Обновлено Ноябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 38 работ David Martin в нашем каталоге
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По мнению экспертов галереи, самой известной картиной David Martin является Self-portrait (1760), оригинал которой находится в Национальная галерея Шотландии, Эдинбург. David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) и Alexander Udney, older brother to George (1757) завершают трио, которое узнает каждый. Из 38 работ David Martin в нашем каталоге ниже представлены 37 самых известных: каждая из них является оригиналом с указанием года создания, музея и уникальных особенностей.
The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who would become a prominent figure in Scottish portraiture. The image serves as a direct encounter between the painter and the viewer, fixed in the medium of oil.
Sir Hector Munro1785 · Национальная портретная галерея
12
William Murray, 1st Earl of Mansfield, 1705 - 1793. Lord Chief Justice1777
13
Willielma Campbell, Viscountess Glenorchy, 1741 - 1786. Religious enthusiast and benefactor of the Society for Promoting Christian Knowledge1780 · Шотландская национальная портретная галерея
14
Parrot, from 'Histoire Naturelle des Oiseaux' by Georges de Buffon published1777
15
Lilias Seton, Lady Steuart of Allanton (died 1821)1789 · Национальная галерея Шотландии
16
Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author1794 · Шотландская национальная портретная галерея
17
Alexander Murray, Lord Henderland, 1736 - 17951787 · Шотландская национальная портретная галерея
18
William Abernethy Drummond, 1719 / 1720 - 1809. Bishop of Edinburgh1788 · Шотландская национальная портретная галерея
19
Mary Barbara Drummond, Mrs William Abernethy Drummond, 1721 / 1722 - 1789. Wife of the Bishop of Edinburgh1788 · Шотландская национальная портретная галерея
20
Captain Patrick Hunter1786
21
Mary Martin, Mrs Alexander Gowan (1716 - 1795)Национальная галерея Шотландии
22
Rev. Alexander Webster, 1707 - 1784. Moderator of the General AssemblyШотландская национальная портретная галерея
23
Thomas Hay, 9th Earl of Kinnoull, 1710 - 1787. StatesmanШотландская национальная портретная галерея
24
John Hume of Ninewells, 1709 - 1786. Brother of David HumeШотландская национальная портретная галерея
25
Mary Knox, Mrs Andrew Duncan, d. 1839. Wife of Andrew Duncan, the physicianШотландская национальная портретная галерея
26
Hoopoe Starling
27
Oye De Guinée
28
Peruche de Gingi
29
Ara Rouge
30
Psittacula Eques
31
Mascarinus
32
Ara Guadeloupensis
33
Reunion Parakeet
34
Cuban Macaw
35
White-headed Munia, Double Coloured Seed Eater And Violet Eared Waxbill
36
Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray1778
37
Portrait of Benjamin Franklin1767
Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.
6 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы David Martin | Картины из этого списка |
|---|---|---|---|
 Шотландская национальная портретная галерея |
Эдинбург | 15 | David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian |
 Национальная галерея Шотландии |
Эдинбург | 3 | Self-portrait, Lilias Seton, Lady Steuart of Allanton (died 1821), Mary Martin, Mrs Alexander Gowan (1716 - 1795) |
 Pennsylvania Academy of Fine Arts |
Филадельфия | 1 | Benjamin Franklin |
 Balliol College |
Оксфорд | 1 | Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) |
 Basildon Park |
1 | Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813) | |
 Национальная портретная галерея |
Лондон | 1 | Sir Hector Munro |
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The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who would become a prominent figure in Scottish portraiture. The image serves as a direct encounter between the painter and the viewer, fixed in the medium of oil.
Self-portrait (1760), Национальная галерея Шотландии, Эдинбург. Далее следуют David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) и Alexander Udney, older brother to George (1757).
23 лет: Self-portrait датируется 1760 годом, а David Martin родился в 1737.
Self-portrait, David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian, Elizabeth Rannie, Viscountess Melville, 1751 - 1843. Wife of 1st Viscount Melville., Henry Dundas, 1st Viscount Melville, 1742 - 1811. Statesman, James Russell, d. 1773. Professor of Natural Philosophy at Edinburgh) University (With his son James Russell, 1754 - 1836. President of the Royal College of Surgeons of Edinburgh), Benjamin Franklin, Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) и Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813). В рейтинге выше указаны год создания и музей для каждой работы.
В нашем каталоге представлено 38 работ David Martin, созданных в период с 1757 по 1794.
В основном в Шотландская национальная портретная галерея (Эдинбург), Национальная галерея Шотландии (Эдинбург) и Pennsylvania Academy of Fine Arts (Филадельфия). В таблице выше перечислены все музеи.
В 1770s: 8 из 37 работ на этой странице были созданы в этот период, Rev. Robert Henry, 1718 - 1790. Historian из них.
На этой странице самая ранняя работа датирована Alexander Udney, older brother to George (1757), а самая поздняя — Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794).
David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George и Rev. Robert Henry, 1718 - 1790. Historian: в коллекции Шотландская национальная портретная галерея, Эдинбург находится 15 работ со страницы.
François Nicolas Martinet, a name perhaps less familiar than those of his contemporaries in 18th-century French art, nevertheless holds a profound and quietly significant place within the history of ornithological illustration. Born in Paris around 1731, Martinet’s journey wasn't one of grand artistic ambition initially; he began his career as an engineer and draftsman, skills honed within the meticulous framework of the Royal Workshops. Yet, it was through his engagement with the burgeoning field of natural history that he discovered his true calling – capturing the exquisite detail and vibrant beauty of birds in a way that transcended mere documentation.
His early life remains somewhat shrouded in obscurity, details scarce beyond his formal training. However, around 1756, Martinet transitioned into engraving for the King’s cabinet, a position that provided him with access to influential figures and projects within the scientific community. This shift marked a turning point, as he began dedicating himself increasingly to producing illustrations for books – specifically, those focused on the natural world. His son, Alexandre, would later assist him in this endeavor, continuing the legacy of meticulous detail and artistic observation.
What distinguishes Martinet’s work is not simply his technical proficiency – though he was undoubtedly a skilled engraver – but rather his remarkable ability to imbue his bird illustrations with a sense of life. Prior to his time, many attempts at depicting birds in books were hampered by the limitations of the printing process and a lack of understanding of avian anatomy. Early engravings often resulted in distorted proportions, awkward poses, and an overall impression of stiffness. Martinet recognized this deficiency and painstakingly developed a method that prioritized accurate observation and realistic representation.
He meticulously studied birds in their natural habitats, paying close attention to their movements, plumage variations, and subtle behavioral cues. This dedication translated directly into his engravings, which are characterized by an astonishing level of detail – from the intricate patterns on feathers to the delicate structure of beaks and talons. Martinet’s illustrations weren't merely static representations; they conveyed a sense of dynamism and immediacy, as if capturing a fleeting moment in a bird’s life. His use of light and shadow further enhanced this effect, creating depth and volume within each image.
Martinet's most significant contribution to the world of ornithological illustration came through his extensive work with Georges-Louis Leclerc, Comte de Buffon, a leading French naturalist and encyclopedist. For Buffon’s monumental *Histoire Naturelle des Oiseaux* (Natural History of Birds), Martinet produced over 1000 engravings – a staggering number that underscored the scale and ambition of Buffon's project.
His work extended beyond Buffon’s encyclopedia, contributing illustrations to other important natural history publications, including those by Mathurin Jacques Brisson. These collaborations cemented Martinet’s reputation as a leading ornithological artist and ensured that his images would reach a wide audience of scholars, collectors, and enthusiasts.
Notable Works:François Nicolas Martinet's legacy extends far beyond his individual illustrations. He played a crucial role in shaping the visual representation of birds during a period when scientific illustration was still evolving. His commitment to accuracy, combined with his artistic sensibility, set a new standard for ornithological art – one that continues to inspire artists and researchers today.
His work is particularly significant because it demonstrates how observation, meticulous study, and technical skill can be combined to create images that are both scientifically informative and aesthetically compelling. Martinet’s legacy lies not only in the beauty of his illustrations but also in their contribution to our understanding of the natural world.
