Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Вкратце
Dead Wildfowl (1674) — это самая популярная картина Jacob Biltius; оригинал находится в Statens Museum For Kunst, Копенгаген. Затем взгляд переходит на Dead Birds (1670) и Snip, hanging (1663). Из 10 работ Jacob Biltius в нашем каталоге эти 10 являются самыми известными: каждая из них — уникальный оригинал с указанием года создания, музея и причины ее бессмертия.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.
3 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы Jacob Biltius | Картины из этого списка |
|---|---|---|---|
| Копенгаген | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Леуварден | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Долгий творческий путь в 17 лет, с 1663 по 1679: самые известные оригинальные работы Jacob Biltius, представленные по годам.
Выберите год, чтобы увидеть оригиналы.
Больше от 1666
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Больше от 1670
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum For Kunst, Копенгаген. Далее следуют Dead Birds (1670) и Snip, hanging (1663).
41 лет: Dead Wildfowl датируется 1674 годом, а Jacob Biltius родился в 1633.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall и Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. В рейтинге выше указаны год создания и музей для каждой работы.
В нашем каталоге представлено 10 работ Jacob Biltius, созданных в период с 1663 по 1679.
В основном в Statens Museum For Kunst (Копенгаген), Fries Museum (Леуварден) и Kunsthandel P. de Boer. В таблице выше перечислены все музеи.
В 1663: 2 из 10 работ на этой странице были созданы в этот период, Snip, hanging из них.
На этой странице самая ранняя работа датирована Snip, hanging (1663), а самая поздняя — Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Feathers (2) и Dark background (2) в 10 работах на этой странице.
Oil On Canvas, для 2 из 10 работ на этой странице.
Dead Wildfowl, Dead Birds и Wildfowl on a Wooden Table: в коллекции Statens Museum For Kunst, Копенгаген находится 5 работ со страницы.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.