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When Flooded Fields Reflect Departing Day

Имя Класс обучения Дата

Джордж Харрисон, When Flooded Fields Reflect Departing Day, Alfred East Art Gallery. Воспроизведено в ознакомительных целях; все права защищены правообладателем.

Факты

Автор
Джордж Харрисон originaluniqueart.com/ru/artists/%D0%B4%D0%B6%D0%BE%D1%80%D0%B4%D0%B6-%D1%85%D0%B0%D1%80%D1%80%D0%B8%D1%81%D0%BE%D0%BD_ru/
Даты жизни автора
1943 – 2001
Материал
Oil On Canvas
Размер оригинала
82 x 96 cm
Динамика
Impressionistic Landscape Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Место проведения
Alfred East Art Gallery originaluniqueart.com/ru/museums/alfred-east-art-gallery-kettering/
Artistic style
Loose brushstrokes; Emphasis on light and atmosphere
Influences
Indian classical music
Notable elements or techniques
Wet-on-wet technique; Atmospheric perspective
Subject or theme
Landscape; Sunset; Flooded field

В контексте

When Flooded Fields Reflect Departing Day — Джордж Харрисон

Размер

Оригинальный размер составляет 82 × 96 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Приблизительная дата написания

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Затененная область: годы жизни Джордж Харрисон (1943–2001)

Точный год создания этой записи не указан — основываясь на годах жизни исполнителя и стиле произведения, к какому десятилетию вы бы его отнесли?

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Другие работы, которые дополнят эту: originaluniqueart.com/ru/art/similar/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/

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    Сохраненная палитра

    • #C1C8B7
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    Основной цвет
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    Об этом произведении

    When Flooded Fields Reflect Departing Day — Джордж Харрисон

    When Flooded Fields Reflect Departing Day – A Symphony of Light and Tranquility

    George Harrison’s “When Flooded Fields Reflect Departing Day” isn't merely a landscape painting; it’s a distillation of mood, memory, and the profound connection between humanity and nature. Executed in 1950 by Alfred East Art Gallery, this tonalist masterpiece captures a quintessential English autumnal evening – a scene bathed in the melancholic beauty of fading sunlight over a tranquil flooded meadow. The artist's meticulous attention to detail isn’t about capturing every blade of grass or individual leaf; instead, he strives to convey an atmosphere of serene contemplation and quiet reverence for the natural world.

    Composition & Perspective: The horizontal orientation dominates the canvas, mirroring the expansive horizon line and the calm surface of the water. Trees strategically positioned in the foreground provide depth and scale, while a meandering river acts as a visual conduit, reflecting the ethereal hues of the sunset sky. Atmospheric perspective subtly diminishes distant hillsides, reinforcing the illusion of distance and creating a sense of profound tranquility.

    Color Palette & Technique: East’s masterful use of muted earth tones – predominantly grey-blue for the water and sky – is punctuated by delicate splashes of pink and orange from the setting sun. The tonalist technique—characterized by blending colors directly onto the canvas—creates soft transitions and emphasizes the diffused light conditions of dusk. Visible brushstrokes contribute to a textured surface that evokes the roughness of foliage and the fluidity of water, capturing the essence of the moment with remarkable sensitivity.

    Symbolism & Emotional Impact: The flooded field itself symbolizes resilience and abundance amidst adversity—a visual metaphor for enduring beauty despite passing time. Simultaneously, the departing sun embodies closure and reflection, prompting viewers to contemplate the ephemeral nature of existence. Harrison’s intention was not simply to depict a picturesque landscape but to evoke an emotional response rooted in nostalgia and appreciation for the sublime.

    Historical Context: Painted during the Edwardian era, “When Flooded Fields Reflect Departing Day” reflects the prevailing artistic sensibilities of its time—a move away from hyperrealism towards tonalism and Impressionism, prioritizing mood and atmosphere over precise representation. It exemplifies East’s signature style, blending meticulous observation with expressive brushwork to achieve a harmonious blend of realism and emotion.

    Materials & Craftsmanship: Crafted on canvas using oil paints—a technique favored by artists seeking luminosity and textural richness—the painting demonstrates exceptional craftsmanship. The artist's careful layering of pigments ensures that the colors retain their vibrancy over time, preserving the artwork’s original beauty for generations to come.

    Dimensions: 82 x 96 cm

    This stunning reproduction captures the spirit of Harrison’s vision—a testament to his ability to transform observation into evocative art that resonates deeply with the human experience. It's a piece ideal for interior designers seeking warmth and serenity, or collectors desiring an authentic glimpse into British landscape painting during its golden age.

    Художник и музей

    Автор

    Джордж Харрисон

    Место рождения Ливерпуль, Великобритания

    A Quiet Revolution: George Harrison, Musician and Spiritual Seeker

    George Harold Harrison, born February 25, 1943, in Liverpool, England, was far more than “the quiet Beatle.” He represented a pivotal shift within popular music, a profoundly spiritual individual whose journey dramatically shaped both his artistic expression and the cultural landscape of the 20th century. His story is one of understated power—a blossoming artistry nurtured within the framework of a globally renowned band, culminating in a triumphant solo career that firmly established him as a musical icon. His early life was rooted in the working-class neighborhoods of Wavertree, Liverpool, a place where the sounds of post-war Britain mingled with nascent influences from across the globe.

    Harrison’s initial connection to music began at the age of fourteen, fueled by an innate passion for the guitar. He diligently pursued self-taught lessons, eventually connecting with Paul McCartney and joining his skiffle group, The Quarrymen – the embryonic form of what would become arguably the most influential band in history. Joining The Beatles was a transformative experience, yet initially, Harrison found himself somewhat relegated to the background, overshadowed by the dominant songwriting partnership of Lennon and McCartney. For years, his creative contributions were limited, but this period wasn’t one of stagnation; it served as an intense apprenticeship, honing his guitar skills and absorbing the dynamic energy that defined The Beatles' early sound. As the band evolved, so too did Harrison’s role—from 1965 onwards, he began to assert his songwriting voice, delivering tracks like “Taxman,” a sharp commentary on British taxation, and increasingly complex compositions reflecting a growing maturity and artistic vision.

    Early Influences: The sounds of post-war Britain, particularly the energetic rhythms of American rock ‘n’ roll (Elvis Presley, Chuck Berry), intertwined with his mother's deep appreciation for Indian classical music—a subtle but profound influence that would later become central to his musical identity.

    The Quarrymen Years: Harrison’s early guitar lessons and subsequent involvement with The Quarrymen provided a crucial foundation for his musical development, laying the groundwork for his future contributions to The Beatles.

    From Shadows to Sunlight: Musical Evolution and Spiritual Exploration

    The mid-to-late 1960s witnessed a remarkable transformation in Harrison’s musical trajectory. Inspired by his travels and a deepening fascination with Indian culture, he began incorporating the sitar and other Eastern instruments into The Beatles' music—a bold move that expanded their sonic palette and profoundly influenced countless musicians worldwide. Songs like “Within You Without You,” recorded during the Abbey Road sessions, showcased this burgeoning spiritual exploration, drawing heavily from Hindu philosophy and employing traditional Indian instrumentation with remarkable authenticity.

    This period also saw a significant evolution in Harrison’s guitar playing—he developed a distinctive style characterized by melodic phrasing, innovative use of slide guitar, and a willingness to experiment with unconventional techniques. His solos weren't simply virtuosic displays; they were imbued with a sense of introspection and emotional depth. The influence of artists like Ravi Shankar became increasingly apparent, leading to collaborative projects that further blurred the boundaries between Eastern and Western musical traditions. He wasn’t merely imitating; he was synthesizing, creating something entirely new.

    The Sitar's Arrival: Harrison’s introduction of the sitar into The Beatles’ music marked a pivotal moment, expanding their sonic range and introducing audiences to Indian musical traditions.

    “Within You Without You”: This iconic track exemplifies Harrison’s spiritual exploration and his willingness to embrace unconventional musical forms.

    A Solo Voice Emerges: All Things Must Pass and Beyond

    Following the Beatles' dissolution in 1970, Harrison embarked on a remarkably successful solo career. The release of All Things Must Pass, a sprawling triple album recorded over several years, represented a watershed moment—a testament to his artistic independence and a showcase for his songwriting prowess. The album spawned numerous hit singles, including “My Sweet Lord,” which became one of the best-selling songs of all time, demonstrating a newfound confidence and creative freedom.

    Throughout the 1970s and beyond, Harrison continued to explore diverse musical styles—incorporating elements of rock, blues, gospel, and Indian classical music into his work. He organized the groundbreaking Concert for Bangladesh in 1971, a pioneering benefit concert that raised funds for refugees and demonstrated his commitment to humanitarian causes. He also formed the Traveling Wilburys with Bob Dylan, George Martin, Tom Petty, Jeff Lynne, and Roy Orbison – a testament to his enduring musical connections and collaborative spirit.

    All Things Must Pass: This landmark album solidified Harrison’s status as a solo artist and showcased his remarkable songwriting abilities.

    Concert for Bangladesh: A pivotal event that demonstrated Harrison's commitment to social justice and humanitarian aid.

    Legacy: A Quiet Influence on Music and Spirituality

    George Harrison’s legacy extends far beyond his contributions as a Beatle. He was a visionary artist who fearlessly explored new musical territories, championed spiritual enlightenment through his music, and consistently pushed the boundaries of popular culture. His pioneering use of Indian instrumentation, his introspective songwriting, and his unwavering commitment to social justice left an indelible mark on music and society. His influence can be heard in countless artists across genres—a quiet but profound testament to his enduring impact. George Harrison’s death in 2001 marked the loss of a true musical innovator, but his music continues to resonate with listeners worldwide, reminding us of the power of creativity, compassion, and spiritual exploration.

    Музей

    Alfred East Art Gallery

    На выставке в Kettering, United States of America

    A Sanctuary of Light and Landscape: The Alfred East Art Gallery

    Nestled within the heart of Kettering, the Alfred East Art Gallery serves as a profound window into the soul of British landscape painting, offering a serene retreat for those seeking to reconnect with the natural world through the lens of history. This is not merely a repository for canvas and pigment; it is a living narrative of regional heritage and artistic evolution. The gallery’s essence is deeply intertwined with the spirit of the 19 and 20th centuries, capturing a period where the romanticism of the English countryside met the delicate, atmospheric influences of the Barbizon school and the evocative aesthetics of Japanese art. To walk through its halls is to embark on a journey through time, where every brushstroke tells a story of light, shadow, and the enduring beauty of the local landscape.

    The heart of the collection beats most strongly with the works of Sir Alfred East himself, a master whose romantic landscapes possess an almost tactile quality. His celebrated piece,

    Midland Meadows

    , stands as a cornerstone of the gallery, brilliantly embodying the Barbizon influence through its use of muted, earthy tones and a masterful command of atmospheric perspective. This ability to convey the quiet grandeur and tranquil spirit of the local countryside is mirrored in the works of other notable British artists such as Thomas Cooper Gotch and Ralph Hartley. The collection is a rich tapestry of media, ranging from evocative oils and delicate watercolours to intricate etchings and modern photography, ensuring that the gallery remains a vibrant dialogue between the classical traditions of the past and the bold expressions of contemporary masters like Joan Earning and Eduardo Paolozzi.

    The architectural setting of the gallery is as much a part of the experience as the art it houses. Designed by the local architects Gotch and Saunders, the building was conceived as a purpose-built sanctuary for beauty, opening its doors in 1913 shortly after the passing of its namesake. The spacious, light-filled interiors are designed to foster a sense of quiet contemplation, allowing visitors to lose themselves in the subtle textures of a landscape or the complex layers of a modern sculpture. This architectural intentionality creates an immersive environment where the boundary between the viewer and the artwork begins to dissolve, making it an essential destination for interior designers seeking inspiration in classical composition and art lovers yearning for a moment of stillness.

    What truly distinguishes the Alfred East Art Gallery is its unwavering commitment to community and the democratization of culture. With free admission, the gallery removes the barriers between the public and the profound, inviting everyone—from seasoned collectors to curious schoolchildren—to engage with the arts. Through interactive workshops and curated exhibitions that explore fascinating connections, such as the dialogue between British Romanticism and Japanese printmaking, the gallery fosters a deep, personal connection to the creative process. It remains a unique cultural landmark where local history and global artistic movements intertwine, offering a timeless experience that celebrates the enduring power of human vision.

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    QR-код со ссылкой на страницу загрузки When Flooded Fields Reflect Departing Day

    originaluniqueart.com/ru/art/download/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/

    Цитирование произведения

    MLA
    Харрисон, Джордж. When Flooded Fields Reflect Departing Day. n.d., Alfred East Art Gallery. https://originaluniqueart.com/ru/art/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/
    APA
    Харрисон, Джордж (n.d.). When Flooded Fields Reflect Departing Day [Painting]. Alfred East Art Gallery. https://originaluniqueart.com/ru/art/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/
    Chicago
    Джордж Харрисон. When Flooded Fields Reflect Departing Day. n.d. Alfred East Art Gallery. https://originaluniqueart.com/ru/art/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/
    Harvard
    Харрисон, Джордж (n.d.) When Flooded Fields Reflect Departing Day. Alfred East Art Gallery. Available at: https://originaluniqueart.com/ru/art/george-harrison-when-flooded-fields-reflect-departing-day-AQSMFH-en/

    Присмотритесь внимательнее

    When Flooded Fields Reflect Departing Day — Джордж Харрисон

    Взгляните поближе

    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. Сколько лиц вы сможете найти? ____ (в нашем каталоге насчитывается 1 — согласны ли вы с этим?)
    4. В нашем каталоге эта работа классифицирована по тегам: sunset landscape, flooded field, autumn light. Вы согласны? Что бы вы добавили или исключили?
    5. Вернитесь к работе Сентябрьское солнце, представленной ранее в этом руководстве. Назовите две общие черты этой работы с текущей и одно отличие.

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    When Flooded Fields Reflect Departing Day — Джордж Харрисон

    Насколько хорошо вы знаете это произведение искусства?

    Выберите по одному варианту ответа для каждого из 5 вопросов ниже. В каждом вопросе есть только один правильный ответ.

    1. 1. What artistic style is predominantly used in ‘When Flooded Fields Reflect Departing Day’?

      • A Cubism
      • B Realism
      • C Impressionism
    2. 2. The painting depicts a landscape featuring what prominent element?

      • A Mountains
      • B Urban cityscape
      • C Flooded field
    3. 3. What technique is most likely employed by George Harrison to achieve the atmospheric effects seen in this artwork?

      • A Sculpture
      • B Watercolor painting
      • C Wet-on-wet oil painting
    4. 4. Based on the description, what emotion does ‘When Flooded Fields Reflect Departing Day’ aim to evoke?

      • A Excitement
      • B Fear
      • C Tranquility
    5. 5. Which artist is credited with creating this artwork?

      • A Vincent van Gogh
      • B Claude Monet
      • C George Harrison

    Мой результат: ____ из 5

    Ответы на вопросы — для преподавателя

    Этот раздел начинается с новой печатной страницы, поэтому его можно просто не включать в копии.

    1C · 2C · 3C · 4C · 5C