Portretul lui Taras Șevcenco

Picturi Taras Șevcenco: Cele 58 de cele mai faimoase, prin ochii unei galerii

Actualizat Octombrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 58 lucrări ale lui Taras Șevcenco în catalogul nostru

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În ochii galeriei, cea mai celebră pictură a lui Taras Șevcenco este The death of Bohdan Khmelnytsky (1837). Vydubychi Monastery in Kyiv (1844) și Self-Portrait (1852) completează trioul pe care orice ochi îl recunoaște. Dintre cele 58 opere ale lui Taras Șevcenco din catalogul nostru, galeria prezintă mai jos cele 58 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.

1814 – 1861, Moryntsi Romanticism Cele mai multe lucrări: Taras Shevchenko National Museum

Cele mai apreciate 10 picturi ale lui Taras Șevcenco din galerie

Picturi cu Taras Șevcenco, clasate de la 11 la 58

11Self-portrait (1860) de Taras ȘevcencoSelf-portrait1860 · National Art Museum of Ukraine 12Architectural project of private house. Side facade. (1860) de Taras ȘevcencoArchitectural project of private house. Side facade.1860 13Architectural project of private house. Main facade. (1860) de Taras ȘevcencoArchitectural project of private house. Main facade.1860 14Self-portrait of Shevchenko (winter 1840/1841) (1841) de Taras ȘevcencoSelf-portrait of Shevchenko (winter 1840/1841)1841 · Taras Shevchenko National Museum 15Life Model (1838) de Taras ȘevcencoLife Model1838 · Taras Shevchenko National Museum 16Self-Portrait (1861) de Taras ȘevcencoSelf-Portrait1861 · Taras Shevchenko National Museum 17Portrait of Anna Zakrevska (1843) de Taras ȘevcencoPortrait of Anna Zakrevska1843 18Portrait of Victor Zakrevsky (1843) de Taras ȘevcencoPortrait of Victor Zakrevsky1843 · Taras Shevchenko National Museum 19The Moonlit Night at Kos-Arali (1850) de Taras ȘevcencoThe Moonlit Night at Kos-Arali1850 · Taras Shevchenko National Museum 20Chigirin viewed  from Subotovsky (1845) de Taras ȘevcencoChigirin viewed from Subotovsky1845 21Church of the Intercession in Pereslavl (1838) de Taras ȘevcencoChurch of the Intercession in Pereslavl1838 22In Vasilivka (1838) de Taras ȘevcencoIn Vasilivka1838 23In V'unisch (1838) de Taras ȘevcencoIn V'unisch1838 24Rural cemetery (1838) de Taras ȘevcencoRural cemetery1838 25Pochaiv Cathedral (interior view) (1846) de Taras ȘevcencoPochaiv Cathedral (interior view)1846 · Taras Shevchenko National Museum 26Pochayiv Lavra from south (1846) de Taras ȘevcencoPochayiv Lavra from south1846 · Taras Shevchenko National Museum 27Pochayiv Lavra from west (1846) de Taras ȘevcencoPochayiv Lavra from west1846 · Taras Shevchenko National Museum 28unknown portraits (1838) de Taras Șevcencounknown portraits1838 29Portrait of an unknown with necklace (1838) de Taras ȘevcencoPortrait of an unknown with necklace1838 · Taras Shevchenko National Museum 30Portrait of an unknown (1838) de Taras ȘevcencoPortrait of an unknown1838 · Taras Shevchenko National Museum 31Portrait of a girl with a dog (1838) de Taras ȘevcencoPortrait of a girl with a dog1838 32Portrait of P.V. Engelhardt (1833) de Taras ȘevcencoPortrait of P.V. Engelhardt1833 · Taras Shevchenko National Museum 33Portrait of Nikolai Alexandrovich Lunin (1838) de Taras ȘevcencoPortrait of Nikolai Alexandrovich Lunin1838 · Taras Shevchenko National Museum 34Portrait of Catherine Abaza Shevchenko (1837) de Taras ȘevcencoPortrait of Catherine Abaza Shevchenko1837 · Taras Shevchenko National Museum 35Portrait of Gorlenko de Taras ȘevcencoPortrait of GorlenkoMuzeul Național de Artă al Ucrainei 36Portrait of Anton Ivanovich (1838) de Taras ȘevcencoPortrait of Anton Ivanovich1838 · Taras Shevchenko National Museum 37Report (1838) de Taras ȘevcencoReport1838 38On the bank (1838) de Taras ȘevcencoOn the bank1838 39Motryn Monastery (1845) de Taras ȘevcencoMotryn Monastery1845 40Kateryna (1842) de Taras ȘevcencoKateryna1842 · Taras Shevchenko National Museum 41St. Michael's Church in Pereslavl (1838) de Taras ȘevcencoSt. Michael's Church in Pereslavl1838 42Maria (1838) de Taras ȘevcencoMaria1838 · Taras Shevchenko National Museum 43Corner of Smolensk cemetery in St. Petersburg (1838) de Taras ȘevcencoCorner of Smolensk cemetery in St. Petersburg1838 · Taras Shevchenko National Museum 44Barn and stream (1838) de Taras ȘevcencoBarn and stream1838 45Oratory (1838) de Taras ȘevcencoOratory1838 46The Healer (1838) de Taras ȘevcencoThe Healer1838 · Taras Shevchenko National Museum 47Mother's Head (1838) de Taras ȘevcencoMother's Head1838 · Taras Shevchenko National Museum 48Bust of woman (1838) de Taras ȘevcencoBust of woman1838 · Taras Shevchenko National Museum 49Ascension Cathedral in Pereslavl (1838) de Taras ȘevcencoAscension Cathedral in Pereslavl1838 50View from the terrace around Pochayiv Lavra (1846) de Taras ȘevcencoView from the terrace around Pochayiv Lavra1846 · Taras Shevchenko National Museum 51The Willows in Andrusha (1845) de Taras ȘevcencoThe Willows in Andrusha1845 52In Hustyn: Church of Peter and Paul (1845) de Taras ȘevcencoIn Hustyn: Church of Peter and Paul1845 53In Dustin Traditional church (1845) de Taras ȘevcencoIn Dustin Traditional church1845 54Gate house, monastery, Nikolai (1838) de Taras ȘevcencoGate house, monastery, Nikolai1838 55Bohdan Khmelnytsky's Church in Subotiv (1845) de Taras ȘevcencoBohdan Khmelnytsky's Church in Subotiv1845 56Andrush (1845) de Taras ȘevcencoAndrush1845 57Self-portrait (1838) de Taras ȘevcencoSelf-portrait1838 · Taras Shevchenko National Museum 58At apiary (1843) de Taras ȘevcencoAt apiary1843 · Taras Shevchenko National Museum

Muzeele care păstrează originalele lui Taras Șevcenco

Cele 3 muzee care dețin cele mai multe dintre picturile de pe această pagină.

Muzee Oraș Lucrări lui Taras Șevcenco Picturi din această listă
Taras Shevchenko National Museum, KievTaras Shevchenko National Museum Kiev 26 Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod, Archangel Cathedral in Nizhny Novgorod
National Art Museum of Ukraine, KievNational Art Museum of Ukraine Kiev 1 Self-portrait
Muzeul Național de Artă al Ucrainei, KievMuzeul Național de Artă al Ucrainei Kiev 1 Portrait of Gorlenko

Taras Șevcenco, o pictură emblematică pe deceniu

Lucrări pe deceniu

Alege o deceniu pentru a descoperi opera originală care îl definește.

Picturile lui Taras Șevcenco: răspunsurile galeriei

Care este cea mai celebră pictură a lui Taras Șevcenco?Află răspunsul

The death of Bohdan Khmelnytsky (1837). Urmează Vydubychi Monastery in Kyiv (1844) și Self-Portrait (1852).

Ce vârstă avea Taras Șevcenco când a finalizat The death of Bohdan Khmelnytsky?Află răspunsul

23 ani: The death of Bohdan Khmelnytsky datează din 1837, iar Taras Șevcenco s-a născut în 1814.

Care sunt cele mai importante 10 picturi ale lui Taras Șevcenco?Află răspunsul

The death of Bohdan Khmelnytsky, Vydubychi Monastery in Kyiv, Self-Portrait, Aulia-Tau, Valley on the Khiva road, Cathedral of the Annunciation in Nizhny Novgorod, Mezhyhirya Monastery, Catholic Church of St. Alexander, Archangel Cathedral in Nizhny Novgorod și Architectural project of private house. Plan.. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.

Câte lucrări a creat Taras Șevcenco?Află răspunsul

Catalogul nostru cuprinde 58 lucrări ale lui Taras Șevcenco, datate între 1833 și 1861.

Unde sunt expuse cele mai celebrele opere originale ale lui Taras Șevcenco?Află răspunsul

În principal în Taras Shevchenko National Museum (Kiev), National Art Museum of Ukraine (Kiev) și Muzeul Național de Artă al Ucrainei (Kiev). Tabelul cu muzee de mai sus le enumeră pe toate.

Când a creat Taras Șevcenco cele mai faimoase picturi?Află răspunsul

În 1830s: 27 dintre cele 58 lucrări de pe această pagină au fost realizate atunci, fiind The death of Bohdan Khmelnytsky dintre acestea.

Care sunt cele mai vechi și cele mai recente opere celebre ale lui Taras Șevcenco?Află răspunsul

Pe această pagină, cea mai veche lucrare datează din Portrait of P.V. Engelhardt (1833), iar cea mai recentă este din Self-Portrait (1861).

Cu ce mișcare este asociat(ă) Taras Șevcenco?Află răspunsul

Romanticism, judecând după originalele de pe această pagină.

Ce opere originale ale lui Taras Șevcenco deține Taras Shevchenko National Museum?Află răspunsul

Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod și Archangel Cathedral in Nizhny Novgorod: Taras Shevchenko National Museum, Kiev deține 26 dintre lucrările de pe această pagină.

Taras Șevcenco: artistul

A Life Etched in Poetry and Paint: The World of Taras Shevchenko

Taras Hryhorovych Shevchenko, a name synonymous with Ukrainian identity and resilience, was more than just an artist or a poet—he was the embodiment of a nation’s yearning for freedom. Born into serfdom in 1814 in the humble village of Moryntsi, Ukraine, his early life was steeped in hardship, yet illuminated by an innate artistic talent that would ultimately transcend his circumstances and ignite a cultural awakening. The weight of oppression bore down on young Taras; he lost his mother at seven and his father eight years later, experiences that indelibly marked his sensibility and fueled the poignant social commentary woven throughout his life’s work. His initial exposure to art came through apprenticeships with local icon painters, laying the foundation for a technical skill that would blossom under formal training. This early period wasn't merely about mastering technique; it was an immersion into Ukrainian folklore, religious imagery, and the visual language of his people—elements that would become cornerstones of his artistic expression.

From Serfdom to St. Petersburg: The Flowering of a Genius

Shevchenko’s path took a pivotal turn when he was sent to Kyiv for education, first at the Grammar School and then the Theological Seminary. However, these institutions proved ill-suited to his artistic spirit. Fate intervened through the patronage of several individuals who recognized his exceptional talent. This led to his liberation from serfdom in 1838—a watershed moment achieved through a lottery where the prize was a portrait by Karl Bryullov. This freedom unlocked access to the prestigious Imperial Academy of Arts in St. Petersburg, where he studied under Karl Brück. Here, Shevchenko wasn’t simply absorbing artistic techniques; he was engaging with the broader European art scene, encountering Romanticism and Realism, styles that would subtly influence his own developing aesthetic. His work began to blend traditional Ukrainian themes with a modern sensibility, foreshadowing the unique voice he would soon project through both brushstrokes and verse. During this period, he honed his skills in painting, etching, and drawing, demonstrating a remarkable versatility that set him apart.

The Poet of Ukraine: *Kobzar* and the Voice of a Nation

While Shevchenko excelled as an artist, it was through poetry that he truly captured the soul of Ukraine. The publication of *Kobzar* in 1840 marked a turning point not only in his career but also in Ukrainian literature itself. This collection wasn’t merely a compilation of poems; it was a declaration of national identity, a lament for past injustices, and a call for future liberation. The verses resonated deeply with the Ukrainian peasantry, articulating their struggles under serfdom and igniting a sense of collective consciousness. *Kobzar* became a symbol of resistance and hope, circulating widely despite censorship attempts by the Tsarist regime. Beyond *Kobzar*, Shevchenko’s artistic output continued to reflect his deep connection to Ukraine—paintings depicting rural life, historical events, and portraits that captured the spirit of his people. Works like “Architectural project of private house. Main facade” and "Cathedral of the Annunciation in Nizhny Novgorod" demonstrate a range beyond purely nationalistic themes, showcasing his architectural interests and technical skill. His monochrome illustration, “The Death of Bohdan Khmelnytsky,” stands as a powerful example of his mastery of realism and etching, depicting a pivotal moment in Ukrainian history with profound emotional depth.

Exile, Resilience, and Enduring Legacy

Shevchenko’s outspoken criticism of the Tsarist regime and involvement with the Petrashevsky Circle—a group advocating for political reform—led to his arrest in 1847 and a decade-long exile to Central Asia. This period was marked by immense hardship; he was forbidden from writing or painting, subjected to harsh conditions, and constantly monitored. Yet, even in the face of such oppression, Shevchenko’s spirit remained unbroken. He continued to sketch secretly, documenting his surroundings and preserving his artistic vision. His exile became a symbol of Ukrainian suffering under Russian rule, further solidifying his status as a national hero. Upon his premature release due to failing health, he returned to St. Petersburg only to succumb to illness in 1861 at the age of 47. His death was mourned throughout Ukraine and beyond. Today, Taras Shevchenko is revered as a foundational figure in Ukrainian literature and art. Numerous museums and memorials—including the Taras Shevchenko National Museum in Kyiv and the Tereshchenko Museum—are dedicated to preserving his legacy. His works continue to inspire generations of artists, writers, and activists, ensuring that his voice—a voice forged in hardship and fueled by a deep love for Ukraine—will resonate for centuries to come. The recent creation of a Taras Shevchenko AI chatbot is a testament to the enduring power of his ideas and the ongoing commitment to sharing his work with new audiences.