Pe scurt
În ochii galeriei, cea mai celebră pictură a lui Stefan Buban este Near Spišská Nová Ves (1970), a cărei originală este expusă la Tatra Gallery, Poprad. Native Zemplín (1981) și Zemplín Fields (1981) completează trioul pe care orice ochi îl recunoaște. Dintre cele 10 opere ale lui Stefan Buban din catalogul nostru, galeria prezintă mai jos cele 7 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.
Cele mai apreciate 10 picturi ale lui Stefan Buban din galerie
Near Spišská Nová Ves
In the evocative landscape of Near Spišská Nová Ves, the viewer is immediately transported to a realm where the rugged majesty of the Slovakian mountains meets a profound sense of tranquility. The painting presents a breathtaking vista of a mountainous expanse, characterized by a striking red hue that bathes the peaks in a warm, ethereal glow. This chromatic choice does more than merely depict terrain; it imbues the entire scene…
Muzeele care păstrează originalele lui Stefan Buban
Cele 3 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Stefan Buban | Picturi din această listă |
|---|---|---|---|
| Košice | 4 | Native Zemplín, Zemplín Fields, Peaceful Landscape | |
| Poprad | 2 | Near Spišská Nová Ves, Near Spišská Nová Ves | |
| Spišská Nová Ves | 1 | Winter in Podlince |
Stefan Buban, picturile emblematice ale fiecărei ani
18 ani de artă a lui Stefan Buban, de la 1970 la 1987: galeria îi urmărește an de an, prin cele mai celebre originale ale fiecăruia.
Lucrări pe an
Alege un an pentru a vedea originalele acestuia.
Picturile lui Stefan Buban: răspunsurile galeriei
Care este cea mai celebră pictură a lui Stefan Buban?Află răspunsul
Near Spišská Nová Ves (1970), Tatra Gallery, Poprad. Urmează Native Zemplín (1981) și Zemplín Fields (1981).
Ce vârstă avea Stefan Buban când a finalizat Near Spišská Nová Ves?Află răspunsul
38 ani: Near Spišská Nová Ves datează din 1970, iar Stefan Buban s-a născut în 1932.
Câte lucrări a creat Stefan Buban?Află răspunsul
Catalogul nostru cuprinde 10 lucrări ale lui Stefan Buban, datate între 1970 și 1987.
Unde sunt expuse cele mai celebrele opere originale ale lui Stefan Buban?Află răspunsul
În principal în Vychodoslovenské Galéria (Košice), Tatra Gallery (Poprad) și Galeria Artiștilor din Spiš (Spišská Nová Ves). Tabelul cu muzee de mai sus le enumeră pe toate.
Când a creat Stefan Buban cele mai faimoase picturi?Află răspunsul
În 1981: 3 dintre cele 7 lucrări de pe această pagină au fost realizate atunci, fiind Native Zemplín dintre acestea.
Care sunt cele mai vechi și cele mai recente opere celebre ale lui Stefan Buban?Află răspunsul
Pe această pagină, cea mai veche lucrare datează din Near Spišská Nová Ves (1970), iar cea mai recentă este din Let Us Not Allow! (1987).
Ce opere originale ale lui Stefan Buban deține Vychodoslovenské Galéria?Află răspunsul
Native Zemplín, Zemplín Fields și Peaceful Landscape: Vychodoslovenské Galéria, Košice deține 4 dintre lucrările de pe această pagină.
Stefan Buban: artistul
A Life Shaped by Color and Landscape
Born on July 29, 1932, in Pavlovce nad Uhom, Slovakia, Štefan Bubán spent his life translating the textures of his homeland onto canvas. His early years were rooted in the traditions of the region, leading him to study at the art department of the Higher Pedagogical School in Prešov, which he completed in 1955. He later continued his formal education at the Faculty of Education of Comenius University in Bratislava between 1959 and 1964. This academic foundation provided the technical skill that would support a career spanning decades of experimentation.
His professional path was closely tied to Trebišov, where he worked from 1956. The landscapes of the East Slovak Lowland became a central part of his visual language. In his early works, he focused on figurative compositions that captured the essence of this region through distinct color effects. As time passed, his focus shifted toward the natural world, moving into landscape painting that explored the light and earth of the Slovakian terrain.
Evolution of Style and Technique
The progression of Bubán’s work shows a clear movement from representational forms to more complex, abstract visions. He began with figures and landscapes but eventually embraced a modernist style characterized by geometric-abstract-informal fantasies. This transition saw him moving toward what some describe as transavantgarde, where his paintings became structured through geometric-abstract visions. His technique was not limited to the brush; he worked with oil painting, sculpture, printmaking, woodcuts, and drawings.
His approach to color was deeply personal. In works such as Near Spišská Nová Ves, he used striking red hues to bathe mountain peaks in a warm glow, creating an atmosphere of a permanent sunset. He utilized color for psychological impact rather than mere accuracy. His later compositions often relied on an instinctive creative passion, using color and imaginative arrangements to build space within his paintings.
Recognition and Global Reach
Though deeply connected to Slovakian soil, Bubán’s presence was felt far beyond its borders. He exhibited his work in numerous countries, including Germany, Italy, France, Japan, and Egypt. His art found homes in prestigious venues such as the Salon d'Automne in Paris and the Kunsthalle Bratislava. For a period between 2008 and 2016, his paintings were even displayed at the Permanent Representation of Slovakia to the European Union in Brussels.
Throughout his career, he received several notable honors that reflected his standing in the international art community:
- The Gold Plaque at the VII International Festival of Contemporary Painting in San Remo, Italy, in 1999.
- The European Commission's Prize for Culture at the il Nittis Biennial in Barletta, Italy, in 2003.
- A silver medal from the Salon in Cannes in 2006.
- The Price za celoživotné dielo at Intersalón AJV in České Budějovice in 2008.
His memberships in various societies, such as the Slovak Art Society and the Association of Visual Arts Japan, further solidified his role as a bridge between local tradition and global modernism. He left behind a significant body of work that includes seventy solo exhibitions and nearly three hundred group exhibitions, ensuring his vision of the Slovak landscape remains part of the broader history of 20th-century art.