Портрет Чарльз Бёрд Кинг

89 самых известных картин Чарльз Бёрд Кинг: подборка галереи

Обновлено Ноябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 92 работ Чарльз Бёрд Кинг в нашем каталоге

Вкратце

Из всех оригинальных работ, оставленных Чарльз Бёрд Кинг, самой известной является Portrait of John Ridge (1825) из коллекции Crystal Bridges Museum of American Art, Бентонвилл. Сразу за ними следуют Petalesharro (Generous Chief), Pawnee (1822) и Stephen Decatur (1820). В нашем каталоге представлено 92 работ Чарльз Бёрд Кинг; галерея сохранила 89 самых почитаемых в мире произведений, каждое из которых сопровождается датой создания, информацией о музее и своей историей.

1785 – 1862, Ньюпорт Romanticism Больше всего работ: Смитсоновский американский художественный музей

10 лучших картин Чарльз Бёрд Кинг: выбор галереи

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Stephen Decatur (1820) работы Чарльз Бёрд Кинг

Stephen Decatur

1820 · Oil On Canvas · Национальная портретная галерея, Вашингтон, округ Колумбия

This oil painting by Charles Bird King depicts Stephen Decatur in naval attire. The subject is presented from the torso up, positioned centrally against a dark, muted background. He wears a formal military uniform characterized by dark fabric and gold-toned accents on the buttons and epaulettes. A light-colored shirt is visible beneath the structured layers of the naval jacket. The portrait was executed in 1820.

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Louis McLane (1820) работы Чарльз Бёрд Кинг

Louis McLane

1820 · Oil On Canvas · Национальная портретная галерея, Вашингтон, округ Колумбия

In this formal portrait, Charles Bird King presents Louis McLane in a moment of quiet composure. Painted about 1820, the work captures the subject in a three-quarter view, seated within an interior space that suggests a private study or an official office. The sitter's posture and steady gaze are intended to convey his specific likeness and the underlying character of the man himself.

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Rip van Winkle Returning from a Morning Lounge (1825) работы Чарльз Бёрд Кинг

Rip van Winkle Returning from a Morning Lounge

1825 · Oil · Музей изящных искусств, Бостон

Step into the shadows of this interior, where the air feels heavy with the scent of woodsmoke and old stone. We find ourselves in a dimly lit, rustic space, a scene captured in 1825 that feels as though we have stumbled upon a private moment of domestic life. The composition draws us inward, pulling our gaze from the dark, textured foreground toward a sudden, sharp influx of light pouring through…

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The Vanity of the Artist's Dream (1830) работы Чарльз Бёрд Кинг

The Vanity of the Artist's Dream

In this 1830 composition, we find ourselves peering into a shallow, wooden niche that feels less like a display and more like a private, cluttered sanctuary. The scene is a dense arrangement of objects, a still life that invites a slow, deliberate gaze. A marble bust rests amidst a collection of aged books and scattered papers, their edges softened by time. Writing implements, including quills and inkpots, lie near a…

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Poor Artist's Cupboard (1815) работы Чарльз Бёрд Кинг

Poor Artist's Cupboard

In the quiet, shadowed alcove of Charles Bird King’s 1815 masterpiece, Poor Artist's Cupboard, we are invited into a deeply intimate and melancholic corner of a creative life. This nearly square still life is far more than a mere collection of objects; it is a profound narrative of struggle, intellectual hunger, and the heavy weight of financial instability. At first glance, the viewer encounters a cluttered niche, an arched space…

9
Young Omahaw War Eagle, Little Missouri, and Pawnees (1821) работы Чарльз Бёрд Кинг

Young Omahaw War Eagle, Little Missouri, and Pawnees

1821 · Oil On Canvas

In this 1821 oil on canvas, Charles Bird King presents Young Omahaw War Eagle, Little Missouri, and Pawnees. The work captures a specific moment of diplomatic encounter, portraying Plains Indian chiefs who traveled to Washington to negotiate territorial rights with the government. Through his brush, King documents these Native American leaders during a period of significant political negotiation.

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McIntosh, A Creek Chief работы Чарльз Бёрд Кинг

McIntosh, A Creek Chief

Oil On Panel

The painting titled McIntosh, A Creek Chief was created by the artist Charles Bird King. The subject of the work is a man depicted wearing a hat adorned with feathers. His attire includes a uniform and a tie. In his hand, he holds an object that resembles a drum or a flag. The figure's appearance suggests he may represent a Native American leader or a military figure.

Подборка Чарльз Бёрд Кинг продолжается, с 11 по 89

11Sarah Weston Seaton with her Children Augustine and Julia (1815) работы Чарльз Бёрд КингSarah Weston Seaton with her Children Augustine and Julia1815 · Национальная портретная галерея 12Henry Clay (1821) работы Чарльз Бёрд КингHenry Clay1821 · Национальная галерея искусств 13John C. Calhoun, Secretary of War (1818) работы Чарльз Бёрд КингJohn C. Calhoun, Secretary of War1818 14Jesse Bushyhead (1828) работы Чарльз Бёрд КингJesse Bushyhead1828 15Jack o pa (The Six) (1827) работы Чарльз Бёрд КингJack o pa (The Six)1827 16Co sne boin (1827) работы Чарльз Бёрд КингCo sne boin1827 17Possibly Jonathan Elliot (1830) работы Чарльз Бёрд КингPossibly Jonathan Elliot1830 · Национальная портретная галерея 18Mrs. John Quincy Adams (1824) работы Чарльз Бёрд КингMrs. John Quincy Adams1824 · Смитсоновский американский художественный музей 19John C. Calhoun (1823) работы Чарльз Бёрд КингJohn C. Calhoun1823 · Национальная портретная галерея 20Indian Girl at Her Toilett (1835) работы Чарльз Бёрд КингIndian Girl at Her Toilett1835 21Powasheek (To Dash the Water Off), a Fox Chief (1837) работы Чарльз Бёрд КингPowasheek (To Dash the Water Off), a Fox Chief1837 22Thomas Jefferson (1836) работы Чарльз Бёрд КингThomas Jefferson1836 · Национальная портретная галерея 23Nesouaquoit (Bear in the Fork of a Tree), A Fox Chief (1837) работы Чарльз Бёрд КингNesouaquoit (Bear in the Fork of a Tree), A Fox Chief1837 24Miss Satterlee (1839) работы Чарльз Бёрд КингMiss Satterlee1839 25No Heart (Nan che ning ga) (1837) работы Чарльз Бёрд КингNo Heart (Nan che ning ga)1837 · Смитсоновский американский художественный музей 26Portrait of a Girl (1859) работы Чарльз Бёрд КингPortrait of a Girl1859 27NOT-CHI-MI-NE. AN IOWAY CHIEF работы Чарльз Бёрд КингNOT-CHI-MI-NE. AN IOWAY CHIEF 28Pah-she-pah-how работы Чарльз Бёрд КингPah-she-pah-how 29M'INTOSH. A CREEK CHIEF работы Чарльз Бёрд КингM'INTOSH. A CREEK CHIEF 30OPOTHLE YOHOLO. A CREEK CHIEF работы Чарльз Бёрд КингOPOTHLE YOHOLO. A CREEK CHIEF 31Joshua Johnson работы Чарльз Бёрд КингJoshua JohnsonСмитсоновский американский художественный музей 32Portrait of Mrs. William Creighton (Elizabeth Meade Creighton) работы Чарльз Бёрд КингPortrait of Mrs. William Creighton (Elizabeth Meade Creighton) 33Sequoyah работы Чарльз Бёрд КингSequoyahНациональная портретная галерея 34Portrait of John C. Calhoun работы Чарльз Бёрд КингPortrait of John C. Calhoun 35Joshua Johnson работы Чарльз Бёрд КингJoshua Johnson 36Mrs. Joshua Johnson работы Чарльз Бёрд КингMrs. Joshua Johnson 37Hayne Hudjihini (Eagle of Delight) работы Чарльз Бёрд КингHayne Hudjihini (Eagle of Delight) 38Makataimeshikiakiah (Back Hawk) (1833) работы Чарльз Бёрд КингMakataimeshikiakiah (Back Hawk)1833 39John C. Calhoun, Secretary of War работы Чарльз Бёрд КингJohn C. Calhoun, Secretary of WarChrysler Museum of Art 40Push-Ma-Ta-Ha, Chactan Warrior работы Чарльз Бёрд КингPush-Ma-Ta-Ha, Chactan Warrior 41Tshusick, An Ojibway Woman работы Чарльз Бёрд КингTshusick, An Ojibway Woman 42Petalesharoo, A Pawnee Brave работы Чарльз Бёрд КингPetalesharoo, A Pawnee Brave 43A-MIS-QUAM, A WINNEBAGO BRAVE работы Чарльз Бёрд КингA-MIS-QUAM, A WINNEBAGO BRAVE 44Payta-Kootha, A Shawanoe Warrior работы Чарльз Бёрд КингPayta-Kootha, A Shawanoe Warrior 45Foke-Luste-Hajo, A Seminole работы Чарльз Бёрд КингFoke-Luste-Hajo, A Seminole 46Wa-baun-see, A Pottawatome Chief работы Чарльз Бёрд КингWa-baun-see, A Pottawatome Chief 47JOHN ROSS. A CHEROKEE CHIEF работы Чарльз Бёрд КингJOHN ROSS. A CHEROKEE CHIEF 48Caa-tou-see. an Ojibray работы Чарльз Бёрд КингCaa-tou-see. an Ojibray 49Hayne Hudjihini. Eagle of Delight работы Чарльз Бёрд КингHayne Hudjihini. Eagle of Delight 50Kee-Shes-Wa, A Fox Chief работы Чарльз Бёрд КингKee-Shes-Wa, A Fox Chief 51Chippeway [Chippewa] squaw ^ child работы Чарльз Бёрд КингChippeway [Chippewa] squaw ^ child 52Jack-O-Pa, a Chippeway [Chippewa] chief работы Чарльз Бёрд КингJack-O-Pa, a Chippeway [Chippewa] chief 53Chon-ca-pe работы Чарльз Бёрд КингChon-ca-pe 54ASSEOLA, A SEMINOLE LEADER работы Чарльз Бёрд КингASSEOLA, A SEMINOLE LEADER 55Mar-Ko-Me-Te, A Menomene Brave работы Чарльз Бёрд КингMar-Ko-Me-Te, A Menomene Brave 56TUKO-SEE-MATHLA. A SEMINOLE CHIEF работы Чарльз Бёрд КингTUKO-SEE-MATHLA. A SEMINOLE CHIEF 57Ma-Has-Kah or White Cloud. an Ioway chief работы Чарльз Бёрд КингMa-Has-Kah or White Cloud. an Ioway chief 58Chippeway squaw ^ child работы Чарльз Бёрд КингChippeway squaw ^ child 59Major Ridge, A Cherokee Chief работы Чарльз Бёрд КингMajor Ridge, A Cherokee Chief 60MA-KA-TAI-ME-SHE-KIA-KIAH работы Чарльз Бёрд КингMA-KA-TAI-ME-SHE-KIA-KIAH 61John C. Calhoun of South Carolina, Vice President of the United States, and President of the Senate работы Чарльз Бёрд КингJohn C. Calhoun of South Carolina, Vice President of the United States, and President of the Senate 62TEH-RO-HON, AN IOWAY WARRIOR работы Чарльз Бёрд КингTEH-RO-HON, AN IOWAY WARRIOR 63Ki-On-Twog-Ky or Cornplant работы Чарльз Бёрд КингKi-On-Twog-Ky or Cornplant 64Keokuk, Chief of the Sacs ^ Foxes работы Чарльз Бёрд КингKeokuk, Chief of the Sacs ^ Foxes 65Rant che wai me, Female Flying Pigeon работы Чарльз Бёрд КингRant che wai me, Female Flying Pigeon 66Little Eagle, Wad-ben-de-ba работы Чарльз Бёрд КингLittle Eagle, Wad-ben-de-ba 67Co-sne-boin работы Чарльз Бёрд КингCo-sne-boinСмитсоновский американский художественный музей 68Portrait of David Vann работы Чарльз Бёрд КингPortrait of David Vann 69Tah-Chee, A Cherokee Chief работы Чарльз Бёрд КингTah-Chee, A Cherokee Chief 70Petelesharro (Generous Chief) работы Чарльз Бёрд КингPetelesharro (Generous Chief) 71Red Jacket работы Чарльз Бёрд КингRed Jacket 72Ong-pa-ton-ga, or, The big elk, chief of the Omahas работы Чарльз Бёрд КингOng-pa-ton-ga, or, The big elk, chief of the Omahas 73Wai-Kee-Chai, Sanky Chief, Crouching Eagle работы Чарльз Бёрд КингWai-Kee-Chai, Sanky Chief, Crouching EagleCrystal Bridges Museum of American Art 74SPRING FROG. A CHEROKEE CHIEF работы Чарльз Бёрд КингSPRING FROG. A CHEROKEE CHIEF 75Still Life on a Green Table Cloth работы Чарльз Бёрд КингStill Life on a Green Table ClothМузей изящных искусств 76Blowing Bubbles работы Чарльз Бёрд КингBlowing Bubbles 77Ottoe Half Chief, Husband of Eagle of Delight работы Чарльз Бёрд КингOttoe Half Chief, Husband of Eagle of DelightCrystal Bridges Museum of American Art 78Poor Artist's Cupboard работы Чарльз Бёрд КингPoor Artist's Cupboard 79Jack-o-pa (The Six) работы Чарльз Бёрд КингJack-o-pa (The Six)Смитсоновский американский художественный музей 80ME-NA-WA. A CREEK WARRIOR работы Чарльз Бёрд КингME-NA-WA. A CREEK WARRIOR 81Mrs. Joshua Johnson работы Чарльз Бёрд КингMrs. Joshua JohnsonСмитсоновский американский художественный музей 82YOHOLO-MICCO. A CREEK CHIEF работы Чарльз Бёрд КингYOHOLO-MICCO. A CREEK CHIEFСмитсоновский американский художественный музей 83Monchousia (White Plume) работы Чарльз Бёрд КингMonchousia (White Plume) 84Portrait of Louisa Adams, wife of John Quincy Adams работы Чарльз Бёрд КингPortrait of Louisa Adams, wife of John Quincy Adams 85Sharitarish (Wicked Chief) работы Чарльз Бёрд КингSharitarish (Wicked Chief) 86No-way-ke-sug-ga работы Чарльз Бёрд КингNo-way-ke-sug-gaСмитсоновский американский художественный музей 87Shaumonekusse (Prairie Wolf) работы Чарльз Бёрд КингShaumonekusse (Prairie Wolf) 88Itinerant Artist (1830) работы Чарльз Бёрд КингItinerant Artist1830 89Young Omahaw, War Eagle, Little Missouri, and Pawnees (1821) работы Чарльз Бёрд КингYoung Omahaw, War Eagle, Little Missouri, and Pawnees1821 · Смитсоновский американский художественный музей

Знаменитые картины Чарльз Бёрд Кинг по периодам творчества

Сюжеты, которые вдохновляли Чарльз Бёрд Кинг

Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.

Музеи, в которых хранятся оригиналы работ Чарльз Бёрд Кинг

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы Чарльз Бёрд Кинг Картины из этого списка
Смитсоновский американский художественный музей, Вашингтон, округ КолумбияСмитсоновский американский художественный музей Вашингтон, округ Колумбия 9 Mrs. John Quincy Adams, No Heart (Nan che ning ga), Joshua Johnson
Национальная портретная галерея, Вашингтон, округ КолумбияНациональная портретная галерея Вашингтон, округ Колумбия 7 Stephen Decatur, Louis McLane, Sarah Weston Seaton with her Children Augustine and Julia
Crystal Bridges Museum of American Art, БентонвиллCrystal Bridges Museum of American Art Бентонвилл 3 Portrait of John Ridge, Wai-Kee-Chai, Sanky Chief, Crouching Eagle, Ottoe Half Chief, Husband of Eagle of Delight
Музей изящных искусств, БостонМузей изящных искусств Бостон 2 Rip van Winkle Returning from a Morning Lounge, Still Life on a Green Table Cloth
Национальная галерея искусств, ВашингтонНациональная галерея искусств Вашингтон 2 Poor Artist's Cupboard, Henry Clay
Buffalo AKG Art Museum, БуффалоBuffalo AKG Art Museum Буффало 1 Sagoyewatha (known as "Red Jacket")
Музеи изобразительных искусств Гарварда, КембриджМузеи изобразительных искусств Гарварда Кембридж 1 The Vanity of the Artist's Dream
Chrysler Museum of Art, НорфолкChrysler Museum of Art Норфолк 1 John C. Calhoun, Secretary of War

Чарльз Бёрд Кинг по десятилетиям: оригиналы, определяющие каждую эпоху

Произведения по десятилетиям

Выберите десятилетие, чтобы увидеть шедевр, определяющий его.

Вопросы коллекционеров о картинах Чарльз Бёрд Кинг

Какая работа Чарльз Бёрд Кинг наиболее известна?Узнать ответ

Portrait of John Ridge (1825), Crystal Bridges Museum of American Art, Бентонвилл. Далее следуют Petalesharro (Generous Chief), Pawnee (1822) и Stephen Decatur (1820).

Сколько лет было Чарльз Бёрд Кинг, когда была создана работа Portrait of John Ridge?Узнать ответ

40 лет: Portrait of John Ridge датируется 1825 годом, а Чарльз Бёрд Кинг родился в 1785.

Какие десять самых известных картин написал Чарльз Бёрд Кинг?Узнать ответ

Portrait of John Ridge, Petalesharro (Generous Chief), Pawnee, Stephen Decatur, Louis McLane, Sagoyewatha (known as "Red Jacket"), Rip van Winkle Returning from a Morning Lounge, The Vanity of the Artist's Dream, Poor Artist's Cupboard, Young Omahaw War Eagle, Little Missouri, and Pawnees и McIntosh, A Creek Chief. В рейтинге выше указаны год создания и музей для каждой работы.

Сколько картин оставил(а) Чарльз Бёрд Кинг?Узнать ответ

В нашем каталоге представлено 92 работ Чарльз Бёрд Кинг, созданных в период с 1815 по 1859.

В каких музеях представлены шедевры Чарльз Бёрд Кинг?Узнать ответ

В основном в Смитсоновский американский художественный музей (Вашингтон, округ Колумбия), Национальная портретная галерея (Вашингтон, округ Колумбия) и Crystal Bridges Museum of American Art (Бентонвилл). В таблице выше перечислены все музеи.

В какие годы Чарльз Бёрд Кинг написал свои самые известные работы?Узнать ответ

В 1820s: 14 из 89 работ на этой странице были созданы в этот период, Portrait of John Ridge из них.

Каковы первые и последние известные оригинальные работы Чарльз Бёрд Кинг?Узнать ответ

На этой странице самая ранняя работа датирована Poor Artist's Cupboard (1815), а самая поздняя — Portrait of a Girl (1859).

Какие сюжеты Чарльз Бёрд Кинг выбирал чаще всего?Узнать ответ

Portraits (45), Man (16) и Portrait (9) в 89 работах на этой странице.

Какую технику чаще всего использовал(а) Чарльз Бёрд Кинг?Узнать ответ

Oil, для 14 из 89 работ на этой странице.

К какому художественному направлению относится Чарльз Бёрд Кинг?Узнать ответ

Romanticism, судя по оригиналам на этой странице.

Какие работы Чарльз Бёрд Кинг представлены в Смитсоновский американский художественный музей?Узнать ответ

Mrs. John Quincy Adams, No Heart (Nan che ning ga) и Joshua Johnson: в коллекции Смитсоновский американский художественный музей, Вашингтон, округ Колумбия находится 9 работ со страницы.

Чарльз Бёрд Кинг: жизнь и творчество

Charles Bird King (1785–1862): A Life Etched in Portraiture

Charles Bird King, born in Newport, Rhode Island, in 1785, stands as a pivotal figure in the evolution of American portraiture during an era defined by profound national transformation. His life story is a compelling tapestry woven with threads of personal hardship and unwavering artistic ambition—a journey that ultimately immortalized not only the nation’s political elite but also its Native American leaders, a demographic often overlooked within the artistic landscape of his time. The early years of King's existence were marked by tragedy; at just four years old, he endured the loss of his father, Captain Zebulon King, a veteran of the Revolutionary War, who fell victim to an attack near Marietta, Ohio. This devastating event prompted a return with his mother to Newport, where the seeds of his artistic calling would begin to sprout and take root.

Early Influences and Artistic Training

King’s formal artistic training commenced at the age of fifteen under the tutelage of Edward Savage in New York City—a foundational experience that ignited within him a passionate dedication to portraiture. Savage, himself a prominent sculptor and artist influenced by Romantic ideals, instilled in King a deep appreciation for expressive form and dramatic composition. However, it was his subsequent seven-year sojourn at the Royal Academy in London, studying alongside Benjamin West, that truly defined his artistic sensibilities and shaped his evolving style. This immersive period within European art traditions—particularly those of the Dutch and Northern Renaissance masters—would become a defining characteristic woven into the very fabric of his work. The influence of Rembrandt and Rubens was palpable; King absorbed their mastery of chiaroscuro, their ability to convey emotion through subtle gestures and expressions, and their unwavering commitment to anatomical accuracy. He diligently studied the techniques employed by these revered artists, recognizing that true artistic excellence demanded both technical skill and intellectual understanding.

Return to America and Establishing a Career

Upon returning to the United States amidst the tumult of the War of 1812, King navigated a shifting landscape, briefly establishing himself in Philadelphia, Baltimore, and Richmond before ultimately settling in Washington, D.C. This strategic move proved decisive; the burgeoning capital offered both economic opportunity and access to a powerful network of potential patrons—politicians eager to commemorate their achievements and solidify their legacies. It was here that King established his studio and gallery, cultivating relationships with influential figures who championed his artistic vision. He quickly gained recognition for his exceptional talent, attracting commissions from prominent families and government officials alike. His ability to capture the essence of his subjects—their dignity, intellect, and character—established him as one of the most respected portraitists of his generation. His reputation grew steadily over time, fueled by his unwavering dedication to his craft and his astute understanding of the social dynamics of Washington society.

A Distinctive Style: Dutch Influence and Realism

King’s artistic style is characterized by a meticulous attention to detail, a refined sense of composition, and a subtle yet compelling psychological depth. He embraced the principles of Dutch painting—particularly the use of light and shadow—incorporating techniques honed during his formative years in London. This influence manifested itself in his canvases with an understated elegance, conveying emotion through nuanced expressions and gestures. Yet, King’s work possessed a distinctly American quality—a realism tempered by an intellectual awareness of artistic tradition. He wasn't driven by flamboyant displays or dramatic narratives but rather focused on presenting his sitters with honesty and respect—an approach that resonated deeply with a society valuing decorum, intellect, and civic virtue. His portraits weren’t merely representations; they were statements about character and status. He skillfully blended European artistic conventions with American sensibilities, creating images that captured both physical likeness and inner personality.

Legacy: Portraits of Native Americans and Enduring Artistic Remembrance

Perhaps King’s most enduring contribution lies in his remarkable series of portraits depicting Native American leaders and tribesmen. Commissioned by Thomas L. McKenney, the Superintendent of Indian Trade, these paintings were intended to document the diverse cultures and individuals encountered during diplomatic missions to Washington D.C. These works are not simply historical records; they are powerful statements about cultural exchange, political negotiation, and the complex relationship between the United States government and Native American tribes. Portraits such as those of Kee-shes-wa (a Fox chief), Jack-o-pa (a Chippewa chief), and Teh-ro-hon (an Ioway warrior) stand as testaments to King’s skill in capturing not only physical likeness but also the dignity, strength, and cultural identity of his subjects. While some modern critics have noted potential inaccuracies or romanticized depictions within these portraits, their historical significance remains undeniable—they offer a rare glimpse into a formative period of American history and artistic expression. These paintings served as both artistic achievements and diplomatic tools. He bequeathed his collection of paintings, books, and prints to the Redwood Library and Athenaeum, ensuring that his legacy would endure for generations to come.