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Self Portrait

Имя Класс обучения Дата

Рейнольдс, Self Portrait (1788), English Heritage. Общественное достояние Посмотрите на этот холст при движении света: рисунок, истинный цвет под лаком, чистый пигмент

Сведения о произведении

Автор
Рейнольдс originaluniqueart.com/ru/artists/%D1%80%D0%B5%D0%B9%D0%BD%D0%BE%D0%BB%D1%8C%D0%B4%D1%81_ru/
Даты жизни автора
1723 – 1792
Живопись
1788
Техника исполнения
Acrylic On Canvas
Размер оригинала
76 x 64 cm
Движение
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Место проведения
English Heritage originaluniqueart.com/ru/museums/english-heritage-%D0%BB%D0%BE%D0%BD%D0%B4%D0%BE%D0%BD_ru/
Artistic style
Classical Portraiture
Influences
Hudson
Notable elements or techniques
Dramatic lighting; Impasto texture
Subject or theme
Identity; Vanity

В контексте

Self Portrait — Рейнольдс

Каков размер?

Оригинальный размер составляет 76 × 64 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Когда была написана эта работа?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780
  8. 1790

Верхняя строка: годы. Нижняя строка: возраст художника в начале и в конце каждого периода — 0 при рождении, 69 на момент смерти.

Написано, когда художнику было 65. Художник прожил 69. 607 из 654 датированных работ этого художника в нашем каталоге были созданы ранее.

Затененная область: годы жизни Рейнольдс (1723–1792) ▲ эта работа, 1788 каждая картина с датой, десятилетие за десятилетием

Первые работы: до 1761 Период активной деятельности: 1761–1781 Поздние работы: с 1781

Эти три периода разделяют работы, имеющие дату в данном каталоге, на первую четверть, середину и последнюю четверть. Они не представляют собой полный творческий путь художника: небольшой пробел может быть следствием отсутствия записей, а не периодом затишья. Те же годы, что и жизнь художника

Сравнить с

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: originaluniqueart.com/ru/art/similar/sir-joshua-reynolds-self-portrait-ARJDX8-en/

Цвета

Измерено по изображению

    Основной цвет

    Black #15120e

    Каталогизированная палитра

    • #15120E
    • #7E593A
    • #C99A74
    • #36261A

    Эти цвета входят в полную палитру художника Поиск других картин по цвету

    Палитра
    Earthy Преобладающая цветовая гамма изображения.
    Название основного цвета
    Black
    Насыщенность
    Monochromatic Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Serene Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Strong Color Unity Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Deep_shadow Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Muted Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    Где в мире смотрят на эту картину?

    • менее 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и более
    Данной картины недостаточно для построения карты, поэтому на плакате представлены все работы Рейнольдс за последние двенадцать месяцев — всего в 22 странах. Источник этих данных

    Десять ведущих стран

    1. 1 Китай 59,7%35 800 посещений
    2. 2 Сингапур 9,5%5 700 посещений
    3. 3 Соединенные Штаты Америки 9,2%5 500 посещений
    4. 4 Гонконг 5,3%3 200 посещений
    5. 5 Испания 4,5%2 700 посещений
    6. 6 Великобритания 2,3%1 400 посещений
    7. 7 Румыния 1,5%900 посещений
    8. 8 Италия 1,3%800 посещений
    9. 9 Мексика 1,2%700 посещений
    10. 10 Бразилия 1,0%600 посещений
    11. · 12 другие страны 4,5%2 700 посещений

    Найдите на карте три самые темные страны. Находится ли музей, где хранится эта картина, в одной из них? Запишите одну причину, по которой люди из далеких краев могли бы захотеть ее увидеть.

    20 самых просматриваемых работ Рейнольдс

    1. 1 Miss Bowles, 1775 2,7%1 900 посещений
    2. 2 The Infant Samuel, 1776 1,8%1 300 посещений
    3. 3 Mrs James Fortescue, née Mary Henrietta Hunter 1,4%1 000 посещений
    4. 4 The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair, 1761 1,3%900 посещений
    5. 5 Kitty Fisher as Cleopatra Dissolving the Pearl, 1759 1,1%800 посещений
    6. 6 Francesco Bartolozzi (1727 1815) 1,1%800 посещений
    7. 7 Mrs Siddons as the Tragic Muse, 1789 1,1%800 посещений
    8. 8 Mr. James Bourdieu, 1765 1,0%700 посещений
    9. 9 Мисс Нэлли О'Брайен, 1762 1,0%700 посещений
    10. 10 Lady Delm and her Children, 1780 1,0%700 посещений
    11. 11 Miss Jane Bowles, 1775 1,0%700 посещений
    12. 12 The Infant Hercules Strangling the Serpents, 1786 0,8%600 посещений
    13. 13 Cupid Untying the Zone of Venus, 1788 0,8%600 посещений
    14. 14 Garrick Between Tragedy and Comedy, 1761 0,8%600 посещений
    15. 15 Thomas Middleton Trollope of Casewick (1721–1779), 1754 0,8%600 посещений
    16. 16 Сэр Томас Дайк Акланд (1722–1785), 7-й полковник, депутат, 1767 0,8%600 посещений
    17. 17 Mrs. Robinson, 1784 0,8%600 посещений
    18. 18 The Infant Samuel at Prayer 0,8%600 посещений
    19. 19 Миссис Джон Уэйланд и её сын Джон, 1776 0,7%500 посещений
    20. 118 Self Portrait, 1788 данная картина 0,3%200 посещений

    В совокупности эти работы привлекли 21,1% всего внимания, которое получили картины этого художника за последние двенадцать месяцев. В каталоге представлено 861 работ этого художника, из которых 342 были просмотрены как минимум один раз. Эта картина занимает 118 место в рейтинге, на нее приходится 0,3% внимания (200 визитов). Динамика показателей по месяцам

    Шкала отражает уровень внимания, а не качество. Выберите работу в верхней части списка и эту: назовите одну вещь, которая может сделать картину знаменитой помимо мастерства её исполнения.

    Об этом произведении

    Self Portrait — Рейнольдс

    A Masterpiece of Neoclassical Restraint and Psychological Insight

    Sir Joshua Reynolds' “Self Portrait,” completed around 1788, stands as a cornerstone of British portraiture during the High Georgian era—a period defined by intellectual fervor and aristocratic patronage. More than just a likeness, it’s an exquisitely crafted meditation on identity, ambition, and the artist’s own perception of his place within society.

    Subject Matter: Reynolds meticulously rendered himself in a pose embodying classical ideals—a deliberate choice reflecting the burgeoning influence of Greek sculpture and Roman portraiture on artistic sensibilities. The figure is positioned centrally, commanding attention with an unwavering gaze that speaks to both confidence and introspection.

    Style & Technique: Executed in oil paint on canvas using meticulous brushstrokes and shading techniques, Reynolds’ approach exemplifies Neoclassicism's commitment to realism combined with idealized form. He skillfully employs chiaroscuro—the dramatic interplay of light and shadow—to sculpt the contours of his face and drapery, creating a palpable sense of depth and volume.

    Historical Context: The Enlightenment’s Embrace of Form and Reflection

    Reynolds' oeuvre was deeply rooted in the intellectual currents of the Enlightenment. This era championed reason, observation, and an appreciation for classical antiquity as models for moral conduct and artistic excellence. “Self Portrait” embodies these values—a testament to Reynolds’ belief that art could elevate the human spirit and capture the essence of individual character.

    Social Significance: Portraits like this served not merely as visual records but also as statements of social status and ambition. Reynolds' self-portrait was commissioned by wealthy patrons eager to secure their legacy through artistic representation—a practice that underscored the importance of appearance and reputation within Georgian society.

    Reynolds’ Artistic Philosophy: Reynolds famously argued that an artist should strive to depict “the soul” rather than simply capturing a superficial likeness. This conviction is powerfully conveyed in “Self Portrait,” where Reynolds' gaze conveys both dignity and vulnerability—a subtle acknowledgment of the complexities inherent in human experience.

    Decoding Symbolism: Light, Shadow, and Artistic Identity

    The masterful use of light and shadow contributes significantly to the artwork’s symbolic resonance. The stark contrast between illuminated areas and darkened recesses emphasizes Reynolds' facial features—drawing attention to his eyes, which appear to hold a profound awareness. Furthermore, the dark background serves as a foil to the figure’s luminosity, reinforcing the idea that inner beauty transcends outward appearances.

    Classical Influence: Reynolds’ compositional choices align with established conventions of Neoclassical portraiture—drawing inspiration from sculptures by artists like Michelangelo and Bernini. These figures conveyed similar notions of idealized form and psychological depth.

    Artist's Self-Representation: Ultimately, “Self Portrait” is a profound exploration of artistic identity—a declaration that Reynolds recognized himself as both an individual and a conduit for conveying universal human truths. It remains a compelling reminder of the power of art to illuminate the complexities of the human condition.

    A Legacy Enduring Through Reproduction

    Today, high-quality reproductions of Sir Joshua Reynolds’ “Self Portrait” allow admirers worldwide to experience the artistry and intellectual spirit of this pivotal moment in British art history. WahooArt offers exceptional prints that faithfully capture the nuances of Reynolds' technique and evoke the same sense of dignified contemplation.

    Художник и музей

    Автор

    Рейнольдс

    Место рождения Плимут, Великобритания

    A Luminary of the Enlightenment: The Life and Art of Sir Joshua Reynolds

    Sir Joshua Reynolds, born in 1723 in the charming Devonshire town of Plympton, stands as a towering figure in the annals of British art. His life coincided with a period of profound cultural transformation – the Age of Enlightenment – and his artistic journey profoundly shaped the course of portraiture in England. From humble beginnings, nurtured by a scholarly father, Reynolds’ innate talent for observation and representation blossomed under the tutelage of Thomas Hudson in London, laying the foundation for a career that would ultimately define an era. Hudson's studio wasn’t merely a place of apprenticeship; it was a vibrant microcosm of fashionable society, exposing young Reynolds to the intricate demands and expectations of aristocratic patrons – a crucial element in understanding his later artistic approach. It wasn’t simply about replicating likeness; it was about constructing an image that reflected status, taste, and aspiration, a subtle yet powerful form of social commentary.

    Forging a ‘Grand Style’ for British Portraiture

    Reynolds didn't merely absorb the techniques he learned from Hudson; he embarked on a deliberate quest for artistic innovation, deeply influenced by the masters of antiquity – Raphael, Michelangelo, and Titian. A pivotal moment in his development arrived with his sojourn to Rome in 1750. There, immersed in the heart of classical art, Reynolds absorbed the principles of the ‘Grand Style’ – an approach that prioritized idealized beauty, dramatic composition, and often incorporated allusions to history or mythology. He sought to elevate British portraiture beyond mere representation, imbuing it with a sense of dignity, intellectual weight, and a connection to the enduring values of the past. This ambition led him to experiment with incorporating elements of history painting into his work, frequently depicting his subjects in elaborate costumes and settings reminiscent of classical narratives or historical events – a deliberate strategy designed to elevate their status and imbue them with an aura of timelessness. Reynolds wasn’t simply capturing individuals; he was crafting enduring images that spoke to the ideals of power, intellect, and refinement.

    The First President and Champion of the Royal Academy

    Reynolds' influence extended far beyond his own canvas. Recognizing the need for a formalized institution dedicated to fostering artistic talent and promoting national identity, he played a crucial role in establishing the Royal Academy of Arts in 1768. He was unanimously elected its first president – a position he held with unwavering dedication until his death in 1792. This wasn’t merely a title; it represented a profound shift in the perception of artists within British society. Reynolds tirelessly advocated for the importance of art education, championed the recognition of artists as professionals deserving of respect and patronage, and actively sought to elevate the status of painting alongside other liberal arts. His annual Discourses – lectures delivered to Academy students – became seminal texts on artistic theory and practice, outlining his vision for a distinctly British school of painting rooted in both tradition and innovation. He stressed the importance of meticulous observation of nature, rigorous technical skill, and cultivating an imaginative spirit—a holistic approach designed to nurture truly original artists. Reynolds’ leadership fundamentally transformed the landscape of British art, elevating its status and laying the groundwork for future generations of artistic achievement.

    Capturing an Era: Notable Works and Enduring Legacy

    Reynolds' prolific output encompassed a vast array of portraits, each reflecting the personality and social standing of its subject. His portrait of Duke of Devonshire exemplifies his ability to capture aristocratic power and sophistication with subtle details and masterful composition. The painting exudes an air of authority and refinement, showcasing Reynolds’ skill in conveying both physical likeness and psychological depth. Similarly, Peter Darnell Muilman, Charles Crokatt and William Keable in a Landscape demonstrates his talent for integrating figures seamlessly into natural settings – a technique that added dynamism and narrative to his compositions. Mr and Mrs William Lindow offers a compelling glimpse into the intimacy and social dynamics of family life, revealing Reynolds’ ability to capture nuanced emotions and relationships. Beyond individual portraits, Reynolds excelled at group compositions, skillfully arranging multiple figures within a single frame to create dynamic and engaging narratives that reflected the complexities of British society. His works weren't simply technical exercises; they were carefully constructed stories—portraying the essence of an era through meticulously crafted images.

    Reynolds’ impact on British art is immeasurable. He not only established portraiture as a respected genre but also profoundly shaped the cultural identity of a nation undergoing rapid social and political change. His emphasis on the ‘Grand Style’ inspired generations of artists, while his leadership of the Royal Academy laid the foundation for the development of a thriving artistic community. Today, his paintings continue to captivate audiences with their elegance, psychological depth, and historical significance—a testament to the enduring power of his vision and artistry. His works are proudly displayed in prestigious collections across the globe, including the Tate Britain in London and the Royal Collection at Hampton Court Palace, ensuring that his legacy will continue to inspire and inform for centuries to come.

    Музей

    English Heritage

    В экспозиции Лондон, Великобритания

    A Tapestry of Time: Exploring England’s Heritage Through Its Historic Sites

    Step into a realm where centuries whisper from weathered stones and vibrant tapestries unfold across landscapes steeped in legend. English Heritage isn't merely a collection of buildings; it’s a profound journey through the narrative of England itself, meticulously preserved and passionately presented. From the imposing ramparts of Dover Castle, guarding the Channel for over two millennia, to the delicate beauty of Marble Hill House, a Georgian gem nestled by the Thames, each site offers a unique window into the nation's soul. This organization safeguards not just bricks and mortar, but the very stories woven into the fabric of English identity – tales of conquest, innovation, artistry, and resilience.

    The heart of English Heritage’s mission lies in its diverse portfolio. You might stand within the echoing halls of Eltham Palace, a breathtaking juxtaposition of medieval ruins and an Art Deco masterpiece, a testament to shifting tastes and generations. Or perhaps you'll wander through the vast grounds of Audley End, where meticulously crafted gardens reveal the opulent lifestyle of the aristocracy. Consider the strategic importance of Tintagel Castle, shrouded in myth and legend, or the poignant beauty of St Mary’s Abbey in York – each location a carefully curated experience designed to transport visitors back in time. The sheer breadth of their holdings—prehistoric monuments like Stonehenge, Roman forts, and Victorian industrial sites—demonstrates an unwavering commitment to preserving England's entire historical landscape.

    The Evolution of Preservation: From Ancient Monuments to Modern Engagement

    The story of English Heritage is inextricably linked to the evolving understanding of cultural preservation. Its roots trace back to the late 19th century, when initial legislation began protecting ancient monuments – a recognition that these sites held value beyond their material form. The formal establishment in 1984 consolidated various government bodies under one umbrella, streamlining expertise and resources. This commitment extends far beyond grand estates; it encompasses prehistoric wonders like Stonehenge, shrouded in mystery and enduring appeal, as well as the poignant London blue plaques—subtle yet powerful reminders of individuals who have left their mark on the city’s cultural landscape. The organization's transformation into a charity in 2015, while maintaining state ownership of the properties, signaled a renewed focus on public engagement and sustainable preservation – a commitment to ensuring these treasures remain accessible for generations to come.

    Crucially, English Heritage isn’t simply about static preservation. They actively collaborate with local communities in conservation efforts, fostering a sense of ownership and pride in England's shared heritage. This extends beyond the physical sites themselves; they are dedicated to making history accessible through engaging exhibits, educational programs, and events designed for all ages. Recent initiatives, like the playful partnership with Taskmaster—incorporating games into site visits—demonstrate an innovative approach to attracting families and encouraging interaction with history in unexpected ways. The display of Vermeer’s The Guitar Player alongside its lesser-known counterpart at Kenwood House exemplifies a dedication to showcasing rarely seen treasures and fostering deeper appreciation for artistic mastery, revealing the nuances within established canons.

    A Window into England's Soul: Experiencing History Firsthand

    Visiting an English Heritage site transcends mere sightseeing; it’s an immersion in the very soul of England. It’s about understanding how past events have shaped the present, appreciating the artistry and ingenuity of previous generations, and connecting with a sense of continuity that defies time. Whether you are an art enthusiast captivated by the opulent interiors of Kenwood House, a history buff tracing the footsteps of kings at Dover Castle, or simply seeking tranquility amidst stunning surroundings, English Heritage offers an unforgettable journey through England’s captivating story.

    Consider the sensory experience – the cool stone beneath your fingertips in a Roman fort, the scent of wildflowers in a meticulously restored garden, the echoes of voices long gone within ancient walls. It's about more than just seeing; it’s about feeling the weight of history, imagining the lives lived within these spaces, and connecting with a narrative that stretches back millennia. It is a reminder that history isn't confined to textbooks; it lives and breathes within these walls, gardens, and landscapes—waiting to be discovered and experienced anew.

    Notable Sites & Collections

    English Heritage’s collection encompasses an astonishing range of historical sites, each offering a unique glimpse into England’s past. Highlights include:

    Dover Castle:

    A formidable fortress with over two thousand years of history, witnessing countless sieges and strategic importance throughout English history.

    Stonehenge:

    The iconic prehistoric monument, shrouded in mystery and attracting visitors from around the globe to contemplate its origins and purpose.

    Eltham Palace:

    A remarkable blend of medieval ruins and a lavish Art Deco mansion, showcasing the changing tastes and fortunes of British aristocracy.

    Tintagel Castle:

    Steeped in legend as the birthplace of King Arthur, this dramatic coastal castle offers breathtaking views and a captivating story.

    Kenwood House:

    A magnificent Georgian stately home with an impressive art collection, including works by Rembrandt and Vermeer, alongside fascinating stories of the Courtauld family.

    Preserving for Tomorrow

    English Heritage’s work extends beyond simply maintaining these historic sites. They are dedicated to research, conservation, and education, ensuring that future generations can appreciate and learn from England's rich heritage. Their ongoing projects include archaeological excavations, restoration of damaged structures, and the creation of engaging educational programs for schools and families. The organization actively seeks funding through donations and grants, recognizing that preserving these invaluable sites requires a sustained commitment to safeguarding them for years to come.

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    QR-код со ссылкой на страницу загрузки Self Portrait

    originaluniqueart.com/ru/art/download/sir-joshua-reynolds-self-portrait-ARJDX8-en/

    Как цитировать это произведение

    MLA
    Рейнольдс. Self Portrait. 1788, English Heritage. https://originaluniqueart.com/ru/art/sir-joshua-reynolds-self-portrait-ARJDX8-en/
    APA
    Рейнольдс (1788). Self Portrait [Painting]. English Heritage. https://originaluniqueart.com/ru/art/sir-joshua-reynolds-self-portrait-ARJDX8-en/
    Chicago
    Рейнольдс. Self Portrait. 1788. English Heritage. https://originaluniqueart.com/ru/art/sir-joshua-reynolds-self-portrait-ARJDX8-en/
    Harvard
    Рейнольдс (1788) Self Portrait. English Heritage. Available at: https://originaluniqueart.com/ru/art/sir-joshua-reynolds-self-portrait-ARJDX8-en/

    Присмотритесь внимательнее

    Self Portrait — Рейнольдс

    Присмотритесь поближе

    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. Сколько лиц вы сможете найти? ____ (в нашем каталоге насчитывается 1 — согласны ли вы с этим?)
    4. В нашем каталоге эта работа классифицирована по тегам: portrait, self-portrait, neoclassicism. Вы согласны? Что бы вы добавили или исключили?
    5. Вспомните работу Lady Frances Finch (1782), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.

    Ваш ответ

    Напишите небольшой текст об этом произведении искусства, используя факты из предыдущих разделов данного руководства и ваши ответы выше.

    Арт-викторина

    Self Portrait — Рейнольдс

    Насколько хорошо вы знаете это произведение искусства?

    Выберите по одному варианту ответа для каждого из 5 вопросов ниже. В каждом вопросе есть только один правильный ответ.

    1. 1. What artistic style is predominantly evident in Sir Joshua Reynolds’ "Self Portrait"?

      • A Romanticism
      • B Impressionism
      • C Neoclassicism
    2. 2. The dramatic lighting in the portrait contributes to what effect?

      • A Blurring of details
      • B Highlighting facial features and creating contrast
      • C Reducing depth perception
    3. 3. Around what year was "Self Portrait" painted?

      • A 1600
      • B 1788
      • C 1900
    4. 4. What medium was Reynolds primarily known for using in his portraits?

      • A Sculpture
      • B Watercolor
      • C Oil painting
    5. 5. Symbolically, what does the self-portrait represent according to art historians?

      • A Religious devotion
      • B Social status
      • C Vanity and desire for remembrance

    Мой результат: ____ из 5

    Ключ к ответам — для преподавателя

    Этот раздел начинается с новой печатной страницы, поэтому его можно просто не включать в копии.

    1C · 2B · 3C · 4C · 5C

    Сверьте любой ответ с описанием этого произведения в каталоге

    Вопросы и ответы

    Какая техника и размер у оригинала «Self Portrait», Рейнольдс?

    Техника исполнения работы «Self Portrait», Рейнольдс — Acrylic On Canvas, а её зафиксированные размеры составляют 76 x 64 cm.

    Какой размер печати Self Portrait лучше всего подойдет для моей комнаты?

    Для помещения Living Room для работы «Self Portrait» рекомендуется размер печати Large.

    Где можно купить принт работы «Self Portrait», Рейнольдс?

    Чтобы заказать принт работы «Self Portrait», Рейнольдс, просто перейдите на страницу заказа Принт Fine Art: художественная печать на хлопковом холсте или архивной холст-бумаге.