Портрет August von der Embde

7 самых известных картин August von der Embde: подборка галереи

Обновлено Ноябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 7 работ August von der Embde в нашем каталоге

Вкратце

Из всех оригинальных работ, оставленных August von der Embde, самой известной является Portrait of Wilhelmine Caroline von Hessen-Kassel (1818) из коллекции New Gallery, Kassel. Сразу за ними следуют Portrait of Countess Louise Bose as a Child (1820) и Self-portrait (1819). В нашем каталоге представлено 7 работ August von der Embde; галерея сохранила 7 самых почитаемых в мире произведений, каждое из которых сопровождается датой создания, информацией о музее и своей историей.

1780 – 1862, Kassel Больше всего работ: New Gallery

10 лучших картин August von der Embde: выбор галереи

Музеи, в которых хранятся оригиналы работ August von der Embde

1 музеев, в которых находится больше всего картин со страницы.

Музей Город Работы August von der Embde Картины из этого списка
New Gallery, KasselNew Gallery Kassel 6 Portrait of Wilhelmine Caroline von Hessen-Kassel, Portrait of Countess Louise Bose as a Child, Self-portrait

August von der Embde по десятилетиям: оригиналы, определяющие каждую эпоху

Произведения по десятилетиям

Выберите десятилетие, чтобы увидеть шедевр, определяющий его.

Вопросы коллекционеров о картинах August von der Embde

Какая работа August von der Embde наиболее известна?Узнать ответ

Portrait of Wilhelmine Caroline von Hessen-Kassel (1818), New Gallery, Kassel. Далее следуют Portrait of Countess Louise Bose as a Child (1820) и Self-portrait (1819).

Сколько лет было August von der Embde, когда была создана работа Portrait of Wilhelmine Caroline von Hessen-Kassel?Узнать ответ

38 лет: Portrait of Wilhelmine Caroline von Hessen-Kassel датируется 1818 годом, а August von der Embde родился в 1780.

Сколько картин оставил(а) August von der Embde?Узнать ответ

В нашем каталоге представлено 7 работ August von der Embde, созданных в период с 1818 по 1839.

В каких музеях представлены шедевры August von der Embde?Узнать ответ

В основном в New Gallery (Kassel). В таблице выше перечислены все музеи.

В какие годы August von der Embde написал свои самые известные работы?Узнать ответ

В 1830s: 4 из 7 работ на этой странице были созданы в этот период, Portrait of Heinrich Ferdinand Graf zu Isenburg-Philippseich из них.

Каковы первые и последние известные оригинальные работы August von der Embde?Узнать ответ

На этой странице самая ранняя работа датирована Portrait of Wilhelmine Caroline von Hessen-Kassel (1818), а самая поздняя — Portr. of three brothers playing with flowers (1839).

Какие работы August von der Embde представлены в New Gallery?Узнать ответ

Portrait of Wilhelmine Caroline von Hessen-Kassel, Portrait of Countess Louise Bose as a Child и Self-portrait: в коллекции New Gallery, Kassel находится 6 работ со страницы.

August von der Embde: жизнь и творчество

The Journey of a Master: The Life of August von der Embde

In the heart of the German landscape, during an era defined by the transition from classical traditions to the burgeoning romantic spirit, the life of August von der Embde unfolded with the quiet determination of a true craftsman. Born on December 2, 1780, in Kassel, his early years were rooted in the tactile reality of manual labor; as the son of a master carpenter, he initially learned the precision of the woodworking trade. Yet, the call of the brush proved more resonant than the chisel. This foundational discipline of craftsmanship would later manifest in the meticulous detail and structural integrity of his painted works, bridging the gap between the physical world of form and the ethereal realm of fine art.

His formal artistic odyssey began at the Kassel Academy, where from 1799 to 1804, he honed the technical foundations that would support a lifetime of exploration. This period was not merely one of academic study but of profound observation. As he traveled through the vibrant cultural hubs of Germany—visiting Dresden, Düsseldorf, and Munich—he did more than just witness the art of his era; he engaged in a deep, transformative dialogue with the masters of the past. His travels were punctuated by periods of intense study, where he sought to capture the essence of greatness through the act of copying, a practice that allowed him to internalize the brushwork and light of the Old Masters.

A Legacy of Mimicry and Mastery

One of the most remarkable chapters in Embde’s career was his ability to inhabit the styles of those who came before him. He possessed a rare, almost scholarly devotion to the lineage of European painting. In 1803, he achieved a significant milestone by becoming one of the first artists to independently reproduce the Angel from Raphael's legendary Sixtine Madonna. This feat was not merely an exercise in imitation but a profound way of reclaiming and reinterpreting classical beauty for his own generation. Through such works, he bridged the gap between the Renaissance ideal and the nineteenth-century aesthetic.

As his horizons expanded, so did his influences. His time in Vienna brought him into the orbit of the Füger school, particularly under the influence of the historical and portrait painter Josef Abel. This exposure to the refined, academic style of Vienna added a layer of sophistication to his repertoire, blending the rigorous structure of German training with the graceful, narrative elegance found in Austrian portraiture. His development was a continuous loop of learning, traveling, and absorbing the diverse artistic languages of the various German-speaking residencies he inhabited.

The Enduring Impression

Though history often remembers the innovators who broke entirely from tradition, the significance of an artist like August von der Embde lies in his role as a custodian of excellence. He served as a vital link in the chain of artistic continuity, ensuring that the techniques and spiritual weight of the masters were preserved through his careful hands. His life, which concluded in Kassel on August 10, 1862, represents a period of profound cultural synthesis.

To look upon the works associated with his name is to witness a lifetime of devotion to the craft. His legacy remains etched in the meticulous way he approached every canvas, treating each subject with the reverence of a historian and the precision of a master builder. Through his eyes, we see the echoes of Raphael and the structured elegance of the Viennese academy, all unified by the singular, dedicated spirit of a man who found his true calling far beyond the carpenter's workshop.