Portretul lui Woutherus Mol

Cele 5 cele mai faimoase picturi ale lui Woutherus Mol, o selecție de galerie

Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 5 lucrări ale lui Woutherus Mol în catalogul nostru

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Dintre toate originalele lăsate de Woutherus Mol, cea mai faimoasă este Sleeping boy (1825), din colecția Teylers Museum, Haren. Imediat după acestea urmează Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818 (1818) și Academic Study of a Man and a Woman, Woutherus Mol, 1808 (1808). Catalogul nostru cuprinde 5 lucrări ale lui Woutherus Mol; galeria a păstrat cele 5 pe care lumea le admiră cel mai mult, fiecare fiind prezentată împreună cu data, muzeul și povestea sa.

1785 – 1857, Haarlem Cele mai multe lucrări: Teylers Museum
Sleeping boy (1825) de Woutherus Mol1. Sleeping boy 1825 Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818 (1818) de Woutherus Mol2. Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818 1818 Academic Study of a Man and a Woman, Woutherus Mol, 1808 (1808) de Woutherus Mol3. Academic Study of a Man and a Woman, Woutherus Mol, 1808 1808

Cele mai importante 10 picturi ale lui Woutherus Mol: selecția galeriei

Muzeele care păstrează originalele lui Woutherus Mol

Cele 2 muzee care dețin cele mai multe dintre picturile de pe această pagină.

Muzee Oraș Lucrări lui Woutherus Mol Picturi din această listă
Teylers Museum, HarenTeylers Museum Haren 2 Sleeping boy, The young artist
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818, Academic Study of a Man and a Woman, Woutherus Mol, 1808

Woutherus Mol deceniu cu deceniu: originalul care definește fiecare

Lucrări pe deceniu

Alege o deceniu pentru a descoperi opera originală care îl definește.

Întrebări ale colecționarilor despre picturile lui Woutherus Mol

Pentru ce operă este cel mai cunoscut Woutherus Mol?Află răspunsul

Sleeping boy (1825), Teylers Museum, Haren. Urmează Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818 (1818) și Academic Study of a Man and a Woman, Woutherus Mol, 1808 (1808).

Ce vârstă avea Woutherus Mol când a fost creată Sleeping boy?Află răspunsul

40 ani: Sleeping boy datează din 1825, iar Woutherus Mol s-a născut în 1785.

Câte picturi a lăsat Woutherus Mol?Află răspunsul

Catalogul nostru cuprinde 5 lucrări ale lui Woutherus Mol, datate între 1808 și 1825.

În ce muzee sunt expuse capodoperele lui Woutherus Mol?Află răspunsul

În principal în Teylers Museum (Haren) și Rijksmuseum (Amsterdam). Tabelul cu muzee de mai sus le enumeră pe toate.

În ce ani a pictat Woutherus Mol cele mai cunoscute opere?Află răspunsul

În 1810s: 2 dintre cele 5 lucrări de pe această pagină au fost realizate atunci, fiind Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818 dintre acestea.

Care sunt prima și ultima pictură originală celebră a lui Woutherus Mol?Află răspunsul

Pe această pagină, cea mai veche lucrare datează din Academic Study of a Man and a Woman, Woutherus Mol, 1808 (1808), iar cea mai recentă este din Sleeping boy (1825).

Ce lucrări ale lui Woutherus Mol sunt expuse la Teylers Museum?Află răspunsul

Sleeping boy și The young artist: Teylers Museum, Haren deține 2 dintre lucrările de pe această pagină.

Woutherus Mol: viață și operă

Early Life and Training

  • Born: March 21, 1785, in Haarlem, Netherlands
  • Died: August 30, 1857, in Haarlem, Netherlands
  • Woutherus Mol received his initial artistic training under the tutelage of Hermanus van Brussel, a painter from Haarlem. This early guidance laid the foundation for his future career.
  • In 1802, he became a member of the "Tekengenootschap Kunstmin en Vlijt," the Haarlem drawing society, demonstrating an early commitment to artistic development and community engagement.

Parisian Period and Academic Influences

  • Around 1806, Mol traveled to Paris with his parents' permission, seeking further artistic refinement.
  • He studied floral painting under Gerard van Spaendonck at an institute in Paris.
  • Recognizing a greater interest in historical paintings, he then studied under Jacques-Louis David, the renowned historical painter.
  • In 1807, Mol was awarded the Dutch Prix de Rome and received a scholarship as "Hollandsch Kweekeling" (Hollandic pupil) to study and work in Paris, though he never formally visited Rome.
  • His artistic style during this period reflected the influence of classical masters like Raphael, evident in his submission to the Amsterdam art exhibition in 1810 – a painting of the Holy Family after Raphael.

Return to Haarlem and Recognition

  • After the restoration of the Netherlands in 1813, Mol returned to Haarlem.
  • He focused on studying Dutch masters and gained recognition with his submission "The Death of Prince William I" to the Amsterdam art exhibition in 1818. This work, based on a portrait by Christiaen Jansz van Bieselingen, was highly acclaimed and purchased for a significant sum.
  • This success led to him becoming an honorary member of the Royal Academy of Brussels.

Later Career and Decline

  • While initially celebrated, Mol's later works were considered less impressive, leading to a decline in public opinion.
  • He experienced a nervous breakdown and entered the "Rooms-Katholieke Wees- en armenhuis" (Catholic almshouse) in Haarlem in 1846, where he spent his final years without painting.
  • Despite this later period, Woutherus Mol remains significant as an artist who bridged early classical influences with Dutch artistic traditions.

Artistic Style and Legacy

  • Mol's work is characterized by a blend of academic training and genre scenes, often depicting interiors and portraits.
  • His earlier works demonstrate a strong influence from historical painting masters, while his later pieces reflect a more intimate focus on Dutch life.
  • He is remembered for his technical skill and ability to capture the nuances of human expression in his paintings.
  • The Teylers Museum in Haarlem holds one of his notable works, "Sleeping Boy," which exemplifies his talent for portraying quiet domestic scenes.
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