период

движение

1. Sketch 82 — Джордж Роминг
2. Lamentation ; Mother and Child in Landscape; Penitent Magdalene; Seated Male at Table; Seated Female Holding a Letter — Томас Салли
3. Figure Sketches, Including Pegasus and Perseus with Head of Medusa; (Rape of Persephoney) — Томас Салли
4. Sketch 31 — Джордж Роминг
5. Inside Front Cover (from Sketchbook) — Томас Салли
6. Sketch 27 — Томас Салли
7. Sketch 23 — Томас Салли
8. Chester Sully — Томас Салли, 1810

атмосфера

темы

ключевые слова

1. Sketch 29 — Томас Салли

тон

основной цвет

1. Sketch 38 — Томас Салли
2. Man and Dog Overlooming Distant Landscape; Seated Man Collapsing, Attended by Three Figures — Томас Салли
3. Sketch 29 — Томас Салли
4. Inside Front Cover (from Sketchbook) — Томас Салли
5. Five Figure and Group Sketches, Including Two Battling Equestrains, and Dead Warior — Томас Салли
6. Sketch 23 — Томас Салли
7. Sketch 7 — Томас Салли
8. Portrait of Girl in Flower Bower, Walking Draped Female Figure, Angel, Dead Mother and Child, Three Draped Figures — Томас Салли
9. Sketch 27 — Томас Салли
10. Woman with Two Children and Dog; Standing Figure — Томас Салли
11. Sketch 35 — Томас Салли
12. Sketch — Томас Салли
13. Male [Breaking Fall]; Male Gesturing Toward Dog; Female on Step Leaning Against Column by Foliage — Томас Салли
14. Man Gesturing, Composition Study, Woman Petting Dog — Томас Салли
15. Composition with Two Highlanders — Томас Салли
16. Figure Sketches, Including Pegasus and Perseus with Head of Medusa; (Rape of Persephoney) — Томас Салли
17. Lamentation ; Mother and Child in Landscape; Penitent Magdalene; Seated Male at Table; Seated Female Holding a Letter — Томас Салли
18. Man on Horseback with Standing Figure; Female in a Landscape — Томас Салли
19. Two Sketches of Females Looking out of a Window; Seated Female; Mother Playing with Child; Seated Male and Female Looking at a Book — Томас Салли
20. Study of Lake and Shore, Mohonk — Дэниел Хантингтон
21. Sketch 31 — Джордж Роминг
22. Sketch 82 — Джордж Роминг
23. Guitarist. A Sketch. — Петр Кончаловский, 1913

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