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Cele 8 cele mai faimoase picturi ale lui William Henry Davis, o selecție de galerie
Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 8 lucrări ale lui William Henry Davis în catalogul nostru
Pe scurt
Dintre toate originalele lăsate de William Henry Davis, cea mai celebră este Prize Bull (1855), din colecția Attingham Park. Imediat după acestea urmează Hereford Cow (1852) și Hereford Cow (1852). Catalogul nostru cuprinde 8 lucrări ale lui William Henry Davis; galeria a păstrat cele 8 pe care lumea le admiră cel mai mult, fiecare fiind prezentată împreună cu data, muzeul și povestea sa.
1786 – 1849
Cele mai multe lucrări: Attingham Park
Cele mai importante 10 picturi ale lui William Henry Davis: selecția galeriei
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Muzeele care păstrează originalele lui William Henry Davis
Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui William Henry Davis | Picturi din această listă |
|---|---|---|---|
 Attingham Park |
8 | Prize Bull, Hereford Cow, Hereford Cow |
Întrebări ale colecționarilor despre picturile lui William Henry Davis
Pentru ce operă este cel mai cunoscut William Henry Davis?Află răspunsul
Prize Bull (1855), Attingham Park. Urmează Hereford Cow (1852) și Hereford Cow (1852).
Câte picturi a lăsat William Henry Davis?Află răspunsul
Catalogul nostru conține 8 lucrări ale lui William Henry Davis.
În ce muzee sunt expuse capodoperele lui William Henry Davis?Află răspunsul
În principal în Attingham Park. Tabelul cu muzee de mai sus le enumeră pe toate.
Ce lucrări ale lui William Henry Davis sunt expuse la Attingham Park?Află răspunsul
Prize Bull, Hereford Cow și Hereford Cow: Attingham Park deține 8 dintre lucrările de pe această pagină.
William Henry Davis: viață și operă
Early Life, Family and Training
William Henry Davis was born in Watford, Hertfordshire. His family lived in a world closely tied to the traditions of the hunt and the land. In 1789, his father took up the role of huntsman to King George III. This connection to the sporting life ran through the household, as his brother Charles Davis became an artist and the Master of the Royal Buckhounds. Another brother, Richard Barrett Davis, also followed a path in painting, focusing on landscapes and animals.
The training of William Henry Davis took him far from the English countryside to Rome, where he studied the art of landscape painting. This time spent abroad shaped how he would later observe the natural world. He eventually settled in Chelsea, where he spent much of his working life. His early years and the influence of his brothers suggest a life spent observing the specific details of animals and the terrain they inhabit.
Patrons, Workshop and Commissions
Davis found a steady place within the circles of the British elite, securing positions that required a precise hand for animal subjects. In 1837, he was appointed animal painter to William IV, and by 1839, he held the same title for Queen Victoria. These roles reflected a career built on the specific demands of those who owned and bred livestock and horses. He moved between the study of landscape and the more structured requirements of portraiture, often focusing on the physical presence of animals in a setting.
Much of his work came from commissions to record specific animals. He spent significant time capturing the likenesses of horses and livestock, often working from life to satisfy the needs of his patrons. His connection to the Berwick family is seen in the many portraits he produced for them. These works, which include several studies of Hereford cattle, remain tied to the history of the estate at Attingham Park in Shropshire.
- Hereford Cow (1852)
Where to See the Works Today
His paintings are held in various collections across the United Kingdom, often tucked away in the quiet corners of country estates and museums. At Calke Abbey, one can find his 1831 oil on canvas, A Grey Shorthorn Cow. The work sits there in the United Kingdom, a quiet study of livestock. In Shropshire, the Berwick Collection at Attingham Park holds his Hereford Cow, which was painted in 1852. This piece is part of a larger set of sixteen portraits of cattle reared at Cronkhill by Richard Noel-Hill.
Other works have found their way into specialized collections. The Museum of Lincolnshire Life keeps Prize Sheep, while the Royal Agricultural University Collection holds Five Leicester Sheep. There are also depictions of Three South Down sheep held within a collection, showing the breadth of his focus on the animals that defined the era's agricultural life.