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Cele 1 cele mai faimoase picturi ale lui Pedro Peres, fiecare unică în felul ei
Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 1 lucrări ale lui Pedro Peres în catalogul nostru
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Retrato de Victor Meirelles (1900) este pictura lui Pedro Peres care atrage cele mai multe priviri; originalul aparține Museu Victor Meirelles, Florianópolis. Dintre cele 1 opere ale lui Pedro Peres din catalogul nostru, acestea 1 sunt cele mai celebre, fiecare fiind o piesă unică, prezentată împreună cu anul creării, muzeul deținător și motivul pentru care aceasta rămâne memorabilă.
1841 – 1923, Lisbon
Cele mai multe lucrări: Museu Victor Meirelles
Cele mai importante 10 picturi ale lui Pedro Peres, prin ochii galeriei
Muzeele care păstrează originalele lui Pedro Peres
Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Pedro Peres | Picturi din această listă |
|---|---|---|---|
 Museu Victor Meirelles |
Florianópolis | 1 | Retrato de Victor Meirelles |
Pedro Peres de-a lungul anilor: originalele unice ale fiecăruia
Toate originalele datate ale lui Pedro Peres prezentate aici aparțin unui singur an, 1900: acestea sunt prezentate în ordinea celebrității.
Lucrări pe an
Alege un an pentru a vedea originalele acestuia.
Picturile lui Pedro Peres: întrebări pentru galerie
Care este cea mai celebră operă a lui Pedro Peres?Află răspunsul
Retrato de Victor Meirelles (1900)
La ce vârstă a creat Pedro Peres Retrato de Victor Meirelles?Află răspunsul
59 ani: Retrato de Victor Meirelles datează din 1900, iar Pedro Peres s-a născut în 1841.
Câte lucrări ale lui Pedro Peres sunt cunoscute?Află răspunsul
Catalogul nostru conține 1 lucrări ale lui Pedro Peres.
Unde pot fi vizualizate originalele celor mai faimoși Pedro Peres?Află răspunsul
În principal în Museu Victor Meirelles (Florianópolis). Tabelul cu muzee de mai sus le enumeră pe toate.
Pedro Peres: un portret al artistului
A Life Between Two Shores
Pedro José Pinto Peres was a man shaped by the movement between continents. Born in Lisbon, Portugal, in 1841, his early years were cut short by a significant change that would define his creative identity. At the age of five, he moved to Brazil, a transition that placed him in a new landscape where his artistic voice would eventually take root. He grew up in a country that was still finding its visual language, and he became a part of that unfolding history through his work as a painter and draftsman.
His education was formal and rigorous, grounded in the traditions of the time. He studied at the Liceu de Artes e Ofícios and later at the Academia Imperial de Belas Artes. It was within these walls that he learned to translate the world onto paper and canvas, absorbing the techniques of his instructors and the atmosphere of the imperial academy. His training provided him with the technical foundation necessary to navigate the demands of portraiture and drawing.
The Hand and the Influence
The development of his style was deeply connected to the mentors who guided him through his formative years. He did not work in isolation; instead, his hand was guided by the perspectives of those who came before him. His technical approach was shaped by several key figures:
- Chaves Pinheiro
- Agostinho José da Mota
- Vitor Meirelles
These relationships were more than mere instruction; they were the threads that connected him to the established artistic lineage of Brazil. His work reflects this lineage, particularly in his ability to capture the likeness and character of his subjects. One of his notable contributions to the visual record is his watercolor portrait of Victor Meirelles, a work that exists today in the Museu Victor Meirelles in Florianópolis.
A Quiet Legacy
By the time of his death in Rio de Janeiro in 1923, Pedro Peres had lived a long life that spanned the transition of a nation. He remained a dedicated practitioner of his craft, moving from the student in the academy to a settled artist in the Brazilian capital. His work remains a part of the historical record, preserved in collections that hold the traces of his skill. He left behind a body of work that speaks to the quiet precision of a draftsman and the observant eye of a portraitist.