Pe scurt
A painter and his muse in a workshop (1719) este pictura lui Theodor van Pee care atrage cele mai multe priviri; originalul aparține Staatliche Kunsthalle Karlsruhe, Karlsruhe. Dintre cele 1 opere ale lui Theodor van Pee din catalogul nostru, acestea 1 sunt cele mai celebre, fiecare fiind o piesă unică, prezentată împreună cu anul creării, muzeul deținător și motivul pentru care aceasta rămâne memorabilă.
Cele mai importante 10 picturi ale lui Theodor van Pee, prin ochii galeriei
Muzeele care păstrează originalele lui Theodor van Pee
Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Theodor van Pee | Picturi din această listă |
|---|---|---|---|
| Karlsruhe | 1 | A painter and his muse in a workshop |
Theodor van Pee de-a lungul anilor: originalele unice ale fiecăruia
Toate originalele datate ale lui Theodor van Pee prezentate aici aparțin unui singur an, 1719: acestea sunt prezentate în ordinea celebrității.
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Alege un an pentru a vedea originalele acestuia.
Picturile lui Theodor van Pee: întrebări pentru galerie
Care este cea mai celebră operă a lui Theodor van Pee?Află răspunsul
A painter and his muse in a workshop (1719)
La ce vârstă a creat Theodor van Pee A painter and his muse in a workshop?Află răspunsul
51 ani: A painter and his muse in a workshop datează din 1719, iar Theodor van Pee s-a născut în 1668.
Câte lucrări ale lui Theodor van Pee sunt cunoscute?Află răspunsul
Catalogul nostru conține 1 lucrări ale lui Theodor van Pee.
Unde pot fi vizualizate originalele celor mai faimoși Theodor van Pee?Află răspunsul
În principal în Staatliche Kunsthalle Karlsruhe (Karlsruhe). Tabelul cu muzee de mai sus le enumeră pe toate.
Theodor van Pee: un portret al artistului
The Life and Career of Theodor van Pee
Born in Amsterdam, Theodor van Pee was the son of the painter Jan van Pee and Hendrika. Although he initially trained as an apprentice to a jeweller to join the Goldsmiths' Guild, he eventually sought his father's permission to train as a painter. He is believed to have been a pupil of his father, though his maternal grandfather, Mathijs Hendriks Krayvelt, was also a painter who likely contributed to his training. Theodor traveled to Rome to study the works of artists such as Raphael, Giulio Romano, and Correggio, yet he remained a Lutheran throughout his life.
His early career saw success with various commissions, including studies of Northern Italian gypsies and portraits of the Masters of the Amsterdam Tailors’ Guild. As the economic recession in the Netherlands followed the Peace of Ryswick, he diversified his business by selling painted garden furniture, statuary, and carved timber. He also became a dealer in Italian paintings, and in 1715, he took his collection to London to find buyers among English noblemen and merchants.
Later Years and Legacy
While in London, Theodor was commissioned by Sir Matthew Decker to paint a ceiling-piece of life-size figures. Despite facing financial challenges following the collapse of the South Sea Company stock, he continued his business of selling ornamental objects. After seven years in London, he returned to the Netherlands, where he was a member of the Utrecht Guild of Saint Luke in 1737. His artistic skill was recognized through commissions such as the portrait of Jean-Baptiste de Boyer, Marquis d'Argens, and the Abbé Prévost.
Theodor van Pee died in The Hague. His estate, which included twenty-four paintings by him and two by his father, was sold at auction in 1747. His daughter, Henrietta, studied painting under him and married one of his pupils, Hermanus Wolters.