Portretul lui Francesco Bartolozzi

Cele 2 cele mai faimoase picturi ale lui Francesco Bartolozzi, o selecție de galerie

Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 2 lucrări ale lui Francesco Bartolozzi în catalogul nostru

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Dintre toate originalele lăsate de Francesco Bartolozzi, cea mai faimoasă este Thomas Cheesman (1777), din colecția National Portrait Gallery, Londra. Catalogul nostru cuprinde 2 lucrări ale lui Francesco Bartolozzi; galeria a păstrat cele 2 pe care lumea le admiră cel mai mult, fiecare fiind prezentată împreună cu data, muzeul și povestea sa.

1728 – 1815, Florence Cele mai multe lucrări: National Portrait Gallery

Cele mai importante 10 picturi ale lui Francesco Bartolozzi: selecția galeriei

1
Thomas Cheesman (1777) de Francesco Bartolozzi

Thomas Cheesman

1777 · Oil On Canvas · National Portrait Gallery, Londra

This oil on canvas portrait depicts Thomas Cheesman, an English engraver and draughtsman. Attributed to the artist Francesco Bartolozzi, the work was created circa 1777. The subject, who lived from 1760 to circa 1834, is presented in a formal manner that identifies his professional standing. The painting is held within the National Portrait Gallery in London.

2
Bacchante (1786) de Francesco Bartolozzi

Bacchante

1786 · Engraving · Muzeul Ermitaj, Sankt Petersburg

In this 1786 composition, we find ourselves drawn into a quiet, wooded setting where three women are gathered. There is a sense of ease in their posture, a feeling of shared companionship that feels almost private, as if we have stumbled upon a fleeting moment of rest. The figures are positioned with a natural grace; one woman rests on the left, while the other two are situated closer to the…

Muzeele care păstrează originalele lui Francesco Bartolozzi

Cele 2 muzee care dețin cele mai multe dintre picturile de pe această pagină.

Muzee Oraș Lucrări lui Francesco Bartolozzi Picturi din această listă
National Portrait Gallery, LondraNational Portrait Gallery Londra 1 Thomas Cheesman
Muzeul Ermitaj, Sankt PetersburgMuzeul Ermitaj Sankt Petersburg 1 Bacchante

Francesco Bartolozzi an de an: originalele care definesc fiecare perioadă

Doar într-un deceniu, de la 1777 la 1786, a oferit lumii fiecare lucrare originală datată a lui Francesco Bartolozzi din această selecție: iată-le, an de an.

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Alege un an pentru a vedea originalele acestuia.

Întrebări ale colecționarilor despre picturile lui Francesco Bartolozzi

Pentru ce operă este cel mai cunoscut Francesco Bartolozzi?Află răspunsul

Thomas Cheesman (1777)

Ce vârstă avea Francesco Bartolozzi când a fost creată Thomas Cheesman?Află răspunsul

49 ani: Thomas Cheesman datează din 1777, iar Francesco Bartolozzi s-a născut în 1728.

Câte picturi a lăsat Francesco Bartolozzi?Află răspunsul

Catalogul nostru cuprinde 2 lucrări ale lui Francesco Bartolozzi, datate între 1777 și 1786.

În ce muzee sunt expuse capodoperele lui Francesco Bartolozzi?Află răspunsul

În principal în National Portrait Gallery (Londra) și Muzeul Ermitaj (Sankt Petersburg). Tabelul cu muzee de mai sus le enumeră pe toate.

Care sunt prima și ultima pictură originală celebră a lui Francesco Bartolozzi?Află răspunsul

Pe această pagină, cea mai veche lucrare datează din Thomas Cheesman (1777), iar cea mai recentă este din Bacchante (1786).

Francesco Bartolozzi: viață și operă

Francesco Bartolozzi: Life and Legacy

Early Life and Training

  • Born: Florence, Italy in 1725.
  • Initially destined to follow his father’s profession as a goldsmith and silversmith.
  • Demonstrated exceptional artistic talent early on, leading him to study painting under Florentine artists Ignazio Hugford and Giovanni Domenico Ferretti.
  • Spent three years dedicated to painting before turning his attention to engraving in Venice.
  • Influenced by the work of Joseph Wagner, a prominent engraver, during his time in Venice.

Artistic Development and Style

  • Bartolozzi’s early engravings were initially in the style of artists like Marco Ricci and Zuccarelli.
  • He later developed a distinctive style, becoming renowned for popularizing the “crayon” method of engraving.
  • The ‘crayon’ manner imitated the subtle effects of chalk drawings, creating soft, delicate textures and tones.
  • His work often featured portraits and allegorical scenes, reflecting Neoclassical influences.

Career in London

  • Moved to London in 1764 and remained there for nearly forty years.
  • Quickly established himself as a leading engraver, appointed ‘Engraver to the King’ with an annual salary of £300.
  • Elected a founding member of the Royal Academy in 1768, solidifying his position within the British art establishment.
  • Contributed significantly to Boydell's Shakespeare Gallery, creating engravings based on works by prominent artists.
  • Frequently collaborated with artists such as Cipriani and Angelica Kauffman.

Major Achievements and Works

  • Notable works include engravings of “Clytie” after Annibale Carracci and the “Virgin and Child” after Carlo Dolci.
  • His skill in reproducing paintings with a chalk-like quality made his engravings highly sought after.
  • In 1802, he became the founding president of the short-lived Society of Engravers.
  • Bartolozzi’s influence extended to numerous pupils, including Michele Benedetti and Luigi Schiavonetti.

Later Life and Historical Significance

  • In 1802, Bartolozzi accepted the position of director of the National Academy of Lisbon.
  • He died in Lisbon in 1815.
  • Bartolozzi’s contribution to engraving lies in his mastery and popularization of the crayon manner, which significantly impacted the aesthetic qualities of engravings during his time.
  • His work remains a testament to the skill and artistry of 18th-century engravers and continues to be appreciated for its delicate beauty and technical brilliance.