at the Glasgow Museums Resource Centre in the United Kingdom. Painting Description The painting features a young child wearing a blue hat with a bow on it, holding a…

Картины художника Robert Herdman, в рейтинге с 11 по 52

11Evening (1862) работы Robert HerdmanEvening1862 12'Who still in dreams can hear the heavenly harps' (1862) работы Robert Herdman'Who still in dreams can hear the heavenly harps'1862 13Fern Gatherer (1866) работы Robert HerdmanFern Gatherer1866 14After the Battle (1870) работы Robert HerdmanAfter the Battle1870 · Национальная галерея Шотландии 15Sir Joseph Noel Paton (1821–1901) (1870) работы Robert HerdmanSir Joseph Noel Paton (1821–1901)1870 16Aeneas Ranald McDonell (1820–1897) (1868) работы Robert HerdmanAeneas Ranald McDonell (1820–1897)1868 17David Octavius Hill (1802–1870), RSA (1870) работы Robert HerdmanDavid Octavius Hill (1802–1870), RSA1870 · Royal Scottish Academy of Art - Architecture 18A Fountain Group, South Italy (1868) работы Robert HerdmanA Fountain Group, South Italy1868 19Mary, Queen of Scots The Farewell to France (1867) работы Robert HerdmanMary, Queen of Scots The Farewell to France1867 20Emily Merelina Meymott (1830–1911), Baroness Shand (1867) работы Robert HerdmanEmily Merelina Meymott (1830–1911), Baroness Shand1867 · Национальная галерея Шотландии 21Execution of Mary, Queen of Scots (1867) работы Robert HerdmanExecution of Mary, Queen of Scots1867 22Evening Thoughts (1864) работы Robert HerdmanEvening Thoughts1864 · Национальная галерея Шотландии 23La culla – Study in Italy (1864) работы Robert HerdmanLa culla – Study in Italy1864 · Royal Scottish Academy of Art - Architecture 24Charles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers (1875) работы Robert HerdmanCharles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers1875 25Sir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877) (1877) работы Robert HerdmanSir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877)1877 26C. G. Shaw (1878) работы Robert HerdmanC. G. Shaw1878 · County Buildings 27Sir George Harvey (1806–1876), Artist (1874) работы Robert HerdmanSir George Harvey (1806–1876), Artist1874 · Шотландская национальная портретная галерея 28Sir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903) (1873) работы Robert HerdmanSir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903)1873 29Sir George Harvey (1806–1876), PRSA (1874) работы Robert HerdmanSir George Harvey (1806–1876), PRSA1874 · Royal Scottish Academy of Art - Architecture 30Thomas Carlyle (1876) работы Robert HerdmanThomas Carlyle1876 · The National Trust For Scotland 31Pleasures of Hope (1877) работы Robert HerdmanPleasures of Hope1877 32Lochiel's Warning (1878) работы Robert HerdmanLochiel's Warning1878 33David Laing (1793–1878), Antiquary (1874) работы Robert HerdmanDavid Laing (1793–1878), Antiquary1874 · Шотландская национальная портретная галерея 34A Conventicle Preacher before the Justices (1876) работы Robert HerdmanA Conventicle Preacher before the Justices1876 · Royal Scottish Academy of Art - Architecture 35Sir Theodore Martin (1876) работы Robert HerdmanSir Theodore Martin1876 · Национальная портретная галерея 36Thomas Carlyle (1795–1881) (1875) работы Robert HerdmanThomas Carlyle (1795–1881)1875 · Dumfries Museum And Camera Obscura 37The Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 1561 (1875) работы Robert HerdmanThe Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 15611875 38George Rough (1801–1888), Provost of Dundee (1853–1856) (1882) работы Robert HerdmanGeorge Rough (1801–1888), Provost of Dundee (1853–1856)1882 39Wae's Me (1879) работы Robert HerdmanWae's Me1879 40Alexander Laing, LLD, Newburgh (1885) работы Robert HerdmanAlexander Laing, LLD, Newburgh1885 41Self Portrait (1883) работы Robert HerdmanSelf Portrait1883 42Peter Clouston, Lord Provost of Glasgow (1860–1863) (1883) работы Robert HerdmanPeter Clouston, Lord Provost of Glasgow (1860–1863)1883 43Reverend George S. Burns, Minister of Glasgow Cathedral (1881) работы Robert HerdmanReverend George S. Burns, Minister of Glasgow Cathedral1881 44Sir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880) (1881) работы Robert HerdmanSir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880)1881 45Sir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874) (1882) работы Robert HerdmanSir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874)1882 46Bouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries (1883) работы Robert HerdmanBouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries1883 · Шотландская национальная портретная галерея 47A Sprig of Arran Heather работы Robert HerdmanA Sprig of Arran Heather 48A Pilot работы Robert HerdmanA Pilot 49Saint Columba Rescuing a Captive (1883) работы Robert HerdmanSaint Columba Rescuing a Captive1883 50Corrie, a Crofter's Harvest работы Robert HerdmanCorrie, a Crofter's Harvest 51Sleep работы Robert HerdmanSleepLeeds Art Gallery 52Sir Joseph Noel Paton (1821–1901), RSA работы Robert HerdmanSir Joseph Noel Paton (1821–1901), RSARoyal Scottish Academy of Art - Architecture

Сюжеты, которые вдохновляли Robert Herdman

Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.

Музеи, в которых хранятся оригиналы работ Robert Herdman

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы Robert Herdman Картины из этого списка
Шотландская национальная портретная галерея, ЭдинбургШотландская национальная портретная галерея Эдинбург 5 Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Sir George Harvey (1806–1876), Artist
Royal Scottish Academy of Art - Architecture, ЭдинбургRoyal Scottish Academy of Art - Architecture Эдинбург 5 David Octavius Hill (1802–1870), RSA, La culla – Study in Italy, Sir George Harvey (1806–1876), PRSA
Национальная галерея Шотландии, ЭдинбургНациональная галерея Шотландии Эдинбург 3 After the Battle, Emily Merelina Meymott (1830–1911), Baroness Shand, Evening Thoughts
County Buildings, AyrCounty Buildings Ayr 1 C. G. Shaw
The National Trust For Scotland, EcclesburnThe National Trust For Scotland Ecclesburn 1 Thomas Carlyle
Национальная портретная галерея, ЛондонНациональная портретная галерея Лондон 1 Sir Theodore Martin
Dumfries Museum And Camera Obscura, DumfriesDumfries Museum And Camera Obscura Dumfries 1 Thomas Carlyle (1795–1881)
Leeds Art Gallery, ЛидсLeeds Art Gallery Лидс 1 Sleep

Robert Herdman, одна знаковая картина в десятилетие

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Картины Robert Herdman: ответы галереи

Какая картина Robert Herdman является самой известной из всех?Узнать ответ

John Campbell Shairp (1819–1885), LLD (1886). Далее следуют The young seamstress (1860) и The Arrochar Gleaner (1862).

Сколько лет было Robert Herdman, когда была завершена работа John Campbell Shairp (1819–1885), LLD?Узнать ответ

57 лет: John Campbell Shairp (1819–1885), LLD датируется 1886 годом, а Robert Herdman родился в 1829.

Какие 10 лучших картин принадлежат Robert Herdman?Узнать ответ

John Campbell Shairp (1819–1885), LLD, The young seamstress, The Arrochar Gleaner, Thomas Carlyle (1795–1881), Historian and Essayist, John Tulloch (1823–1886), Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Morning, The Time of Primroses, Bonny Bell и The Gleaner. В рейтинге выше указаны год создания и музей для каждой работы.

Сколько работ создал(а) Robert Herdman?Узнать ответ

В нашем каталоге представлено 52 работ Robert Herdman, созданных в период с 1854 по 1886.

Где висят самые известные оригинальные работы Robert Herdman?Узнать ответ

В основном в Шотландская национальная портретная галерея (Эдинбург), Royal Scottish Academy of Art - Architecture (Эдинбург) и Национальная галерея Шотландии (Эдинбург). В таблице выше перечислены все музеи.

Когда Robert Herdman создал свои самые известные картины?Узнать ответ

В 1870s: 19 из 52 работ на этой странице были созданы в этот период, Thomas Carlyle (1795–1881), Historian and Essayist из них.

Какие из самых известных работ Robert Herdman являются наиболее ранними и наиболее поздними?Узнать ответ

На этой странице самая ранняя работа датирована The Time of Primroses (1854), а самая поздняя — John Campbell Shairp (1819–1885), LLD (1886).

К каким сюжетам Robert Herdman обращался чаще всего?Узнать ответ

Victorian era (3), Portraiture (2) и Elderly man (2) в 52 работах на этой странице.

С каким направлением связан Robert Herdman?Узнать ответ

Romanticism, судя по оригиналам на этой странице.

Какие оригинальные работы Robert Herdman хранятся в Шотландская национальная портретная галерея?Узнать ответ

Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University и Sir George Harvey (1806–1876), Artist: в коллекции Шотландская национальная портретная галерея, Эдинбург находится 5 работ со страницы.

Robert Herdman: художник

A Victorian Visionary: The Life and Legacy of Robert Inerarity Herdman

Robert Inerarity Herdman (1829–1888) stands as a luminous figure within the landscape of nineteenth-century Scottish art, a painter whose brush captured not merely the physical likeness of his subjects but the very soul of the Celtic Revival. Born in the quiet beauty of Rattray, near Blairgowrie, Perthshire, Herdman’s early life was marked by a profound intellectual depth. Though he initially turned his studies toward theology at St Andrews University, the calling of the canvas proved irresistible. This transition from the spiritual study of divinity to the visual exploration of light and form would define his career, allowing him to infuse his later works with a sense of sacredness and mythic resonance that few of his contemporaries could replicate. By 1847, Herdman had migrated to Edinburgh, seeking the mentorship of the era's most distinguished masters, Robert Scott Lauder and John Ballantyne. Under their rigorous tutelage, he developed a meticulous technique characterized by an extraordinary command over oil painting. His training was not merely technical but deeply philosophical; through his friendship with Professor John Stuart Blackie, Herdman became intimately acquainted with the richness of Celtic mythology and folklore. This influence acted as a guiding star for his artistic development, steering him away from mere academic realism toward a more evocative, narrative style that celebrated the pastoral beauty and spiritual heritage of Scotland.

Mastery of Portraiture and the Pastoral Ideal

Herdman’s professional ascent was marked by significant institutional recognition, including his election as an Associate of the Royal Scottish Academy in 1861 and his subsequent elevation to Fellow in 1863. His reputation as a premier portraitist was solidified through prestigious commissions from various Scottish city councils, where he captured the dignity, character, and gravitas of the nation's most prominent figures. In these works, one observes a masterful use of chiaroscuro, where light and shadow dance across the features of his subjects to reveal layers of psychological depth. His portrait of Thomas Carlyle in 1875 remains a hauntingly beautiful study, utilizing heavy impasto and somber tones to embody the intellectual intensity of the great historian. Yet, while his portraits commanded respect in the halls of power, it is perhaps his more intimate, idyllic scenes that have secured his place in the hearts of art lovers. Herdman possessed a unique ability to weave storytelling into the landscape, most notably through his celebrated series of paintings featuring young girls amidst picturesque, folkloric settings. In works such as "Morning", created in 1861, he presents a serene world where a child in a blue hat holds a musical instrument against a backdrop of tranquil mountains and water. These compositions are more than mere depictions of childhood; they are windows into a romanticized, pastoral Eden, reflecting a deep-seated nostalgia for a vanishing way of life.

Historical Significance and Artistic Endurance

The breadth of Herdman’s impact is evidenced by the enduring presence of his work in some of the world's most esteemed collections. From the National Portrait Gallery in London to the Royal Scottish Academy, his canvases continue to serve as vital touchstones for understanding the Victorian era's aesthetic and cultural shifts. His ability to bridge the gap between formal, high-society portraiture and the emotive, myth-driven landscapes of the Celtic movement allowed him to speak to a wide audience, from the political elite to the romantic dreamer. As we reflect on his life, several key elements define his enduring historical importance:
  • The Synthesis of Traditions: His unique ability to blend the rigorous academic training of Edinburgh with the burgeoning spirit of the Celtic Revival.
  • Narrative Depth: The use of landscape not just as a setting, but as a vessel for folklore, emotion, and spiritual contemplation.
  • Technical Versatility: A mastery that spanned from the somber, realistic studies of historical figures to the bright, delicate textures of his pastoral scenes.
Though he passed away in 1888, the vision of Robert Inerarity Herdman remains undimmed. His work continues to resonate as a testament to a period when art sought to reconcile the burgeoning modern world with the ancient, enchanting echoes of the Scottish past.