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Picturi Gabriel von Hackl: Cele 3 de cele mai faimoase, prin ochii unei galerii
Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 3 lucrări ale lui Gabriel von Hackl în catalogul nostru
Pe scurt
În ochii galeriei, cea mai celebră pictură a lui Gabriel von Hackl este Emperor Joseph II as a Boy with the Invalids in Vienna (1882). The First Quarter (1812) (1893) și Saint Charles Borromeo with the Plague Victims completează trioul pe care orice ochi îl recunoaște. Dintre cele 3 opere ale lui Gabriel von Hackl din catalogul nostru, galeria prezintă mai jos cele 3 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.
1843 – 1926, Maribor
Cele mai multe lucrări: Colecțiile Statale de Pictură din Bavaria
Cele mai apreciate 10 picturi ale lui Gabriel von Hackl din galerie
Muzeele care păstrează originalele lui Gabriel von Hackl
Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Gabriel von Hackl | Picturi din această listă |
|---|---|---|---|
 Colecțiile Statale de Pictură din Bavaria |
Munchen | 2 | The First Quarter (1812), Saint Charles Borromeo with the Plague Victims |
Gabriel von Hackl, picturile emblematice ale fiecărei ani
Cariera lui Gabriel von Hackl pe această pagină se întinde pe 12 ani, de la 1882 la 1893: fiecare an este prezentat împreună cu cele mai faimoase opere originale.
Lucrări pe an
Alege un an pentru a vedea originalele acestuia.
Picturile lui Gabriel von Hackl: răspunsurile galeriei
Care este cea mai celebră pictură a lui Gabriel von Hackl?Află răspunsul
Emperor Joseph II as a Boy with the Invalids in Vienna (1882). Urmează The First Quarter (1812) (1893) și Saint Charles Borromeo with the Plague Victims.
Ce vârstă avea Gabriel von Hackl când a finalizat Emperor Joseph II as a Boy with the Invalids in Vienna?Află răspunsul
39 ani: Emperor Joseph II as a Boy with the Invalids in Vienna datează din 1882, iar Gabriel von Hackl s-a născut în 1843.
Câte lucrări a creat Gabriel von Hackl?Află răspunsul
Catalogul nostru cuprinde 3 lucrări ale lui Gabriel von Hackl, datate între 1882 și 1893.
Unde sunt expuse cele mai celebrele opere originale ale lui Gabriel von Hackl?Află răspunsul
În principal în Colecțiile Statale de Pictură din Bavaria (Munchen). Tabelul cu muzee de mai sus le enumeră pe toate.
Care sunt cele mai vechi și cele mai recente opere celebre ale lui Gabriel von Hackl?Află răspunsul
Pe această pagină, cea mai veche lucrare datează din Emperor Joseph II as a Boy with the Invalids in Vienna (1882), iar cea mai recentă este din The First Quarter (1812) (1893).
Ce opere originale ale lui Gabriel von Hackl deține Colecțiile Statale de Pictură din Bavaria?Află răspunsul
The First Quarter (1812) și Saint Charles Borromeo with the Plague Victims: Colecțiile Statale de Pictură din Bavaria, Munchen deține 2 dintre lucrările de pe această pagină.
Gabriel von Hackl: artistul
A Life Shaped by Anatomy and Art
Born in Maribor within the Austrian Empire, Gabriel von Hackl began his life under the shadow of a different discipline. As the son of a surgeon, his early path was directed toward the medical sciences. He pursued this expectation with diligence, studying anatomy, archaeology, and drawing at the University of Vienna. This rigorous scientific foundation would later define the precision of his brushwork. His familiarity with the human form was not merely academic; it became the very marrow of his artistic practice.
In 1865, the pull of Munich led him away from the medical lecture halls and toward the Akademie der Bildenden Künste. Under the guidance of Alexander Wagner and Carl Theodor von Piloty, he transitioned from a student of science to a practitioner of the historicist style. He furthered his technical training at the Münchner Kunstgewerbeschule, eventually marrying Sophie Schmid. His early years in Munich were marked by this careful blending of anatomical accuracy and historical narrative.
The Professor and the Academy
By 1878, Hackl had moved from the student's desk to the professor's lectern. He held a position as a lecturer in drawing at the Münchner Kunstakademie, a role he maintained for over four decades until 1919. Within these halls, he was known as a demanding instructor, particularly regarding the complexities of anatomical studies. His classroom was a place of discipline where the physical reality of the body met the demands of fine art.
His professional circle included notable figures such as Franz von Stuck and Wilhelm von Diez. He also contributed to the Luitpold-Gruppe, an association formed in 1896. While his own name did not achieve the enduring fame of some of his contemporaries, his influence was felt through the many students who passed through his studio. These individuals went on to find their own footing in the art world, carrying with them the technical rigor he instilled.
A Changing Hand
The evolution of Hackl's work mirrored the shifting currents of late nineteenth-century painting. While his roots remained in historicism and genre scenes, his later years saw a movement toward an impressionistic touch. His ability to render highly detailed portraits and figures remained, yet there was a softening in his approach as time progressed. This transition from the precise to the more fluid allowed him to navigate the changing tastes of the era.
His legacy is found less in a singular collection of famous canvases and more in the institutional presence of his work. Pieces of his output are held in several significant repositories, including:
- Museum Georg Schäfer, Schweinfurt
- Kunsthistorisches Museum, Vienna
- Neue Pinakothek, Munich
- Steiermärkisches Landesmuseum Joanneum, Graz
He passed away in Munich on 5 June 1926. He left behind a record of a man who successfully bridged the gap between the clinical observation of a surgeon's son and the expressive requirements of a painter.