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Gino Schmidt

Имя Класс обучения Дата

Оскар Кокошков, Gino Schmidt (1914), Музей Тиссен-Борнмиса. Воспроизведено в ознакомительных целях; все права защищены правообладателем. Посмотрите на этот холст при движении света: рисунок, истинный цвет под лаком, чистый пигмент

Факты

Автор
Оскар Кокошков originaluniqueart.com/ru/artists/%D0%BE%D1%81%D0%BA%D0%B0%D1%80-%D0%BA%D0%BE%D0%BA%D0%BE%D1%88%D0%BA%D0%BE%D0%B2_ru/
Даты жизни автора
1886 – 1980
Живопись
1914
Материал
Oil On Canvas
Размер оригинала
95 x 68 cm
Динамика
Expressionist Portraiture
Место проведения
Музей Тиссен-Борнмиса originaluniqueart.com/ru/museums/%D0%BC%D1%83%D0%B7%D0%B5%D0%B9-%D1%82%D0%B8%D1%81%D1%81%D0%B5%D0%BD-%D0%B1%D0%BE%D1%80%D0%BD%D0%BC%D0%B8%D1%81%D0%B0-%D0%BC%D0%B0%D0%B4%D1%80%D0%B8%D0%B4_ru/
Artistic style
Expressionism
Influences
Jugendstil, Impressionism
Notable elements
Blurry background
Subject or theme
Contemplative man

В контексте

Gino Schmidt — Оскар Кокошков

Размер

Оригинальный размер составляет 95 × 68 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Дата написания

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Верхняя строка: годы. Нижняя строка: возраст художника в начале и в конце каждого периода — 0 при рождении, 94 на момент смерти.

Написано, когда художнику было 28. Художник прожил 94. 32 из 85 датированных работ этого художника в нашем каталоге были созданы ранее.

Затененная область: годы жизни Оскар Кокошков (1886–1980) ▲ эта работа, 1914 каждая картина с датой, десятилетие за десятилетием

Первые работы: до 1910 Основные годы творчества: 1910–1925 Поздние работы: с 1925

Эти три периода разделяют работы, датированные в данном каталоге, на первую четверть, середину и последнюю четверть. Они не представляют собой полный творческий путь художника: небольшой пробел может быть следствием отсутствия записей, а не периодом затишья. Те же годы, что и жизнь художника

Похожие произведения

  • Автопортрет 'Дегенерирующего художника', 1937 originaluniqueart.com/ru/art/%D0%BE%D1%81%D0%BA%D0%B0%D1%80-%D0%BA%D0%BE%D0%BA%D0%BE%D1%88%D0%BA%D0%BE%D0%B2-%D0%B0%D0%B2%D1%82%D0%BE%D0%BF%D0%BE%D1%80%D1%82%D1%80%D0%B5%D1%82-%D0%B4%D0%B5%D0%B3%D0%B5%D0%BD%D0%B5%D1%80%D0%B8%D1%80%D1%83%D1%8E%D1%89%D0%B5%D0%B3%D0%BE-%D1%85%D1%83%D0%B4%D0%BE%D0%B6%D0%BD%D0%B8%D0%BA%D0%B0-8XYNFC-ru/
  • Доломитовые пейзажи, 1913 originaluniqueart.com/ru/art/%D0%BE%D1%81%D0%BA%D0%B0%D1%80-%D0%BA%D0%BE%D0%BA%D0%BE%D1%88%D0%BA%D0%BE%D0%B2-%D0%B4%D0%BE%D0%BB%D0%BE%D0%BC%D0%B8%D1%82%D0%BE%D0%B2%D1%8B%D0%B5-%D0%BF%D0%B5%D0%B9%D0%B7%D0%B0%D0%B6%D0%B8-8XX9FA-ru/
  • Невеста ветра, 1914 originaluniqueart.com/ru/art/%D0%BE%D1%81%D0%BA%D0%B0%D1%80-%D0%BA%D0%BE%D0%BA%D0%BE%D1%88%D0%BA%D0%BE%D0%B2-%D0%BD%D0%B5%D0%B2%D0%B5%D1%81%D1%82%D0%B0-%D0%B2%D0%B5%D1%82%D1%80%D0%B0-9GG6W7-ru/

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: originaluniqueart.com/ru/art/similar/oskar-kokoschka-gino-schmidt-8XXDWA-en/

Цветовая палитра

Определено по изображению

    Основной цвет

    Phthalo Green #1f1426

    Сохраненная палитра

    • #1F1426
    • #4E444D
    • #8A8276
    • #BEBAA5

    Эти цвета в составе всей палитры художника Найти другие картины по цвету

    Основной цвет
    Phthalo Green
    Интенсивность
    Balanced Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Statement Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Softly Mixed Palette Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Shadow Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Subtle Color Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    В каких точках мира смотрят на эту картину?

    • менее 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и более
    У этой картины слишком мало зафиксированных посетителей для построения карты, поэтому на плакате представлены все работы Оскар Кокошков за последние двенадцать месяцев — всего в 22 странах. Откуда взяты эти данные

    Десять ведущих стран

    1. 1 Китай 49,4%
    2. 2 Соединенные Штаты Америки 13,0%
    3. 3 Франция 9,1%
    4. 4 Италия 6,5%
    5. 5 Швейцария 3,2%
    6. 6 Испания 3,2%
    7. 7 Чехия 2,6%
    8. 8 Аргентина 1,3%
    9. 9 Австрия 1,3%
    10. 10 Германия 1,3%
    11. · 12 другие страны 9,1%

    Найдите на карте три самые темные страны. Находится ли музей, хранящий эту картину, в одной из них? Запишите одну причину, по которой люди из далеких краев могут захотеть ее увидеть.

    20 самых просматриваемых работ Оскар Кокошков

    1. 1 Автопортрет 'Дегенерирующего художника', 1937 8,9%
    2. 2 Невеста ветра, 1914 7,5%
    3. 3 Anschluß - Alice in Wonderland, 1942 5,6%
    4. 4 Portrait of Lotte Franzos, 1909 4,7%
    5. 5 Доломитовые пейзажи, 1913 4,2%
    6. 6 Augustus Bridge - Dresden, 1923 3,8%
    7. 7 Pourquoi nous combattons, What we are fighting for, Huile sur Toile, 2,8%
    8. 8 The Annunciation, 1911 2,8%
    9. 9 Alter Mann (Vater Hirsch), 1909 1,9%
    10. 10 Fillette à la poupée, Young girl with the headstock , Huile sur Toile, 1,9%
    11. 11 Poster design of the periodical Der Sturm, 1911, 1911 1,4%
    12. 12 Veronica, 1909 1,4%
    13. 13 Ludwing Ritter von Janikowsky, 1909 1,4%
    14. 14 Children playing, 1909 1,4%
    15. 15 Femme en bleu, Woman in blue, Huile sur Toile, 1,4%
    16. 16 Martha Hirsch, 1909 1,4%
    17. 17 Die Windsbraut (The tempest), Öf, 1914 1,4%
    18. 18 Paysage Alpin, Mürren, Alpine Landscape, Mürren , Huile sur Toile, 1,4%
    19. 19 Bessie Bruce, 1910 1,4%
    20. 29 Gino Schmidt, 1914 эта картина 0,9%

    В совокупности эти работы получили 57,6% всего внимания, которое получили картины этого художника за последние двенадцать месяцев. В каталоге содержится 260 работ этого художника, из которых 88 были просмотрены как минимум один раз. Эта картина занимает 29 место в этом рейтинге, привлекая 0,9% этого внимания. Те же показатели, месяц за месяцем

    Шкала измеряет внимание, а не качество. Выберите работу в верхней части списка и эту: назовите одну вещь, которая может сделать картину знаменитой помимо мастерства её исполнения.

    Об этом произведении

    Gino Schmidt — Оскар Кокошков

    The Enigmatic Figure: Gino Schmidt by Oskar Kokoschka

    Oskar Kokoschka’s Gino Schmidt, painted in 1914 and currently residing within the hallowed halls of the Thyssen-Bornemisza Museum in Madrid, is not merely a portrait; it's an intensely psychological exploration rendered in oil on canvas. Measuring 95 x 68 cm, this work immediately draws the viewer into a world of quiet introspection, inviting us to decipher the unspoken narrative held within the subject’s downward gaze. Kokoschka, a pivotal figure in early Expressionism, was driven by a profound desire to capture not just appearances but the very essence – the anxieties and emotions – that shaped his subjects. This painting exemplifies that ambition with remarkable power.

    A Study in Realism and Psychological Depth

    The subject, identified as Gino Schmidt, is presented with a startling degree of realism – his meticulously rendered suit, tie, and the prominent lines of his beard all contribute to an immediate sense of familiarity. Yet, this apparent realism serves merely as a foundation for Kokoschka’s deeper exploration. The background, deliberately blurred, directs our attention entirely onto the man before us, isolating him within a space that feels both tangible and dreamlike. This technique isn't simply stylistic; it reinforces the painting’s central theme: the internal landscape of the individual. Kokoschka masterfully uses light to sculpt the figure, creating subtle shifts in tone that emphasize his features and contribute to an overall sense of dimensionality – a testament to his understanding of chiaroscuro.

    The Expressionist Soul

    Created during a period of immense social and artistic upheaval, Gino Schmidt is deeply rooted in the tenets of Expressionism. Kokoschka’s work was characterized by its raw emotionality and willingness to confront uncomfortable truths about the human condition. He rejected conventional portraiture, opting instead for a style that prioritized psychological insight over photographic accuracy. The man's contemplative posture, his downward gaze – these are not simply details; they speak volumes about an inner world grappling with uncertainty or perhaps even melancholy. It’s a visual embodiment of the anxieties prevalent in early 20th-century Europe.

    Historical Context and Kokoschka’s Legacy

    To fully appreciate Gino Schmidt, it's crucial to understand Oskar Kokoschka’s broader artistic trajectory. Born in Croatia (then part of Austria-Hungary) in 1886, his early career was shaped by the Jugendstil movement in Vienna before he embraced Expressionism with fervor. His tumultuous personal life – marked by passionate relationships and emotional instability – undoubtedly informed his art, lending a profound sense of vulnerability to his portraits. Kokoschka’s legacy extends far beyond this single painting; he remains one of the most significant figures in 20th-century art, renowned for his psychologically penetrating depictions of human nature. The Thyssen-Bornemisza Museum offers a rich context for viewing this work alongside other masterpieces by Kokoschka and his contemporaries.

    Considering its historical significance and artistic merit, a high-quality reproduction of Gino Schmidt is an exceptional addition to any collection. Explore the exquisite detail and emotional depth of this iconic portrait at AllPaintingsStore for a stunning representation of Kokoschka’s genius.

    Художник и музей

    Автор

    Оскар Кокошков

    Место рождения Почмарн, Австрия

    Oskar Kokoschka - A Life Etched in Expression

    Oskar Kokoschka, born March 1, 1886, in Pöchlarn, Austria, stands as a pivotal figure in the early Expressionist movement—an artist whose canvases pulsated with the anxieties and passions of a world undergoing rapid transformation. His life unfolded against a backdrop of profound personal drama intertwined with significant historical upheavals, forging an inextricable connection between his artistic vision and the turbulent currents of his time.

    Early Life and Artistic Beginnings

    The second child of Gustav Josef Kokoschka, a goldsmith, and Maria Romana Kokoschka (née Loidl), Oskar’s upbringing was marked by hardship. His father’s financial instability forced repeated relocations into smaller flats, fostering in young Oskar a deep sense of insecurity—a feeling that would permeate his artistic endeavors throughout his life. Despite these challenges, Kokoschka’s mother nurtured his innate talent for drawing and painting, recognizing his exceptional aptitude for visual arts.

    He enrolled at the Realschule in Vienna, prioritizing art over more conventional academic pursuits. Unlike many of his peers who pursued scientific careers, Kokoschka embraced artistic exploration with unwavering conviction—a decision that propelled him toward becoming one of Vienna’s most celebrated portraitists.

    Vienna Secession and Artistic Influences

    Kokoschka's formative years coincided with the vibrant intellectual atmosphere of fin-de-siècle Vienna—a city brimming with innovation but shadowed by anxieties concerning societal change. This duality—beauty alongside unease, tradition confronting modernity—became a central preoccupation in his oeuvre. He attended the Kunstgewerbeschule (School of Arts and Crafts) where he studied under Carl Otto Czeschka, absorbing the stylistic principles of the Vienna Secession.

    The Secession championed artistic freedom from academic conventions, prioritizing emotional expression over meticulous realism. Kokoschka’s teacher instilled in him a belief that art should grapple with profound psychological questions—a conviction that profoundly shaped his artistic approach. Notably, Kokoschka's fascination with Sigmund Freud and psychoanalysis fueled his exploration of the subconscious mind.

    The Passionate Affair with Alma Mahler

    Kokoschka’s life took an extraordinary turn when he embarked on a passionate affair with Alma Mahler—the widow of composer Gustav Mahler. This tumultuous relationship served as inspiration for some of his most iconic works, including The Bride of the Wind (The Tempest)—a monumental canvas that captures the raw emotion and impending doom inherent in their fraught connection.

    The painting’s swirling brushstrokes and intense colors convey a palpable sense of psychological turmoil—reflecting Kokoschka's conviction that art could illuminate the hidden depths of human experience. He skillfully translated his personal emotions into visual metaphors, cementing his reputation as one of Expressionism’s foremost innovators.

    War Years and Artistic Transformation

    The outbreak of World War I profoundly impacted Kokoschka’s life—leaving him physically wounded and emotionally scarred. His experiences on the front lines instilled in him a heightened awareness of human suffering and fueled his artistic exploration of themes related to trauma and alienation.

    During this period, Kokoschka shifted toward landscapes as a primary subject matter—creating canvases that conveyed not idyllic beauty but rather the bleakness and despair of wartime reality. His stylistic evolution mirrored the broader anxieties of the era—demonstrating Kokoschka’s ability to translate personal experience into universal artistic statements.

    Legacy and Enduring Influence

    Oskar Kokoschka's legacy extends far beyond his own artistic output, influencing subsequent generations of artists. His uncompromising commitment to psychological realism and emotional honesty established a precedent for Expressionist painters—inspiring them to confront uncomfortable truths and explore the complexities of human consciousness.

    His work continues to resonate with audiences today—serving as a powerful reminder that true artistry resides in capturing the essence of experience and conveying profound insights into the human condition. Kokoschka’s canvases remain testament to his unwavering belief in art's capacity to illuminate the darkest recesses of the soul—solidifying his place among the most significant figures in modern art.

    Музей

    Музей Тиссен-Борнмиса

    На выставке в Мадрид, Испания

    A Legacy of Passion: Unveiling the Thyssen-Bornemisza Museum

    Nestled within the heart of Madrid’s vibrant cultural landscape, alongside the grandeur of the Prado and the revolutionary spirit of the Reina Sofía, lies the Thyssen-Bornemisza National Museum – a truly exceptional institution born from a singular vision. More than simply a collection of masterpieces, it represents a deliberate act of preservation, a passionate defense of European artistic heritage against the tides of exile following World War I, and a testament to the discerning eye of Heinrich Baron Thyssen-Bornemisza. The museum’s story begins not in Spain, but in Lugano, Switzerland, where the Baron embarked on his ambitious quest to assemble a collection that would encompass the entirety of European artistic achievement – a conscious decision to safeguard its legacy within Europe's borders.

    Heinrich Thyssen-Bornemisza, driven by an almost obsessive desire for completeness, tirelessly pursued works spanning centuries and styles. From the Byzantine icons shimmering with otherworldly light, hinting at ancient mysteries, to the bold Surrealist sculptures challenging conventional forms, and crucially, the groundbreaking canvases of Pablo Picasso – his collection became a breathtaking tapestry of artistic expression. The relocation to Madrid in 1943 wasn’t merely a logistical shift; it was a profound statement of commitment, a desire to share this extraordinary inheritance with Spain and foster a deeper appreciation for art on a global scale. This move solidified the museum's place within the “Golden Triangle of Art,” creating a synergistic experience for visitors exploring these three iconic institutions.

    Architectural Harmony: A Palace of Reflection

    The Thyssen-Bornemisza resides within a beautifully restored neoclassical palace, originally designed as a royal residence for Alfonso XIII and his family – a space intended to embody grandeur and inspire artistic contemplation. This building, conceived by Narciso III Ortiz y Montenegro, stands as a harmonious counterpoint to the more modern structures of its neighbors, offering visitors an immediate sense of serenity and beauty. The soaring ceilings, adorned with intricate stucco decorations, and the expansive windows flooding the galleries with natural light create an environment perfectly suited for showcasing the museum’s treasures. The proportions are meticulously considered, reflecting a deep understanding of classical aesthetics – a subtle yet powerful reminder of the enduring influence of artistic tradition. The integration with Parque del Buen Retiro further enhances the experience, providing a tranquil backdrop and panoramic views that complement the art within.

    A Chronological Journey Through European Art

    Visitors embark on a chronological journey through European painting, beginning with early Renaissance works by Duccio and Luca di Tommè – delicate beauty and spiritual depth. The collection then progresses through the vibrant hues of the Italian Primitives: Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art. A significant section is dedicated to Dutch Masters – Rembrandt’s dramatic portraits and self-portraits alongside Vermeer, Hals, and Frans Hals, revealing the nuances of light and color. The Spanish Masters showcase Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision. The museum culminates in its impressive holdings of Impressionist and Post-Impressionist art – featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes.

    Beyond the Permanent Collection: A Dynamic Experience

    What truly distinguishes the Thyssen-Bornemisza is its remarkable ability to complement and enrich the collections of the Prado and Reina Sofía. While the Prado champions Spanish artistic tradition – showcasing the mastery of Velázquez, Goya, and El Greco – and the Reina Sofía celebrates modern innovation with Picasso’s “Guernica” and Warhol’s vibrant prints, the Thyssen fills historical gaps with an astonishing breadth of European painting. The museum is renowned for its dynamic programming of exhibitions that delve into specific themes and artists, fostering intellectual engagement and broadening perspectives on art history. These temporary exhibits often draw upon international collaborations, ensuring that visitors encounter cutting-edge scholarship and innovative interpretations – a testament to the museum’s commitment to remaining relevant in an ever-evolving cultural landscape. Notably, the ongoing loan of Carmen Cervera’s personal collection further expands the museum's offerings, guaranteeing its continued appeal for generations to come.

    Highlights & Artistic Treasures

    Early Renaissance:

    A stunning array of works by Duccio, Fra Angelico, and Piero della Francesca, showcasing the delicate beauty and spiritual depth of this era.

    Italian Primitives:

    Masterpieces by Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art.

    Dutch Masters:

    Rembrandt’s dramatic portraits and self-portraits, alongside works by Vermeer, Hals, and Frans Hals, revealing the nuances of light and color.

    Spanish Masters:

    A significant collection of Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision.

    Impressionist & Post-Impressionist:

    Featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes – showcasing the revolutionary techniques and emotional intensity of these movements.

    The Thyssen-Bornemisza Museum stands as a vibrant testament to the power of art and the enduring legacy of one man's passionate pursuit of beauty.

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    QR-код со ссылкой на страницу загрузки Gino Schmidt

    originaluniqueart.com/ru/art/download/oskar-kokoschka-gino-schmidt-8XXDWA-en/

    Цитирование произведения

    MLA
    Кокошков, Оскар. Gino Schmidt. 1914, Музей Тиссен-Борнмиса. https://originaluniqueart.com/ru/art/oskar-kokoschka-gino-schmidt-8XXDWA-en/
    APA
    Кокошков, Оскар (1914). Gino Schmidt [Painting]. Музей Тиссен-Борнмиса. https://originaluniqueart.com/ru/art/oskar-kokoschka-gino-schmidt-8XXDWA-en/
    Chicago
    Оскар Кокошков. Gino Schmidt. 1914. Музей Тиссен-Борнмиса. https://originaluniqueart.com/ru/art/oskar-kokoschka-gino-schmidt-8XXDWA-en/
    Harvard
    Кокошков, Оскар (1914) Gino Schmidt. Музей Тиссен-Борнмиса. Available at: https://originaluniqueart.com/ru/art/oskar-kokoschka-gino-schmidt-8XXDWA-en/

    Присмотритесь внимательнее

    Gino Schmidt — Оскар Кокошков

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    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. В нашем каталоге эта работа классифицирована по тегам: portrait, contemplation, suit. Вы согласны? Что бы вы добавили или исключили?
    4. Вспомните работу Автопортрет 'Дегенерирующего художника' (1937), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.
    5. Оскар Кокошков было около 28 лет, когда это произведение было создано. Что в нем напоминает о творчестве художника именно этого периода?

    Ваш ответ

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    Вопросы и ответы

    Что изображено на картине «Gino Schmidt», Оскар Кокошков?

    На полотне «Gino Schmidt», Оскар Кокошков изображены: portrait, contemplation, suit, tie, expressionism, vienna, 1914.

    Как работа «Gino Schmidt» вписывается в темы и стиль Оскар Кокошков?

    В творчестве Оскар Кокошков работа «Gino Schmidt» выполнена в стиле Expressionist Portraiture и перекликается с темами vienna expressionism, psychological depth, fin-de-siècle anxieties, social critique, kokoschka’s portraits, personal drama, intense emotion, subjective experience.

    Что изображено на картине «Gino Schmidt», Оскар Кокошков и какое настроение она передает?

    «Gino Schmidt», Оскар Кокошков сочетает в себе portrait, contemplation, suit, tie, expressionism, vienna, 1914 с Dramatic атмосферой.