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Portrait of H. Lazarev (1872) — это самая популярная картина Ivan Tyurin; оригинал находится в Государственный Эрмитаж, Санкт-Петербург. Затем взгляд переходит на Portrait of Baron Alexander Stieglitz (1872) и Portrait of Maria Adlerberg (1871). Из 6 работ Ivan Tyurin в нашем каталоге эти 6 являются самыми известными: каждая из них — уникальный оригинал с указанием года создания, музея и причины ее бессмертия.
The room feels quiet, held in a stillness that only an old man’s gaze can command. H. Lazarev sits before us, his figure emerging from a deep, dark background that seems to swallow the very air around him. He is turned slightly to his right, yet his eyes find the viewer with a steady, unblinking directness. There is a weight to his presence, a gravity that settles in the space…
The Portrait of Baron Alexander Stieglitz presents us with a formal encounter with a man of significant standing. Painted by the Russian artist Ivan Tyurin, this work captures the essence of a distinguished figure from a bygone era. We find ourselves looking upon Baron Alexander Stieglitz, a man whose presence commands the space he occupies. The portrait, dating to 1872, freezes a moment of quiet dignity and high social station.
In this 1871 portrait, we encounter Maria Adlerberg in a moment of stillness. She is seated in a three-quarter length pose, her figure anchored by the deep crimson of an upholstered chair. There is a certain weight to her presence, a dignity that comes from her contemplative expression and the steady way she holds herself. She is engaged in needlework, a task that suggests a life of quiet, disciplined routine.…
A heavy silence settles over the canvas, held in place by the dark, muted tones of a man who has lived through the friction of history. V.A. Volotsky sits in the quietude of his retirement, yet the authority of his former rank remains etched into the very fabric of his presence. He is framed from the chest up, a medium close-up that forces a direct, eye-level encounter with a gaze…
The Portrait of Admiral N.K. Krabbe is an oil painting by the Russian artist Ivan Tyurin. Created in 1874, the work captures a high-ranking naval officer in a moment of formal stillness. The subject sits with the weight of command, his presence defined by the heavy textures of military regalia and the steady gaze of a man accustomed to authority.
A formal 1874 oil portrait, presented in an oval composition, captures F.I. Shuvalova in a moment of quiet composure. Seated in a three-quarter view, the subject gazes directly at the viewer, her expression marked by a calm and serious temperament. The composition utilizes a shallow depth, focusing attention entirely on the sitter through the placement of a draped table in the mid-ground. A small, framed photograph rests upon this surface,…
Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.
1 музеев, в которых находится больше всего картин со страницы.
| Музей | Город | Работы Ivan Tyurin | Картины из этого списка |
|---|---|---|---|
 Государственный Эрмитаж |
Санкт-Петербург | 6 | Portrait of H. Lazarev, Portrait of Baron Alexander Stieglitz, Portrait of Maria Adlerberg |
Долгий творческий путь в 27 лет, с 1871 по 1897: самые известные оригинальные работы Ivan Tyurin, представленные по годам.
Выберите год, чтобы увидеть оригиналы.
In this 1871 portrait, we encounter Maria Adlerberg in a moment of stillness. She is seated in a three-quarter length pose, her figure anchored by the deep crimson of an upholstered chair. There is a certain weight to her presence, a dignity that comes from her contemplative expression and the steady way she holds herself. She is engaged in needlework, a task that suggests a life of quiet, disciplined routine.…
The room feels quiet, held in a stillness that only an old man’s gaze can command. H. Lazarev sits before us, his figure emerging from a deep, dark background that seems to swallow the very air around him. He is turned slightly to his right, yet his eyes find the viewer with a steady, unblinking directness. There is a weight to his presence, a gravity that settles in the space…
Больше от 1872
The Portrait of Admiral N.K. Krabbe is an oil painting by the Russian artist Ivan Tyurin. Created in 1874, the work captures a high-ranking naval officer in a moment of formal stillness. The subject sits with the weight of command, his presence defined by the heavy textures of military regalia and the steady gaze of a man accustomed to authority.
Больше от 1874
A heavy silence settles over the canvas, held in place by the dark, muted tones of a man who has lived through the friction of history. V.A. Volotsky sits in the quietude of his retirement, yet the authority of his former rank remains etched into the very fabric of his presence. He is framed from the chest up, a medium close-up that forces a direct, eye-level encounter with a gaze…
Portrait of H. Lazarev (1872), Государственный Эрмитаж, Санкт-Петербург. Далее следуют Portrait of Baron Alexander Stieglitz (1872) и Portrait of Maria Adlerberg (1871).
48 лет: Portrait of H. Lazarev датируется 1872 годом, а Ivan Tyurin родился в 1824.
В нашем каталоге представлено 6 работ Ivan Tyurin, созданных в период с 1871 по 1897.
В основном в Государственный Эрмитаж (Санкт-Петербург). В таблице выше перечислены все музеи.
В 1872: 2 из 6 работ на этой странице были созданы в этот период, Portrait of H. Lazarev из них.
На этой странице самая ранняя работа датирована Portrait of Maria Adlerberg (1871), а самая поздняя — Portrait of V.A. Volotsky, the Retired GeneraL of the Terek Cossack Army (1897).
Man (4), Red chair (3) и Medals (3) в 6 работах на этой странице.
Oil, для 4 из 6 работ на этой странице.
Academic realism и Realism, судя по оригиналам на этой странице.
Portrait of H. Lazarev, Portrait of Baron Alexander Stieglitz и Portrait of Maria Adlerberg: в коллекции Государственный Эрмитаж, Санкт-Петербург находится 6 работ со страницы.
Ivan Tyurin was a Russian painter who lived during the nineteenth and early twentieth centuries. His life spanned from 1824 until 1904.
