Pe scurt
Portrait of a F. (1939) este pictură lui Sōtarō Yasui care atrage cele mai multe priviri. După aceasta, privirea se îndreaptă către Lama Shrine at Chengteh (1938) și Flowers (1927). Dintre cele 4 opere ale lui Sōtarō Yasui din catalogul nostru, acestea 4 sunt cele mai celebre, fiecare fiind o piesă unică, prezentată împreună cu anul creării, muzeul deținător și motivul pentru care aceasta rămâne memorabilă.
Cele mai importante 10 picturi ale lui Sōtarō Yasui, prin ochii galeriei
Lama Shrine at Chengteh
In the vast, sweeping landscapes of northern China, there exists a place where history and spirituality converge under the watchful eye of the heavens. Lama Shrine at Chengteh, a masterpiece by the esteemed Japanese painter Yasui Sōtarō, captures this ethereal moment with breathtaking clarity. Created in 1938, the painting transports the viewer to the Hebei province, specifically to the city of Chengteh—a location once cherished as a summer retreat by…
Flowers
安井曾太郎は京都出身。1903年京都市立商業学校を中退。翌年浅井忠主宰の聖護院洋画研究所に入る。1907年に渡仏し、アカデミー・ジュリアンに入学してデッサン力を磨くかたわら、ミレー、ピサロ、セザンヌらの画法を研究する。帰国した翌年の1915年、二科展に滞欧作44点を特別陳列し話題を呼んだ。その後、日本の風土に合った油絵を求め続け、やがて大胆な構図、伸びやかな筆致、鮮やかな色彩のコントラスト、簡素で落ち着いた独自の画風を開拓した。また、実物に勝る芸術を生み出すためには、感動によってデフォルメされた形態や、強調された色彩や明暗が必要なことも示した。1935年帝国美術院会員となり、二科会会員を辞し、翌年一水会の創立に参加。1944年に帝室技芸員となり、東京美術学校教授に就任。1949年に日本美術家連盟初代会長に就任し、1952年に文化勲章を受賞。
Muzeele care păstrează originalele lui Sōtarō Yasui
Cele 2 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Sōtarō Yasui | Picturi din această listă |
|---|---|---|---|
| Nagoya | 1 | Lama Shrine at Chengteh | |
| Tokyo | 1 | Flowers |
Sōtarō Yasui de-a lungul anilor: originalele unice ale fiecăruia
13 ani separă primele și ultimele opere originale datate ale lui Sōtarō Yasui prezentate aici, 1927 și 1939: fiecare an are locul său mai jos.
Lucrări pe an
Alege un an pentru a vedea originalele acestuia.
Flowers
安井曾太郎は京都出身。1903年京都市立商業学校を中退。翌年浅井忠主宰の聖護院洋画研究所に入る。1907年に渡仏し、アカデミー・ジュリアンに入学してデッサン力を磨くかたわら、ミレー、ピサロ、セザンヌらの画法を研究する。帰国した翌年の1915年、二科展に滞欧作44点を特別陳列し話題を呼んだ。その後、日本の風土に合った油絵を求め続け、やがて大胆な構図、伸びやかな筆致、鮮やかな色彩のコントラスト、簡素で落ち着いた独自の画風を開拓した。また、実物に勝る芸術を生み出すためには、感動によってデフォルメされた形態や、強調された色彩や明暗が必要なことも示した。1935年帝国美術院会員となり、二科会会員を辞し、翌年一水会の創立に参加。1944年に帝室技芸員となり、東京美術学校教授に就任。1949年に日本美術家連盟初代会長に就任し、1952年に文化勲章を受賞。
Lama Shrine at Chengteh
In the vast, sweeping landscapes of northern China, there exists a place where history and spirituality converge under the watchful eye of the heavens. Lama Shrine at Chengteh, a masterpiece by the esteemed Japanese painter Yasui Sōtarō, captures this ethereal moment with breathtaking clarity. Created in 1938, the painting transports the viewer to the Hebei province, specifically to the city of Chengteh—a location once cherished as a summer retreat by…
Picturile lui Sōtarō Yasui: întrebări pentru galerie
Care este cea mai celebră operă a lui Sōtarō Yasui?Află răspunsul
Portrait of a F. (1939). Urmează Lama Shrine at Chengteh (1938) și Flowers (1927).
La ce vârstă a creat Sōtarō Yasui Portrait of a F.?Află răspunsul
51 ani: Portrait of a F. datează din 1939, iar Sōtarō Yasui s-a născut în 1888.
Câte lucrări ale lui Sōtarō Yasui sunt cunoscute?Află răspunsul
Catalogul nostru cuprinde 4 lucrări ale lui Sōtarō Yasui, datate între 1927 și 1939.
Unde pot fi vizualizate originalele celor mai faimoși Sōtarō Yasui?Află răspunsul
În principal în Aichi Prefectural Museum of Art (Nagoya) și Marubeni Gallery (Tokyo). Tabelul cu muzee de mai sus le enumeră pe toate.
Care este cea mai veche și care este cea mai recentă pictură a lui Sōtarō Yasui?Află răspunsul
Pe această pagină, cea mai veche lucrare datează din Flowers (1927), iar cea mai recentă este din Portrait of a F. (1939).
Sōtarō Yasui: un portret al artistului
Yasui Sōtarō: A Pioneer of Modern Japanese Painting
Early Life and Training
Yasui Sōtarō, born on May 17, 1888, in Kyoto, Japan, was a pivotal figure in the development of modern Japanese painting. He initially defied his family’s expectations by abandoning commercial studies to pursue art. His formal training began at the Shōgoin Institute of Western Art (later known as Kansai Bijutsuin) under the guidance of Asai Chū. This foundation in Western painting techniques proved crucial for his future artistic explorations, alongside fellow student Ryuzaburo Umehara.Years in France and Artistic Influences
In 1907, at the age of nineteen, Yasui Sōtarō embarked on a transformative journey to Paris, where he studied at the Académie Julian under Jean-Paul Laurens. For seven years (until 1914), he immersed himself in the European art scene. He was profoundly influenced by Realist masters like Jean-François Millet and Pierre-Auguste Renoir, but it was Paul Cézanne’s emphasis on form and structure that left a lasting impression, shaping his unique artistic vision.Artistic Style and Development
Returning to Japan in 1915 with the outbreak of World War I, Yasui Sōtarō began to forge his distinctive style – often referred to as the “Yasui style.” This approach masterfully blended Western painting techniques with Japanese aesthetic sensibilities. His work is characterized by bold deformations, deliberate omissions, and a striking use of color. He sought to move beyond mere imitation of Western styles, aiming for an authentically modern Japanese expression. A period of health challenges followed his return, but he persevered in refining his unique approach.Notable Works and Achievements
Some of Yasui Sōtarō’s most celebrated works include:- Artist and His Model (1934): A prime example of his mastery of Western-style portraiture.
- View of the Boso Peninsula (1932): Demonstrates his ability to capture Japanese landscapes through a distinctly modern lens.
- Black-haired Woman (1924)
- Portrait of a Woman (1930)
- Chin-Jung (1934)