Обновлено Ноябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 7 работ Ferdinand Oldewelt в нашем каталоге
Вкратце
A Gypsy Girl in a Church (1917) — это самая популярная картина Ferdinand Oldewelt; оригинал находится в Музей Бойманса-ван-Бёунхина, Роттердам. Затем взгляд переходит на Woman with spinning wheel (1886) и Gypsy girl (1905). Из 7 работ Ferdinand Oldewelt в нашем каталоге эти 7 являются самыми известными: каждая из них — уникальный оригинал с указанием года создания, музея и причины ее бессмертия.
A young girl occupies the center of this 1917 oil painting, positioned slightly to the left of the vertical axis. She is depicted in a full-length portrait, standing within a muted interior that suggests a church setting. Her figure is defined by a heavy, saturated red coat that provides the primary color weight in the composition. A teal-green scarf is wrapped around her neck, offering a cool contrast to the…
4 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы Ferdinand Oldewelt | Картины из этого списка |
|---|---|---|---|
 Амстердамский музей |
Амстердам | 4 | Woman with spinning wheel, Mr. Willem Frederik Hendrik Oldewelt (1895-?), Portrait of an angora cat |
 Музей Бойманса-ван-Бёунхина |
Роттердам | 1 | A Gypsy Girl in a Church |
 Dordrechts Museum |
Дордрехт | 1 | Gypsy girl |
 Groninger Museum |
Гронинген | 1 | Varkensmarkt on the Grote Markt, Groningen, |
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A young girl occupies the center of this 1917 oil painting, positioned slightly to the left of the vertical axis. She is depicted in a full-length portrait, standing within a muted interior that suggests a church setting. Her figure is defined by a heavy, saturated red coat that provides the primary color weight in the composition. A teal-green scarf is wrapped around her neck, offering a cool contrast to the…
A Gypsy Girl in a Church (1917), Музей Бойманса-ван-Бёунхина, Роттердам. Далее следуют Woman with spinning wheel (1886) и Gypsy girl (1905).
60 лет: A Gypsy Girl in a Church датируется 1917 годом, а Ferdinand Oldewelt родился в 1857.
В нашем каталоге представлено 7 работ Ferdinand Oldewelt, созданных в период с 1886 по 1925.
В основном в Амстердамский музей (Амстердам), Музей Бойманса-ван-Бёунхина (Роттердам) и Dordrechts Museum (Дордрехт). В таблице выше перечислены все музеи.
В 1880s: 3 из 7 работ на этой странице были созданы в этот период, Woman with spinning wheel из них.
На этой странице самая ранняя работа датирована Woman with spinning wheel (1886), а самая поздняя — Mr. Willem Frederik Hendrik Oldewelt (1895-?) (1925).
Woman with spinning wheel, Mr. Willem Frederik Hendrik Oldewelt (1895-?) и Portrait of an angora cat: в коллекции Амстердамский музей, Амстердам находится 4 работ со страницы.
Ferdinand Oldewelt lived a life shaped by the steady rhythm of the studio and the classroom. Born in Amsterdam, he spent his early years absorbing the technical rigor required of a professional artist. His training took him from the Rijksakademie van beeldende kunsten, where he studied under August Allebé and Barend Wijnveld, to the Koninklijke Academie voor Schone Kunsten in Antwerp. It was here, under the guidance of Charles Verlat, that his hand found its specific way of seeing. He was not merely a painter but a man of many tools, working as a printmaker, watercolorist, and etcher. His hands were as comfortable with the sharp bite of an etching needle as they were with the soft spread of a watercolor wash.
His career was defined by a commitment to the instruction of others. He moved through various roles of leadership and teaching, shaping the hands of many students. His influence stretched across several institutions, leaving a mark on the way art was taught in the Netherlands during his lifetime.
By 1890, Oldewelt was among the first to settle near the village of Laren, a place that would become a gathering point for many painters. While he did not officially make Laren his permanent home until 1922, his presence in the area was felt long before. He became part of the Larense School, a group of artists drawn to the rural landscape and the quietude of interior scenes. His work often focused on these intimate subjects, such as a woman with a spinning wheel, capturing the stillness of a moment. He was a man of his community, holding memberships in groups like Arti et Amicitiae and Pulchri Studio.
His technical skill was evident in the way he handled light and form, whether in a formal drawing or a finished painting. He taught many notable figures, including Pieter den Besten and Gesina Boevé, passing down the discipline he had acquired in his own youth. He remained active in his craft and his teaching until his death in Laren in 1935.
