Edward Collier
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Вкратце
По мнению экспертов галереи, самая известная картина Эверт Коллиер — это Edward Collier (1683). Still Life with a Volume of Wither's 'Emblemes' (1696) и Vanitas Still-Life (10) (1697) завершают трио, которое узнает каждый. Из 53 работ Эверт Коллиер в нашем каталоге ниже представлены 46 самых известных: каждая из них является оригиналом с указанием года создания, музея и уникальных особенностей.
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Still Life with a Volume of Wither's 'Emblemes' is an oil on canvas painting executed by Evert Collier in 1696. The work originated during the artist's period of activity in England, following his arrival from the Netherlands in 1693. Collier, born in Breda, Netherlands, spent his final years in London, where he died in 1708.
Vanitas Still-Life (10) is an oil on canvas work by Evert Collier, executed in 1697. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708, leaving behind a body of work defined by the meticulous observation of material objects and their symbolic weight.
The scene unfolds through Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus. This composition emerges from the hand of Evert Collier, an artist born in Breda. The objects rest in a quiet, heavy atmosphere, as if caught in a moment of profound stillness. Every item, from the…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
Trompe l'oeil still-life of a letter rack is an oil on canvas work by Evert Collier, dated 1684. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708.
The scene unfolds within Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, a work that invites a quiet contemplation of existence. Evert Collier presents this still life as a meditation on the fleeting nature of life and the weight of human achievement. Every object rests upon a red velvet tablecloth, waiting for the viewer to notice the subtle interplay of shadow and light.…
Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.
8 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы Эверт Коллиер | Картины из этого списка |
|---|---|---|---|
| Денвер | 2 | Charles I, A vanitas | |
| Нью-Йорк | 1 | Vanitas Still Life | |
| Будапешт | 1 | A Vanitas Still Life | |
| Лейпциг | 1 | Vanitas with Books, Instruments, and an Astronomical Globe on a table | |
| Хьюстон | 1 | Still Life: The Smell | |
| Гаага | 1 | Vanitas Still Life | |
| Сан-Франциско | 1 | Vanitas still life with coins and other objects on a table | |
| Хельсинки | 1 | Vanitas |
Выберите десятилетие, чтобы увидеть шедевр, определяющий его.
The scene unfolds through Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus. This composition emerges from the hand of Evert Collier, an artist born in Breda. The objects rest in a quiet, heavy atmosphere, as if caught in a moment of profound stillness. Every item, from the…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Still Life with a Volume of Wither's 'Emblemes' is an oil on canvas painting executed by Evert Collier in 1696. The work originated during the artist's period of activity in England, following his arrival from the Netherlands in 1693. Collier, born in Breda, Netherlands, spent his final years in London, where he died in 1708.
Edward Collier (1683). Далее следуют Still Life with a Volume of Wither's 'Emblemes' (1696) и Vanitas Still-Life (10) (1697).
41 лет: Edward Collier датируется 1683 годом, а Эверт Коллиер родился в 1642.
Edward Collier, Still Life with a Volume of Wither's 'Emblemes', Vanitas Still-Life (10), Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus, Vanitas Still Life, A Vanitas Still Life, Trompe l'oeil still-life of a letter rack, Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, Vanitas with Books, Instruments, and an Astronomical Globe on a table и Charles I. В рейтинге выше указаны год создания и музей для каждой работы.
В нашем каталоге представлено 53 работ Эверт Коллиер, созданных в период с 1650 по 1706.
В основном в Денверский художественный музей (Денвер), Метрополитен-музей (Нью-Йорк) и Музей изящных искусств Будапешта (Будапешт). В таблице выше перечислены все музеи.
В 1660s: 8 из 46 работ на этой странице были созданы в этот период, Vanitas Still Life из них.
На этой странице самая ранняя работа датирована Vanitas still life with a globe, books, and a box of jewels all resting on a draped table (1650), а самая поздняя — A trompe l'oeil of a letter rack with a print, a quill, sealing wax and a knife (1706).
Life (13), Books (7) и Skull (5) в 46 работах на этой странице.
Oil On Canvas, для 6 из 46 работ на этой странице.
Baroque, судя по оригиналам на этой странице.
Charles I и A vanitas: в коллекции Денверский художественный музей, Денвер находится 2 работ со страницы.
Evert Collier, born circa 1642 in Breda, Noord-Brabant, emerged as a prominent figure within the Dutch Golden Age artistic landscape—a period characterized by unparalleled innovation and opulent patronage. His early training in Haarlem under Vincent Laurensz van der Vinne instilled foundational principles of observation and draughtsmanship, shaping his distinctive approach to still life painting.
Collier distinguished himself from many of his contemporaries through his masterful execution of trompe-l'œil—a technique designed to deceive the eye by creating illusions of depth and dimensionality on a flat surface. Unlike conventional realism, trompe-l'œil prioritized visual trickery over accurate representation, transforming ordinary objects into captivating spectacles.
Collier’s still lifes transcended mere depiction; they functioned as meditations on mortality—a central preoccupation within the vanitas genre prevalent during his era. Each element meticulously chosen conveyed a profound message about decay, remembrance, and the inevitability of death.
Collier’s artistic legacy extends beyond his individual oeuvre—he exerted considerable influence on subsequent generations of Dutch painters, particularly those exploring the trompe-l'œil technique. His works are housed in prominent museums worldwide, including the Rijksmuseum (Amsterdam), Tate London, Denver Art Museum and Honolulu Museum of Art, ensuring that his visionary artistry continues to inspire admiration and scholarly inquiry.
Sources: Bryan’s Dictionary of Painters and Engravers; Netherlands Institute for Art History; Biographical Notices from Various Art Historical Databases