Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 33 lucrări ale lui Michal Trembáč în catalogul nostru
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Cooperative under Kriváň (1962) este pictura lui Michal Trembáč care atrage cele mai multe priviri; originalul aparține Tatra Gallery, Poprad. După aceasta, privirea se îndreaptă către Bouquet (1962) și Object 9. (1966). Dintre cele 33 opere ale lui Michal Trembáč din catalogul nostru, acestea 29 sunt cele mai celebre, fiecare fiind o piesă unică, prezentată împreună cu anul creării, muzeul deținător și motivul pentru care aceasta rămâne memorabilă.
A soft, directional light spills from the upper left, catching the curve of a woman's neck and the delicate lace at her sleeve. She exists in a space of quiet shadow, her form emerging from a dark, indeterminate background that pulls the viewer into her private world. Her gaze is cast downward, heavy with a sense of introspection or perhaps a gentle melancholy. In her hands, or perhaps held close…
Goral Wedding1978 · Tatra Gallery
12
Regrúti1978 · Tatra Gallery
13
Beehive1985 · Východoslovenské Galéria
14
Carnival II1987 · Tatra Gallery
15
Pensive1962 · Tatra Gallery
16
JRD Nová Lesná1965 · Tatra Gallery
17
Houses1962 · Tatra Gallery
18
Old Mill1965 · Tatra Gallery
19
Veľký Slavkov1962 · Tatra Gallery
20
Landscape1962 · Tatra Gallery
21
With the Gardener1965 · Tatra Gallery
22
From a Wedding1975 · Tatra Gallery
23
Construction of an Estacade1982 · Galeria Artiștilor din Spiš
24
Unexpected Storm1982 · Galeria Artiștilor din Spiš
25
After the Rain1985 · Východoslovenské Galéria
26
In the Feast Day1985 · Galeria Artiștilor din Spiš
27
Memories1984 · Galeria Artiștilor din Spiš
28
At the Market1987 · Galeria Artiștilor din Spiš
29
Carnival I1986 · Tatra Gallery
Cele 3 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Michal Trembáč | Picturi din această listă |
|---|---|---|---|
 Tatra Gallery |
Poprad | 22 | Cooperative under Kriváň, Bouquet, Object 9. |
 Galeria Artiștilor din Spiš |
Spišská Nová Ves | 5 | Construction of an Estacade, Unexpected Storm, In the Feast Day |
 Východoslovenské Galéria |
Košice | 2 | Beehive, After the Rain |
Alege o deceniu pentru a descoperi opera originală care îl definește.
A soft, directional light spills from the upper left, catching the curve of a woman's neck and the delicate lace at her sleeve. She exists in a space of quiet shadow, her form emerging from a dark, indeterminate background that pulls the viewer into her private world. Her gaze is cast downward, heavy with a sense of introspection or perhaps a gentle melancholy. In her hands, or perhaps held close…
Cooperative under Kriváň (1962), Tatra Gallery, Poprad. Urmează Bouquet (1962) și Object 9. (1966).
33 ani: Cooperative under Kriváň datează din 1962, iar Michal Trembáč s-a născut în 1929.
Cooperative under Kriváň, Bouquet, Object 9., Meditation, Gardens, Threshing under the Tatras II, Courtyard, Landscape under the Tatras, Harbor și To the Meadows. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 33 lucrări ale lui Michal Trembáč, datate între 1962 și 1987.
În principal în Tatra Gallery (Poprad), Galeria Artiștilor din Spiš (Spišská Nová Ves) și Východoslovenské Galéria (Košice). Tabelul cu muzee de mai sus le enumeră pe toate.
În 1960s: 16 dintre cele 29 lucrări de pe această pagină au fost realizate atunci, fiind Cooperative under Kriváň dintre acestea.
Pe această pagină, cea mai veche lucrare datează din Cooperative under Kriváň (1962), iar cea mai recentă este din Carnival II (1987).
Cooperative under Kriváň, Bouquet și Object 9.: Tatra Gallery, Poprad deține 22 dintre lucrările de pe această pagină.
Michal Trembáč was a man of many forms, expressing his vision through the mediums of painting, graphic art, and sculpture. Born on September 21, 1929, he spent his life developing a visual language that spanned several decades. His creative output was diverse, moving between the delicate precision of graphic work and the physical presence of sculpture. He remained active in his craft until his passing in 2015.
Throughout his career, Trembáč focused on a variety of genres. He often turned his attention to the landscape, capturing the essence of the natural world. His work also extended into other areas of painting, showing a versatility that allowed him to explore different subjects and textures. This breadth of practice suggests a life spent observing the world from many different angles, whether through the lens of a painter or the hands of a sculptor.
Michal Trembáč often turned his attention to the quiet rhythms of daily life and the natural landscape. In the early 1960s, his work captured many different facets of existence, from the simple beauty of a Kytica (1962) to the more introspective moods found in Zamyslená (1962). He had a way of looking at the world that felt grounded and observant. His 1962 landscape, Krajina, and the depiction of a Dvor from that same year show a focus on the spaces people inhabit and the light that settles upon them. Even in a piece like Svadba (1964), there is a sense of documenting a specific, lived moment.
As his career progressed, his subjects continued to reflect both the external environment and internal states of being. He moved between the physical world and more abstract reflections, such as the 1965 work Meditácia. Later, in 1972, he produced Radar č.5, showing a different side of his creative output. By 1977, his work Behind the Road demonstrated his continued engagement with the landscape, capturing a sense of place that felt deeply connected to the terrain.
The legacy of Michal Trembáč is held within several significant institutions that preserve his visual contributions. His presence is most felt in the Tatra Gallery, Poprad, which maintains a substantial collection of 23 of his works. This concentration of his output provides a deep look into the themes he explored throughout his career. Another important repository is the Gallery of Spis Artists, Spišská Nová Ves, where five of his pieces are kept for public viewing.
Beyond these regional collections, his work has found a place in larger national and specialized galleries. The Východoslovenská galéria (VSG) holds his painting titled Radar č.5. His landscape work, Behind the Road, is part of the collection at the SNG. These placements ensure that his perspective remains accessible to those studying the art of the region.
Tracing the market history of Michal Trembáč reveals a very specific and consistent pattern in how his pieces find new homes. Recent auction data shows a remarkably steady valuation for his work. The average price for a piece has been recorded at 7 298 Kč, a figure that is mirrored by the median item price. This consistency suggests a stable demand for his paintings among collectors who seek his specific perspective.
The data also points to a high level of interest when his works appear for sale. Currently, the sale success rate stands at 100%, based on recorded transactions. This perfect success rate reflects a direct alignment between the value placed on his art and what buyers are willing to pay. Even the highest achieved price recorded in these statistics remains at the 7 298 Kč mark, illustrating a very predictable and focused market for his output.
