Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Pe scurt
Dead Wildfowl (1674) este pictura lui Jacob Biltius care atrage cele mai multe priviri; originalul aparține Statens Museum For Kunst, Copenhaga. După aceasta, privirea se îndreaptă către Dead Birds (1670) și Snip, hanging (1663). Dintre cele 10 opere ale lui Jacob Biltius din catalogul nostru, acestea 10 sunt cele mai celebre, fiecare fiind o piesă unică, prezentată împreună cu anul creării, muzeul deținător și motivul pentru care aceasta rămâne memorabilă.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.
Cele 3 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Jacob Biltius | Picturi din această listă |
|---|---|---|---|
| Copenhaga | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Leeuwarden | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
O carieră de 17 ani, de la 1663 la 1679: cele mai faimoase originale ale lui Jacob Biltius, prezentate an de an.
Alege un an pentru a vedea originalele acestuia.
Mai multe de la 1666
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Mai multe de la 1670
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum For Kunst, Copenhaga. Urmează Dead Birds (1670) și Snip, hanging (1663).
41 ani: Dead Wildfowl datează din 1674, iar Jacob Biltius s-a născut în 1633.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall și Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 10 lucrări ale lui Jacob Biltius, datate între 1663 și 1679.
În principal în Statens Museum For Kunst (Copenhaga), Fries Museum (Leeuwarden) și Kunsthandel P. de Boer. Tabelul cu muzee de mai sus le enumeră pe toate.
În 1663: 2 dintre cele 10 lucrări de pe această pagină au fost realizate atunci, fiind Snip, hanging dintre acestea.
Pe această pagină, cea mai veche lucrare datează din Snip, hanging (1663), iar cea mai recentă este din Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Feathers (2) și Dark background (2), din cele 10 lucrări de pe această pagină.
Oil On Canvas, pentru 2 dintre cele 10 lucrări de pe această pagină.
Dead Wildfowl, Dead Birds și Wildfowl on a Wooden Table: Statens Museum For Kunst, Copenhaga deține 5 dintre lucrările de pe această pagină.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.