Pe scurt
Dintre toate originalele lăsate de James Herring, cea mai faimoasă este James Monroe (1834), din colecția National Portrait Gallery, Washington, D.C.. Imediat după acestea urmează Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) și Jacob Jennings Brown (1775-1828) (1835). Catalogul nostru cuprinde 6 lucrări ale lui James Herring; galeria a păstrat cele 6 pe care lumea le admiră cel mai mult, fiecare fiind prezentată împreună cu data, muzeul și povestea sa.
Cele mai importante 10 picturi ale lui James Herring: selecția galeriei
Muzeele care păstrează originalele lui James Herring
Cele 2 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui James Herring | Picturi din această listă |
|---|---|---|---|
| New York City | 5 | Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828), William Lintz (ca. 1815-1874) | |
| Washington, D.C. | 1 | James Monroe |
James Herring an de an: originalele care definesc fiecare perioadă
Selecția urmărește activitatea lui James Herring pe parcursul a 12 ani, de la 1834 la 1845, păstrând cele mai deosebite originale ale fiecărei ani.
Lucrări pe an
Alege un an pentru a vedea originalele acestuia.
Întrebări ale colecționarilor despre picturile lui James Herring
Pentru ce operă este cel mai cunoscut James Herring?Află răspunsul
James Monroe (1834), National Portrait Gallery, Washington, D.C.. Urmează Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) și Jacob Jennings Brown (1775-1828) (1835).
Ce vârstă avea James Herring când a fost creată James Monroe?Află răspunsul
40 ani: James Monroe datează din 1834, iar James Herring s-a născut în 1794.
Câte picturi a lăsat James Herring?Află răspunsul
Catalogul nostru cuprinde 6 lucrări ale lui James Herring, datate între 1834 și 1845.
În ce muzee sunt expuse capodoperele lui James Herring?Află răspunsul
În principal în New York Historical Society (New York City) și National Portrait Gallery (Washington, D.C.). Tabelul cu muzee de mai sus le enumeră pe toate.
În ce ani a pictat James Herring cele mai cunoscute opere?Află răspunsul
În 1845: 2 dintre cele 6 lucrări de pe această pagină au fost realizate atunci, fiind William Lintz (ca. 1815-1874) dintre acestea.
Care sunt prima și ultima pictură originală celebră a lui James Herring?Află răspunsul
Pe această pagină, cea mai veche lucrare datează din James Monroe (1834), iar cea mai recentă este din William Lintz (ca. 1815-1874) (1845).
Ce lucrări ale lui James Herring sunt expuse la New York Historical Society?Află răspunsul
Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828) și William Lintz (ca. 1815-1874): New York Historical Society, New York City deține 5 dintre lucrările de pe această pagină.
James Herring: viață și operă
The Life and Legacy of James Herring
Born in London on January 12, 1794, James Herring was an artist whose life journey mirrored the expanding horizons of the nineteenth-century Atlantic world. Though his roots were English, his spirit was profoundly shaped by the American landscape after he emigrated to the United States with his family in 1805. Growing up amidst the bustling energy of New York City and the developing reaches of New Jersey, Herring’s early years were marked by a diverse range of trades. Before finding his true calling at the easel, he navigated the worlds of education as a school teacher and even engaged in the gritty commerce of his father's distillery business in the Bowery. This varied upbringing provided him with a unique, grounded perspective that would later infuse his work with a sense of unpretentious, honest observation.
Herring’s artistic evolution began not with grand canvases, but with the meticulous and delicate task of coloring prints and maps. This early immersion in graphic arts instilled in him a profound respect for line and detail, a skill set that would serve him well as he moved to Philadelphia to continue his work in map coloring. However, the pull of portraiture eventually drew him back to New York, where he settled in Chatham Square. It was here that he truly found his voice, transitioning from the precise world of cartography to the more expressive realm of portrait painting. His ability to capture the essence of a subject—whether through a formal likeness or a more spirited profile—marked him as a significant figure in the burgeoning American art scene of the mid-1800s.
Artistic Style and Contributions
The work of James Herring is often characterized by its charming, almost naive quality, particularly when he turned his attention to animal subjects and landscapes. While he was a master of the formal portrait, there is a palpable warmth in his depictions of working horses, chickens, and pastoral scenes that suggests a deep affection for the everyday rhythms of American life. His technique, while rooted in the precision learned from his early days with prints, allowed for a certain fluidity and emotional resonance. He was not merely a recorder of faces but an illustrator of character, a talent he shared with notable contemporaries like James Barton Longacre when they collaborated on documenting American biography in the National Portrait Gallery.
Beyond his individual canvases, Herring was a vital promoter of the arts during a period when American artistic identity was still being forged. He possessed a visionary drive to elevate the status of local talent, famously persuading the American Academy of Fine Arts to support significant publications. His influence extended through generations, as seen in the career of his son, Frederick William Herring, who studied under his father and continued the family tradition of portraiture. Through his dual roles as a practitioner and an advocate, Herring helped lay the groundwork for a more robust and self-assured American art movement.
Historical Significance
Today, the historical importance of James Herring lies in his role as a bridge between the colonial traditions of Europe and the emerging aesthetic of a young United States. His work serves as a visual archive of nineteenth-century life, capturing both the dignified portraits of notable citizens and the humble beauty of the natural world. The enduring legacy of his art can be seen in the collections of prestigious institutions such as:
- The Morris Museum of Art
- The Mattatuck Museum
- Oolite Arts, 924 & 928 Gallery
As an artist who moved seamlessly between the technical rigors of engraving and the soulful expression of painting, Herring remains a fascinating figure for scholars and lovers of art alike. His life, spanning from the streets of London to the heart of New York, encapsulates the transformative energy of his era, leaving behind a body of work that continues to resonate with its quiet, enduring truth.

