Портрет Auguste de Creuse

8 самых известных картин Auguste de Creuse: подборка галереи

Обновлено Ноябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 8 работ Auguste de Creuse в нашем каталоге

Вкратце

Из всех оригинальных работ, оставленных Auguste de Creuse, самой известной является Portrait of Susanne de Baudéan (1625-1700) (1837) из коллекции Версальский дворец, Версаль. Сразу за ними следуют Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini (1839) и Portrait de Louis IX, roi de France. В нашем каталоге представлено 8 работ Auguste de Creuse; галерея сохранила 8 самых почитаемых в мире произведений, каждое из которых сопровождается датой создания, информацией о музее и своей историей.

1806 – 1839, Montrond-le-Château Больше всего работ: Версальский дворец

10 лучших картин Auguste de Creuse: выбор галереи

Музеи, в которых хранятся оригиналы работ Auguste de Creuse

1 музеев, в которых находится больше всего картин со страницы.

Музей Город Работы Auguste de Creuse Картины из этого списка
Версальский дворец, ВерсальВерсальский дворец Версаль 4 Portrait of Susanne de Baudéan (1625-1700), Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini, EUGENE ADELAIDE LOUISE D'ORLEANS, MADAME ADELAIDE (1777 1847)

Auguste de Creuse по годам: оригинальные работы, определяющие каждый период

От 1837 до 1839 года — всего 3 лет: в этой подборке представлены все работы художника Auguste de Creuse разных лет: здесь каждый год представлен во всем своем великолепии.

Работы по годам

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Вопросы коллекционеров о картинах Auguste de Creuse

Какая работа Auguste de Creuse наиболее известна?Узнать ответ

Portrait of Susanne de Baudéan (1625-1700) (1837), Версальский дворец, Версаль. Далее следуют Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini (1839) и Portrait de Louis IX, roi de France.

Сколько лет было Auguste de Creuse, когда была создана работа Portrait of Susanne de Baudéan (1625-1700)?Узнать ответ

31 лет: Portrait of Susanne de Baudéan (1625-1700) датируется 1837 годом, а Auguste de Creuse родился в 1806.

Сколько картин оставил(а) Auguste de Creuse?Узнать ответ

В нашем каталоге представлено 8 работ Auguste de Creuse, созданных в период с 1837 по 1839.

В каких музеях представлены шедевры Auguste de Creuse?Узнать ответ

В основном в Версальский дворец (Версаль). В таблице выше перечислены все музеи.

Каковы первые и последние известные оригинальные работы Auguste de Creuse?Узнать ответ

На этой странице самая ранняя работа датирована Portrait of Susanne de Baudéan (1625-1700) (1837), а самая поздняя — Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini (1839).

Какие работы Auguste de Creuse представлены в Версальский дворец?Узнать ответ

Portrait of Susanne de Baudéan (1625-1700), Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini и EUGENE ADELAIDE LOUISE D'ORLEANS, MADAME ADELAIDE (1777 1847): в коллекции Версальский дворец, Версаль находится 4 работ со страницы.

Auguste de Creuse: жизнь и творчество

The Luminous Legacy of Auguste de Creuse

In the grand, sweeping tapestry of nineteenth-century French painting, certain names shine with an enduring brilliance, while others flicker like a candle in a drafty corridor, leaving behind only a hauntingly beautiful afterglow. Auguste de Creuse, born Jean-Pierre Decreuse, belongs to that poignant second category. A master of the portrait, his life was a brief but intense burst of artistic vitality that spanned from his birth in Montrond-le-Château in 1806 to his untimely passing in Paris in 1839. Though his career was tragically truncated at the age of thirty-three, the works he left behind serve as elegant windows into the soul of a bygone era, capturing the quiet dignity of the aristocracy and the storied grandeur of French history.

The trajectory of Creuse’s talent was irrevocably shaped by his time at the École Supérieure des Beaux-Arts in Paris. It was here that he came under the tutelage of the formidable Antoine-Jean Gros, a mentorship that would become the cornerstone of his aesthetic identity. From Gros, Creuse inherited more than just technical proficiency; he absorbed a profound reverence for historical narrative and an almost surgical precision in detail. This lineage is evident in his ability to weave together the monumental scale of history with the intimate nuances of individual character, creating canvases that feel both epic and deeply personal.

A Mastery of Light and Lineage

To observe a portrait by Creuse is to enter a world defined by a restrained yet evocative palette. Eschewing the garish or the overly dramatic, he favored a sophisticated arrangement of muted browns, warm ochres, and soft creams. This deliberate choice of color allowed him to master the art of sfumato and subtle tonal gradations, employing thin, delicate layers of paint to achieve a luminous quality that seems to emanate from within the subjects themselves. His brushwork, remarkably fine and controlled, captured the tactile reality of silk, lace, and velvet, lending his aristocratic sitters an air of timeless grace.

His technical prowess was not merely reserved for contemporary faces; Creuse possessed a unique ability to breathe life into the ghosts of France's past. His repertoire included:

  • Royal Portraits: He achieved significant recognition for his depictions of the House of Orléans, including works featuring the young Louis-Philippe, which found prestigious homes in the Châteaux of Versailles and Trianon.
  • Historical Figures: Creuse demonstrated a remarkable capacity for historical reconstruction, painting legendary figures such as Jean Bart and the Duchesse de Belleval.
  • The Monarchs of Old: His involvement in the series commissioned by Louis Philippe I for the Musée historique de Versailles allowed him to portray medieval and Renaissance icons, including Louis IX (Saint Louis) and Catherine de Médicis.

An Enduring Impression

The historical significance of Auguste de Creuse lies in his role as a bridge between the classical traditions of the early nineteenth century and the burgeoning romanticism of his era. While he operated within the established frameworks of his mentors, his sensitivity to psychological depth pushed his portraiture beyond mere likeness. He sought to reveal the character beneath the velvet, the humanity beneath the crown. Though his death in 1839 silenced his brush, the echoes of his talent remain preserved in the halls of Versailles and the collections of art historians worldwide. He remains a vital figure for anyone seeking to understand the elegance, the precision, and the profound emotional resonance of French portraiture during one of its most transformative centuries.