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În ochii galeriei, cea mai celebră pictură a lui William Salter Herrick este Henry Miller (1853). Sir David Brewster (1781–1868) (1859) și King William IV (1840) completează trioul pe care orice ochi îl recunoaște. Dintre cele 15 opere ale lui William Salter Herrick din catalogul nostru, galeria prezintă mai jos cele 15 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.
A gentleman sits anchored in an armchair, his presence defined by the quiet weight of mid-19th century dignity. He is Henry Miller, captured in 1853. The sitter occupies the space with a composed, formal posture that speaks of a life lived within the structured boundaries of Victorian respectability. Light falls across his features, tracing the contours of a face that holds its secrets behind a steady, unblinking gaze. There is…
The room feels heavy with the weight of a life lived in thought. An elderly gentleman sits anchored in a high-backed chair, his presence commanding the space through a quiet, steady gravity. He does not look away; instead, his gaze holds a certain stillness, a sense of a mind that has long since moved past the trivialities of the day. The light enters from the upper left, a soft but…
In this 1840 portrait, we find King William IV presented with a quiet, resolute dignity. He is positioned centrally, a choice that anchors the composition and directs our focus toward his steady gaze. The subject is draped in a bright red military uniform, a striking choice that cuts through the surrounding darkness. Gold epaulettes and intricate embroidery catch the light, providing a tactile sense of the heavy fabrics worn by…
In this portrait, we encounter Sir James Macdonell, a man whose very posture speaks of a life defined by military discipline and high-ranking service. He is presented in full ceremonial regalia, a visual language of authority that requires little explanation. The red tunic, accented with gold trim, provides a striking focal point against the more muted, atmospheric background. There is a certain weight to his presence, a sense of a…
The oil on canvas depicts Sir Edward Henry Sieveking, a man characterized by a full beard and a mustache. He wears spectacles and is dressed in formal attire consistent with the mid-19th century. His gaze is directed toward the distance, maintaining a stern facial expression. The central figure is positioned within a composition that includes two other individuals: one located near the upper left corner and another at the bottom…
A man sits anchored in a high-backed chair, his legs crossed in a gesture of quiet repose. He is dressed in the formal attire of 1868, a suit and tie that define the silhouette of a gentleman. Before him, a table holds an open book, its pages waiting to be turned or perhaps recently closed. A single vase rests nearby, a silent companion to the scene. The room feels heavy…
The painting, titled The Wife and Children of David Jones of Pantglas, was executed by the artist William Salter Herrick in 1870. It captures a quiet moment of familial connection, centering on two sisters. The elder subject is Emma Mary Turner, who would later become the wife of Francis Buxton Smythe. Beside her stands her sister, Annie.
Portrait of a LadyHarris Manchester College
12
Portrait of a Man with a Game BagHarris Manchester College
13
Isabella Arlosh (1835–1905) (wife of James Arlosh and mother of Godfrey Arlosh)Harris Manchester College
14
James Arlosh (1834–1904) (husband of Isabella Arlosh and father of Godfrey Arlosh)Harris Manchester College
15
Godfrey Arlosh (1870–1890) (son of Isabella and James Arlosh)Harris Manchester College
Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.
Cele 5 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui William Salter Herrick | Picturi din această listă |
|---|---|---|---|
 Harris Manchester College |
Oxford | 5 | Portrait of a Lady, Portrait of a Man with a Game Bag, Isabella Arlosh (1835–1905) (wife of James Arlosh and mother of Godfrey Arlosh) |
 National Portrait Gallery |
Londra | 2 | King William IV, Sir James Macdonell |
 The Courts |
Carlisle | 1 | E. W. Hasell, Esq |
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
Aberystwyth | 1 | The Wife and Children of David Jones of Pantglas |
 Amistad Research Center |
New Orleans | 1 | Union soldier reads Emancipation Proclamation |
Alege o deceniu pentru a descoperi opera originală care îl definește.
In this 1840 portrait, we find King William IV presented with a quiet, resolute dignity. He is positioned centrally, a choice that anchors the composition and directs our focus toward his steady gaze. The subject is draped in a bright red military uniform, a striking choice that cuts through the surrounding darkness. Gold epaulettes and intricate embroidery catch the light, providing a tactile sense of the heavy fabrics worn by…
A gentleman sits anchored in an armchair, his presence defined by the quiet weight of mid-19th century dignity. He is Henry Miller, captured in 1853. The sitter occupies the space with a composed, formal posture that speaks of a life lived within the structured boundaries of Victorian respectability. Light falls across his features, tracing the contours of a face that holds its secrets behind a steady, unblinking gaze. There is…
The oil on canvas depicts Sir Edward Henry Sieveking, a man characterized by a full beard and a mustache. He wears spectacles and is dressed in formal attire consistent with the mid-19th century. His gaze is directed toward the distance, maintaining a stern facial expression. The central figure is positioned within a composition that includes two other individuals: one located near the upper left corner and another at the bottom…
The painting, titled The Wife and Children of David Jones of Pantglas, was executed by the artist William Salter Herrick in 1870. It captures a quiet moment of familial connection, centering on two sisters. The elder subject is Emma Mary Turner, who would later become the wife of Francis Buxton Smythe. Beside her stands her sister, Annie.
Henry Miller (1853). Urmează Sir David Brewster (1781–1868) (1859) și King William IV (1840).
46 ani: Henry Miller datează din 1853, iar William Salter Herrick s-a născut în 1807.
Henry Miller, Sir David Brewster (1781–1868), King William IV, Sir James Macdonell, Sir Edward Henry Sieveking (1816–1904), E. W. Hasell, Esq, The Wife and Children of David Jones of Pantglas, Annie Clara Dudley, Union soldier reads Emancipation Proclamation și John Winter Jones (1805–1881), Principal Librarian (1866–1878). Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 15 lucrări ale lui William Salter Herrick, datate între 1840 și 1870.
În principal în Harris Manchester College (Oxford), National Portrait Gallery (Londra) și The Courts (Carlisle). Tabelul cu muzee de mai sus le enumeră pe toate.
În 1840s: 2 dintre cele 15 lucrări de pe această pagină au fost realizate atunci, fiind King William IV dintre acestea.
Pe această pagină, cea mai veche lucrare datează din King William IV (1840), iar cea mai recentă este din The Wife and Children of David Jones of Pantglas (1870).
Man (6), Chair (2) și Book (2), din cele 15 lucrări de pe această pagină.
Oil On Canvas, pentru 7 dintre cele 15 lucrări de pe această pagină.
Portrait of a Lady, Portrait of a Man with a Game Bag și Isabella Arlosh (1835–1905) (wife of James Arlosh and mother of Godfrey Arlosh): Harris Manchester College, Oxford deține 5 dintre lucrările de pe această pagină.
