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Floral centrepiece

Имя Класс обучения Дата

María Concepción Laca Ugaldebere, Floral centrepiece, Gipuzkoa Heritage Collection Centre. Воспроизведено в ознакомительных целях; все права защищены правообладателем. Посмотрите на этот холст при движении света: рисунок, истинный цвет под лаком, чистый пигмент

Сведения о произведении

Автор
María Concepción Laca Ugaldebere originaluniqueart.com/ru/artists/maria-concepcion-laca-ugaldebere/
Даты жизни автора
1925 – 2018
Размер оригинала
16 x 24 cm
Место проведения
Gipuzkoa Heritage Collection Centre originaluniqueart.com/ru/museums/gipuzkoa-heritage-collection-centre-irun/

В контексте

Floral centrepiece — María Concepción Laca Ugaldebere

Каков размер?

Оригинальный размер составляет 16 × 24 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Когда могла быть написана эта работа?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Верхняя строка: годы. Нижняя строка: возраст художника в начале и в конце каждого периода — 0 при рождении, 93 на момент смерти.

Затененная область: годы жизни María Concepción Laca Ugaldebere (1925–2018) каждая картина с датой, десятилетие за десятилетием

Точный год создания этой записи не указан — основываясь на годах жизни исполнителя и стиле произведения, к какому десятилетию вы бы его отнесли?

Сравнить с

  • Floral centrepiece originaluniqueart.com/ru/art/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C7G-en/
  • Floral centrepieces originaluniqueart.com/ru/art/maria-concepcion-laca-ugaldebere-floral-centrepieces-DD2C8K-en/

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: originaluniqueart.com/ru/art/similar/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/

Цвета

Измерено по изображению

    Основной цвет

    Black #020200

    Каталогизированная палитра

    • #020200
    • #EAE7E5
    • #B2A299
    • #636340

    Эти цвета входят в полную палитру художника Поиск других картин по цвету

    Палитра
    Earthy Преобладающая цветовая гамма изображения.
    Название основного цвета
    Black
    Насыщенность
    Monochromatic Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Statement Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Softly Mixed Palette Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Deep_shadow Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Muted Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    2 самых просматриваемых работ María Concepción Laca Ugaldebere

    1. 1 Floral centrepiece 100,0%100 visits
    2. — Floral centrepiece данная картина 0,0%0 visits

    В совокупности эти работы привлекли 100,0% всего внимания, которое получили картины этого художника за последние двенадцать месяцев. В каталоге представлено 3 работ этого художника, из которых 1 были просмотрены как минимум один раз. У этой картины пока нет просмотров за указанный период — она завершает список без рейтинга. Динамика показателей по месяцам

    Шкала отражает уровень внимания, а не качество. Выберите работу в верхней части списка и эту: назовите одну вещь, которая может сделать картину знаменитой помимо мастерства её исполнения.

    Об этом произведении

    Floral centrepiece — María Concepción Laca Ugaldebere

    Flat oval-shaped bisque plate with a convex base ring bearing a vase containing a round-bodied posy of flowers, with other flowers also arranged around the vase. A coating of transparent glaze has been applied to flowers, leaves and stems. The plate is decorated with mouldings and gold-painted. The flowers and leaves are painted in colours, with a low-fired glaze applied on the bisque.The piece is the work of sculptor and decorator Concha Laca, who was given her own workshop at Porcelanas Bidasoa from 1957, due to her great skill in modelling and reproducing motifs from nature in the porcelain which she then painted. With help from two operators, Laca was in charge of the whole process of design, manufacture and decoration of the pieces. Here series of especially delicate flowers was not sold commercially. Markings and stamps: On the base:Bidasoa in a blue laurel wreath Handwritten signature: C. Laca, 1955Bibliography:Jiménez, Maite. Flores en porcelana de Conchita Laca, arte con pasión y talento. Deia (2013-10-26), 22-23. Agirre Sorondo, Antxon. Concha Laca. Artista de la porcelana, Euskonews & Media, 429. 2008.Álvarez, Marian; Jiménez, Maite; Mujika Goñi, Amaia. Euskal lozak eta portzelanak = Lozas y Porcelanas Vascas. Siglos XVIII-XX Mendeak. Bilbao, Euskal Museoa - Museo Vasco, 2009. 478http://www.euskonews.com/artisautza/0429zbk/Ilustrazioak_es.htmlhttp://blogs.deia.com/historiasdelosvascos/tag/conchita-laca/Inventory Number:: GFA-018685-001

    Художник и музей

    Автор

    María Concepción Laca Ugaldebere

    Место рождения Madrid, Spain

    A Legacy of Floral Elegance: The Life of María Concepción Laca Ugaldebere

    María Concepción Laca Ugaldebere, known affectionately to many as Concha Laca, was a singular figure in the realm of Spanish ceramic art, a master who possessed the rare ability to breathe life into porcelain. Born in Madrid in 1925, her early years were shaped by a blend of cultural influences; while her roots were firmly planted in the Spanish capital, her father, Doroteo Laca, was a mechanic from Vizcaya, creating a family life that oscillated between the urban heart of Madrid and the rugged landscapes of Bérriz. This duality of environment—the structured city and the natural vitality of the Basque country—would later find its way into her work, manifesting as a profound connection to the organic world.

    Her journey toward artistic mastery began not with administrative studies, as she had initially intended, but through the transformative influence of the Cerámica Municipal de Madrid. Under the mentorship of Francisco Alcántara, Laca honed her technical precision, securing a prestigious scholarship that allowed her to refine her skills until 1947. This period of rigorous training laid the foundation for a career defined by an unparalleled attention to detail and a dedication to the delicate nuances of form and color.

    The Mastery of Porcelain and the Bidasoa Years

    The trajectory of Laca’s career was irrevocably changed by her long-standing association with Porcelanas Bidasoa, a period that spanned from 1952 to 1984. It was within this prestigious institution that she truly ascended from an assistant teacher to a renowned independent artist and sculptor. Her technical prowess was so significant that by 1957, she was granted her own workshop, where she took full command of the creative process—from the initial modeling of clay to the final, delicate application of glazes.

    Laca’s work at Bidasoa was characterized by a remarkable versatility. She was tasked with designing and executing an array of decorative figures, ranging from animals to couples dressed in traditional regional costumes. However, it was her botanical explorations that would secure her place in the annals of ceramic history. Her ability to translate the ephemeral grace of a blooming flower into the enduring medium of porcelain was nothing short\\short of miraculous. She utilized complex techniques involving:

    The meticulous molding of bisque plaques to create three-dimensional textures.

    The application of transparent glazes to capture the dewy luster of petals and leaves.

    Intricate hand-painting with low-fired glazes to achieve vibrant, lifelike colors.

    The use of gold-painted accents to provide a sense of regal sophistication to her floral arrangements.

    Artistic Vision and Historical Significance

    Beyond the technical brilliance of her craftsmanship, Laca’s work carries a deep emotional resonance. Her most exquisite creations—the ultra-delicate floral centerpieces—were often deemed too precious for commercial sale. Instead, they were reserved as prestigious gifts, embodying a level of artistry that transcended mere decoration to become true sculptural poetry. These pieces, such as her water lily plaques, serve as a testament to her ability to capture the fleeting moment of a blossom's peak beauty and freeze it in time.

    The historical significance of María Concepción Laca Ugaldebere lies in her role as a pioneer of contemporary Spanish ceramics. She bridged the gap between traditional artisanal craft and fine art, proving that porcelain could be a medium for profound sculptural expression. Her dedication to preserving the splendor of nature through painstaking hand-painting techniques has left an indelible mark on Spanish artistic heritage. Even after her passing in 2018, her legacy continues to bloom, reminding us of a time when art was defined by the patient, loving touch of a master's hand.

    Музей

    Gipuzkoa Heritage Collection Centre

    В экспозиции Irún, Spain

    A Sanctuary of Light and Heritage

    Nestled amidst the sun-drenched hills and fragrant lavender fields of Provence, the

    Gipuzkoa Heritage Collection Centre

    stands as a profound testament to the enduring power of artistic vision and regional identity. While its name evokes the rugged beauty of the Basque landscape, the museum’s narrative is a deeply layered experience that weaves together local history, ancestral legacy, and an unyielding spirit of preservation. To step into this institution is to enter a space where the past is not merely remembered but vibrantly alive, offering a sanctuary for those who seek to connect with the soul of cultural heritage.

    The architecture of the centre serves as a captivating prelude to the treasures held within its walls. Much like the historic estates of Europe, the structure itself tells a story of transformation and purpose. The interplay of light and shadow across its surfaces creates a rhythmic dialogue between the permanence of stone and the ephemeral nature of art. For the interior designer or the lover of classical aesthetics, the building offers a masterclass in how space can be curated to evoke emotion, blending structural grandeur with an intimate atmosphere that invites quiet contemplation and deep aesthetic engagement.

    The Art of the Collective and the Masterpiece

    At the heart of the collection lies a fascinating tension between individual genius and the beauty of collaborative mastery. One cannot discuss this institution without reflecting on the luminous legacy of the

    Unión De Artistas Vidrieros De Irún

    . This collective, hailing from the Basque town of Irún, represents a vibrant confluence of talent dedicated to the exquisite and ancient art of stained glass. Their work is not merely about individual expression but about a shared commitment to reviving traditional techniques that once faced the threat of industrial decline. Through their meticulous restoration of historical windows in churches and private residences, they have breathed new life into the very fabric of the region's architectural history.

    The museum’s holdings extend far beyond the translucent brilliance of glass, offering a diverse array of works that span centuries. Visitors are often moved by the way the collection balances the monumental with the intimate. From large-scale works that command a room to delicate sketches that capture a fleeting moment of inspiration, the curation encourages a holistic view of artistic expression. This diversity makes the centre an essential destination for collectors looking to understand the evolution of craftsmanship and for art lovers who find beauty in the intersection of different media and eras.

    A Living Legacy of Tradition and Innovation

    What truly distinguishes this museum is its role as a living organism, constantly engaging with both its historical roots and contemporary dialogues. It does not function merely as a repository for the old, but as an active participant in the modern art world. Through notable exhibitions that explore themes ranging from regional identity to international movements, the centre fosters a vibrant dialogue between history and community. It serves as a bridge, connecting the ancient Roman roots of the territory with the innovative spirit of today’s artisans.

    For those drawn to the intersection of art and lifestyle, the museum offers an immersive journey into a world where every window, every frame, and every texture tells a story. Whether one is inspired by the painstaking reconstruction of a medieval glass pane or the bold strokes of a modern master, the Gipuzkoa Heritage Collection Centre provides a profound appreciation for the timeless beauty found in the dedication to craft. It remains a beacon for dreamers and scholars alike, ensuring that the luminous legacies of the past continue to illuminate the cultural landscape of the future.

    Где почитать подробнее

    Найти онлайн

    QR-код со ссылкой на страницу загрузки Floral centrepiece

    originaluniqueart.com/ru/art/download/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/

    Как цитировать это произведение

    MLA
    Ugaldebere, María Concepción Laca. Floral centrepiece. n.d., Gipuzkoa Heritage Collection Centre. https://originaluniqueart.com/ru/art/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/
    APA
    Ugaldebere, María Concepción Laca (n.d.). Floral centrepiece [Painting]. Gipuzkoa Heritage Collection Centre. https://originaluniqueart.com/ru/art/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/
    Chicago
    María Concepción Laca Ugaldebere. Floral centrepiece. n.d. Gipuzkoa Heritage Collection Centre. https://originaluniqueart.com/ru/art/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/
    Harvard
    Ugaldebere, María Concepción Laca (n.d.) Floral centrepiece. Gipuzkoa Heritage Collection Centre. Available at: https://originaluniqueart.com/ru/art/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/

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    Floral centrepiece — María Concepción Laca Ugaldebere

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    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. Вернитесь к работе Floral centrepiece, представленной ранее в этом руководстве. Назовите две общие черты этой работы с текущей и одно отличие.
    4. Какие чувства художник, возможно, хотел у вас вызвать?
    5. Если бы вы могли задать автору всего один вопрос об этой работе, что бы вы спросили?

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    Вопросы и ответы

    Можно ли приобрести «Floral centrepiece» в виде художественной репродукции?

    Чтобы заказать принт работы «Floral centrepiece», María Concepción Laca Ugaldebere, просто перейдите на страницу заказа Принт Fine Art: художественная печать на хлопковом холсте или архивной холст-бумаге.

    Какой цвет преобладает в композиции «Floral centrepiece», María Concepción Laca Ugaldebere?

    Преобладающий цвет произведения «Floral centrepiece», María Concepción Laca Ugaldebere — Black (#020200).

    Какая ориентация у «Floral centrepiece», María Concepción Laca Ugaldebere?

    Формат произведения «Floral centrepiece» — Landscape. Это поможет вам при планировании размещения репродукции в интерьере.