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The Flood

Имя Класс обучения Дата

Артур Боуэн Дэвис, The Flood (1903). Общественное достояние Посмотрите на этот холст при движении света: рисунок, истинный цвет под лаком, чистый пигмент

Факты

Автор
Артур Боуэн Дэвис originaluniqueart.com/ru/artists/%D0%B0%D1%80%D1%82%D1%83%D1%80-%D0%B1%D0%BE%D1%83%D1%8D%D0%BD-%D0%B4%D1%8D%D0%B2%D0%B8%D1%81_ru/
Даты жизни автора
1862 – 1928
Живопись
1903
Материал
Oil On Canvas
Динамика
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.
Период
19th Century
Artistic style
Symbolist/Expressionist
Notable elements or techniques
Loose brushwork and layered colors
Subject or theme
Flood, survival, and divine judgment

В контексте

The Flood — Артур Боуэн Дэвис

Дата написания

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Верхняя строка: годы. Нижняя строка: возраст художника в начале и в конце каждого периода — 0 при рождении, 66 на момент смерти.

Написано, когда художнику было 41. Художник прожил 66. 46 из 193 датированных работ этого художника в нашем каталоге были созданы ранее.

Затененная область: годы жизни Артур Боуэн Дэвис (1862–1928) ▲ эта работа, 1903 каждая картина с датой, десятилетие за десятилетием

Первые работы: до 1903 Основные годы творчества: 1903–1917 Поздние работы: с 1917

Эти три периода разделяют работы, датированные в данном каталоге, на первую четверть, середину и последнюю четверть. Они не представляют собой полный творческий путь художника: небольшой пробел может быть следствием отсутствия записей, а не периодом затишья. Те же годы, что и жизнь художника

Похожие произведения

  • Dances, 1914 originaluniqueart.com/ru/art/arthur-b-davies-dances-8XX8NT-en/
  • Many Waters, 1905 originaluniqueart.com/ru/art/arthur-b-davies-many-waters-AQS98S-en/
  • Четыре фигуры, 1911 originaluniqueart.com/ru/art/arthur-b-davies-%D1%87%D0%B5%D1%82%D1%8B%D1%80%D0%B5-%D1%84%D0%B8%D0%B3%D1%83%D1%80%D1%8B-AQS97Q-ru/

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: originaluniqueart.com/ru/art/similar/arthur-b-davies-the-flood-D3XVHH-en/

Цветовая палитра

Определено по изображению

    Основной цвет

    Walnut #766327

    Сохраненная палитра

    • #766327
    • #252516
    • #B0903D
    • #49441D

    Эти цвета в составе всей палитры художника Найти другие картины по цвету

    Основной цвет
    Walnut
    Интенсивность
    Balanced Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Gentle Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Unified Palette Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Deep_shadow Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Balanced Soft Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    В каких точках мира смотрят на эту картину?

    • менее 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и более
    У этой картины слишком мало зафиксированных посетителей для построения карты, поэтому на плакате представлены все работы Артур Боуэн Дэвис за последние двенадцать месяцев — всего в 11 странах. Откуда взяты эти данные

    Десять ведущих стран

    1. 1 Китай 68,1%
    2. 2 Соединенные Штаты Америки 13,5%
    3. 3 Сингапур 4,8%
    4. 4 Гонконг 3,4%
    5. 5 Бразилия 1,9%
    6. 6 Канада 1,9%
    7. 7 Малайзия 1,9%
    8. 8 Израиль 1,4%
    9. 9 Румыния 1,4%
    10. 10 Индия 1,0%
    11. · 1 другие страны 0,7%

    Найдите на карте три самые темные страны. Находится ли музей, хранящий эту картину, в одной из них? Запишите одну причину, по которой люди из далеких краев могут захотеть ее увидеть.

    20 самых просматриваемых работ Артур Боуэн Дэвис

    1. 1 Dances, 1914 2,3%
    2. 2 The Myth of Persephone, 1900 2,3%
    3. 3 Жаждающая музыка воды 2,3%
    4. 4 Many Waters, 1905 1,8%
    5. 5 The Flood, 1903 эта картина 1,8%
    6. 6 On the Cliffs, 1898 1,8%
    7. 7 Четыре фигуры, 1911 1,8%
    8. 8 Matese Mountains, 1927 1,8%
    9. 9 Autumn Woods 1,8%
    10. 10 Dances 1,8%
    11. 11 Пастушка, 1897 1,8%
    12. 12 The Apennines, (painting), 1926 1,8%
    13. 13 A View of Montreal in Canada, Taken from Isle St. Helena in 1762, 1762 1,4%
    14. 14 Figures of Earth 1,4%
    15. 15 Golden City 1,4%
    16. 16 Young Muse 1,4%
    17. 17 Female Nude, (painting) 1,4%
    18. 18 Eurydice, (painting) 1,4%
    19. 19 A View of Fort La Galette, Indian Castle, and Taking a French Ship of War on the River St. Lawrence, by Four Boats of One Gun Each of the Royal Artillery Commanded by Captain Streachy, 1760 0,9%
    20. 20 A View of the Château-Richer, Cape Torment, and Lower End of the Isle of Orleans near Quebec, 1787 0,9%

    В совокупности эти работы получили 33,3% всего внимания, которое получили картины этого художника за последние двенадцать месяцев. В каталоге содержится 560 работ этого художника, из которых 138 были просмотрены как минимум один раз. Эта картина занимает 5 место в этом рейтинге, привлекая 1,8% этого внимания. Те же показатели, месяц за месяцем

    Шкала измеряет внимание, а не качество. Выберите работу в верхней части списка и эту: назовите одну вещь, которая может сделать картину знаменитой помимо мастерства её исполнения.

    Об этом произведении

    The Flood — Артур Боуэн Дэвис

    A Symphony of Chaos and Survival

    In the hauntingly beautiful masterpiece "The Flood," painted in 1903, Arthur B. Davies invites us into a world where the boundaries between nature and myth begin to dissolve. The canvas captures a moment of profound atmospheric tension, presenting a scene that feels less like a mere landscape and more like a visceral, psychological event. At first glance, the viewer is swept up in the swirling, turbulent energy of rising waters that seem to pulse with a life of their own. This is not a static depiction of a disaster, but a living, breathing struggle against an overwhelming elemental force. The composition, dominated by dark, undulating currents and dense, submerged foliage, creates a sense of claustrophobia that pulls the observer directly into the heart of the deluge.

    The emotional weight of the piece is anchored by two figures positioned upon a precarious rocky outcrop. Amidst the swirling chaos of the flood, these figures serve as a poignant symbol of human vulnerability and the indom's will to endure. Their presence transforms the painting from a study of natural disaster into a profound meditation on survival and divine judgment. There is an undeniable sense of the biblical in this imagery, reminiscent of the Great Flood, where the earth itself seems to be undergoing a transformative, albeit destructive, purification. For collectors and enthusiasts, this duality—the terrifying power of nature paired with the quiet resilience of life—offers a deep, contemplative resonance that lingers long after the first viewing.

    Mastery of Light, Texture, and Symbolism

    Technically, "The Flood" showcases Davies’ transition from his early influences in the Hudson River School toward a more experimental, proto-modernist sensibility. The artist employs a somber, muted palette of deep greens, earthy browns, and heavy grays, which imbues the work with a gloomy, oppressive atmosphere. Yet, within this darkness, there is a masterful use of light; subtle reflections dance upon the surface of the water, providing just enough illumination to guide the eye through the thicket of submerged trees and tangled roots. The brushwork is loose and expressive, utilizing a layering technique that builds a rich, tactile texture. One can almost feel the rough grit of the stones and the slick, heavy movement of the inundating tide.

    The style leans toward Symbolism and Expressionism, prioritizing emotional truth over photographic accuracy. The organic, swirling lines of the water create a rhythmic, almost hypnotic movement that mirrors the internal turmoil of the subjects. This lack of sharp, defined edges contributes to the dreamlike, ethereal quality for which Davies became renowned. For an interior designer or a curator of fine art reproductions, this piece serves as a commanding focal point. Its ability to evoke both melancholy and awe makes it an ideal selection for spaces designed for reflection, adding a layer of historical depth and sophisticated drama to any curated collection.

    Художник и музей

    Автор

    Артур Боуэн Дэвис

    Место рождения Утица, США

    A Mystic in the Modern Age: The Life and Art of Arthur B. Davies

    Arthur Bowen Davies, born in Utica, New York, in 1862, occupies a uniquely complex position within the narrative of American art. He wasn’t simply of his time—the tumultuous era bridging the 19th and 20th centuries—but actively shaped it, serving as both a conduit for European modernism and a champion of distinctly American artistic voices. His journey began with an early fascination for landscape painting, sparked by a touring exhibition that showcased the works of George Inness and the Hudson River School masters. This initial exposure instilled in him a reverence for nature’s beauty and a technical proficiency that would remain hallmarks of his style throughout his career. However, Davies wasn't destined to become merely another practitioner of traditional landscape; he possessed an inner vision, a yearning to express something beyond the purely representational. After studies at the Chicago Academy of Design and the Art Students League in New York, he began to forge a path that blended romantic sensibilities with emerging modernist ideals. His early career involved illustration work, but his true calling lay in painting—in creating worlds imbued with symbolism and emotional resonance.

    The Ashcan School & The Armory Show: A Catalyst for Change

    Davies’s artistic development unfolded against a backdrop of significant social and cultural shifts. He became associated with “The Eight,” a group of artists who challenged the conservative norms of the National Academy of Design in 1908. While often linked to the Ashcan School—a movement known for its gritty depictions of urban life—Davies stood somewhat apart. Where artists like John Sloan focused on the raw realities of city streets, Davies sought refuge in a more ethereal realm. His paintings weren’t about documenting the visible world; they were about evoking moods, dreams, and spiritual longings. Nevertheless, his involvement with The Eight demonstrated his commitment to artistic independence and his willingness to challenge established conventions. This spirit of rebellion culminated in his pivotal role as one of the organizers of the 1913 Armory Show—a watershed moment that introduced European modernism (Cubism, Fauvism, Futurism) to a largely unsuspecting American public. The show was met with both outrage and excitement, irrevocably altering the course of American art history. Davies’s contribution wasn't merely logistical; he possessed an exceptional understanding of contemporary artistic trends and a keen eye for talent, making him instrumental in selecting the works exhibited. He understood that art needed to reflect the changing world, even if that meant embracing radical new forms.

    A Language of Symbolism & Ethereal Visions

    Davies’s mature style is characterized by its lyrical quality, delicate brushwork, and evocative use of color. His paintings often feature figures—often women or mythological beings—immersed in dreamlike landscapes. These aren't portraits in the traditional sense; they are archetypal representations of human emotions and spiritual states. Unicorns: Legend, Sea Calm, perhaps his most famous work, exemplifies this approach. The painting depicts a group of ethereal figures frolicking with unicorns on a tranquil shore—a scene that is both enchanting and deeply symbolic. His works frequently explore themes of longing, loss, and the search for transcendence. He wasn’t interested in depicting reality as it is, but rather as it feels. This emphasis on subjective experience aligns him with Symbolist painters like Odilon Redon and Pierre Puvis de Chavannes, artists who sought to express inner truths through evocative imagery. Davies's palette is often muted and harmonious, creating a sense of atmosphere and mystery. He masterfully employed techniques such as glazing and scumbling to achieve luminous effects and subtle gradations of tone. *His art invites contemplation*, urging viewers to look beyond the surface and delve into the realm of the imagination.

    Influences & Artistic Development

    Davies’s artistic journey was shaped by a diverse range of influences. His early exposure to George Inness instilled in him a deep appreciation for tonalism—the use of subtle gradations of color to create atmospheric effects. The Hudson River School, with its idealized depictions of American landscapes, provided a foundation for his technical skills. However, he also drew inspiration from European Symbolist painters like Gustave Moreau and Edward Munch, whose works explored themes of mythology, dreams, and the subconscious. The burgeoning modernist movement in Europe—particularly Cubism and Fauvism—also exerted a significant influence on his later work. He experimented with geometric forms and bold colors, though he always retained a distinctly personal style. The impact of Impressionism is also evident in his use of light and color, although he moved beyond mere optical representation to explore emotional and symbolic content. His time spent studying at the Art Students League exposed him to a wider range of artistic techniques and ideas, fostering his experimentation and pushing him towards greater innovation.

    A Complex Legacy

    The life of Arthur B. Davies was marked by contradictions. While publicly advocating for artistic freedom and innovation, he maintained a relatively conservative personal life—at least, the one presented to the world. The revelation after his death in Florence, Italy, in 1928, that he had lived a double life with two families—Virginia Meriwether Davies, whom he married in 1892, and Edna—shocked the art community. This hidden aspect of his biography adds another layer of complexity to his artistic persona. Despite this personal turmoil, or perhaps because of it, Davies left an indelible mark on American art. He was a pivotal figure in the development of American modernism, bridging the gap between traditional aesthetics and avant-garde experimentation. His influence can be seen in the work of subsequent generations of artists who continued to explore themes of spirituality, symbolism, and emotional expression.

    He remains a testament to the power of art to transcend boundaries—both artistic and personal.

    His paintings continue to resonate with viewers seeking beauty, mystery, and a glimpse into the hidden depths of the human soul.

    He was a complex man who lived in a time of great change, and his art reflects both the turmoil and the hope of that era.

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    Цитирование произведения

    MLA
    Дэвис, Артур Боуэн. The Flood. 1903, https://originaluniqueart.com/ru/art/arthur-b-davies-the-flood-D3XVHH-en/
    APA
    Дэвис, Артур Боуэн (1903). The Flood [Painting]. https://originaluniqueart.com/ru/art/arthur-b-davies-the-flood-D3XVHH-en/
    Chicago
    Артур Боуэн Дэвис. The Flood. 1903. https://originaluniqueart.com/ru/art/arthur-b-davies-the-flood-D3XVHH-en/
    Harvard
    Дэвис, Артур Боуэн (1903) The Flood. Available at: https://originaluniqueart.com/ru/art/arthur-b-davies-the-flood-D3XVHH-en/

    Присмотритесь внимательнее

    The Flood — Артур Боуэн Дэвис

    Взгляните поближе

    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. Сколько лиц вы сможете найти? ____ (в нашем каталоге насчитывается 2 — согласны ли вы с этим?)
    4. В нашем каталоге эта работа классифицирована по тегам: figures, water, trees. Вы согласны? Что бы вы добавили или исключили?
    5. Вспомните работу Dances (1914), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.

    Ваш ответ

    Напишите небольшой текст об этом произведении искусства, опираясь на факты из предыдущих разделов данного руководства и ваши ответы выше.

    Арт-викторина

    The Flood — Артур Боуэн Дэвис

    Насколько хорошо вы знаете это произведение искусства?

    Выберите по одному варианту ответа для каждого из 5 вопросов ниже. В каждом вопросе есть только один правильный ответ.

    1. 1. What is the primary subject matter depicted in Arthur B. Davies' 'The Flood'?

      • A A peaceful landscape of a river
      • B A dramatic scene of chaos and struggle against rising waters
      • C A portrait of two figures in a forest
    2. 2. Which artistic styles are suggested by the painting's emphasis on emotional impact and loose, expressive brushwork?

      • A Realism and Impressionism
      • B Expressionism or Symbolism
      • C Renaissance and Neoclassicism
    3. 3. How does the color palette of 'The Flood' contribute to its overall mood?

      • A Bright, vibrant colors create a sense of joy
      • B Muted and dark tones create a somber and gloomy atmosphere
      • C Pastel colors evoke a feeling of tranquility
    4. 4. What does the composition's use of swirling lines and organic shapes primarily reflect?

      • A The stability of the landscape
      • B The chaotic nature of the floodwaters
      • C The geometric precision of man-made structures
    5. 5. In terms of perspective, how is the depth of the painting described?

      • A Extremely deep with a vast horizon
      • B Relatively shallow, enhancing a sense of claustrophobia
      • C Multi-layered with complex architectural depth

    Мой результат: ____ из 5

    Ответы на вопросы — для преподавателя

    Этот раздел начинается с новой печатной страницы, поэтому его можно просто не включать в копии.

    1A · 2A · 3A · 4A · 5A

    Проверьте любой ответ, сверившись с каталожной записью этой картины

    Вопросы и ответы

    Сколько лет было Артур Боуэн Дэвис, когда была создана работа "The Flood"?

    Когда в 1903 году было создано произведение «The Flood», художнику Артур Боуэн Дэвис (родившемуся в 1862) было 41 лет.

    В какой технике было выполнено произведение «The Flood» и когда оно было создано?

    «The Flood» была создана в 1903 г., техника: Oil On Canvas.

    Где я могу посмотреть превью для «The Flood»?

    Страница предварительного просмотра Предпросмотр произведения «The Flood» позволяет ознакомиться с работой перед оформлением заказа.