Портрет Adèle Romany

Картины Adèle Romany: 37 самых известных работ, взгляд галереи

Обновлено Ноябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 39 работ Adèle Romany в нашем каталоге

Вкратце

По мнению экспертов галереи, самой известной картиной Adèle Romany является Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), оригинал которой находится в Национальный музей искусств женщин, Вашингтон, округ Колумбия. Madame Coury, Duhamel Widow (1811) и Portrait of a Young Woman (1804) завершают трио, которое узнает каждый. Из 39 работ Adèle Romany в нашем каталоге ниже представлены 37 самых известных: каждая из них является оригиналом с указанием года создания, музея и уникальных особенностей.

1769 – 1846, Paris Neoclassicism Больше всего работ: Library-museum of the Comédie-Française

Топ-10 картин художника Adèle Romany в галерее

1
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) работы Adèle Romany

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · Национальный музей искусств женщин, Вашингтон, округ Колумбия

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

2
Madame Coury, Duhamel Widow (1811) работы Adèle Romany

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Национальный музей Швеции, Стокгольм

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

4
Portrait of Julie Candeille (1791) работы Adèle Romany

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

5
Portrait of a Young Harpist (1795) работы Adèle Romany

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Лилль

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

6
Portrait of a woman (1795) работы Adèle Romany

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, Париж

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

7
Portrait of Amélie-Justine Pontois (1795) работы Adèle Romany

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

8
Charles-Antoine d'Artenay (1792) работы Adèle Romany

Charles-Antoine d'Artenay

1792 · Oil On Canvas · Версальский дворец, Версаль

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

9
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) работы Adèle Romany

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

10
A young person hesitating to play the piano in front of her family (1804) работы Adèle Romany

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

Картины художника Adèle Romany, в рейтинге с 11 по 37

11Presumed self-portrait (1799) работы Adèle RomanyPresumed self-portrait1799 · Musée des Beaux-Arts de Rouen 12Young lovers playing the lyre (1802) работы Adèle RomanyYoung lovers playing the lyre1802 13Portrait of Jeanne-Marie Mercier, the artist's mother (1799) работы Adèle RomanyPortrait of Jeanne-Marie Mercier, the artist's mother1799 · Musee Baron Martin 14Portrait of Justine-Louise Mercier, aunt of the artist (1798) работы Adèle RomanyPortrait of Justine-Louise Mercier, aunt of the artist1798 15Louis Jean-Baptiste Étienne Vigée (1800) работы Adèle RomanyLouis Jean-Baptiste Étienne Vigée1800 16Portrait de Mme Thénard (1800) работы Adèle RomanyPortrait de Mme Thénard1800 · Музей Карнавале 17Full-length Portrait of a Young Lady Seated in a Landscape (1805) работы Adèle RomanyFull-length Portrait of a Young Lady Seated in a Landscape1805 · Musée Grobet-Labadié 18Portrait of a Lady at a Pianoforte (1808) работы Adèle RomanyPortrait of a Lady at a Pianoforte1808 · Музей изящных искусств 19portrait of Pierre-Marie-Nicolas Michelot (1807) работы Adèle Romanyportrait of Pierre-Marie-Nicolas Michelot1807 20Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808) работы Adèle RomanyJoseph-Dominique Fabry Garat Playing a Lyre Guitar1808 · Музей изящных искусств 21Portrait of Emilie Leverd (1808) работы Adèle RomanyPortrait of Emilie Leverd1808 · Library-museum of the Comédie-Française 22Mlle Raucourt as Agrippine (1812) работы Adèle RomanyMlle Raucourt as Agrippine1812 · Library-museum of the Comédie-Française 23Portrait of Joseph Souberbielle (1814) работы Adèle RomanyPortrait of Joseph Souberbielle1814 24Portrait of mademoiselle A.P. (1806) работы Adèle RomanyPortrait of mademoiselle A.P.1806 · Musée de la Chartreuse de Douai 25Portrait of Antoine Valedau (1809) работы Adèle RomanyPortrait of Antoine Valedau1809 · Musée Fabre 26Portrait of Alphonse de Chavanges (1812) работы Adèle RomanyPortrait of Alphonse de Chavanges1812 27Portrait of Michael Kelly (1810) работы Adèle RomanyPortrait of Michael Kelly1810 28Portrait of Fleury (1818) работы Adèle RomanyPortrait of Fleury1818 · Library-museum of the Comédie-Française 29The Marquis de Romance Mesmon's snack (1815) работы Adèle RomanyThe Marquis de Romance Mesmon's snack1815 · Версальский дворец 30Portrait of Aglaé-Constance Boudard in red velvet dress (1815) работы Adèle RomanyPortrait of Aglaé-Constance Boudard in red velvet dress1815 31Portrait of Amélie-Justine Laidin de la Bouterie (1818) работы Adèle RomanyPortrait of Amélie-Justine Laidin de la Bouterie1818 32Portrait de Zoé Prévost, de l'Opéra-Comique (1830) работы Adèle RomanyPortrait de Zoé Prévost, de l'Opéra-Comique1830 · Musée Magnin 33Mlle Prévost de l’Opéra Comique (1830) работы Adèle RomanyMlle Prévost de l’Opéra Comique1830 34The Flight from the Village Fire (1833) работы Adèle RomanyThe Flight from the Village Fire1833 35Portrait of Voltaire (1836) работы Adèle RomanyPortrait of Voltaire1836 · Library-museum of the Comédie-Française 36Baptiste cadet (1832) работы Adèle RomanyBaptiste cadet1832 · Library-museum of the Comédie-Française 37Portrait of Auguste Vestris (1793) работы Adèle RomanyPortrait of Auguste Vestris1793 · Rhode Island School of Design Museum of Art

Знаменитые картины Adèle Romany по периодам творчества

Сюжеты, которые вдохновляли Adèle Romany

Четыре темы, которые чаще всего встречаются в этих оригиналах, каждая из которых представлена своим лучшим образцом.

Музеи, в которых хранятся оригиналы работ Adèle Romany

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы Adèle Romany Картины из этого списка
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Версальский дворец, ВерсальВерсальский дворец Версаль 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Музей изящных искусств, БостонМузей изящных искусств Бостон 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
Национальный музей искусств женщин, Вашингтон, округ КолумбияНациональный музей искусств женщин Вашингтон, округ Колумбия 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Национальный музей Швеции, СтокгольмНациональный музей Швеции Стокгольм 1 Madame Coury, Duhamel Widow
Музей Мармоттан-Моне, ПарижМузей Мармоттан-Моне Париж 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, ЛилльPalais des Beaux-Arts de Lille Лилль 1 Portrait of a Young Harpist
Musée Jacquemart-André, ПарижMusée Jacquemart-André Париж 1 Portrait of a woman

Adèle Romany, одна знаковая картина в десятилетие

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Картины Adèle Romany: ответы галереи

Какая картина Adèle Romany является самой известной из всех?Узнать ответ

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Национальный музей искусств женщин, Вашингтон, округ Колумбия. Далее следуют Madame Coury, Duhamel Widow (1811) и Portrait of a Young Woman (1804).

Сколько лет было Adèle Romany, когда была завершена работа Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou?Узнать ответ

26 лет: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou датируется 1795 годом, а Adèle Romany родился в 1769.

Какие 10 лучших картин принадлежат Adèle Romany?Узнать ответ

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois и A young person hesitating to play the piano in front of her family. В рейтинге выше указаны год создания и музей для каждой работы.

Сколько работ создал(а) Adèle Romany?Узнать ответ

В нашем каталоге представлено 39 работ Adèle Romany, созданных в период с 1791 по 1836.

Где висят самые известные оригинальные работы Adèle Romany?Узнать ответ

В основном в Library-museum of the Comédie-Française (Paris), Версальский дворец (Версаль) и Музей изящных искусств (Бостон). В таблице выше перечислены все музеи.

Когда Adèle Romany создал свои самые известные картины?Узнать ответ

В 1800s: 13 из 37 работ на этой странице были созданы в этот период, Portrait of a Young Woman из них.

Какие из самых известных работ Adèle Romany являются наиболее ранними и наиболее поздними?Узнать ответ

На этой странице самая ранняя работа датирована Portrait of Julie Candeille (1791), а самая поздняя — Portrait of Voltaire (1836).

К каким сюжетам Adèle Romany обращался чаще всего?Узнать ответ

Woman (24), Man (14) и White dress (6) в 37 работах на этой странице.

В какой технике чаще всего работал(а) Adèle Romany?Узнать ответ

Oil On Canvas, для 29 из 37 работ на этой странице.

С каким направлением связан Adèle Romany?Узнать ответ

Neoclassicism, судя по оригиналам на этой странице.

Какие оригинальные работы Adèle Romany хранятся в Library-museum of the Comédie-Française?Узнать ответ

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine и Portrait of Fleury: в коллекции Library-museum of the Comédie-Française, Paris находится 5 работ со страницы.

Adèle Romany: художник

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.