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În ochii galeriei, cea mai celebră pictură a lui Edward Matthew Ward este A Game of Charades (1840), a cărei originală este expusă la Rhode Island School of Design Museum of Art, Providence. Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748 (1845) și Philip Henry Stanhope, Viscount Stanhope, later 5th Earl Stanhope, DCL, FRS, LLD (1805-1875) (1854) completează trioul pe care orice ochi îl recunoaște. Dintre cele 38 opere ale lui Edward Matthew Ward din catalogul nostru, galeria prezintă mai jos cele 38 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.
The scene unfolds within "A Game of Charades," a work painted by Edward Matthew Ward. This piece captures a lively moment of social interaction, frozen in time. The artist, Edward Matthew Ward, was born in Pimlico, London, in 1816. He lived until 1879, leaving behind a legacy of narrative painting that seeks to document the spirit of his era.
In this work, titled Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748, we encounter a scene of quiet social tension. The painting captures a specific moment of anticipation within an opulent setting, focusing on the figure of Dr. Johnson as he waits among a group of men. This historical narrative is brought to life by the hand of Edward Matthew Ward, a prominent English…
A single lamp casts a steady glow across the heavy, dark-clothed table, illuminating the quiet labor of a man lost in thought. Philip Henry Stanhope sits amidst a sea of leather-bound volumes and scattered papers, his presence anchored by the weight of his surroundings. The room is thick with the scent of old paper and the stillness of a Victorian study. Deep burgundies and rich golds cling to the heavy…
In this oil portrait, Edward Matthew Ward captures Thomas Babington Macaulay, Baron Macaulay, in a moment of quiet reflection. Painted about 1853, the work presents the subject during a period of significant political and intellectual activity. At this time, Macaulay was already a prominent figure in British public life, having served as the Secretary at War between 1839 and 1841. The portrait offers a glimpse into the persona of a…
The air inside the chapel feels heavy, thick with the scent of old stone and the weight of a shared, silent history. We find ourselves in Paris, standing within the dim, atmospheric reaches of Les Invalides, where the light falls in dramatic, chiaroscuro-inspired shafts upon a gathering of royalty. At the center of this theatrical arrangement, Queen Victoria moves with a quiet, regal grace. She is not merely a visitor;…
The scene unfolds within the grand, ceremonial atmosphere of Windsor Castle, capturing a momentous exchange of honors. In this 1860 history painting, titled The Investiture of Napoleon III with the Order of the Garter, 18 April 1855, the artist Edward Matthew Ward freezes a significant diplomatic encounter in time. The air seems heavy with the weight of tradition as Napoleon III receives the Order of the Garter from Queen Victoria.…
The Last Sleep of Argyle before his Execution 1685 is a somber oil painting by Edward Matthew Ward. Created about 1866, the work captures a heavy, enclosed atmosphere within a dark, rustic interior. A single figure lies in bed, anchored by the weight of impending tragedy. The scene is a quiet moment of tension, where shadows press against the stark white of linens and the deep, earthy tones of a…
The Last Parting of Marie-Antoinette and her Son by Edward Matthew Ward captures a pivotal moment from the Reign of Terror during the French Revolution. This oil on canvas history painting portrays the farewell between Marie Antoinette and her son, Louis XVII, on 3 July 1793. The scene focuses on the emotional separation of the former queen from her child amidst the political upheaval of the era.
The painting titled The Royal Family of France in the Temple is a work by the British painter Edward Matthew Ward. This piece belongs to the historical genre, a field in which Ward specialized throughout his career. The composition focuses on a group of individuals gathered around a dining table within a room that contains a couch and various chairs. The scene depicts members of the French royal family during…
The painting titled Marie Antoinette And Her Children is a work by Edward Matthew Ward. It captures the last Queen of France before the French Revolution within a quiet, indoor setting. The scene likely takes place in a room in the Palace of Versailles, where the air feels heavy with the weight of a changing era.
The Tomb of Napoleon1856 · Colecția Regală
12
Scene from ‘David Garrick’
13
Scene In Change Alley During The South Sea Bubble
14
The Royal Family Of France In The PrisonHarris Museum - Art Gallery
15
The Royal Family of France in the Prison of the Temple
16
The Ante-chamber, Whitehall,
17
The South Sea Bubble
18
General Monck Declares For A Free Parliament
19
Defoe's Manuscript Of Robinson Crusoe Rejected
20
Nell Gwynne
21
Highgate Fields During the Great Fire of London
22
King Charles II and Nell Gwynne
23
Argyll's Last Sleep Before His Execution
24
Judge Jeffreys And Richard Baxter,
25
Judge Jeffrey's Bullying Richard Baxter
26
The Fall of Clarendon
27
Final Adieu to the Dauphin
28
Hurling Abuse at Richard Baxter
29
The Veteran Of Aboukir
30
Judge Jeffries Hurling Abuse At Richard Baxter
31
Charles Ii And Nell Gwynne
32
Isaak Walton Fishing, A Summer's Day on the Banks of the River Colne
33
The Orphan of the Temple
34
Receiving The News Of The Landing Of William Of Orange
35
Marie Antoinette Listening to the Act of Accusation
36
Daniel Maclise1846 · National Portrait Gallery
37
The South Sea Bubble, a Scene in ‘Change Alley in 17201847
38
The Fall of Edward Hyde
Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.
Cele 7 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Edward Matthew Ward | Picturi din această listă |
|---|---|---|---|
 National Portrait Gallery |
Londra | 2 | Thomas Babington Macaulay, Baron Macaulay, Daniel Maclise |
 Colecția Regală |
Londra | 2 | The Investiture of Napoleon III with the Order of the Garter, 18 April 1855, The Tomb of Napoleon |
 Rhode Island School of Design Museum of Art |
Providence | 1 | A Game of Charades |
 Hughenden Manor |
High Wycombe | 1 | Philip Henry Stanhope, Viscount Stanhope, later 5th Earl Stanhope, DCL, FRS, LLD (1805-1875) |
 Buckingham Palace |
Londra | 1 | Queen Victoria at the Tomb of Napoleon, 24 August 1855 |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | The Last Sleep of Argyle before his Execution 1685 |
 Harris Museum - Art Gallery |
Preston | 1 | The Royal Family Of France In The Prison |
Alege o deceniu pentru a descoperi opera originală care îl definește.
The scene unfolds within "A Game of Charades," a work painted by Edward Matthew Ward. This piece captures a lively moment of social interaction, frozen in time. The artist, Edward Matthew Ward, was born in Pimlico, London, in 1816. He lived until 1879, leaving behind a legacy of narrative painting that seeks to document the spirit of his era.
A single lamp casts a steady glow across the heavy, dark-clothed table, illuminating the quiet labor of a man lost in thought. Philip Henry Stanhope sits amidst a sea of leather-bound volumes and scattered papers, his presence anchored by the weight of his surroundings. The room is thick with the scent of old paper and the stillness of a Victorian study. Deep burgundies and rich golds cling to the heavy…
The scene unfolds within the grand, ceremonial atmosphere of Windsor Castle, capturing a momentous exchange of honors. In this 1860 history painting, titled The Investiture of Napoleon III with the Order of the Garter, 18 April 1855, the artist Edward Matthew Ward freezes a significant diplomatic encounter in time. The air seems heavy with the weight of tradition as Napoleon III receives the Order of the Garter from Queen Victoria.…
A Game of Charades (1840), Rhode Island School of Design Museum of Art, Providence. Urmează Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748 (1845) și Philip Henry Stanhope, Viscount Stanhope, later 5th Earl Stanhope, DCL, FRS, LLD (1805-1875) (1854).
24 ani: A Game of Charades datează din 1840, iar Edward Matthew Ward s-a născut în 1816.
A Game of Charades, Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748, Philip Henry Stanhope, Viscount Stanhope, later 5th Earl Stanhope, DCL, FRS, LLD (1805-1875), Thomas Babington Macaulay, Baron Macaulay, Queen Victoria at the Tomb of Napoleon, 24 August 1855, The Investiture of Napoleon III with the Order of the Garter, 18 April 1855, The Last Sleep of Argyle before his Execution 1685, The Last Parting of Marie-Antoinette and her Son, The Royal Family of France in the Temple și Marie Antoinette And Her Children. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 38 lucrări ale lui Edward Matthew Ward, datate între 1840 și 1866.
În principal în National Portrait Gallery (Londra), Colecția Regală (Londra) și Rhode Island School of Design Museum of Art (Providence). Tabelul cu muzee de mai sus le enumeră pe toate.
În 1840s: 4 dintre cele 38 lucrări de pe această pagină au fost realizate atunci, fiind A Game of Charades dintre acestea.
Pe această pagină, cea mai veche lucrare datează din A Game of Charades (1840), iar cea mai recentă este din The Last Sleep of Argyle before his Execution 1685 (1866).
Man (6), People (4) și Woman (3), din cele 38 lucrări de pe această pagină.
Oil On Canvas, pentru 7 dintre cele 38 lucrări de pe această pagină.
Thomas Babington Macaulay, Baron Macaulay și Daniel Maclise: National Portrait Gallery, Londra deține 2 dintre lucrările de pe această pagină.
Edward Matthew Ward RA was a prominent English Victorian narrative painter celebrated for his monumental murals within the Palace of Westminster. These works depict significant episodes from British history, spanning the tumultuous period of the English Civil War to the Glorious Revolution. Beyond these large-scale commissions, Ward’s career encompassed a diverse range of subjects, reflecting his evolving artistic interests and engagement with contemporary social and political themes.
