Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 87 lucrări ale lui James Carroll Beckwith în catalogul nostru
Pe scurt
În ochii galeriei, cea mai celebră pictură a lui James Carroll Beckwith este The Falconer (1878). The Letter (1910) și The emperor completează trioul pe care orice ochi îl recunoaște. Dintre cele 87 opere ale lui James Carroll Beckwith din catalogul nostru, galeria prezintă mai jos cele 77 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.
We are looking at The Falconer, a work created by James Carroll Beckwith in 1878. This piece offers a quiet glimpse into the artist's hand during a significant period of his development. It captures a singular moment of focus between a man and his bird, rendered with a precision that speaks to his disciplined training.
In The Letter, James Carroll Beckwith captures a quiet, suspended moment of intimacy. A woman stands before a mirror, her attention entirely consumed by the paper held in her hands. The scene unfolds in a soft, warm light that wraps around her figure, creating a sense of private contemplation. She is lost in the words of the letter, seemingly unaware of anything beyond the message before her eyes.
The artwork, titled L' Empereur, was executed by the American artist James Carroll Beckwith. This oil on canvas piece was created about 1912. It is currently held within the collection of the Smithsonian American Art Museum in Washington, D.C.
In Portrait of Tito, James Carroll Beckwith centers the composition on the subject's face and upper torso. Presented from the chest up, the man gazes directly at the viewer, his expression carrying a slight melancholy. The perspective remains relatively shallow, a choice that directs all attention toward the sitter's immediate presence. This focus is reinforced by the way light and shadow define the figure; an unseen light source from the…
In this three-quarter length portrait by James Carroll Beckwith, titled Portrait of Mrs. William C. Bartlett, the subject is positioned slightly off-center. She meets the viewer with a calm, steady gaze. The composition relies on a controlled interplay of light and shadow, with illumination appearing to originate from the upper left. This directional light casts gentle shadows across the right side of her face, providing a sense of three-dimensional volume…
This 1882 oil on canvas presents a three-quarter length portrait of Mrs. John William Davis. The subject is positioned slightly off-center against a dark burgundy background. She wears a black velvet dress that absorbs the light, contrasted by white lace at the neckline and a red floral corsage. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating highlights on her…
A somber, formal portrait of an elderly man emerges from a void of deep shadows. Positioned in a three-quarter view, the subject gazes forward with a steady, unyielding expression. The composition is minimalist, relying on a dark, muted palette of blacks and browns to push the brightly lit features of the face and the crisp white of a shirt cuff into the foreground. This use of chiaroscuro creates a profound…
The oil painting titled Normandy Girl was created by James Carroll Beckwith. This work emerged around 1883, a period when the artist was refining his naturalist approach. The canvas captures a quiet moment, a single figure suspended against a backdrop of textured straw.
James Carroll Beckwith created Under the Lilacs about 1879. The portrait features a young woman positioned in profile, her gaze directed downward in a moment of quiet contemplation. Her attire suggests a subject from an upper-middle class background, grounding the figure in the social realities of the late nineteenth century.
The Telephone and the Ticker; Study for Manufactures Building is a significant preparatory work by the American artist James Carroll Beckwith. Born in 1852, Beckwith developed a style that reflected the evolving spirit of American realism during the late nineteenth century. This particular piece functions as a study for "Electricity as Applied to Commerce," a theme intended for the grander architectural program of the World's Columbian Exposition. It was conceived…
George Martin Lane (1823-1897)1889 · Harvard Art Museums
12
Sylvan Toilette1898
13
Samuel Verplanck Hoffman (1866–1942)1907 · New York Historical Society
14
Lost in Thought1908
15
Mother and Child1910
16
Self Portrait1898 · Detroit Institute of Arts
17
Palazzo Barberini, Rome
18
Nude Woman
19
Portrait of John Leslie Breck
20
John Singer Sargent (1856–1925)1876
21
La Tour de Solidor at St. Severin, Normandy1877
22
On the Banks of the Rhine, near St. Germain at Mont d'Or1878
23
Peasant Against Hay1883
24
Marguerite1882
25
William Walton1886
26
Portrait of Evelyn Nesbitt1900
27
Lake of Orta1910 · Metropolitan Museum of Art
28
Mrs. John William Davis (1832-1902)New York Historical Society
29
Portrait of William Merritt ChaseIndianapolis Museum of Art
30
Head of a Young Woman
31
Portrait of the Artist's Mother
32
Portrait of a Woman
33
Portrait of Minnie Clark
34
Nymph and Cupid
35
Portrait of Lida Rose McCabe
36
A Study with Sunlight
37
La Tour de Solidor at St. Severin, NormandySmithsonian American Art Museum
38
Portrait of a pensive lady
39
Portrait of Evelyn Nesbitt 1
40
Allee de l'Ete, Versailles
41
Woman with Guitar
42
An American Queen
43
Brunette Combing Her Hair
44
The BlacksmithSmithsonian American Art Museum
45
Margharite
46
Diand
47
The Embroiderer
48
Carrefour at the End of the Tapis Vert, Versailles
49
Corner of the Terrace, Versailles1911
50
Cathedral at le Puy1911 · Smithsonian American Art Museum
51
Palazzo Barberini, Rome1910 · Smithsonian American Art Museum
52
St. Isidor, Rome1911 · Smithsonian American Art Museum
53
Terminal Figure of Ceres1911 · Smithsonian American Art Museum
54
New Hamburg Garden1910
55
Jardin de la Fontaine at Nimes, France1911 · Smithsonian American Art Museum
56
In the Gardens of the Villa Palmieri1910 · Smithsonian American Art Museum
57
Modigliani Gate Post1910 · Smithsonian American Art Museum
58
The Palace of the Popes and Pont d'Avignon1911 · Smithsonian American Art Museum
59
Parterre du Nord, Fontaine des Sirenes1913 · Smithsonian American Art Museum
60
Nymph and Cupid1913 · Smithsonian American Art Museum
61
Allee de l'Ete, Versailles1913 · Smithsonian American Art Museum
62
Bassin de Neptune, Versailles1913 · Smithsonian American Art Museum
63
Syrinx, Par Maziere, 1689 Bassin d'Apollon1913 · Smithsonian American Art Museum
64
Arcade of the Grand Trianon, Versailles1913 · Smithsonian American Art Museum
65
One of the Figures at the Parterre d'Eau1913 · Smithsonian American Art Museum
66
L' Empereur1912 · Smithsonian American Art Museum
67
Untitled1910
68
Cathedral at le Puy
69
UntitledSmithsonian American Art Museum
70
Back of J.F. Millet's Garden
71
The Boathouse in Central Park
72
In the Gardens of the Villa Palmieri
73
Arcade of the Grand Trianon, Versailles
74
The Palace of the Popes and Pont d'Avignon
75
A Wistful Look
76
Gree
77
On the Banks of the Rhine, near St. Germain at Mont d'OrSmithsonian American Art Museum
Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.
Cele 7 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui James Carroll Beckwith | Picturi din această listă |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 20 | La Tour de Solidor at St. Severin, Normandy, The Blacksmith, Cathedral at le Puy |
 New York Historical Society |
New York City | 4 | Mrs. John William Davis (1832–1902), Dorman Bridgman Eaton (1823-1899), Samuel Verplanck Hoffman (1866–1942) |
 Indianapolis Museum of Art |
Indianapolis | 2 | Portrait of Mrs. William C. Bartlett, Portrait of William Merritt Chase |
 Cooper Hewitt, Smithsonian Design Museum |
New York City | 1 | The Telephone and the Ticker; Study for Manufactures Building |
 Harvard Art Museums |
Cambridge | 1 | George Martin Lane (1823-1897) |
 Detroit Institute of Arts |
Detroit | 1 | Self Portrait |
 Metropolitan Museum of Art |
New York | 1 | Lake of Orta |
Alege o deceniu pentru a descoperi opera originală care îl definește.
We are looking at The Falconer, a work created by James Carroll Beckwith in 1878. This piece offers a quiet glimpse into the artist's hand during a significant period of his development. It captures a singular moment of focus between a man and his bird, rendered with a precision that speaks to his disciplined training.
This 1882 oil on canvas presents a three-quarter length portrait of Mrs. John William Davis. The subject is positioned slightly off-center against a dark burgundy background. She wears a black velvet dress that absorbs the light, contrasted by white lace at the neckline and a red floral corsage. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating highlights on her…
The Telephone and the Ticker; Study for Manufactures Building is a significant preparatory work by the American artist James Carroll Beckwith. Born in 1852, Beckwith developed a style that reflected the evolving spirit of American realism during the late nineteenth century. This particular piece functions as a study for "Electricity as Applied to Commerce," a theme intended for the grander architectural program of the World's Columbian Exposition. It was conceived…
In The Letter, James Carroll Beckwith captures a quiet, suspended moment of intimacy. A woman stands before a mirror, her attention entirely consumed by the paper held in her hands. The scene unfolds in a soft, warm light that wraps around her figure, creating a sense of private contemplation. She is lost in the words of the letter, seemingly unaware of anything beyond the message before her eyes.
The Falconer (1878). Urmează The Letter (1910) și The emperor.
26 ani: The Falconer datează din 1878, iar James Carroll Beckwith s-a născut în 1852.
The Falconer, The Letter, The emperor, Portrait of Tito, Portrait of Mrs. William C. Bartlett, Mrs. John William Davis (1832–1902), Dorman Bridgman Eaton (1823-1899), Normandy Girl, Under the Lilacs și The Telephone and the Ticker; Study for Manufactures Building. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 87 lucrări ale lui James Carroll Beckwith, datate între 1876 și 1913.
În principal în Smithsonian American Art Museum (Washington, D.C.), New York Historical Society (New York City) și Indianapolis Museum of Art (Indianapolis). Tabelul cu muzee de mai sus le enumeră pe toate.
În 1910s: 22 dintre cele 77 lucrări de pe această pagină au fost realizate atunci, fiind The Letter dintre acestea.
Pe această pagină, cea mai veche lucrare datează din John Singer Sargent (1856–1925) (1876), iar cea mai recentă este din Parterre du Nord, Fontaine des Sirenes (1913).
Man (7), Woman (7) și Portraits (7), din cele 77 lucrări de pe această pagină.
Oil On Canvas, pentru 15 dintre cele 77 lucrări de pe această pagină.
Impressionism, judecând după originalele de pe această pagină.
La Tour de Solidor at St. Severin, Normandy, The Blacksmith și Cathedral at le Puy: Smithsonian American Art Museum, Washington, D.C. deține 20 dintre lucrările de pe această pagină.
