Портрет George Beare

Картины George Beare: 15 самых известных работ, взгляд галереи

Обновлено Ноябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 15 работ George Beare в нашем каталоге

Вкратце

По мнению экспертов галереи, самой известной картиной George Beare является An Unknown Woman, Called Peg Woffington (1740), оригинал которой находится в Yale Center for British Art, Нью-Хейвен. Portrait of a Woman (1740) и Portrait of a Lady Holding a Book (1740) завершают трио, которое узнает каждый. Из 15 работ George Beare в нашем каталоге ниже представлены 15 самых известных: каждая из них является оригиналом с указанием года создания, музея и уникальных особенностей.

1725 – 1749 Больше всего работ: Yale Center for British Art

Топ-10 картин художника George Beare в галерее

1
An Unknown Woman, Called Peg Woffington (1740) работы George Beare

An Unknown Woman, Called Peg Woffington

1740 · Oil On Canvas · Yale Center for British Art, Нью-Хейвен

The light catches the soft, salmon-pink folds of a silk gown, pulling the viewer into a quiet, private moment from 1740. A woman sits poised, her presence defined by a calm and dignified expression that suggests a life lived in the public eye, yet here, she is captured in a moment of stillness. The deep black of the background recedes into shadow, pushing her figure forward through a masterful use…

2
Portrait of a Woman (1740) работы George Beare

Portrait of a Woman

There is a quietude in this 1740 oil portrait that commands immediate attention. The subject, an older woman, is presented in a three-quarter view, her form emerging from a dark, undifferentiated background that lends her a profound sense of physical volume. The lighting is deliberate, streaming from the upper left to catch the delicate folds of her translucent white headscarf and the subtle textures of her skin. It is a…

3
Portrait of a Lady Holding a Book (1740) работы George Beare

Portrait of a Lady Holding a Book

1740 · Oil On Canvas · Walters Art Museum, Балтимор

A single woman occupies the center of this 1740 oil on canvas, her presence defined by the quiet weight of a book held against her bodice. The light enters from the upper left, catching the sharp, white edges of her lace collar and the soft curve of her cheek. She is a figure of stillness. Her gaze is steady, meeting the viewer from an eye-level perspective that feels intimate rather…

4
Portrait of an Elderly Lady and a Girl (1747) работы George Beare

Portrait of an Elderly Lady and a Girl

1747 · Oil · Yale Center for British Art, Нью-Хейвен

The oil painting titled Portrait of an Elderly Lady and a Girl was executed by the English artist George Beare in 1747. This work captures a quiet, generational intersection between two female figures. An elderly woman and a young girl occupy the center of the frame, their presence forming a silent link between different stages of life. The subject matter suggests a familial bond, likely representing a grandmother and her…

5
An Unknown Man (1746) работы George Beare

An Unknown Man

1746 · Oil On Canvas · Yale Center for British Art, Нью-Хейвен

A single man occupies the center of an oval world. He is turned slightly, a three-quarter view that suggests a moment of quiet interruption. His face carries a soft, rosy flush against the pale cream of his skin, a warmth that contrasts with the cool, powdered white of his wig. The light falls from the upper left, carving the shape of his nose and the line of his jaw through…

Картины художника George Beare, в рейтинге с 11 по 15

Сюжеты, которые вдохновляли George Beare

Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.

Музеи, в которых хранятся оригиналы работ George Beare

7 музеев, в которых находится большинство картин со страницы.

Музей Город Работы George Beare Картины из этого списка
Yale Center for British Art, Нью-ХейвенYale Center for British Art Нью-Хейвен 3 An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl, An Unknown Man
Salisbury - South Wiltshire Museum, СолсбериSalisbury - South Wiltshire Museum Солсбери 2 Sir Frederick Evelyn (1733 1734–1812), as a Boy, Miss Fort of Alderbury House, Wiltshire
Национальная портретная галерея, ЛондонНациональная портретная галерея Лондон 2 Francis Price, Thomas Chubb
Филадельфийский музей искусства, ФиладельфияФиладельфийский музей искусства Филадельфия 1 Portrait of a Woman
Walters Art Museum, БалтиморWalters Art Museum Балтимор 1 Portrait of a Lady Holding a Book
Salisbury Guildhall, СолсбериSalisbury Guildhall Солсбери 1 Thomas Chubb of Salisbury (1679–1747)
Бристольский музей и художественная галерея, БристольБристольский музей и художественная галерея Бристоль 1 Portrait of an Unknown Man in Brown

George Beare, знаковые картины каждого года

Десятилетие, с 1740 по 1749, стало для George Beare целой эпохой: галерея проводит вас сквозь эти годы, шаг за шагом, от одного знаменитого оригинала к другому.

Работы по годам

Выберите год, чтобы увидеть оригиналы.

Картины George Beare: ответы галереи

Какая картина George Beare является самой известной из всех?Узнать ответ

An Unknown Woman, Called Peg Woffington (1740), Yale Center for British Art, Нью-Хейвен. Далее следуют Portrait of a Woman (1740) и Portrait of a Lady Holding a Book (1740).

Сколько лет было George Beare, когда была завершена работа An Unknown Woman, Called Peg Woffington?Узнать ответ

15 лет: An Unknown Woman, Called Peg Woffington датируется 1740 годом, а George Beare родился в 1725.

Какие 10 лучших картин принадлежат George Beare?Узнать ответ

An Unknown Woman, Called Peg Woffington, Portrait of a Woman, Portrait of a Lady Holding a Book, Portrait of an Elderly Lady and a Girl, An Unknown Man, Sir Charles Clarke (1702–1750), Baron of the Exchequer (1743–1750), Thomas Chubb of Salisbury (1679–1747), Sir Frederick Evelyn (1733 1734–1812), as a Boy, Portrait of a Lady и Portrait of a Gentleman, possibly Hugh Marriott. В рейтинге выше указаны год создания и музей для каждой работы.

Сколько работ создал(а) George Beare?Узнать ответ

В нашем каталоге представлено 15 работ George Beare, созданных в период с 1740 по 1749.

Где висят самые известные оригинальные работы George Beare?Узнать ответ

В основном в Yale Center for British Art (Нью-Хейвен), Salisbury - South Wiltshire Museum (Солсбери) и Национальная портретная галерея (Лондон). В таблице выше перечислены все музеи.

Когда George Beare создал свои самые известные картины?Узнать ответ

В 1747: 5 из 15 работ на этой странице были созданы в этот период, Portrait of an Elderly Lady and a Girl из них.

Какие из самых известных работ George Beare являются наиболее ранними и наиболее поздними?Узнать ответ

На этой странице самая ранняя работа датирована An Unknown Woman, Called Peg Woffington (1740), а самая поздняя — Portrait of a Lady (1749).

К каким сюжетам George Beare обращался чаще всего?Узнать ответ

Woman (4), Lace (3) и White fabric (3) в 15 работах на этой странице.

В какой технике чаще всего работал(а) George Beare?Узнать ответ

Oil On Canvas, для 3 из 15 работ на этой странице.

Какие оригинальные работы George Beare хранятся в Yale Center for British Art?Узнать ответ

An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl и An Unknown Man: в коллекции Yale Center for British Art, Нью-Хейвен находится 3 работ со страницы.

George Beare: художник

A Fleeting Glimpse: The Life and Art of George Beare

George Beare remains a somewhat enigmatic figure in the landscape of 18th-century English portraiture, a talent whose career blossomed briefly yet left behind a captivating legacy of refined skill and insightful character studies. Born around 1724 or 1725, his life is shrouded in relative obscurity, known primarily through the surviving corpus of his work and scattered historical records. He was active mainly in Salisbury, Wiltshire, where he established himself as an “eminent Face Painter,” a designation that speaks to the importance of portraiture within provincial society during this period. Tragically, Beare’s artistic journey was cut short by his untimely death near Andover in 1749, leaving behind approximately forty known paintings—a modest output, yet one brimming with quality and nuance.

The Provincial Portraitist: Style and Technique

Beare's art reflects the prevailing stylistic currents of the mid-18th century, drawing heavily from the traditions established by artists like Sir Godfrey Kneller and William Hogarth. However, he wasn’t merely an imitator; Beare possessed a distinctive sensibility that set his work apart. His portraits are characterized by their meticulous attention to detail—the delicate rendering of lace collars, the subtle sheen of silk fabrics, and the precise depiction of facial features. He favored a restrained palette, employing muted tones and soft lighting to create a sense of intimacy and psychological depth. Unlike some of his contemporaries who embraced flamboyant displays of wealth and status in their portraits, Beare’s subjects are often presented with quiet dignity and understated elegance. His brushwork is remarkably smooth, indicative of careful layering and glazing techniques—a testament to his technical mastery. He excelled at capturing not just the likeness of his sitters but also a sense of their inner character, imbuing each portrait with a unique personality.

Wiltshire Society and Notable Patrons

Beare’s clientele primarily consisted of members of the gentry and prosperous merchants in and around Salisbury. His paintings offer a fascinating glimpse into the social fabric of Wiltshire society during the Georgian era. Among his most celebrated works are portraits of Thomas Chubb, a renowned clockmaker and outspoken critic of religious hypocrisy, painted in 1747—a piece that showcases Beare’s ability to convey intellectual strength and moral conviction. Another notable commission was a portrait of Colonel George Treby, Mayor of Plympton, revealing the artist's skill in depicting authority and civic pride. These portraits weren’t simply exercises in representation; they were statements of social standing, expressions of personal identity, and enduring testaments to the lives of those who commissioned them. The Salisbury Civic Society has rightly recognized Beare’s importance through a commemorative plaque, acknowledging his contribution to the artistic heritage of the region.

A Brief but Impactful Career: Legacy and Rediscovery

Despite his short career, George Beare left an indelible mark on the local art scene. His paintings were highly sought after during his lifetime, and they continue to be admired for their technical brilliance and psychological insight. While he didn’t achieve widespread fame like some of his contemporaries, his work has experienced a resurgence in recent years, thanks to increased scholarly attention and growing appreciation for provincial portraiture. Art UK and the Tate Gallery have both included Beare in their online collections, making his art accessible to a wider audience.
  • His paintings provide valuable insights into 18th-century English society.
  • Beare’s meticulous technique and restrained style set him apart from many of his contemporaries.
  • The rediscovery of his work has shed light on the artistic landscape beyond London.

Beyond the Brush: Unanswered Questions

Much about Beare's life remains a mystery. The location of his studio, the extent of his formal training, and the full scope of his artistic influences are still subjects of ongoing research. However, the surviving paintings offer compelling evidence of a gifted artist who possessed a keen eye for detail, a sensitive understanding of human character, and a remarkable ability to capture the essence of his sitters. George Beare’s story serves as a reminder that artistic excellence can flourish even in the most provincial settings, and that every portrait—however modest—can hold a wealth of historical and cultural significance.