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The Smoker

Имя Класс обучения Дата

Хуан Грис, The Smoker (1913), Музей Тиссен-Борнмиса. Общественное достояние Посмотрите на этот холст при движении света: рисунок, истинный цвет под лаком, чистый пигмент

Сведения о произведении

Автор
Хуан Грис originaluniqueart.com/ru/artists/%D1%85%D1%83%D0%B0%D0%BD-%D0%B3%D1%80%D0%B8%D1%81_ru/
Даты жизни автора
1887 – 1927
Живопись
1913
Техника исполнения
Acrylic On Paper
Размер оригинала
130 x 96 cm
Движение
Synthetic Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.
Место проведения
Музей Тиссен-Борнмиса originaluniqueart.com/ru/museums/%D0%BC%D1%83%D0%B7%D0%B5%D0%B9-%D1%82%D0%B8%D1%81%D1%81%D0%B5%D0%BD-%D0%B1%D0%BE%D1%80%D0%BD%D0%BC%D0%B8%D1%81%D0%B0-%D0%BC%D0%B0%D0%B4%D1%80%D0%B8%D0%B4_ru/
Artistic style
Synthetic Cubism
Influences
Picasso, Matisse
Notable elements
Fragmented forms
Subject or theme
Smoking man

В контексте

The Smoker — Хуан Грис

Каков размер?

Оригинальный размер составляет 130 × 96 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Когда была написана эта работа?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920

Верхняя строка: годы. Нижняя строка: возраст художника в начале и в конце каждого периода — 0 при рождении, 40 на момент смерти.

Написано, когда художнику было 26. Художник прожил 40. 27 из 310 датированных работ этого художника в нашем каталоге были созданы ранее.

Затененная область: годы жизни Хуан Грис (1887–1927) ▲ эта работа, 1913 каждая картина с датой, десятилетие за десятилетием

Сравнить с

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: originaluniqueart.com/ru/art/similar/juan-gris-the-smoker-8YDVBA-en/

Цвета

Измерено по изображению

    Основной цвет

    Phthalo Green #1a2c1e

    Каталогизированная палитра

    • #1A2C1E
    • #C1CDD8
    • #CA5714
    • #2237A4

    Эти цвета входят в полную палитру художника Поиск других картин по цвету

    Палитра
    Dark Преобладающая цветовая гамма изображения.
    Название основного цвета
    Phthalo Green
    Насыщенность
    Balanced Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Bold Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Discordant Palette Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Deep_shadow Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Clear Color Presence Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    Где в мире смотрят на эту картину?

    • менее 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и более
    Данной картины недостаточно для построения карты, поэтому на плакате представлены все работы Хуан Грис за последние двенадцать месяцев — всего в 33 странах. Источник этих данных

    Десять ведущих стран

    1. 1 Китай 43,6%12 500 посещений
    2. 2 Соединенные Штаты Америки 9,4%2 700 посещений
    3. 3 Сингапур 7,3%2 100 посещений
    4. 4 Гонконг 5,2%1 500 посещений
    5. 5 Испания 4,9%1 400 посещений
    6. 6 Дания 4,2%1 200 посещений
    7. 7 Италия 2,8%800 посещений
    8. 8 Бразилия 2,1%600 посещений
    9. 9 Великобритания 2,1%600 посещений
    10. 10 Греция 2,1%600 посещений
    11. · 23 другие страны 16,3%4 700 посещений

    Найдите на карте три самые темные страны. Находится ли музей, где хранится эта картина, в одной из них? Запишите одну причину, по которой люди из далеких краев могли бы захотеть ее увидеть.

    20 самых просматриваемых работ Хуан Грис

    1. 1 Портрет Жозета Гриз, 1916 6,1%2 400 посещений
    2. 2 Still Life with a Guitar, 1913 4,8%1 900 посещений
    3. 3 Композиция перед открытым окном / Место Равиньон, 1915 3,3%1 300 посещений
    4. 4 Guitar on a Table, 1915 2,3%900 посещений
    5. 5 The painters window - -, 1925 2,3%900 посещений
    6. 6 Still Life with Flowers, 1912 2,0%800 посещений
    7. 7 "Pears and grapes on a table" -> "Персики и виноград на столе", 1913 1,8%700 посещений
    8. 8 Завтрак, 1915 1,8%700 посещений
    9. 9 Landscape with house at Ceret, 1913 1,8%700 посещений
    10. 10 breakfast, 1914 1,8%700 посещений
    11. 11 Bottle, Newspaper and Fruit Bowl, 1915 1,8%700 посещений
    12. 12 Harlequin with guitar - -, 1919 1,5%600 посещений
    13. 13 Glass and Ace of Clubs, 1917 1,5%600 посещений
    14. 14 The Checkerboard, 1915 1,5%600 посещений
    15. 15 Landscape with Houses at Ceret, 1913 1,5%600 посещений
    16. 16 Woman With Basket, 1927 1,5%600 посещений
    17. 17 The Sunblind, 1914 1,3%500 посещений
    18. 18 Still life with oil lamp - -, 1912 1,3%500 посещений
    19. 19 Still Life with Newspaper, 1916 1,3%500 посещений
    20. 26 The Smoker, 1913 данная картина 1,0%400 посещений

    В совокупности эти работы привлекли 42,2% всего внимания, которое получили картины этого художника за последние двенадцать месяцев. В каталоге представлено 340 работ этого художника, из которых 151 были просмотрены как минимум один раз. Эта картина занимает 26 место в рейтинге, на нее приходится 1,0% внимания (400 визитов). Динамика показателей по месяцам

    Шкала отражает уровень внимания, а не качество. Выберите работу в верхней части списка и эту: назовите одну вещь, которая может сделать картину знаменитой помимо мастерства её исполнения.

    Об этом произведении

    The Smoker — Хуан Грис

    The Smoker: A Fragmented Portrait of Modern Life

    Juan Gris’s “The Smoker,” painted in 1913, isn't merely a depiction of a man enjoying a cigarette; it’s a meticulously constructed meditation on perception, fragmentation, and the burgeoning anxieties of early 20th-century modernity. Created during his pivotal period as a pioneer of Synthetic Cubism alongside Pablo Picasso, this work embodies the movement’s radical departure from traditional representation, offering instead a fractured, multi-faceted view of its subject – a Spanish painter and sculptor named Juan Gris himself.

    The painting immediately draws the eye with its dynamic composition. A man, identified through preparatory sketches as Frank Haviland, an American patron of the arts, is presented in a series of interlocking planes and geometric shapes. He’s captured mid-action, puffing on a cigarette, yet his form is simultaneously broken down into its constituent parts – a sharp nose, a tilted head, a fragmented shirt collar – all arranged within a vibrant, almost chaotic, space. This deliberate fragmentation reflects the Cubist principle of depicting objects from multiple viewpoints at once, challenging the viewer’s ability to grasp a single, unified image. The use of papier collé, or collage elements—newspaper clippings and other fragments—further enhances this sense of deconstruction, layering textures and visual information onto the canvas.

    A Symphony of Color and Technique

    Gris masterfully employs a carefully calibrated palette of greens, blues, reds, and oranges to create a visually arresting effect. These bold colors aren’t simply decorative; they contribute significantly to the painting's dynamism and sense of movement. Notice how the smoke itself is rendered in swirling bands of color, adding another layer of complexity to the composition. The technique is equally sophisticated: Gris utilizes short, broken brushstrokes—a hallmark of Synthetic Cubism—to build up the forms and create a palpable sense of depth. The interplay between hard-edged geometric shapes and softer, more organic elements generates a fascinating tension within the painting.

    Historical Context and Artistic Significance

    “The Smoker” was created during a period of intense artistic experimentation and intellectual ferment in Paris. The rise of Cubism—and its subsequent iterations like Synthetic Cubism—represented a fundamental shift away from traditional representational art, reflecting a broader cultural questioning of established norms and values. Gris’s work stands as a crucial bridge between the analytical rigor of early Cubism (exemplified by Picasso and Braque) and the more expressive, collage-based approach that would characterize the movement's later stages. It was painted during a period when Gris was deeply engaged with his circle of artistic friends—Picasso, Matisse, Apollinaire—and exploring new ways to represent reality through abstraction.

    Symbolism and Emotional Resonance

    Beyond its formal innovations, “The Smoker” is rich in symbolic meaning. The act of smoking itself can be interpreted as a metaphor for contemplation, introspection, or even the anxieties associated with modern life. The fragmented figure suggests a sense of alienation and detachment—a feeling that resonates powerfully within the context of an increasingly complex and rapidly changing world. The inclusion of Haviland’s attire – a bow tie and top hat – adds a touch of social commentary, hinting at the formality and conventions of the era while simultaneously undermining them through the painting's fractured perspective. Ultimately, “The Smoker” is not simply a portrait; it’s a poignant exploration of human experience in the face of modernity.

    This captivating artwork is now housed at the Thyssen-Bornemisza Museum in Madrid, Spain, offering art enthusiasts a chance to witness firsthand this seminal piece of modern art. Reproductions are available through WahooArt.com and other reputable sources, allowing you to bring this iconic image into your own space.

    Художник и музей

    Автор

    Хуан Грис

    Место рождения Мадрид, Испания

    A Spanish Visionary of Cubism: The Life and Art of Juan Gris

    José Victoriano González-Pérez, a name that would become synonymous with artistic innovation, was born in Madrid on March 23, 1887. This young man, destined to be known as Juan Gris, embarked on a journey that would not only establish him as one of the most significant figures of early 20th-century art but also profoundly reshape our understanding of visual perception. Initially pursuing an engineering degree at the School of Arts and Sciences in Madrid, a logical mind began to develop alongside a burgeoning creative spirit. Even during his studies, glimpses of his artistic talent emerged – contributions to local periodicals hinted at a future dedicated to capturing the world through a unique lens. It was in 1905 that he adopted the pseudonym Juan Gris, a name imbued with a newfound sense of identity and purpose, marking a deliberate step towards embracing his artistic aspirations.

    Parisian Awakening and the Embrace of Cubism

    The year 1906 proved to be a pivotal moment in Gris’s life – he relocated to Paris, a city then brimming with an unparalleled concentration of artistic energy. This move was not merely a geographical shift; it represented a complete immersion into a vibrant cultural landscape. He quickly established connections with luminaries such as Henri Matisse, Georges Braque, and Fernand Léger, forging friendships that would profoundly influence his artistic development. Initially, Gris engaged in the demanding world of satirical illustration for publications like L'Assiette au Beurre, honing his observational skills and developing a keen eye for detail – a skill he would later translate into his groundbreaking paintings. However, it was Pablo Picasso who exerted the most significant impact on his artistic trajectory. Around 1910, Gris began to dedicate himself wholeheartedly to painting, moving away from caricature and embracing the revolutionary language of Cubism. This wasn’t simply imitation; it was a deliberate quest to distill the essence of form and space, seeking a new visual order – a radical departure from traditional representation.

    The Geometry of Perception: Style and Key Works

    Juan Gris's artistic output is characterized by an extraordinary clarity and intellectual rigor. He didn’t merely deconstruct objects; he meticulously reconstructed them, emphasizing geometric forms and employing a carefully considered palette. This approach led to what became known as his “crystal period,” exemplified in masterpieces such as Still Life Before an Open Window (1912) and Place Ravignan (1915). These works showcase a remarkable interplay of planes and angles, creating a sense of depth and solidity while simultaneously challenging conventional notions of perspective. The influence of Picasso is undeniable, yet Gris developed his own distinct style – one characterized by a precise geometric structure, a harmonious color scheme, and an innovative use of papier collé (collage). He incorporated real-world materials like newspaper clippings and textured papers into his compositions, blurring the boundaries between painting and sculpture. Notable examples include Guitar in front of the sea (1925), a testament to his simplified forms and adherence to cubist principles, and Homage à Pablo Picasso (1912), which signaled his growing recognition within the avant-garde art world.

    Synthetic Cubism and Lasting Influence

    Following the initial explorations of Analytical Cubism, Gris transitioned to Synthetic Cubism around 1913, a period marked by a shift towards greater simplification and a vibrant use of color. He pioneered the extensive use of papier collé, incorporating fragments of everyday life – advertisements, fabrics, and even pieces of fruit – into his paintings. This technique added layers of complexity and tactile richness to his work, transforming his canvases into dynamic visual dialogues. Unlike Picasso and Braque, whose Cubist works were often monochromatic, Gris employed bold, harmonious color palettes, creating a distinctive aesthetic that resonated with the principles of Matisse’s art. His emphasis on geometric forms, combined with his innovative use of collage, established him as a pivotal figure in 20th-century art. His legacy extends beyond mere stylistic innovation; he brought a unique intellectual depth and structural clarity to the movement, profoundly influencing the Purist style championed by Amédée Ozenfant and Charles Edouard Jeanneret (Le Corbusier). Juan Gris’s work continues to inspire artists today, demonstrating the enduring power of Cubism and the visionary genius of a Spanish master who reshaped our understanding of perception and representation.

    Key Facts

    Full Name: José Victoriano González-Pérez

    Born: March 23, 1887, Madrid, Spain

    Died: May 11, 1927, Paris, France

    Artistic Movement: Cubism (Analytical and Synthetic)

    Influenced By: Pablo Picasso, Henri Matisse

    Notable Works: Still Life Before an Open Window, Place Ravignan, Guitar in front of the sea, Homage à Pablo Picasso

    Музей

    Музей Тиссен-Борнмиса

    В экспозиции Мадрид, Испания

    A Legacy of Passion: Unveiling the Thyssen-Bornemisza Museum

    Nestled within the heart of Madrid’s vibrant cultural landscape, alongside the grandeur of the Prado and the revolutionary spirit of the Reina Sofía, lies the Thyssen-Bornemisza National Museum – a truly exceptional institution born from a singular vision. More than simply a collection of masterpieces, it represents a deliberate act of preservation, a passionate defense of European artistic heritage against the tides of exile following World War I, and a testament to the discerning eye of Heinrich Baron Thyssen-Bornemisza. The museum’s story begins not in Spain, but in Lugano, Switzerland, where the Baron embarked on his ambitious quest to assemble a collection that would encompass the entirety of European artistic achievement – a conscious decision to safeguard its legacy within Europe's borders.

    Heinrich Thyssen-Bornemisza, driven by an almost obsessive desire for completeness, tirelessly pursued works spanning centuries and styles. From the Byzantine icons shimmering with otherworldly light, hinting at ancient mysteries, to the bold Surrealist sculptures challenging conventional forms, and crucially, the groundbreaking canvases of Pablo Picasso – his collection became a breathtaking tapestry of artistic expression. The relocation to Madrid in 1943 wasn’t merely a logistical shift; it was a profound statement of commitment, a desire to share this extraordinary inheritance with Spain and foster a deeper appreciation for art on a global scale. This move solidified the museum's place within the “Golden Triangle of Art,” creating a synergistic experience for visitors exploring these three iconic institutions.

    Architectural Harmony: A Palace of Reflection

    The Thyssen-Bornemisza resides within a beautifully restored neoclassical palace, originally designed as a royal residence for Alfonso XIII and his family – a space intended to embody grandeur and inspire artistic contemplation. This building, conceived by Narciso III Ortiz y Montenegro, stands as a harmonious counterpoint to the more modern structures of its neighbors, offering visitors an immediate sense of serenity and beauty. The soaring ceilings, adorned with intricate stucco decorations, and the expansive windows flooding the galleries with natural light create an environment perfectly suited for showcasing the museum’s treasures. The proportions are meticulously considered, reflecting a deep understanding of classical aesthetics – a subtle yet powerful reminder of the enduring influence of artistic tradition. The integration with Parque del Buen Retiro further enhances the experience, providing a tranquil backdrop and panoramic views that complement the art within.

    A Chronological Journey Through European Art

    Visitors embark on a chronological journey through European painting, beginning with early Renaissance works by Duccio and Luca di Tommè – delicate beauty and spiritual depth. The collection then progresses through the vibrant hues of the Italian Primitives: Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art. A significant section is dedicated to Dutch Masters – Rembrandt’s dramatic portraits and self-portraits alongside Vermeer, Hals, and Frans Hals, revealing the nuances of light and color. The Spanish Masters showcase Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision. The museum culminates in its impressive holdings of Impressionist and Post-Impressionist art – featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes.

    Beyond the Permanent Collection: A Dynamic Experience

    What truly distinguishes the Thyssen-Bornemisza is its remarkable ability to complement and enrich the collections of the Prado and Reina Sofía. While the Prado champions Spanish artistic tradition – showcasing the mastery of Velázquez, Goya, and El Greco – and the Reina Sofía celebrates modern innovation with Picasso’s “Guernica” and Warhol’s vibrant prints, the Thyssen fills historical gaps with an astonishing breadth of European painting. The museum is renowned for its dynamic programming of exhibitions that delve into specific themes and artists, fostering intellectual engagement and broadening perspectives on art history. These temporary exhibits often draw upon international collaborations, ensuring that visitors encounter cutting-edge scholarship and innovative interpretations – a testament to the museum’s commitment to remaining relevant in an ever-evolving cultural landscape. Notably, the ongoing loan of Carmen Cervera’s personal collection further expands the museum's offerings, guaranteeing its continued appeal for generations to come.

    Highlights & Artistic Treasures

    Early Renaissance:

    A stunning array of works by Duccio, Fra Angelico, and Piero della Francesca, showcasing the delicate beauty and spiritual depth of this era.

    Italian Primitives:

    Masterpieces by Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art.

    Dutch Masters:

    Rembrandt’s dramatic portraits and self-portraits, alongside works by Vermeer, Hals, and Frans Hals, revealing the nuances of light and color.

    Spanish Masters:

    A significant collection of Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision.

    Impressionist & Post-Impressionist:

    Featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes – showcasing the revolutionary techniques and emotional intensity of these movements.

    The Thyssen-Bornemisza Museum stands as a vibrant testament to the power of art and the enduring legacy of one man's passionate pursuit of beauty.

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    QR-код со ссылкой на страницу загрузки The Smoker

    originaluniqueart.com/ru/art/download/juan-gris-the-smoker-8YDVBA-en/

    Как цитировать это произведение

    MLA
    Грис, Хуан. The Smoker. 1913, Музей Тиссен-Борнмиса. https://originaluniqueart.com/ru/art/juan-gris-the-smoker-8YDVBA-en/
    APA
    Грис, Хуан (1913). The Smoker [Painting]. Музей Тиссен-Борнмиса. https://originaluniqueart.com/ru/art/juan-gris-the-smoker-8YDVBA-en/
    Chicago
    Хуан Грис. The Smoker. 1913. Музей Тиссен-Борнмиса. https://originaluniqueart.com/ru/art/juan-gris-the-smoker-8YDVBA-en/
    Harvard
    Грис, Хуан (1913) The Smoker. Музей Тиссен-Борнмиса. Available at: https://originaluniqueart.com/ru/art/juan-gris-the-smoker-8YDVBA-en/

    Присмотритесь внимательнее

    The Smoker — Хуан Грис

    Присмотритесь поближе

    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. В нашем каталоге эта работа классифицирована по тегам: cubism, smoking, portrait. Вы согласны? Что бы вы добавили или исключили?
    4. Вспомните работу Портрет Жозета Гриз (1916), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.
    5. Synthetic Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Где именно в этой работе это можно увидеть?

    Ваш ответ

    Напишите небольшой текст об этом произведении искусства, используя факты из предыдущих разделов данного руководства и ваши ответы выше.

    Арт-викторина

    The Smoker — Хуан Грис

    Насколько хорошо вы знаете это произведение искусства?

    Выберите по одному варианту ответа для каждого из 5 вопросов ниже. В каждом вопросе есть только один правильный ответ.

    1. 1. What artistic movement is Juan Gris most closely associated with?

      • A Surrealism
      • B Cubism
      • C Impressionism
    2. 2. In 'The Smoker,' what is the primary technique used to create a sense of depth and multiple viewpoints?

      • A Linear perspective
      • B Fragmented forms and geometric shapes
      • C Blending colors seamlessly
    3. 3. What year was 'The Smoker' painted?

      • A 1907
      • B 1913
      • C 1927
    4. 4. According to the description, where was 'The Smoker' painted?

      • A Madrid
      • B Paris
      • C Céret
    5. 5. Which of the following best describes the style of Synthetic Cubism evident in 'The Smoker'?

      • A Emphasis on realistic representation and naturalistic color
      • B Breaking down objects into geometric shapes and reassembling them with collage elements
      • C Focusing solely on monochromatic tones and abstract forms

    Мой результат: ____ из 5

    Ключ к ответам — для преподавателя

    Этот раздел начинается с новой печатной страницы, поэтому его можно просто не включать в копии.

    1A · 2A · 3A · 4C · 5A

    Сверьте любой ответ с описанием этого произведения в каталоге

    Вопросы и ответы

    Что изображено на картине «The Smoker», Хуан Грис и какое настроение она передает?

    На полотне «The Smoker» запечатлены cubism, smoking, portrait, geometric, collage, paris, 1913, а передаваемая им атмосфера — Elegant.

    Какое место занимает «The Smoker» в творчестве Хуан Грис?

    «The Smoker» разделяет с другими работами Хуан Грис характерный стиль Synthetic Cubism и повторяющиеся темы: picasso’s cubist influence, parisian avant-garde scene, geometric abstraction explored, friendship, patronage reflected, early synthetic cubism.

    Насколько популярно произведение «The Smoker» в рамках Synthetic Cubism?

    «The Smoker» имеет уровень популярности Iconic среди работ направления Synthetic Cubism в каталоге.