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Entombment

Имя Класс обучения Дата

Джорджо Вазари, Entombment (1532), Casa Vasari. Общественное достояние Посмотрите на этот холст при движении света: рисунок, истинный цвет под лаком, чистый пигмент

Факты

Автор
Джорджо Вазари originaluniqueart.com/ru/artists/%D0%B4%D0%B6%D0%BE%D1%80%D0%B4%D0%B6%D0%BE-%D0%B2%D0%B0%D0%B7%D0%B0%D1%80%D0%B8_ru/
Даты жизни автора
1511 – 1574
Живопись
1532
Размер оригинала
144 x 113 cm
Место проведения
Casa Vasari originaluniqueart.com/ru/museums/casa-vasari-arezzo/

В контексте

Entombment — Джорджо Вазари

Размер

Оригинальный размер составляет 144 × 113 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Дата написания

  1. 1510
  2. 1520
  3. 1530
  4. 1540
  5. 1550
  6. 1560
  7. 1570

Верхняя строка: годы. Нижняя строка: возраст художника в начале и в конце каждого периода — 0 при рождении, 63 на момент смерти.

Написано, когда художнику было 21. Художник прожил 63. 0 из 60 датированных работ этого художника в нашем каталоге были созданы ранее.

Затененная область: годы жизни Джорджо Вазари (1511–1574) ▲ эта работа, 1532 каждая картина с датой, десятилетие за десятилетием

Первые работы: до 1546 Основные годы творчества: 1546–1567 Поздние работы: с 1567

Эти три периода разделяют работы, датированные в данном каталоге, на первую четверть, середину и последнюю четверть. Они не представляют собой полный творческий путь художника: небольшой пробел может быть следствием отсутствия записей, а не периодом затишья. Те же годы, что и жизнь художника

Похожие произведения

  • Последний суд (деталь), 1572 originaluniqueart.com/ru/art/%D0%B4%D0%B6%D0%BE%D1%80%D0%B4%D0%B6%D0%BE-%D0%B2%D0%B0%D0%B7%D0%B0%D1%80%D0%B8-%D0%BF%D0%BE%D1%81%D0%BB%D0%B5%D0%B4%D0%BD%D0%B8%D0%B9-%D1%81%D1%83%D0%B4-%D0%B4%D0%B5%D1%82%D0%B0%D0%BB%D1%8C-8Y2UX9-ru/
  • Последний суд, 1572 originaluniqueart.com/ru/art/%D0%B4%D0%B6%D0%BE%D1%80%D0%B4%D0%B6%D0%BE-%D0%B2%D0%B0%D0%B7%D0%B0%D1%80%D0%B8-%D0%BF%D0%BE%D1%81%D0%BB%D0%B5%D0%B4%D0%BD%D0%B8%D0%B9-%D1%81%D1%83%D0%B4-8Y2UX8-ru/
  • Sala del Cinquecento originaluniqueart.com/ru/art/giorgio-vasari-sala-del-cinquecento-8Y2UX3-en/

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: originaluniqueart.com/ru/art/similar/giorgio-vasari-entombment-8Y3KRB-en/

Цветовая палитра

Определено по изображению

    Основной цвет

    Black #100a0f

    Сохраненная палитра

    • #100A0F
    • #704126
    • #3A241D
    • #B37C45

    Эти цвета в составе всей палитры художника Найти другие картины по цвету

    Палитра
    Earthy Преобладающая цветовая гамма изображения.
    Основной цвет
    Black
    Интенсивность
    Monochromatic Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Gentle Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Strong Color Unity Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Deep_shadow Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Subtle Color Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    В каких точках мира смотрят на эту картину?

    • менее 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и более
    У этой картины слишком мало зафиксированных посетителей для построения карты, поэтому на плакате представлены все работы Джорджо Вазари за последние двенадцать месяцев — всего в 14 странах. Откуда взяты эти данные

    Десять ведущих стран

    1. 1 Китай 58,2%
    2. 2 Гонконг 8,9%
    3. 3 Сингапур 7,6%
    4. 4 Бразилия 6,3%
    5. 5 Соединенные Штаты Америки 5,1%
    6. 6 Испания 2,5%
    7. 7 Италия 2,5%
    8. 8 Армения 1,3%
    9. 9 Швейцария 1,3%
    10. 10 Германия 1,3%
    11. · 4 другие страны 5,0%

    Найдите на карте три самые темные страны. Находится ли музей, хранящий эту картину, в одной из них? Запишите одну причину, по которой люди из далеких краев могут захотеть ее увидеть.

    20 самых просматриваемых работ Джорджо Вазари

    1. 1 Последний суд (деталь), 1572 7,5%
    2. 2 The Last Judgment (detail), 1572 7,5%
    3. 3 Perseus and Andromeda, 1570 6,5%
    4. 4 Annunciation, 1570 5,6%
    5. 5 Allegory of the Immaculate Conception, 1541 5,6%
    6. 6 Marriage at Cana, 1566 5,6%
    7. 7 Annunciation, 1564 4,7%
    8. 8 The 1530 Siege of Florence, 1558 3,7%
    9. 9 Последний суд, 1572 2,8%
    10. 10 Childhood of Jupiter, 1556 2,8%
    11. 11 Façade, 1560 2,8%
    12. 12 Студия художника, 1563 2,8%
    13. 13 Abraham and the Three Angels 2,8%
    14. 14 Lorenzo il Magnifico among philosophers and scholars, 1558 1,9%
    15. 15 Three river gods 1,9%
    16. 16 Triumphant entrance of Leone X in Florence, 1563 1,9%
    17. 17 Martyrdom of St Stephen, 1560 1,9%
    18. 18 The Adoration of the Magi, 1567 1,9%
    19. 19 Justice, 1542 1,9%
    20. — Entombment, 1532 эта картина 0,0%

    В совокупности эти работы получили 72,1% всего внимания, которое получили картины этого художника за последние двенадцать месяцев. В каталоге содержится 72 работ этого художника, из которых 41 были просмотрены как минимум один раз. У этой картины пока нет просмотров за указанный период — она завершает список без рейтинга. Те же показатели, месяц за месяцем

    Шкала измеряет внимание, а не качество. Выберите работу в верхней части списка и эту: назовите одну вещь, которая может сделать картину знаменитой помимо мастерства её исполнения.

    Художник и музей

    Автор

    Джорджо Вазари

    Место рождения Аре́тто, Италий

    A Life Woven into the Renaissance Fabric

    Giorgio Vasari, born in Arezzo, Tuscany, on July 30, 1511, was more than simply a painter; he was a quintessential embodiment of the Italian Renaissance spirit. His life unfolded as a vibrant tapestry woven with threads of artistic creation, architectural innovation, insightful historical writing, and an unwavering dedication to celebrating the masters who came before him. From his earliest training under Guglielmo da Marsiglia, a skilled artisan in stained glass, young Giorgio’s path was steered towards visual artistry. However, it was his move to Florence at sixteen that truly ignited his potential. Immersing himself within the dynamic circle of Andrea del Sarto and absorbing the influences of Rosso Fiorentino and Jacopo Pontormo, Vasari began a journey that would see him become one of the most influential figures of his era. His formative years were also deeply marked by the patronage and friendship of the powerful Medici family, a relationship that would shape both his career and his perspective on art’s role in society.

    The Artist's Hand and Eye

    Vasari’s artistic style is often categorized as Mannerist, reflecting the prevailing aesthetic trends of the mid-16th century. His paintings are characterized by elongated figures, dynamic compositions, and a sophisticated use of color—qualities highly admired during his lifetime. While perhaps not achieving the same level of enduring fame as some of the artists he chronicled, Vasari’s skill was undeniable. Notable works such as The Studio of the Painter, a fresco housed in Casa Vasari in Arezzo, offer a fascinating glimpse into the artistic practices of the time. The sheer scale and ambition of his frescoes for the Palazzo Vecchio in Florence, undertaken between 1555 and 1572, demonstrate his mastery of large-scale decorative schemes. His final monumental undertaking, The Last Judgement, adorning the cupola of Florence Cathedral—completed after his death by Federico Zuccari—stands as a testament to his unwavering commitment to grand artistic visions. Beyond painting, Vasari’s architectural contributions were equally significant. He designed the elegant loggia of the Palazzo degli Uffizi, transforming it into a public piazza and creating a vital link within Florence's urban landscape. Perhaps most famously, he conceived and oversaw the construction of the Vasari Corridor, a secret passageway connecting the Uffizi Gallery with the Palazzo Pitti—a feat of engineering and architectural ingenuity that continues to captivate visitors today.

    A Historian Forging a Legacy

    However, it is arguably as an art historian that Giorgio Vasari secured his most lasting legacy. His monumental work, Lives of the Most Excellent Painters, Sculptors, and Architects, published in 1550 (with a revised edition in 1568), revolutionized the way art was understood and appreciated. This groundbreaking text wasn’t merely a collection of biographies; it established a narrative framework for the development of Italian Renaissance art, tracing its evolution from the early masters like Cimabue and Giotto to his contemporaries Michelangelo and Raphael. Vasari's work introduced the very concept of the “Renaissance” – a rebirth of classical ideals—and laid the foundation for modern art history as a discipline. While acknowledging that Vasari’s accounts are not without their biases and inaccuracies, particularly concerning artists predating his own time, the impact of Lives remains profound. It provided a crucial historical context for artistic creation, elevating the status of artists from skilled craftsmen to intellectual figures worthy of scholarly attention.

    Influences and Enduring Significance

    Vasari’s artistic development was profoundly shaped by his exposure to the works of Renaissance masters. His visit to Rome in 1529, where he studied the art of Raphael and other High Renaissance artists, proved pivotal. He absorbed their principles of composition, anatomical accuracy, and idealized beauty, incorporating them into his own style. Michelangelo, whom Vasari greatly admired, exerted a particularly strong influence on both his painting and architecture. The grandeur and dynamism characteristic of Michelangelo’s work are evident in many of Vasari’s projects. Beyond specific artists, the broader intellectual currents of the Renaissance—humanism, classical learning, and a renewed interest in empirical observation—also informed Vasari's approach to art and history. Giorgio Vasari died on June 27, 1574, in Florence, leaving behind a multifaceted legacy that continues to resonate today. He was not only a talented artist and architect but also a pioneering historian whose writings shaped our understanding of one of the most transformative periods in Western art history. His work remains essential for anyone seeking to explore the rich cultural heritage of the Italian Renaissance.

    Major Achievements

    The Studio of the Painter (1563): This monumental fresco, housed in Casa Vasari in Arezzo, is a cornerstone of his artistic output, offering an unparalleled insight into the practices and theories of painting during the Renaissance.

    Frescoes for the Palazzo Vecchio (1555-1572): Vasari’s ambitious frescoes decorating the halls of Florence's town hall showcase his mastery of large-scale decorative schemes and his ability to integrate narrative and symbolism into monumental works.

    The Last Judgement (1573-1579): This colossal fresco on the cupola of Florence Cathedral, completed after his death by Federico Zuccari, represents Vasari’s ultimate architectural and artistic ambition – a testament to his vision and skill.

    The Uffizi Gallery (1560-1579): His design for the Uffizi Palace fundamentally reshaped Florence's urban landscape, creating a harmonious blend of architecture and public space.

    Lives of the Most Excellent Painters, Sculptors, and Architects (1550, 1568): This seminal work established a new paradigm for art historical writing, shaping our understanding of Renaissance artists and their contributions.

    Key Influences

    Guglielmo da Marsiglia: Vasari’s early training under the stained-glass master instilled in him a deep appreciation for craftsmanship and technical skill.

    Andrea del Sarto: His time with Andrea del Sarto exposed him to Florentine artistic traditions and fostered his understanding of composition and color theory.

    Raphael & Michelangelo: Vasari’s admiration for these High Renaissance masters profoundly influenced his own style, particularly in terms of anatomical accuracy and idealized beauty.

    Музей

    Casa Vasari

    На выставке в Arezzo, Italy

    A Florentine Jewel of Renaissance Harmony

    Nestled in the heart of Arezzo, Tuscany, the

    Casa Vasari

    stands as a profound testament to the enduring legacy of Giorgio Vasari and his pivotal role in shaping our understanding of the Italian Renaissance. More than just a historic residence, it is a meticulously crafted microcosm of the era's artistic ideals—a place where architecture, painting, and sculpture converge to create an experience both profoundly beautiful and deeply revealing. Originally conceived as a workshop for Vasari’s brother, Pietro, the Casa evolved into a private sanctuary and, crucially, a living laboratory for Vasari’s revolutionary approach to art history and biography. To walk through its doors is to step into a world where the boundaries between life and art are intentionally blurred.

    The building itself is an extraordinary achievement of Renaissance design, reflecting a period when structure was as much about mathematical grace as it was about physical shelter. Constructed between 1537 and 1549, the Casa Vasari is not simply built; it is

    composed

    . Vasari meticulously planned every detail, striving for a harmonious balance between classical restraint and exuberant ornamentation. The façade, a masterful example of Tuscan Renaissance architecture, is dominated by a series of arched windows framed by engaged columns—a deliberate echo of Roman grandeur. Notice the subtle shifts in scale and proportion; Vasari employed precise mathematical ratios to achieve a sense of visual equilibrium, reflecting his deep engagement with humanist principles. The use of terracotta brick lends the building an earthy warmth that contrasts beautifully with the delicate, sophisticated details found above.

    A Sanctuary for Art and Scholarship

    Within the Casa’s walls resides a remarkable collection of paintings that are not merely displayed but are integrated into the very architectural fabric of the house. These works, primarily by Vasari himself alongside those by his brother Pietro and other artists associated with the family, create an immersive environment where every room tells a story. One cannot mention the Casa without speaking of the

    Sala di Giocondina

    (Room of Giocondina), named after a small, exquisite portrait believed to be by Leonardo da Vinci. The room’s proportions were carefully calculated to enhance the impact of the painting, demonstrating Vasari's belief that art should exist within a carefully orchestrated environment rather than in isolation.

    The collection is further enriched by breathtaking frescoes depicting scenes from the lives of Florentine artists—a deliberate act of self-promotion and a foundational element of Vasari’s groundbreaking

    Lives

    . These murals offer invaluable insights into the vibrant Florentine artistic community of the 16th century, turning the walls themselves into a historical narrative. Beyond its visual splendor, the Casa Vasari holds a unique significance as the birthplace of art historical writing. It served as Vasari's primary research space, filled with sketches, notes, and models that document his meticulous process of investigation. It was within these very rooms that he painstakingly pieced together the stories of Michelangelo, Leonardo da Vinci, and Raphael, shaping their reputations and solidifying their place in the canon of Western art.

    A Living Museum of Continuous Discovery

    The Casa Vasari is far from a static monument; it remains a dynamic space dedicated to preserving and interpreting its rich heritage. Throughout the year, the museum hosts a variety of exhibitions that explore different facets of Vasari's work, Renaissance art, and the history of the building itself. These events often incorporate cutting-edge technology, such as virtual reality reconstructions, allowing modern visitors to experience the Casa as it might have appeared during Vasari’s lifetime, bridging the gap between the sixteenth century and the present day.

    For the art lover, the collector, or the interior designer seeking inspiration, the museum offers a masterclass in aesthetic cohesion. Ongoing conservation efforts are crucial to maintaining the integrity of both the architecture and the artworks, with recent restoration work revealing hidden details that have strengthened the building's structural and visual foundations. The Casa Vasari offers a profoundly intimate encounter with one of the most influential figures in art history, providing a rare opportunity to walk in the footsteps of a master craftsman and witness firsthand the birth of modern art criticism.

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    QR-код со ссылкой на страницу загрузки Entombment

    originaluniqueart.com/ru/art/download/giorgio-vasari-entombment-8Y3KRB-en/

    Цитирование произведения

    MLA
    Вазари, Джорджо. Entombment. 1532, Casa Vasari. https://originaluniqueart.com/ru/art/giorgio-vasari-entombment-8Y3KRB-en/
    APA
    Вазари, Джорджо (1532). Entombment [Painting]. Casa Vasari. https://originaluniqueart.com/ru/art/giorgio-vasari-entombment-8Y3KRB-en/
    Chicago
    Джорджо Вазари. Entombment. 1532. Casa Vasari. https://originaluniqueart.com/ru/art/giorgio-vasari-entombment-8Y3KRB-en/
    Harvard
    Вазари, Джорджо (1532) Entombment. Casa Vasari. Available at: https://originaluniqueart.com/ru/art/giorgio-vasari-entombment-8Y3KRB-en/

    Присмотритесь внимательнее

    Entombment — Джорджо Вазари

    Взгляните поближе

    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. В нашем каталоге эта работа классифицирована по тегам: birth and death. Вы согласны? Что бы вы добавили или исключили?
    4. Вспомните работу Последний суд (деталь) (1572), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.
    5. Джорджо Вазари было около 21 лет, когда это произведение было создано. Что в нем напоминает о творчестве художника именно этого периода?

    Ваш ответ

    Напишите небольшой текст об этом произведении искусства, опираясь на факты из предыдущих разделов данного руководства и ваши ответы выше.

    Вопросы и ответы

    Откуда приезжают посетители «Entombment», Джорджо Вазари?

    Для произведения «Entombment» доступна страница Статистика. На ней представлен график ежемесячных просмотров данного произведения и других работ автора с разбивкой по странам и языкам.

    Что изображено на картине «Entombment», Джорджо Вазари?

    Сюжеты произведения «Entombment» — это birth and death.

    Сколько лет было Джорджо Вазари, когда была создана работа "Entombment"?

    Джорджо Вазари создал(а) «Entombment» в возрасте 21 лет. Художник родился в 1511, а датировка работы относится к 1532 году.