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Girl's Head (1917) este pictura lui Mikuláš Galanda care atrage cele mai multe priviri; originalul aparține Slovak National Gallery, Bratislava. După aceasta, privirea se îndreaptă către After the Bath (1922) și Lovers (1920). Dintre cele 90 opere ale lui Mikuláš Galanda din catalogul nostru, acestea 62 sunt cele mai celebre, fiecare fiind o piesă unică, prezentată împreună cu anul creării, muzeul deținător și motivul pentru care aceasta rămâne memorabilă.
The artwork titled Girl's Head is a portrait created by the artist Mikuláš Galanda. This specific piece is categorized as a free drawing. It is held within the collection of the Slovenská národná galéria, SNG.
In "After the Bath" by Mikuláš Galanda, a single female figure occupies the center of the frame. She is captured in a moment of repose or grooming, seated or crouching in a quiet, private stillness. The composition emphasizes the verticality of her form, drawing the eye upward through the soft, rounded contours of her body. Anatomical details are simplified, stripped of complexity to focus on the essential weight and volume…
In "Lovers" by Mikuláš Galanda, we encounter a moment of profound stillness. This stylized, expressionist oil painting presents two figures locked in an intimate embrace. The composition is a close-up portrait, drawing our attention specifically to the heads and upper bodies of a man and a woman. There is a weight to their presence, a sense of physical closeness that is tempered by an emotional distance. It is a quiet…
In Over the Cradle, Mikuláš Galanda centers the composition on a seated female figure. Viewed in profile or a three-quarter view, she leans over a cradle or a similar object resting in her lap. The perspective remains shallow, focusing the viewer entirely on the intimate interaction between the subject and the object within an enclosed, private space.
In this 1925 work, we encounter a composition that prioritizes the rhythmic essence of the human figure over the distractions of realistic detail. The piece presents a stylized, modernist vision of a Tahitian scene, centered on a large, close-up profile of a woman's head and shoulders. She gazes toward the viewer with a serene, steady presence. Behind her, the space opens to reveal a smaller, full-length figure of a woman…
The work before us is titled Slovak Mother, a piece created by Mikuláš Galanda about 1925. In this composition, we encounter the hand of an artist who was a primary catalyst for the development of modern art within Slovakia. Galanda was a figure of significant influence, acting as a pioneer and propagator of the nation's modern visual language during a transformative era in Central European history.
In this 1927 work, titled Lovers Harlequin and Columbine, we encounter the distinct visual language of Mikuláš Galanda. The piece reflects a significant moment in the artist's development, created during a period when he was establishing himself as a primary catalyst for the development of modern art within Slovakia. Galanda, who was born in 1895 in Turčianske Teplice, Slovakia, brought a unique perspective to the Central European scene, blending structural…
A serene woman emerges from a soft, textured background, her presence filling the space with a heavy, calm weight. She is captured from the chest up, her features simplified into smooth, rounded shapes that suggest a quiet strength. Her hair, a soft ochre, frames a face of gentle lines, while her garment provides a sudden, deep red pulse against the muted tones of the composition. In her hands, or perhaps…
The scene unfolds within the quiet, heavy atmosphere of In an Inn, a work created by the Slovak painter and illustrator Mikuláš Galanda. Painted in 1927, this oil composition captures a moment of stillness and introspection. The figures within the frame seem caught in a permanent state of contemplation, existing in a space where the light is low and the mood is deeply somber.
In 1933, Mikuláš Galanda produced "Clown," a formal, classical portrait of a young woman. The composition utilizes an oval-shaped bust-length format set within a rectangular frame. Captured from a direct, three-quarter view, the subject possesses fair skin, blue eyes, and dark, intricately styled curly hair that is pulled up with braided elements. A sheer, translucent white veil or scarf is draped over her shoulders, providing a textural contrast to the…
Bandits1932 · Slovak National Gallery
12
Poor Family1930 · Slovak National Gallery
13
Madonna and Child1936 · Galeria Centrală Slovakă
14
LumberjacksGaleria M. A. Bazovsky
15
Two Women. ConversationGaleria M. A. Bazovsky
16
Mother With a Scarf And the BabyGaleria M. A. Bazovsky
17
Mother Holding BabyGaleria M. A. Bazovsky
18
RoseGaleria M. A. Bazovsky
19
Self-portraitGaleria M. A. Bazovsky
20
Mother with her Child on the Flower BackgroundGaleria M. A. Bazovsky
21
Portrait of Mária GalandováGaleria M. A. Bazovsky
22
Woman with Jar1926 · Slovak National Gallery
23
Girl1930 · Liptov Gallery of Peter Michal Bohúň
24
Little Boat1932 · Bratislava City Gallery
25
Lovers1930 · Slovak National Gallery
26
Mother with Child1934 · Slovak National Gallery
27
HármanGaleria M. A. Bazovsky
28
HármanGaleria M. A. Bazovsky
29
PensiveGaleria M. A. Bazovsky
30
DrunkardsGaleria M. A. Bazovsky
31
Woman With a PitcherGaleria M. A. Bazovsky
32
CowsGaleria M. A. Bazovsky
33
Clown With a Butterfly (Buffoon)Galeria M. A. Bazovsky
34
Sitting WomanGaleria M. A. Bazovsky
35
PainterGaleria M. A. Bazovsky
36
LumberjacksGaleria M. A. Bazovsky
37
A SongGaleria M. A. Bazovsky
38
Mother with Her ChildGaleria M. A. Bazovsky
39
BanditsGaleria M. A. Bazovsky
40
Metaphysical Still LifeGaleria M. A. Bazovsky
41
AwakeningGaleria M. A. Bazovsky
42
PainterGaleria M. A. Bazovsky
43
DrunkardsGaleria M. A. Bazovsky
44
Roses in the PitcherGaleria M. A. Bazovsky
45
Girl study
46
Act
47
MagicianNedbalka Gallery
48
Mother with her Child at a Poppy HeadGaleria M. A. Bazovsky
49
In Front of the MirrorGaleria M. A. Bazovsky
50
Mother And the BabyGaleria M. A. Bazovsky
51
Compostitional StudyGaleria M. A. Bazovsky
52
Mendicant SingersGaleria M. A. Bazovsky
53
Carnations in a vaseNedbalka Gallery
54
DrinkerNedbalka Gallery
55
Crying WomanGaleria M. A. Bazovsky
56
PoetGaleria M. A. Bazovsky
57
Mother with childNedbalka Gallery
58
LumberjacksGaleria M. A. Bazovsky
59
Pink Clown. Head of the Little ClownGaleria M. A. Bazovsky
60
PastoraleGaleria M. A. Bazovsky
61
ŽdiarSlovak National Gallery
62
Two Women. GirlfriendsGaleria M. A. Bazovsky
Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.
Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Mikuláš Galanda | Picturi din această listă |
|---|---|---|---|
 Galeria M. A. Bazovsky |
Trenčín | 37 | Lumberjacks, Two Women. Conversation, Mother With a Scarf And the Baby |
 Slovak National Gallery |
Bratislava | 13 | Girl's Head, Lovers, Tahitian |
 Nedbalka Gallery |
Bratislava | 4 | Magician, Carnations in a vase, Drinker |
 Galeria Centrală Slovakă |
Banská Bystrica | 2 | Clown, Madonna and Child |
 Oravská galéria v Dolnom Kubíne |
Dolná Kúba | 1 | After the Bath |
 Miloš Alexander Bazovský Gallery |
Trenčín | 1 | Over the Cradle |
 Liptov Gallery of Peter Michal Bohúň |
Liptovský Mikuláš | 1 | Girl |
 Bratislava City Gallery |
Bratislava | 1 | Little Boat |
Alege o deceniu pentru a descoperi opera originală care îl definește.
The artwork titled Girl's Head is a portrait created by the artist Mikuláš Galanda. This specific piece is categorized as a free drawing. It is held within the collection of the Slovenská národná galéria, SNG.
In "After the Bath" by Mikuláš Galanda, a single female figure occupies the center of the frame. She is captured in a moment of repose or grooming, seated or crouching in a quiet, private stillness. The composition emphasizes the verticality of her form, drawing the eye upward through the soft, rounded contours of her body. Anatomical details are simplified, stripped of complexity to focus on the essential weight and volume…
In 1933, Mikuláš Galanda produced "Clown," a formal, classical portrait of a young woman. The composition utilizes an oval-shaped bust-length format set within a rectangular frame. Captured from a direct, three-quarter view, the subject possesses fair skin, blue eyes, and dark, intricately styled curly hair that is pulled up with braided elements. A sheer, translucent white veil or scarf is draped over her shoulders, providing a textural contrast to the…
Girl's Head (1917), Slovak National Gallery, Bratislava. Urmează After the Bath (1922) și Lovers (1920).
22 ani: Girl's Head datează din 1917, iar Mikuláš Galanda s-a născut în 1895.
Girl's Head, After the Bath, Lovers, Over the Cradle, Tahitian, Slovak Mother, Lovers Harlequin and Columbine, Woman with Bellflowers, In an Inn și Clown. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 90 lucrări ale lui Mikuláš Galanda, datate între 1917 și 1936.
În principal în Galeria M. A. Bazovsky (Trenčín), Slovak National Gallery (Bratislava) și Nedbalka Gallery (Bratislava). Tabelul cu muzee de mai sus le enumeră pe toate.
În 1920s: 9 dintre cele 62 lucrări de pe această pagină au fost realizate atunci, fiind After the Bath dintre acestea.
Pe această pagină, cea mai veche lucrare datează din Girl's Head (1917), iar cea mai recentă este din Madonna and Child (1936).
Woman (9), Landscape (4) și Man (3), din cele 62 lucrări de pe această pagină.
Oil On Canvas, pentru 6 dintre cele 62 lucrări de pe această pagină.
Lumberjacks, Two Women. Conversation și Mother With a Scarf And the Baby: Galeria M. A. Bazovsky, Trenčín deține 37 dintre lucrările de pe această pagină.
