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Self-portrait

Имя Класс обучения Дата

Перов, Василий Григорьевич, Self-portrait (1870). Общественное достояние Посмотрите на этот холст при движении света: рисунок, истинный цвет под лаком, чистый пигмент

Сведения о произведении

Автор
Перов, Василий Григорьевич originaluniqueart.com/ru/artists/%D0%BF%D0%B5%D1%80%D0%BE%D0%B2-%D0%B2%D0%B0%D1%81%D0%B8%D0%BB%D0%B8%D0%B9-%D0%B3%D1%80%D0%B8%D0%B3%D0%BE%D1%80%D1%8C%D0%B5%D0%B2%D0%B8%D1%87_ru/
Даты жизни автора
1833 – 1882
Живопись
1870
Техника исполнения
Oil On Canvas
Размер оригинала
63 x 52 cm
Движение
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.
Период
19th Century
Artistic style
Realism
Influences
Jean Baptiste Camille Corot, Albert Edelfelt
Notable elements or techniques
Earthy tones, subtle lighting
Subject or theme
Self-portrait

В контексте

Self-portrait — Перов, Василий Григорьевич

Каков размер?

Оригинальный размер составляет 63 × 52 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Когда была написана эта работа?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880

Верхняя строка: годы. Нижняя строка: возраст художника в начале и в конце каждого периода — 0 при рождении, 49 на момент смерти.

Написано, когда художнику было 37. Художник прожил 49. 68 из 135 датированных работ этого художника в нашем каталоге были созданы ранее.

Затененная область: годы жизни Перов, Василий Григорьевич (1833–1882) ▲ эта работа, 1870 каждая картина с датой, десятилетие за десятилетием

Первые работы: до 1865 Период активной деятельности: 1865–1874 Поздние работы: с 1874

Эти три периода разделяют работы, имеющие дату в данном каталоге, на первую четверть, середину и последнюю четверть. Они не представляют собой полный творческий путь художника: небольшой пробел может быть следствием отсутствия записей, а не периодом затишья. Те же годы, что и жизнь художника

Сравнить с

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: originaluniqueart.com/ru/art/similar/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/

Цвета

Измерено по изображению

    Основной цвет

    Espresso #464239

    Каталогизированная палитра

    • #464239
    • #FEFEFD
    • #141714
    • #B9A78E

    Эти цвета входят в полную палитру художника Поиск других картин по цвету

    Палитра
    Neutrals Преобладающая цветовая гамма изображения.
    Название основного цвета
    Espresso
    Насыщенность
    Monochromatic Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Statement Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Balanced Harmony Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Balanced Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Muted Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    Где в мире смотрят на эту картину?

    • менее 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и более
    Данной картины недостаточно для построения карты, поэтому на плакате представлены все работы Перов, Василий Григорьевич за последние двенадцать месяцев — всего в 9 странах. Источник этих данных

    Десять ведущих стран

    1. 1 Китай 66,7%4 000 visits
    2. 2 Соединенные Штаты Америки 10,0%600 visits
    3. 3 Аргентина 6,7%400 visits
    4. 4 Индонезия 6,7%400 visits
    5. 5 Гонконг 3,3%200 visits
    6. 6 Бразилия 1,7%100 visits
    7. 7 Германия 1,7%100 visits
    8. 8 Сальвадор 1,7%100 visits
    9. 9 Тайвань 1,7%100 visits

    Найдите на карте три самые темные страны. Находится ли музей, где хранится эта картина, в одной из них? Запишите одну причину, по которой люди из далеких краев могли бы захотеть ее увидеть.

    20 самых просматриваемых работ Перов, Василий Григорьевич

    1. 1 Last Journey, 1865 11,0%800 visits
    2. 2 The conversation at the round table, 1866 6,8%500 visits
    3. 3 A Drowned Woman (also known as Found Drowned), 1867 4,1%300 visits
    4. 4 Fishing 4,1%300 visits
    5. 5 Troika. Apprentice Workmen Carrying Water, 1866 2,7%200 visits
    6. 6 Pugachev`s Judgement, 1875 2,7%200 visits
    7. 7 Portrait of the Historian Mikhail Pogodin, 1872 2,7%200 visits
    8. 8 Scouts at Sevastopol, 1874 2,7%200 visits
    9. 9 Portrait of the composer P.S. Campione, 1872 2,7%200 visits
    10. 10 Art teacher, 1867 2,7%200 visits
    11. 11 By train, 1879 2,7%200 visits
    12. 12 Fisherman, 1871 1,4%100 visits
    13. 13 Self-Educating Caretaker, 1868 1,4%100 visits
    14. 14 Incorrigible One, 1873 1,4%100 visits
    15. 15 Arriving at an the inquiry, 1857 1,4%100 visits
    16. 16 Students talk with the monk, 1871 1,4%100 visits
    17. 17 Amateur, 1862 1,4%100 visits
    18. 18 Portrait of Vasily Bezsonov, 1869 1,4%100 visits
    19. 19 Organ Grinder in Paris, 1864 1,4%100 visits
    20. 20 Self-portrait, 1870 данная картина 1,4%100 visits

    В совокупности эти работы привлекли 57,5% всего внимания, которое получили картины этого художника за последние двенадцать месяцев. В каталоге представлено 162 работ этого художника, из которых 51 были просмотрены как минимум один раз. This painting ranks 20 of them, with 1,4% of that attention (100 visits). Динамика показателей по месяцам

    Шкала отражает уровень внимания, а не качество. Выберите работу в верхней части списка и эту: назовите одну вещь, которая может сделать картину знаменитой помимо мастерства её исполнения.

    Об этом произведении

    Self-portrait — Перов, Василий Григорьевич

    Self-Portrait by Vasily Grigoryevich Perov: A Glimpse into the Soul of a Realist

    The Self-portrait by Vasily Grigoryevich Perov, created in 1870, is a captivating example of Realism that continues to fascinate art enthusiasts worldwide. This oil on canvas painting measures 63 x 52 cm and stands as a testament to the artist's skill in capturing an accurate depiction of visual reality while simultaneously revealing profound psychological depth.

    Artistic Context and Style: The Rise of Russian Realism

    Perov was a key figure in the Russian Realist movement, which emerged in the mid-19th century as a reaction against Romantic idealism. Realism sought to depict life as it truly was, focusing on everyday subjects and social issues with unflinching honesty. Perov’s work had a significant impact on the development of art in Russia, influencing subsequent generations of artists who embraced this commitment to portraying reality without embellishment. The Self-portrait showcases Perov's ability to blend elements of realism with a deep understanding of human emotion. The painting is characterized by its use of earthy tones, subtle lighting, and an emphasis on texture, which creates a sense of depth and dimensionality. This meticulous attention to detail was central to the Realist aesthetic.

    A Detailed Examination: Technique and Composition

    The Self-portrait demonstrates Perov’s mastery of oil painting techniques. The artist employs subtle gradations of color and light to model the face and clothing, creating a sense of volume and realism. Noticeable brushstrokes add texture and vitality to the surface, preventing the image from appearing overly smooth or artificial. The composition is carefully considered; the subject's face is centrally positioned within an oval frame, drawing the viewer’s eye directly to his gaze. The dark background serves to isolate Perov, intensifying the focus on his expression and conveying a sense of introspection. The lighting appears soft and diffused, highlighting the textures of the man’s clothing and facial features.

    Symbolism and Emotional Impact: A Portrait of Introspection

    Beyond its technical brilliance, the Self-portrait resonates with viewers due to its emotional depth. Perov's expression is serious, perhaps even melancholic, inviting speculation about his inner thoughts and feelings. The long beard and hair, rendered with meticulous detail, suggest a man of intellect and experience. The overall somber mood, created by the muted color palette and dark background, contributes to an atmosphere of formality and introspection. While Perov was known for depicting scenes of social hardship in his other works (such as The Queue at The Fountain and A Meal in the Monastery), this self-portrait offers a more personal glimpse into the artist's own psyche.

    Perov and His Contemporaries: A Legacy of Realism

    Vasily Grigoryevich Perov (1834 – 1882) was born in Tobolsk, Russia. His early life was marked by complexity due to his illegitimacy, a circumstance that likely informed his later social commentary through art. He received training at the Alexander Stupin Art School and the Moscow School of Painting. Perov’s contributions to the art world are not limited to his Self-portrait. Other artists who explored the Realist style include Jean Baptiste Camille Corot and Albert Edelfelt. For example, Corot’s A Ford with Large Trees and Edelfelt's Conveying a Child showcase the versatility and range of Realism.

    Художник и музей

    Автор

    Перов, Василий Григорьевич

    Место рождения Тобольск, Россия

    A Life Etched in Realism: Vasily Perov and the Soul of Russia

    Vasily Grigoryevich Perov, born Vasily Vasiliev on January 2, 1834 (December 21, 1833 Old Style) in the remote Siberian town of Tobolsk, was not merely a painter; he was a chronicler of his time, a social observer who captured the essence of Russian life with unflinching honesty and profound empathy. His early years, marked by an unconventional upbringing born from his parents’ circumstances – his father, Baron Grigory Kridener, being the provincial prosecutor for Arzamas, and his mother, Akulina Ivanova – instilled within him a keen awareness of societal inequalities and a deep connection to the lives of ordinary people. This formative experience profoundly shaped his artistic vision, leading him to reject idealized representations in favor of portraying the realities of rural Russia with stark detail and emotional resonance. The adoption of the surname “Perov,” derived from the Russian word for ‘feather,’ a subtle nod to his early aptitude for calligraphy – a skill he honed diligently – foreshadowed his dedication to meticulously documenting the world around him, often overlooked or deliberately obscured by convention. His formal artistic journey commenced at the Alexander Stupin Art School in Arzamas, where he laid the foundational skills of composition and technique before progressing to the Moscow School of Painting, Sculpture and Architecture in 1853, a pivotal period that exposed him to a broader range of artistic influences and solidified his commitment to painting.

    Early Recognition and Artistic Development

    Perov’s early career was marked by both critical acclaim and personal hardship. He quickly demonstrated exceptional talent, earning silver and gold medals at the Imperial Academy of Arts – awards that not only validated his abilities but also afforded him the extraordinary opportunity to study abroad in 1862. This period in Western Europe, particularly Paris and various German cities, proved transformative, exposing him to new artistic styles and broadening his perspective on the world. However, this journey was shadowed by personal tragedy; his beloved wife, Maria, succumbed to illness during his time in Europe, leaving a profound impact on his work and emotional state. Despite this sorrow, Perov continued to paint prolifically, capturing scenes of Parisian street life, portraits of musicians and performers, and landscapes that reflected the changing seasons. His paintings from this period – works like “A Meal in the Monastery” and “Troika: Apprentice Workmen Carrying Water” – reveal a growing mastery of technique and a deepening engagement with social themes. The Imperial Academy recognized his talent, awarding him the prestigious Grand Gold Medal in 1861 for "Sermon in a Village," a painting that catapulted him to national prominence and secured him a coveted scholarship to further refine his skills.

    The Themes of Social Commentary

    Perov’s artistic vision was fundamentally rooted in a commitment to portraying Russian society with unflinching honesty, rejecting the idealized depictions favored by many of his contemporaries. He wasn't interested in romanticizing poverty or suffering; rather, he sought to present it with dignity and empathy, forcing viewers to confront uncomfortable truths about their own society. His paintings are not merely representations of reality; they are powerful social commentaries that expose the hardships, injustices, and spiritual emptiness prevalent in 19th-century Russia. “Sermon in a Village,” for example, subtly critiques religious hypocrisy by depicting a disengaged congregation during a church service, while "The Queue at the Fountain" starkly illustrates the daily struggles of rural life. His technique was characterized by meticulous detail, somber color palettes, and a masterful use of light and shadow to create dramatic effect. He wasn’t interested in romanticizing poverty or suffering; rather, he sought to present it with dignity and empathy, forcing viewers to confront uncomfortable truths about their own society. Works like “The Last Journey,” depicting a peasant funeral procession, and "Troika: Apprentice Workmen Carrying Water" are poignant examples of his ability to evoke profound emotional responses through realistic portrayals of everyday life.

    Founding a Movement: The Peredvizhniki

    Perov’s dedication to realism aligned perfectly with the burgeoning spirit of artistic rebellion that led to the formation of the Peredvizhniki (Wanderers) in 1870. This collective of Russian realist painters broke away from the constraints of the Academy, establishing an independent society dedicated to exhibiting art throughout Russia—reaching audiences beyond the confines of St. Petersburg and Moscow. The Peredvizhniki aimed to bring art directly to the people, to address social issues through their work, and to promote a uniquely Russian artistic identity. Perov was not merely a member; he was a founding force, instrumental in shaping the movement’s ideals and advocating for its principles. His commitment to portraying the lives of ordinary Russians resonated deeply with the Peredvizhniki's mission, solidifying his position as a leading figure within the group. The Wanderers’ exhibitions became immensely popular, attracting large crowds and sparking important conversations about art, society, and national identity.

    Legacy and Enduring Influence

    Vasily Perov’s untimely death from tuberculosis in 1882 at the age of 48 marked a significant loss for Russian art. However, his legacy continued to inspire generations of artists who followed in his footsteps. His influence can be seen in the works of Ilya Repin and Vasily Surikov, both masters of realist painting who further developed the tradition he helped establish. Perov’s paintings remain relevant today not only for their artistic merit but also for their enduring social commentary. They serve as a powerful reminder of the hardships faced by ordinary people throughout history and continue to provoke empathy and understanding. His works are now housed in prominent collections, including the Tropinin and Contemporary Moscow Artists Museum, ensuring that his vision continues to resonate with audiences worldwide. *Perov’s contribution extends beyond mere artistic skill; he was a social conscience etched onto canvas, a voice for the voiceless, and a pioneer of Russian realism.* He left behind a body of work that not only documented his time but also challenged it, forever changing the landscape of Russian art.

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    QR-код со ссылкой на страницу загрузки Self-portrait

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    Как цитировать это произведение

    MLA
    Григорьевич, Перов, Василий. Self-portrait. 1870, https://originaluniqueart.com/ru/art/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/
    APA
    Григорьевич, Перов, Василий (1870). Self-portrait [Painting]. https://originaluniqueart.com/ru/art/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/
    Chicago
    Перов, Василий Григорьевич. Self-portrait. 1870. https://originaluniqueart.com/ru/art/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/
    Harvard
    Григорьевич, Перов, Василий (1870) Self-portrait. Available at: https://originaluniqueart.com/ru/art/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/

    Присмотритесь внимательнее

    Self-portrait — Перов, Василий Григорьевич

    Присмотритесь поближе

    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. Сколько лиц вы сможете найти? ____ (в нашем каталоге насчитывается 1 — согласны ли вы с этим?)
    4. В нашем каталоге эта работа классифицирована по тегам: portrait, self-portrait, realism. Вы согласны? Что бы вы добавили или исключили?
    5. Вспомните работу Incorrigible One (1873), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.

    Ваш ответ

    Напишите небольшой текст об этом произведении искусства, используя факты из предыдущих разделов данного руководства и ваши ответы выше.

    Арт-викторина

    Self-portrait — Перов, Василий Григорьевич

    Насколько хорошо вы знаете это произведение искусства?

    Выберите по одному варианту ответа для каждого из 5 вопросов ниже. В каждом вопросе есть только один правильный ответ.

    1. 1. What artistic movement is Vasily Perov’s ‘Self-Portrait’ most closely associated with?

      • A Impressionism
      • B Realism
      • C Abstract Expressionism
    2. 2. Approximately what year was the 'Self-Portrait' created?

      • A 1834
      • B 1870
      • C 1882
    3. 3. What is a prominent characteristic of the lighting in the ‘Self-Portrait’?

      • A Harsh and dramatic
      • B Soft and diffused
      • C Bright and vibrant
    4. 4. Which of the following best describes the overall mood conveyed by the painting, considering its color palette and subject's expression?

      • A Joyful and celebratory
      • B Somber and introspective
      • C Energetic and dynamic
    5. 5. What is a notable aspect of Perov’s artistic contributions, as highlighted in the description?

      • A His focus on mythological themes
      • B His ability to capture everyday life and social issues
      • C His pioneering use of pointillism

    Мой результат: ____ из 5

    Ключ к ответам — для преподавателя

    Этот раздел начинается с новой печатной страницы, поэтому его можно просто не включать в копии.

    1B · 2B · 3B · 4B · 5B

    Сверьте любой ответ с описанием этого произведения в каталоге

    Вопросы и ответы

    Как выстроена цветовая композиция в «Self-portrait», Перов, Василий Григорьевич?

    В работе «Self-portrait» Statement контраст сочетается с Balanced Harmony гармонией.

    Какой размер и ориентация рекомендуются для печати работы «Self-portrait», Перов, Василий Григорьевич?

    Размер Medium, ориентация Portrait: рекомендуемые параметры печати для работы «Self-portrait», Перов, Василий Григорьевич.

    Насколько выражен контраст в работе «Self-portrait», Перов, Василий Григорьевич?

    Уровень контрастности «Self-portrait», Перов, Василий Григорьевич составляет Statement.