Portretul lui Lukas Kirner

Picturi Lukas Kirner: Cele 6 de cele mai faimoase, prin ochii unei galerii

Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 6 lucrări ale lui Lukas Kirner în catalogul nostru

Pe scurt

În ochii galeriei, cea mai celebră pictură a lui Lukas Kirner este Self-portrait (1821), a cărei originală este expusă la Augustiner Museum, Freiburg. Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) și Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820) completează trioul pe care orice ochi îl recunoaște. Dintre cele 6 opere ale lui Lukas Kirner din catalogul nostru, galeria prezintă mai jos cele 6 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.

1794 – 1851, Furtwangen im Schwarzwald Cele mai multe lucrări: Augustiner Museum

Cele mai apreciate 10 picturi ale lui Lukas Kirner din galerie

Muzeele care păstrează originalele lui Lukas Kirner

Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.

Muzee Oraș Lucrări lui Lukas Kirner Picturi din această listă
Augustiner Museum, FreiburgAugustiner Museum Freiburg 6 Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner, Creszentia Kirner, née Knöpfle, the Artist’s Wife

Lukas Kirner, o pictură emblematică pe deceniu

Lucrări pe deceniu

Alege o deceniu pentru a descoperi opera originală care îl definește.

Picturile lui Lukas Kirner: răspunsurile galeriei

Care este cea mai celebră pictură a lui Lukas Kirner?Află răspunsul

Self-portrait (1821), Augustiner Museum, Freiburg. Urmează Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) și Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820).

Ce vârstă avea Lukas Kirner când a finalizat Self-portrait?Află răspunsul

27 ani: Self-portrait datează din 1821, iar Lukas Kirner s-a născut în 1794.

Câte lucrări a creat Lukas Kirner?Află răspunsul

Catalogul nostru cuprinde 6 lucrări ale lui Lukas Kirner, datate între 1820 și 1851.

Unde sunt expuse cele mai celebrele opere originale ale lui Lukas Kirner?Află răspunsul

În principal în Augustiner Museum (Freiburg). Tabelul cu muzee de mai sus le enumeră pe toate.

Când a creat Lukas Kirner cele mai faimoase picturi?Află răspunsul

În 1820s: 3 dintre cele 6 lucrări de pe această pagină au fost realizate atunci, fiind Self-portrait dintre acestea.

Care sunt cele mai vechi și cele mai recente opere celebre ale lui Lukas Kirner?Află răspunsul

Pe această pagină, cea mai veche lucrare datează din Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820), iar cea mai recentă este din Portrait of Frau Wenz (1851).

Ce opere originale ale lui Lukas Kirner deține Augustiner Museum?Află răspunsul

Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner și Creszentia Kirner, née Knöpfle, the Artist’s Wife: Augustiner Museum, Freiburg deține 6 dintre lucrările de pe această pagină.

Lukas Kirner: artistul

A life shaped by the Black Forest

Lukas Kirner began his days in Furtwangen im Schwarzwald, a place defined by the steady rhythm of clock manufacturing. He was born into a family where hands were accustomed to fine, precise work; his father, Johann Kirner, worked as a shoemaker, and he himself spent early years learning the delicate craft of painting clock faces. This background in watchmaker painting left a mark on how he approached a canvas. There was a certain patience required for such small, intricate surfaces, a habit that carried over into his later work with oil and color.

His path moved from the mechanical precision of the Black Forest to the Royal Higher Art School in Augsburg. By 1825, he had moved to Günzburg, Bavaria, alongside his wife, Crescentia Knöpfle. While his brother, Johann Baptist Kirner, sought different paths through Munich and Italy, Lukas remained deeply connected to the people of his home region. He found himself painting the faces of those who lived among the trees and hills—merchants, industrialists, and families of farmers.

The quiet study of a face

The work itself often focused on the individual. In his portraits, there is a reliance on chiaroscuro, using the interplay of light and shadow to pull a figure out from the darkness. He did not seek to decorate a room so much as to capture a presence. His brushwork applied color with a meticulousness that mirrored his early training. When he painted his wife, Crescentia, or his sister Karoline, the attention to detail was not merely about clothing or jewelry, but about the way light rested on a cheek or a brow.

His style sat within the Romantic movement, though it felt more grounded than the grander, more dramatic expressions of that era. He preferred an emphasis on emotion and individuality through subtle means. A portrait of a young man with whiskers or a depiction of two brothers shows a focus on the person in front of him. The use of light was never loud; it was a tool used to highlight specific features, creating a sense of depth and quiet introspection.

Legacy in paint

Lukas Kirner’s time in the art world was marked by these steady commissions. His ability to represent both the local peasantry and those with higher social standing, such as Princess Amélie, allowed his work to bridge different layers of society. Some of his paintings found their way into the Augustinermuseum in Freiburg, where they remain part of a permanent collection.

He returned to Furtwangen, the town of his birth, where he passed away in 1851. The traces of his life are found in the specific subjects he chose to immortalize: