Портрет Джейкоб Лоуренс

100 самых известных картин Джейкоб Лоуренс: подборка галереи

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Вкратце

Из всех оригинальных работ, оставленных Джейкоб Лоуренс, самой известной является The Library (1960) из коллекции Смитсоновский американский художественный музей, Вашингтон, округ Колумбия. Сразу за ними следуют Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) и Bar and Grill (1941). В нашем каталоге представлено 157 работ Джейкоб Лоуренс; галерея сохранила 100 самых почитаемых в мире произведений, каждое из которых сопровождается датой создания, информацией о музее и своей историей.

1917 – 2000, Атлантик-Сити Больше всего работ: The Phillips Collection

10 лучших картин Джейкоб Лоуренс: выбор галереи

1
The Library (1960) работы Джейкоб Лоуренс

The Library

1960 · Tempera · Смитсоновский американский художественный музей, Вашингтон, округ Колумбия

In the vibrant tapestry of twentieth-century American art, few works capture the pulse of communal aspiration as poignantly as Jacob Lawrence’s “The Library.” Completed in 1960, this masterpiece serves as much more than a mere depiction of a reading room; it is a profound window into the enduring spirit of the Harlem Renaissance. As one gazes upon the canvas, they are immediately swept into a bustling sanctuary of knowledge, where…

2
Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) работы Джейкоб Лоуренс

Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas

1989 · Painting · SCAD Museum of Art, Саванна

To stand before a piece from Jacob Lawrence’s Genesis Creation Sermon series is to be enveloped in a vibrant confluence of scripture, social history, and raw artistic energy. This particular panel, depicting "And God Created All the Fowls of the Air and Fishes of the Seas," transcends mere religious illustration; it is a monumental cultural document rendered in paint. Lawrence, whose life story was so deeply intertwined with the evolving…

3
Bar and Grill (1941) работы Джейкоб Лоуренс

Bar and Grill

1941 · Painting · Смитсоновский американский художественный музей, Вашингтон, округ Колумбия

Jacob Lawrence’s powerful 1941 work, "Bar and Grill," is far more than a mere depiction of an American social scene; it is a searing document etched in paint, capturing the suffocating reality of Jim Crow segregation. The painting plunges the viewer into the interior of a café, yet the atmosphere is anything but convivial. Lawrence masterfully uses composition to confront us with the visible, yet deeply ingrained, artificiality of racial…

4
Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies (1989) работы Джейкоб Лоуренс

Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies

1989 · Painting · SCAD Museum of Art, Саванна

In the profound depths of Jacob Lawrence’s 1989 masterpiece, Genesis Creation Sermon IV: And God Created the Day and the Night and God Created and Put Stars in the Skies, we find a breathtaking intersection between the divine and the earthly. This work is not merely a depiction of a biblical event; it is a visceral, rhythmic experience that captures the very moment light pierces the darkness. Lawrence, a master…

6
Taboo (1963) работы Джейкоб Лоуренс

Taboo

1963 · Painting · Филадельфийский музей искусства, Филадельфия

In 1963, Jacob Lawrence presented Taboo, a work that speaks with a clarity that belies its heavy subject matter. The painting captures two pairs of newlyweds, posed with the formal dignity of a traditional wedding portrait. On one side, a Black bride stands beside a white groom; on the other, the roles are reversed. They are dressed in full wedding regalia, their presence a calm assertion of existence in a…

7
Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters (1989) работы Джейкоб Лоуренс

Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters

1989 · Oil On Canvas · SCAD Museum of Art, Саванна

Jacob Lawrence’s Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters is far more than a depiction of biblical scripture; it is a vibrant, deeply personal sermon rendered in paint. Inspired by the powerful oratory of Rev. Adam Clayton Powell Sr., this work channels the electrifying energy of Harlem’s cultural heart into an epic moment of cosmic genesis. The scene pulses with divine activity, capturing that…

8
Tombstones (1942) работы Джейкоб Лоуренс

Tombstones

In the somber, evocative landscape of Jacob Lawrence’s 1942 masterpiece, Tombstones, we are invited into a profound visual dialogue between life and death. Painted during the turbulent era following Pearl Harbor, this work serves as much more than a mere depiction of a graveyard; it is a soulful testament to the collective experience of African Americans in Harlem. Lawrence, a master of narrative storytelling, utilizes his signature dynamic cubism to…

9
War Series: The Letter (1946) работы Джейкоб Лоуренс

War Series: The Letter

1946 · Acrylic On Canvas · Музей американского искусства Уитни, Нью-Йорк

Jacob Lawrence’s “The Letter,” part of his monumental “War Series” created in 1946, is not merely a depiction of sorrow; it’s an embodiment of profound human experience distilled into its most potent form. This work, rendered with the artist's signature flattened planes and stark geometry, immediately commands attention with its emotionally charged atmosphere. The central figure, hunched and isolated within a confined space, speaks volumes about the devastating impact of…

10
Migration Series No.57: The female workers were the last to arrive north (1941) работы Джейкоб Лоуренс

Migration Series No.57: The female workers were the last to arrive north

1941 · Tempera On Panel · The Phillips Collection, Вашингтон, округ Колумбия

A single, vertical line of reddish-brown cuts through the center of the frame, acting as a steady axis for the scene. Around this pole, the world feels flattened and heavy, composed of large, overlapping geometric planes that strip away unnecessary detail to reveal the essence of a moment. A figure, draped in a white cloth that obscures the face, leans into the work. Only dark hands are visible, gripping the…

Подборка Джейкоб Лоуренс продолжается, с 11 по 100

11Genesis Creation Sermon VIII: And Creation Was Done and All Was Well (1989) работы Джейкоб ЛоуренсGenesis Creation Sermon VIII: And Creation Was Done and All Was Well1989 · SCAD Museum of Art 12Migration Series No.39: Railroad platforms were piled high with luggage (1941) работы Джейкоб ЛоуренсMigration Series No.39: Railroad platforms were piled high with luggage1941 · The Phillips Collection 13Genesis Creation Sermon I: In the Beginning All Was Void (1989) работы Джейкоб ЛоуренсGenesis Creation Sermon I: In the Beginning All Was Void1989 · SCAD Museum of Art 14Genesis Creation Sermon VI: And God Created All the Beasts of the Earth (1989) работы Джейкоб ЛоуренсGenesis Creation Sermon VI: And God Created All the Beasts of the Earth1989 · SCAD Museum of Art 15Genesis Creation Sermon VII: And God Created Man and Woman (1989) работы Джейкоб ЛоуренсGenesis Creation Sermon VII: And God Created Man and Woman1989 · SCAD Museum of Art 16Migration Series No.23: The migration spread (1941) работы Джейкоб ЛоуренсMigration Series No.23: The migration spread1941 · The Phillips Collection 17Migration Series No.31: The migrants found improved housing when they arrived north (1941) работы Джейкоб ЛоуренсMigration Series No.31: The migrants found improved housing when they arrived north1941 · The Phillips Collection 18Migration Series No.37: Many migrants found work in the steel industry (1941) работы Джейкоб ЛоуренсMigration Series No.37: Many migrants found work in the steel industry1941 · The Phillips Collection 19Migration Series No.59: In the North they had the freedom to vote (1941) работы Джейкоб ЛоуренсMigration Series No.59: In the North they had the freedom to vote1941 · The Phillips Collection 20The Migration Series, Panel no. 13: The crops were left to dry and rot.  There was no one to tend them. работы Джейкоб ЛоуренсThe Migration Series, Panel no. 13: The crops were left to dry and rot. There was no one to tend them.The Phillips Collection 21Genesis Creation Sermon III: And God Said (1989) работы Джейкоб ЛоуренсGenesis Creation Sermon III: And God Said1989 · SCAD Museum of Art 22The Migration Series, Panel no. 57: The female workers were the last to arrive north. работы Джейкоб ЛоуренсThe Migration Series, Panel no. 57: The female workers were the last to arrive north.The Phillips Collection 23The Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live. работы Джейкоб ЛоуренсThe Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live.The Phillips Collection 24The Card Game (1953) работы Джейкоб ЛоуренсThe Card Game1953 · SCAD Museum of Art 25The Wedding (1948) работы Джейкоб ЛоуренсThe Wedding1948 · Институт искусств Чикаго 26Migration Series No.49: They found discrimination in the North. It was a different kind (1941) работы Джейкоб ЛоуренсMigration Series No.49: They found discrimination in the North. It was a different kind1941 27Migration Series No.45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North (1941) работы Джейкоб ЛоуренсMigration Series No.45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North1941 28Migration Series No.43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live (1941) работы Джейкоб ЛоуренсMigration Series No.43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live1941 29Migration Series No.35: They left the South in great numbers. They arrived in the North in great numbers (1941) работы Джейкоб ЛоуренсMigration Series No.35: They left the South in great numbers. They arrived in the North in great numbers1941 30Migration Series No.33: Letters from relatives in the North told of the better life there (1941) работы Джейкоб ЛоуренсMigration Series No.33: Letters from relatives in the North told of the better life there1941 31Migration Series No.29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries (1941) работы Джейкоб ЛоуренсMigration Series No.29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries1941 32Migration Series No.28: The labor agent sent south by northern industry was a familiar presence in the Black communities (1941) работы Джейкоб ЛоуренсMigration Series No.28: The labor agent sent south by northern industry was a familiar presence in the Black communities1941 33Migration Series No.17: Tenant farmers received harsh treatment at the hands of the planter (1941) работы Джейкоб ЛоуренсMigration Series No.17: Tenant farmers received harsh treatment at the hands of the planter1941 34Migration Series No.14: For African Americans there was no justice in the southern courts (1941) работы Джейкоб ЛоуренсMigration Series No.14: For African Americans there was no justice in the southern courts1941 35Painting the Bilges (1944) работы Джейкоб ЛоуренсPainting the Bilges1944 36Watchmaker (1946) работы Джейкоб ЛоуренсWatchmaker1946 37Cabinet Makers (1946) работы Джейкоб ЛоуренсCabinet Makers1946 38Sedation (1950) работы Джейкоб ЛоуренсSedation1950 39Vaudeville (1951) работы Джейкоб ЛоуренсVaudeville1951 40...if we fail, let us fail like men, and expire together in one common strugge... -Henry Clay, 1813 (1956) работы Джейкоб Лоуренс...if we fail, let us fail like men, and expire together in one common strugge... -Henry Clay, 18131956 41The Cue and the Ball (1956) работы Джейкоб ЛоуренсThe Cue and the Ball1956 42Pool (1954) работы Джейкоб ЛоуренсPool1954 43Street Shadows (1959) работы Джейкоб ЛоуренсStreet Shadows1959 44Through Forest, Through Rivers, Up Mountains (1967) работы Джейкоб ЛоуренсThrough Forest, Through Rivers, Up Mountains1967 45Struggle Series - No. 10: Washington Crossing the Delaware (1954) работы Джейкоб ЛоуренсStruggle Series - No. 10: Washington Crossing the Delaware1954 · Метрополитен-музей 46...is life so dear or peace so sweet as to be purchased at the prices of chains and slavery? Patrick Henry-1775 (1955) работы Джейкоб Лоуренс...is life so dear or peace so sweet as to be purchased at the prices of chains and slavery? Patrick Henry-17751955 47The Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain. работы Джейкоб ЛоуренсThe Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain.The Phillips Collection 48The Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them. работы Джейкоб ЛоуренсThe Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them.The Phillips Collection 49The Migration Series, Panel no. 21: Families arrived at the station very early.  They did not wish to miss their trains north. работы Джейкоб ЛоуренсThe Migration Series, Panel no. 21: Families arrived at the station very early. They did not wish to miss their trains north.The Phillips Collection 50Frederick Douglass listened to William Lloyd Garrison denounce slavery работы Джейкоб ЛоуренсFrederick Douglass listened to William Lloyd Garrison denounce slavery 51Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers работы Джейкоб ЛоуренсRace riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers 52Migration Series No.58: In the North the African American had more educational opportunities (1941) работы Джейкоб ЛоуренсMigration Series No.58: In the North the African American had more educational opportunities1941 53Migration Series No.55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose (1941) работы Джейкоб ЛоуренсMigration Series No.55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose1941 54Migration Series No.54: For the migrants, the church was the center of life (1941) работы Джейкоб ЛоуренсMigration Series No.54: For the migrants, the church was the center of life1941 55Migration Series No.53: African Americans, long-time residents of northern cities, met the migrants with aloofness and disdain (1941) работы Джейкоб ЛоуренсMigration Series No.53: African Americans, long-time residents of northern cities, met the migrants with aloofness and disdain1941 56Migration Series No.51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes (1941) работы Джейкоб ЛоуренсMigration Series No.51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes1941 57Migration Series No.47: As the migrant population grew, good housing became scarce. Workers were forced to live in overcrowded and dilapidated tenement houses (1941) работы Джейкоб ЛоуренсMigration Series No.47: As the migrant population grew, good housing became scarce. Workers were forced to live in overcrowded and dilapidated tenement houses1941 58Migration Series No.46: Industries boarded their workers in unhealthy quarters. Labor camps were numerous (1941) работы Джейкоб ЛоуренсMigration Series No.46: Industries boarded their workers in unhealthy quarters. Labor camps were numerous1941 59Migration Series No.44: But living conditions were better in the North (1941) работы Джейкоб ЛоуренсMigration Series No.44: But living conditions were better in the North1941 60Migration Series No.42: To make it difficult for the migrants to leave, they were arrested en masse. They often missed their trains (1941) работы Джейкоб ЛоуренсMigration Series No.42: To make it difficult for the migrants to leave, they were arrested en masse. They often missed their trains1941 61Migration Series No.41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy (1941) работы Джейкоб ЛоуренсMigration Series No.41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy1941 62Migration Series No.30: In every southern home people met to decide whether or not to go north (1941) работы Джейкоб ЛоуренсMigration Series No.30: In every southern home people met to decide whether or not to go north1941 63Migration Series No.27: Many men stayed behind until they could take their families north with them (1941) работы Джейкоб ЛоуренсMigration Series No.27: Many men stayed behind until they could take their families north with them1941 64Migration Series No.25: They left their homes. Soon some communities were left almost empty (1941) работы Джейкоб ЛоуренсMigration Series No.25: They left their homes. Soon some communities were left almost empty1941 65Migration Series No.22: Migrants left. They did not feel safe. It was not wise to be found on the streets late at night. They were arrested on the slightest provocation (1941) работы Джейкоб ЛоуренсMigration Series No.22: Migrants left. They did not feel safe. It was not wise to be found on the streets late at night. They were arrested on the slightest provocation1941 66Migration Series No.21: Families arrived at the station very early. They did not wish to miss their trains north (1941) работы Джейкоб ЛоуренсMigration Series No.21: Families arrived at the station very early. They did not wish to miss their trains north1941 67Migration Series No.19: There had always been discrimination (1941) работы Джейкоб ЛоуренсMigration Series No.19: There had always been discrimination1941 · The Phillips Collection 68Migration Series No.15: There were lynchings (1941) работы Джейкоб ЛоуренсMigration Series No.15: There were lynchings1941 · The Phillips Collection 69Migration Series No.13: The crops were left to dry and rot. There was no one to tend them (1941) работы Джейкоб ЛоуренсMigration Series No.13: The crops were left to dry and rot. There was no one to tend them1941 70Migration Series No.9: They left because the boll weevil had ravaged the cotton crop (1941) работы Джейкоб ЛоуренсMigration Series No.9: They left because the boll weevil had ravaged the cotton crop1941 · The Phillips Collection 71Migration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery (1941) работы Джейкоб ЛоуренсMigration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery1941 72Migration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages (1941) работы Джейкоб ЛоуренсMigration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages1941 73Migration Series No.3: From every southern town migrants left by the hundreds to travel north (1941) работы Джейкоб ЛоуренсMigration Series No.3: From every southern town migrants left by the hundreds to travel north1941 74Migration Series No.1: During World War I there was a great migration north by southern African Americans (1941) работы Джейкоб ЛоуренсMigration Series No.1: During World War I there was a great migration north by southern African Americans1941 75Bar and Grill (1941) работы Джейкоб ЛоуренсBar and Grill1941 · Смитсоновский американский художественный музей 76Harriet Tubman Series (Panel -4) (1940) работы Джейкоб ЛоуренсHarriet Tubman Series (Panel -4)1940 · Hampton University Museum 77When It Is Warm the Parks Are Filled with People (1943) работы Джейкоб ЛоуренсWhen It Is Warm the Parks Are Filled with People1943 78This is Harlem (1943) работы Джейкоб ЛоуренсThis is Harlem1943 79Captain Skinner (1944) работы Джейкоб ЛоуренсCaptain Skinner1944 80War Series: Shipping Out (1947) работы Джейкоб ЛоуренсWar Series: Shipping Out1947 · Музей американского искусства Уитни 81War Series: Prayer (1947) работы Джейкоб ЛоуренсWar Series: Prayer1947 · Музей американского искусства Уитни 82African Gold Miners (1946) работы Джейкоб ЛоуренсAfrican Gold Miners1946 83Defeat (1954) работы Джейкоб ЛоуренсDefeat1954 84I alarmed almost every house till I got to Lexington-Paul Revere (1954) работы Джейкоб ЛоуренсI alarmed almost every house till I got to Lexington-Paul Revere1954 85Trappers (1956) работы Джейкоб ЛоуренсTrappers1956 86Victory and Defeat (1955) работы Джейкоб ЛоуренсVictory and Defeat1955 87We, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility (1955) работы Джейкоб ЛоуренсWe, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility1955 88...for freedom we want and will have, for we have served this cruel land long enuff... -a Georgia slave, 1810 (1956) работы Джейкоб Лоуренс...for freedom we want and will have, for we have served this cruel land long enuff... -a Georgia slave, 18101956 89I cannot speak sufficiently in praise of the firmness and deliberation with which my whole line received their approach... -Andrew Jackson, New Orleans, 1815 (1956) работы Джейкоб ЛоуренсI cannot speak sufficiently in praise of the firmness and deliberation with which my whole line received their approach... -Andrew Jackson, New Orleans, 18151956 90Untitled (D2X9VM) (1955) работы Джейкоб ЛоуренсUntitled (D2X9VM)1955 91Thousands of American citizens have been torn from their country and from everying dear to them: they have been dragged on board ships of ward of a foreign nation. -Madison, 1 June 1812 (1956) работы Джейкоб ЛоуренсThousands of American citizens have been torn from their country and from everying dear to them: they have been dragged on board ships of ward of a foreign nation. -Madison, 1 June 18121956 92120.9.14.286.9.33-ton 290.9.27 be at 153.9.28.110.8.17.255.9.29 evening 178.9.8... -an informer's coded message (1955) работы Джейкоб Лоуренс120.9.14.286.9.33-ton 290.9.27 be at 153.9.28.110.8.17.255.9.29 evening 178.9.8... -an informer's coded message1955 93Listen, Father! The Americans have not yet defeated us by land; neither are we sure they have done so by water--we therefore wish to remain here and fight our enemy... Tecumseh to the British, Tippecanoe, 1811 (1956) работы Джейкоб ЛоуренсListen, Father! The Americans have not yet defeated us by land; neither are we sure they have done so by water--we therefore wish to remain here and fight our enemy... Tecumseh to the British, Tippecanoe, 18111956 94Fulton and Nostrand (1958) работы Джейкоб ЛоуренсFulton and Nostrand1958 · Кливлендский музей искусств 95Fruits and Vegetables (1959) работы Джейкоб ЛоуренсFruits and Vegetables1959 · Художественный музей Цинциннати 96The Visitors (1959) работы Джейкоб ЛоуренсThe Visitors1959 · Далласский музей искусств 97Magic Man (1958) работы Джейкоб ЛоуренсMagic Man1958 98Parade (1960) работы Джейкоб ЛоуренсParade1960 99Pool Parlor (1942) работы Джейкоб ЛоуренсPool Parlor1942 100Firewood 55 (1942) работы Джейкоб ЛоуренсFirewood 551942

Знаменитые картины Джейкоб Лоуренс по периодам творчества

Сюжеты, которые вдохновляли Джейкоб Лоуренс

Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.

Музеи, в которых хранятся оригиналы работ Джейкоб Лоуренс

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы Джейкоб Лоуренс Картины из этого списка
The Phillips Collection, Вашингтон, округ КолумбияThe Phillips Collection Вашингтон, округ Колумбия 35 Migration Series No.11: Food had doubled in price because of the war, Migration Series No.57: The female workers were the last to arrive north, Migration Series No.39: Railroad platforms were piled high with luggage
SCAD Museum of Art, СаваннаSCAD Museum of Art Саванна 10 Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas, Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies, Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters
Музей американского искусства Уитни, Нью-ЙоркМузей американского искусства Уитни Нью-Йорк 4 Tombstones, War Series: The Letter, War Series: Shipping Out
Смитсоновский американский художественный музей, Вашингтон, округ КолумбияСмитсоновский американский художественный музей Вашингтон, округ Колумбия 3 The Library, Bar and Grill, Bar and Grill
Филадельфийский музей искусства, ФиладельфияФиладельфийский музей искусства Филадельфия 1 Taboo
Институт искусств Чикаго, ЧикагоИнститут искусств Чикаго Чикаго 1 The Wedding
Метрополитен-музей, Нью-ЙоркМетрополитен-музей Нью-Йорк 1 Struggle Series - No. 10: Washington Crossing the Delaware
Hampton University Museum, HamptonHampton University Museum Hampton 1 Harriet Tubman Series (Panel -4)

Джейкоб Лоуренс по десятилетиям: оригиналы, определяющие каждую эпоху

Произведения по десятилетиям

Выберите десятилетие, чтобы увидеть шедевр, определяющий его.

Вопросы коллекционеров о картинах Джейкоб Лоуренс

Какая работа Джейкоб Лоуренс наиболее известна?Узнать ответ

The Library (1960), Смитсоновский американский художественный музей, Вашингтон, округ Колумбия. Далее следуют Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) и Bar and Grill (1941).

Сколько лет было Джейкоб Лоуренс, когда была создана работа The Library?Узнать ответ

43 лет: The Library датируется 1960 годом, а Джейкоб Лоуренс родился в 1917.

Какие десять самых известных картин написал Джейкоб Лоуренс?Узнать ответ

The Library, Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas, Bar and Grill, Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies, Migration Series No.11: Food had doubled in price because of the war, Taboo, Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters, Tombstones, War Series: The Letter и Migration Series No.57: The female workers were the last to arrive north. В рейтинге выше указаны год создания и музей для каждой работы.

Сколько картин оставил(а) Джейкоб Лоуренс?Узнать ответ

В нашем каталоге представлено 157 работ Джейкоб Лоуренс, созданных в период с 1940 по 1989.

В каких музеях представлены шедевры Джейкоб Лоуренс?Узнать ответ

В основном в The Phillips Collection (Вашингтон, округ Колумбия), SCAD Museum of Art (Саванна) и Музей американского искусства Уитни (Нью-Йорк). В таблице выше перечислены все музеи.

В какие годы Джейкоб Лоуренс написал свои самые известные работы?Узнать ответ

В 1940s: 56 из 100 работ на этой странице были созданы в этот период, Bar and Grill из них.

Каковы первые и последние известные оригинальные работы Джейкоб Лоуренс?Узнать ответ

На этой странице самая ранняя работа датирована Harriet Tubman Series (Panel -4) (1940), а самая поздняя — Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989).

Какие сюжеты Джейкоб Лоуренс выбирал чаще всего?Узнать ответ

People (8), Harlem renaissance (6) и Figures (6) в 100 работах на этой странице.

Какую технику чаще всего использовал(а) Джейкоб Лоуренс?Узнать ответ

Painting, для 10 из 100 работ на этой странице.

Какие работы Джейкоб Лоуренс представлены в The Phillips Collection?Узнать ответ

Migration Series No.11: Food had doubled in price because of the war, Migration Series No.57: The female workers were the last to arrive north и Migration Series No.39: Railroad platforms were piled high with luggage: в коллекции The Phillips Collection, Вашингтон, округ Колумбия находится 16 работ со страницы.

Джейкоб Лоуренс: жизнь и творчество

A Life Painted in Story: The World of Jacob Lawrence

Jacob Armstead Lawrence, born September 7, 1917, in Atlantic City, New Jersey, was far more than just an artist; he was a chronicler of his people’s journey—a visual storyteller whose work profoundly shaped the landscape of American art. His life unfolded as a vibrant tapestry woven with threads of displacement, resilience, and unwavering commitment to social justice. Following his parents' divorce in 1924, Lawrence experienced a childhood marked by constant movement, finding temporary refuge in foster homes before finally settling with his mother in Harlem during the exhilarating era of the Harlem Renaissance. This immersion into the heart of Black culture became the very foundation upon which he built his artistic vision—a fusion of African-American experience and modern sensibilities. It was within the bustling streets and communal spirit of Harlem that Lawrence first encountered art, enrolling in classes at Utopia Children’s House and later studying under the guidance of Charles Alston at the Harlem Art Workshop – a pivotal step on his path to becoming a powerful voice through visual narrative.

Dynamic Cubism: A Style Forged from Experience

Lawrence didn't simply adopt artistic styles; he meticulously crafted his own, famously describing it as “dynamic cubism.” This wasn’t a mere imitation of European avant-garde movements but rather a deeply personal synthesis—a unique blend of modernist principles and the lived realities of his community. Inspired by the bold colors and flattened forms of African sculpture – art that prioritized narrative and social commentary – and the vibrant murals of Mexican artists, Lawrence developed a visual language characterized by strong, simplified shapes, a rich palette of colors, and a deliberate rejection of traditional perspective. This wasn’t simply an aesthetic choice; it was a conscious effort to distill the essence of his subjects, capturing their emotions and experiences with immediacy and accessibility. He sought not to replicate reality in its entirety but to reveal its spirit—the soul of a people and their history. His paintings are imbued with a sense of urgency and directness, inviting viewers into the heart of the stories he was telling.

The Migration Series: A Monumental Chronicle

Lawrence’s most celebrated achievement is undoubtedly *The Migration Series*, a monumental undertaking that spanned sixty panels and chronicled the Great Migration—the mass movement of African Americans from the rural South to the industrial North between 1916 and 1970. Beginning in 1940-41, this ambitious project transformed Lawrence into an overnight sensation, catapulting him to national recognition and securing his place as a leading figure in American art. The series isn’t merely a historical record; it's a deeply emotional exploration of the hopes, fears, and struggles faced by those who embarked on this transformative journey. Each panel is meticulously rendered, filled with symbolic imagery and carefully chosen details that convey the complexities of their experiences. Lawrence masterfully captured the spirit of resilience, determination, and the yearning for a better life—a testament to the enduring strength of the African-American community. The series’ impact was immediate and profound, influencing generations of artists and sparking critical conversations about race, migration, and social justice.

Beyond the Migration: Portraits of People and Places

While *The Migration Series* remains his most iconic work, Lawrence's artistic output extended far beyond this single monumental project. He continued to create a diverse range of paintings that explored various facets of African-American life—from intimate portraits of individuals to sweeping depictions of historical events and everyday scenes. His series on Toussaint L’Ouverture, the Haitian revolutionary; Frederick Douglass, the abolitionist orator; and Harriet Tubman, the conductor on the Underground Railroad, transformed these iconic figures into accessible visual narratives. He also documented the vibrant life of Harlem through paintings like *Bar and Grill*, a stark yet poignant depiction of segregation within a New Orleans café, and *Window*, which captures the energy and vitality of a bustling street scene. These works demonstrate Lawrence’s ability to distill complex social realities into powerful visual statements—a testament to his profound understanding of human nature and his unwavering commitment to portraying the experiences of marginalized communities.

Legacy and Enduring Influence

Jacob Lawrence's legacy extends far beyond the impressive body of work he left behind. He was not only a gifted artist but also a dedicated educator, teaching at institutions like Black Mountain College and the University of Washington for sixteen years. Through his instruction, he nurtured generations of artists, encouraging them to find their own voices and explore themes relevant to their experiences. Lawrence paved the way for countless African-American artists who followed, challenging prevailing norms and expanding the boundaries of American art. His work continues to resonate today, prompting critical conversations about race, history, and social justice—a testament to his enduring relevance as an artist and a cultural icon. Featured in prominent museums such as the Smithsonian American Art Museum and the University of Washington’s collection, his paintings serve as powerful reminders of the struggles and triumphs of the African-American community and the transformative power of art to illuminate the human condition.