Actualizat Octombrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 43 lucrări ale lui Józef Mehoffer în catalogul nostru
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În ochii galeriei, cea mai celebră pictură a lui Józef Mehoffer este Wife’s portrait study, sketch for “Strange garden” (1902), a cărei originală este expusă la Muzeul Național din Varșovia, Varșovia. Marshal Milkowski (1885) și Iza Axentowicz (1907) completează trioul pe care orice ochi îl recunoaște. Dintre cele 43 opere ale lui Józef Mehoffer din catalogul nostru, galeria prezintă mai jos cele 43 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.
A woman’s face emerges from a deep, nocturnal gloom. The light catches the curve of her cheek and the bridge of her nose, pulling her features forward from a background of ink and midnight blue. She wears a large, dark hat, a heavy shape defined by swirling, green feather-like strokes that seem to pulse with a life of their own. This is a moment of quietude, a sketch captured in…
The gaze of Iza Axentowiczowa née Giełgud meets the viewer through this intimate portrait, a work that captures a specific moment of poise and presence. Painted in 1907, the image presents a woman of quiet dignity, her form rendered with a sensitivity that suggests a deep familiarity between the subject and the artist. This portrait of Iza Axentowicz remains a significant piece of the artist's legacy, capturing her essence through…
Strange garden1903 · Muzeul Național din Varșovia
12
Portrait of Wife1904 · Muzeul Național din Cracovia
13
Paon (Sketches by the Artists of the Young Poland from the Café "Paon" of Ferdynand Turliński)1899 · Muzeul Național din Cracovia
14
Three angels1901 · Muzeul Național din Varșovia
15
Head of a girl against gold background1901 · Muzeul Național din Varșovia
16
Portrait of Iza Axentowicz (nee Giełgud)1907 · Muzeul Național din Varșovia
17
Portrait of artist's wife, Jadwiga (nee Janakowska)1907 · Muzeul Național din Varșovia
18
Portrait of Maksymilian Ehrenpreis1911 · Muzeul Național din Varșovia
19
Portrait of artist's wife with Pegasus.1913 · Museum of Art in Łódź
20
Vita somnium breve1906 · Muzeul Național din Cracovia
21
Planty Park in Kraków1898 · Muzeul Național din Varșovia
22
Our Lady Victorious1898 · Fribourg Cathedral
23
Head of a Model1896
24
La Gorge d'Areuse1897 · Muzeum Narodowe w Pozaniu
25
The Muse1897 · Muzeum Narodowe w Warszawie
26
The Mantelpiece1895 · Muzeum Narodowe w Pozaniu
27
Main Market Square in Krakow1903 · Muzeul Național din Cracovia
28
Landscape, sketch for “Strange garden”1902 · Muzeul Național din Varșovia
29
Eucharist1901 · Fribourg Cathedral
30
The Farewell1900
31
Three Kings1905 · Fribourg Cathedral
32
The Florentine Portrait of the Artist's Wife1900
33
Martyrs1905 · Fribourg Cathedral
34
May sun1911 · Muzeul Național din Varșovia
35
Zinnias1911 · Muzeul Național din Varșovia
36
St. George, Michael, Anne and Mary Magdalene1910 · Fribourg Cathedral
37
Saints bishops and deacons (St. Stephen, Lawrence, Martin of Tours and Claudio of Besançon),1917 · Fribourg Cathedral
38
Portrait of Father J. Joachim Berthier1918
39
Portrait of Juliusz KossakMuzeul Național din Varșovia
40
Allegory of Prosperity
41
Mosaic in the Armenian Cathedral in Lviv
42
Wife's portrait1909 · Silesian Museum in Katowice
43
Red Umbrella1917 · Muzeul Național din Cracovia
Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.
Cele 7 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Józef Mehoffer | Picturi din această listă |
|---|---|---|---|
 Muzeul Național din Varșovia |
Varșovia | 17 | Wife’s portrait study, sketch for “Strange garden”, Iza Axentowicz, Portrait of Wanda Strażyńska |
 Muzeul Național din Cracovia |
Cracovia | 8 | Self-Portrait (1898), Self-Portrait, Sketch to the Painting "Conversation" |
 Fribourg Cathedral |
Fribourg | 6 | Our Lady Victorious, Eucharist, Three Kings |
 Muzeum Narodowe w Pozaniu |
Poznań | 2 | La Gorge d'Areuse, The Mantelpiece |
 Museum of Art in Łódź |
Łódź | 1 | Portrait of artist's wife with Pegasus. |
 Muzeum Narodowe w Warszawie |
Warsaw | 1 | The Muse |
 Silesian Museum in Katowice |
Katowice | 1 | Wife's portrait |
Alege o deceniu pentru a descoperi opera originală care îl definește.
A woman’s face emerges from a deep, nocturnal gloom. The light catches the curve of her cheek and the bridge of her nose, pulling her features forward from a background of ink and midnight blue. She wears a large, dark hat, a heavy shape defined by swirling, green feather-like strokes that seem to pulse with a life of their own. This is a moment of quietude, a sketch captured in…
Wife’s portrait study, sketch for “Strange garden” (1902), Muzeul Național din Varșovia, Varșovia. Urmează Marshal Milkowski (1885) și Iza Axentowicz (1907).
33 ani: Wife’s portrait study, sketch for “Strange garden” datează din 1902, iar Józef Mehoffer s-a născut în 1869.
Wife’s portrait study, sketch for “Strange garden”, Marshal Milkowski, Iza Axentowicz, Portrait of Wanda Strażyńska, Portrait of sculptor Konstanty Laszczka., Self-Portrait (1898), Self-Portrait, Sketch to the Painting "Conversation", Self-portrait și Village girl. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 43 lucrări ale lui Józef Mehoffer, datate între 1885 și 1918.
În principal în Muzeul Național din Varșovia (Varșovia), Muzeul Național din Cracovia (Cracovia) și Fribourg Cathedral (Fribourg). Tabelul cu muzee de mai sus le enumeră pe toate.
În 1900s: 17 dintre cele 43 lucrări de pe această pagină au fost realizate atunci, fiind Wife’s portrait study, sketch for “Strange garden” dintre acestea.
Pe această pagină, cea mai veche lucrare datează din Marshal Milkowski (1885), iar cea mai recentă este din Portrait of Father J. Joachim Berthier (1918).
Portrait (3) și Woman (2), din cele 43 lucrări de pe această pagină.
Oil On Canvas, pentru 2 dintre cele 43 lucrări de pe această pagină.
Art nouveau, judecând după originalele de pe această pagină.
Wife’s portrait study, sketch for “Strange garden”, Iza Axentowicz și Portrait of Wanda Strażyńska: Muzeul Național din Varșovia, Varșovia deține 17 dintre lucrările de pe această pagină.
Józef Mehoffer arrived in the world in Ropczyce, Poland, in 1869, though his path to the easel was not immediate. Before he embraced the brush, he pursued legal studies, a direction that only shifted after a gift of paints revealed a different vocation. He sought formal training at the Academy of Fine Arts in Kraków under Władysław Łuszczkiewicz, later expanding his horizons through studies in Vienna and Paris at the Académie Colarossi. This period of wandering through Europe’s great art centers allowed him to absorb the diverse currents of his era.
His work became a bridge between the academic traditions of his teachers, such as Jan Matejko, and the emerging avant-garde. He moved with ease between easel painting and the monumental demands of decorative arts. Whether working on portraits, landscapes, or intricate book illustrations, Mehoffer sought a fusion of form and color. His style grew to include elements of Post- Impressionism and the Secession movement, often utilizing bold palettes and fluid lines that mirrored the organic spirit of Art Nouveau.
While his presence was felt throughout Poland, Mehoffer achieved significant recognition through his work in Switzerland. Between 1895 and 1936, he dedicated decades to a cycle of thirteen stained-glass compositions for the Cathedral of St. Nicholas in Fribourg. This undertaking required immense technical precision, as he treated the lead came not merely as a structural necessity but as an autonomous graphic line. He selected glass of varying thicknesses and textures, using silver stain and vitreous black to manipulate how light moved through the windows.
The success of these windows brought him international attention. At the 1900 Paris World's Fair, his window titled The Martyrs earned a gold medal. This period of his life saw him blending Polish folk motifs with the sophisticated aesthetics of European Art Nouveau. His ability to translate complex religious and symbolic themes into luminous glass remains a central part of his professional identity.
Mehoffer’s creative output was remarkably broad, refusing to be confined to a single medium. He was as much a designer of furniture, textiles, and posters as he was a painter of canvases. His hand could be found in the mosaics of the Armenian Cathedral in Lviv and the frescoes of Wawel Cathedral. In 1897, he helped found the society Sztuka, an organization that sought to assert the independence of Polish art from the influence of occupying powers.
In his later years, Mehoffer established a home and studio on Krupnicza Street in Kraków. This house, which he purchased in 1932, became a center for musical and literary gatherings, reflecting his role as a figure of the Polish intelligentsia. He lived through the profound shifts of the early twentieth century, continuing to work even during the hardships of the Second World War. When he passed away in Wadowice in 1946, he left behind a body of work that spanned the transition from nineteenth-century tradition to the modern decorative era.
