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Cele 1 cele mai faimoase picturi ale lui Wilhelm Haller, o selecție de galerie
Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 1 lucrări ale lui Wilhelm Haller în catalogul nostru
Pe scurt
Dintre toate originalele lăsate de Wilhelm Haller, cea mai faimoasă este Mother with Child (1913), din colecția Augustiner Museum, Freiburg. Catalogul nostru cuprinde 1 lucrări ale lui Wilhelm Haller; galeria a păstrat cele 1 pe care lumea le admiră cel mai mult, fiecare fiind prezentată împreună cu data, muzeul și povestea sa.
1873 – 1950, Freiburg im Breisgau
Cele mai multe lucrări: Augustiner Museum
Cele mai importante 10 picturi ale lui Wilhelm Haller: selecția galeriei
Muzeele care păstrează originalele lui Wilhelm Haller
Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Wilhelm Haller | Picturi din această listă |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Mother with Child |
Wilhelm Haller an de an: originalele care definesc fiecare perioadă
1913 este anul fiecărei lucrări datate a lui Wilhelm Haller din această selecție: iată-le, clasificate în funcție de faimă.
Lucrări pe an
Alege un an pentru a vedea originalele acestuia.
Întrebări ale colecționarilor despre picturile lui Wilhelm Haller
Pentru ce operă este cel mai cunoscut Wilhelm Haller?Află răspunsul
Mother with Child (1913)
Ce vârstă avea Wilhelm Haller când a fost creată Mother with Child?Află răspunsul
40 ani: Mother with Child datează din 1913, iar Wilhelm Haller s-a născut în 1873.
Câte picturi a lăsat Wilhelm Haller?Află răspunsul
Catalogul nostru conține 1 lucrări ale lui Wilhelm Haller.
În ce muzee sunt expuse capodoperele lui Wilhelm Haller?Află răspunsul
În principal în Augustiner Museum (Freiburg). Tabelul cu muzee de mai sus le enumeră pe toate.
Wilhelm Haller: viață și operă
Early Life and Education in Freiburg
Born on May 28, 1873, in Freiburg im Breisgau, Germany, Wilhelm Haller entered a world where the brush was already a familiar presence. He was the son of Konrad Haller, a man who earned his living as a decorative painter. This early exposure to the craft meant that the language of color and form was part of the household atmosphere from his earliest years. Even as a child and throughout his youth, he found himself deeply preoccupied with the act of painting, a passion that seemed to reside within him long before he sought formal training.
His path through the educational institutions of Freiburg was steady. He attended the local Volksschule before moving on to the Berthold-Gymnasium. It was there, in 1892, that he completed his Abitur. While his academic training suggested a different trajectory, the pull of the visual arts remained a constant, quiet influence on his developing mind.
Following his graduation, Wilhelm Haller enrolled at the University of Freiburg. He initially turned his attention toward the study of political science, pursuing the complexities of statecraft and social structures. However, the academic rigor of the university could not entirely suppress his innate inclination toward art. By 1897, he made the definitive choice to abandon his studies of political science to devote himself entirely to the life of a painter.
Notable Works and Subjects
The artist’s hand often turned toward the intimate and the domestic, capturing the quiet presence of life in a way that felt deeply personal. In 1909, he painted a portrait of a small boy accompanied by a monkey, a work that shows his early engagement with character and companionship. This interest in the human form extended to more tender subjects, such as his 1919 composition titled Mother and Child. Through these studies, he explored the subtle connections between people and the animals that shared their world.
Beyond the human figure, the landscapes of his home region frequently occupied his thoughts. He sought to translate the ruggedness of the terrain onto his supports, whether using oil or tempera. In 1923, he rendered a river landscape featuring a castle perched upon limestone rocks. This fascination with the natural architecture of the land continued into his later years; by 1944, he had produced a view of the Black Forest, capturing the essence of the wooded hills that defined the landscape of his life.