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În ochii galeriei, cea mai celebră pictură a lui Christopher Williams este The Awakening of Wales (1911), a cărei originală este expusă la Caernarfon Royal Town Council, Carnarvon. Sir Henry Rudolf Reichel (1926) și Sunset in the Welsh Hills (1920) completează trioul pe care orice ochi îl recunoaște. Dintre cele 112 opere ale lui Christopher Williams din catalogul nostru, galeria prezintă mai jos cele 100 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.
"The Awakening of Wales," painted in 1911 by Christopher Williams, is more than just a depiction of a woman dancing; it’s a potent embodiment of Welsh identity and the burgeoning cultural revival of its time. Measuring 272 x 130 cm, this oil on canvas work, currently residing within the Caernarfon Royal Town Council collection, pulsates with an energy born from both Romantic ideals and a deep connection to the nation’s…
Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927): A Portrait of Visionary Leadership Christopher Williams’s *Sir Henry Rudolf Reichel*, completed in 1926, transcends mere portraiture; it embodies the spirit of a pivotal moment in Welsh educational history. Executed with meticulous detail and imbued with subtle symbolism, this painting captures not just Reichel's likeness but also his unwavering dedication to fostering intellectual curiosity and shaping the future of Bangor University. Williams…
The light begins to fade over the landscape in Sunset in the Welsh Hills, a work painted by Christopher Williams in 1920. This scene captures a moment where the sun retreats behind the mountain peaks, casting a warm glow across the terrain. The hills stretch toward the horizon, their silhouettes defined by the changing light of the evening. It is a quiet observation of the Welsh landscape, frozen in a…
In the evocative portrait Ceridwen, the late Victorian master Christopher Williams invites us into a realm where myth and reality converge. The painting presents a profound moment of introspection, centered on a woman draped in vibrant, crimson attire that commands the viewer's immediate attention. Seated amidst a rugged, primordial landscape of weathered rocks, she rests her chin upon her hands, her gaze lost in a deep, contemplative trance. This is…
The air in the room feels heavy with the weight of quiet thought. Thomas Francis Roberts sits motionless, his presence commanding the space through a stillness that feels almost physical. He is draped in deep crimson academic robes, a color so intense it seems to pulse against the muted, earthy tones of the private study. His hands are clasped in his lap, fingers interlaced in a gesture of composed reflection.…
The room feels heavy with the weight of a life lived in quiet contemplation. An elderly man sits anchored in the center of the frame, his presence commanding the space through a stillness that seems to vibrate with unspoken history. He is a figure of substance, draped in dark, heavy fabrics that absorb the light, leaving only the textures of his beard and the weathered lines of his face to…
In Reverend J Thomas by Christopher Williams, the subject is captured in a three-quarter length portrait, seated slightly off-center within the embrace of an ornate wooden chair. The composition rests at eye-level, establishing a direct and respectful connection with the viewer. His posture remains composed and steady, a quiet anchor amidst the shadows. The arrangement of the figure suggests a moment of stillness, held within the heavy grain of the…
A single figure dominates this vertical oil composition, positioned slightly off-center to suggest a quiet, arrested movement. The subject, a woman draped in a voluminous white gown, occupies an opulent interior where the background dissolves into blurred architectural details and heavy drapery. Warm earthy tones of ochre, beige, and muted brown establish a somber, grounded atmosphere. Light enters from a singular source, casting deep shadows that define the contours of…
A formal three-quarter length portrait of Colonel Sir Thomas Berry Cusack-Smith, depicted in the twilight of his life. Seated in an ornate chair, the subject is positioned slightly off-center, creating a balanced composition that emphasizes his dignified presence. He is rendered in full military attire, complete with medals and a Sam Browne belt, which anchor the figure within a tradition of service and duty. The lighting, originating from the upper…
The portrait depicts an elderly man seated within a room defined by dark wooden paneling and draped red fabric. He is positioned centrally, occupying much of the frame. The subject wears heavy, dark robes that fall in deep folds around his torso. His hands rest upon a book held in his lap. Light enters from the upper left, casting shadows across the contours of his face and the textures of…
Roland Williams (Hwfa Môn) (1823–1905)1905 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
12
Cader Idris1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
13
Sunset Glow on Cader Idris1920 · Aberystwyth University School of Art Museum And Galleries
14
Llangrannog1915 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
15
Tangiers1914 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
16
Sir John Williams (1840–1926), Bt, GCVO, MD1919 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
17
Borth y Gest1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
18
Model 105M R59C, Keystone Shower Door, 57.4 × 59 , Chrome Raindrop, SKU 109149, 96235. 970 084 000, (Meiko), Vancouver, B.C., April 6, 2005 (No. 1)2005
19
Barmouth1910 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
20
Llwyngwril, Near Barmouth
21
Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891)1920 · Bangor University
22
Cader Idris and Bird Rock1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
23
Paolo and Francesca1902
24
Dame Margaret Lloyd George (1866–1941)1921 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
25
Holidays, Village Girls at Llangrannog1915 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
26
Thomas Henry Thomas (1834–1915)1902
27
Mr Evan Williams, the Artist's Father1903
28
The Aldobrandini Wedding1904 · Aberystwyth University School of Art Museum And Galleries
29
Alice Sophia Amelia Stopford Green (1847–1929)1899
30
Mrs Parry Jones1900 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
31
Reverend W. E. Prydderch (1846–1931)1900 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
32
Self PortraitNational Library of Wales
33
Lloyd George as Chancellor of the Exchequer
34
Dryslwyn Castle1910
35
Evening Glow, Venice
36
The Remorse of Judas1911
37
Judas the Iscariot And It Was Night1906 · Aberystwyth University School of Art Museum And Galleries
38
Mrs Elizabeth Poole Hughes1910 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
39
The Investiture of the Prince of Wales, 19111911 · Caernarfon Royal Town Council
40
The Artist's Son, Ivor (1908–1982)Llyfrgell Genedlaethol Cymru / The National Library of Wales
41
David Lloyd George (1863–1945)1917
42
Storm over Cader Idris1917
43
On the Barmouth Estuary1917
44
Old Barmouth1917
45
Sir John Rhys (1840–1915)1913
46
Llangranog, a Fresh Morning1917
47
Colour Study for the Tomb of the Unknown Warrior1916 · Aberystwyth University School of Art Museum And Galleries
48
Street Scene in Tangiers1914
49
Criccieth Castle1917
50
The Red Dress1917
51
The Snowdon Horseshoe1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
52
'Now I'm the Judge', Gwyn Williams, the Artist's Son1912
53
Dyffwys1917 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
54
A Coastal View Porth y Nant, Lleyn1912 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
55
The Welsh Division at Mametz Wood, 1916 (detail)1917 · Royal Welch Fusiliers Regimental Museum
56
Hero and Leander1915
57
Barmouth Moonlight1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
58
Borth y Gest, Evening1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
59
Barmouth Evening1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
60
Dyffwys, North Wales1920
61
Mametz Wood (sketch)1920
62
Reflections, Venice1921 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
63
Professor Sir Henry Jones (1852–1922)1923
64
Venice, Moonlight1925
65
The Cader Idris Range1930 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
66
Apus de Soare din Barmouth1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
67
Reverend Thomas Shankland (1858–1927), Welsh Librarian, University College of North Wales (1904–1913), Librarian of the Arts Library (1913–1926)1923 · Bangor University
68
Rachel2020 · Paintings in Hospitals
69
Study for 'A Garden by the Sea', William Morris1906 · Aberystwyth University School of Art Museum And Galleries
70
Untitled (Kunsthalle Zürich (Opening), Switzerland, 2007)2007
71
Untitled (Sammlung Haubrok, Berlin, Germany, 2007)2007
72
Bergische Bauernscheune, Junkersholz, Leichlingen, September 29th, 20092010
73
Barmouth Estuary1914
74
View from Arthog
75
Coast near Holyhead
76
Richard Lloyd
77
Criccieth Castle
78
Up the Barmouth Estuary
79
John Hinds, Esq. (1862–1928)
80
Near Merthyr Mawr
81
Sunset off the Lleyn Peninsula
82
Santa Maria della Salute, Venice
83
Family on Barmouth Island
84
Cader Idris
85
Owen Owen (1850–1920)
86
In North Wales
87
Barmouth Beach
88
Branwen
89
Cregennan Lake by Moonlight
90
Mountainous Landscape with Trees in the Foreground (Merthyr Mawr)
91
Sir John Morris Jones (1864–1929), SeatedBangor University
92
A Fresh Morning, Llangranog
93
Mountains, Seen from a River over Trees (Merthyr Mawr)
94
Evening Cardigan Bay
95
The Ligurian Coast from Rapallo
96
Sunlit Arch, Santa Margherita
97
David Lloyd George (1863–1945)
98
Atalanta
99
Laugharne Castle, Carmarthenshire
100
Mrs Sackvill Evans
Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.
Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Christopher Williams | Picturi din această listă |
|---|---|---|---|
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
Aberystwyth | 25 | Roland Williams (Hwfa Môn) (1823–1905), Cader Idris, Llangrannog |
 Aberystwyth University School of Art Museum And Galleries |
Aberystwyth | 6 | Thomas Francis Roberts (1860–1919), Principal (1891–1919), Sunset Glow on Cader Idris, The Aldobrandini Wedding |
 Bangor University |
Bangor | 4 | Sir Henry Rudolf Reichel, Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891), Reverend Thomas Shankland (1858–1927), Welsh Librarian, University College of North Wales (1904–1913), Librarian of the Arts Library (1913–1926) |
 Caernarfon Royal Town Council |
Carnarvon | 2 | The Awakening of Wales, The Investiture of the Prince of Wales, 1911 |
 National Library of Wales |
Aberystwyth | 2 | Reverend J Thomas, Self Portrait |
 Glynn Vivian Art Gallery |
Swansea | 1 | Ceridwen |
 National Gallery of Ireland |
Dublin | 1 | Portrait of Colonel Sir Thomas Berry Cusack-Smith, 5th Bt (1859-1929) |
 Royal Welch Fusiliers Regimental Museum |
Carnarvon | 1 | The Welsh Division at Mametz Wood, 1916 (detail) |
Alege o deceniu pentru a descoperi opera originală care îl definește.
The room feels heavy with the weight of a life lived in quiet contemplation. An elderly man sits anchored in the center of the frame, his presence commanding the space through a stillness that seems to vibrate with unspoken history. He is a figure of substance, draped in dark, heavy fabrics that absorb the light, leaving only the textures of his beard and the weathered lines of his face to…
"The Awakening of Wales," painted in 1911 by Christopher Williams, is more than just a depiction of a woman dancing; it’s a potent embodiment of Welsh identity and the burgeoning cultural revival of its time. Measuring 272 x 130 cm, this oil on canvas work, currently residing within the Caernarfon Royal Town Council collection, pulsates with an energy born from both Romantic ideals and a deep connection to the nation’s…
Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927): A Portrait of Visionary Leadership Christopher Williams’s *Sir Henry Rudolf Reichel*, completed in 1926, transcends mere portraiture; it embodies the spirit of a pivotal moment in Welsh educational history. Executed with meticulous detail and imbued with subtle symbolism, this painting captures not just Reichel's likeness but also his unwavering dedication to fostering intellectual curiosity and shaping the future of Bangor University. Williams…
The Awakening of Wales (1911), Caernarfon Royal Town Council, Carnarvon. Urmează Sir Henry Rudolf Reichel (1926) și Sunset in the Welsh Hills (1920).
38 ani: The Awakening of Wales datează din 1911, iar Christopher Williams s-a născut în 1873.
The Awakening of Wales, Sir Henry Rudolf Reichel, Sunset in the Welsh Hills, Ceridwen, Thomas Francis Roberts (1860–1919), Principal (1891–1919), Richard Lloyd (1834–1917), Reverend J Thomas, Helen, Portrait of Colonel Sir Thomas Berry Cusack-Smith, 5th Bt (1859-1929) și Sir John Morris Jones (1864–1929). Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 112 lucrări ale lui Christopher Williams, datate între 1899 și 1930.
În principal în Llyfrgell Genedlaethol Cymru / The National Library of Wales (Aberystwyth), Aberystwyth University School of Art Museum And Galleries (Aberystwyth) și Bangor University (Bangor). Tabelul cu muzee de mai sus le enumeră pe toate.
În 1910s: 36 dintre cele 100 lucrări de pe această pagină au fost realizate atunci, fiind The Awakening of Wales dintre acestea.
Pe această pagină, cea mai veche lucrare datează din Alice Sophia Amelia Stopford Green (1847–1929) (1899), iar cea mai recentă este din The Cader Idris Range (1930).
Portrait (9), Landscape (8) și Wales (4), din cele 100 lucrări de pe această pagină.
Oil On Canvas, pentru 21 dintre cele 100 lucrări de pe această pagină.
Celtic revival, judecând după originalele de pe această pagină.
Roland Williams (Hwfa Môn) (1823–1905), Cader Idris și Llangrannog: Llyfrgell Genedlaethol Cymru / The National Library of Wales, Aberystwyth deține 23 dintre lucrările de pe această pagină.
Christopher David Williams (1873-1934) a fost un artist de renume, cu o carieră ce s-a întins pe la sfârșitul epocii victoriene și începutul secolului XX. Este amintit în special pentru portrete evocatoare, scene alegorice și peisaje care reflectau adesea un puternic sentiment de identitate națională galeză și spiritul revivalului celtic.
Născut în Maesygwrath, Ținântul Gali, Williams a întâmpinat inițial opoziția tatălui său, Evan Williams, care visa la o carieră medicală pentru el. Cu toate acestea, o vizită transformatoare la Galeria de Artă Walker din Liverpool, în 1892, unde a fost profund emoționat de *Perseus și Andromeda* pictat de Frederick Leighton, l-a aprins pasiunea pentru artă. Această experiență a consolidat hotărârea sa de a-și dedica viața artei.
Formare inițială: Williams a început formarea sa artistică formală la Institutul Tehnic din Neath, sub îndrumarea lui Mr. Kerr, în 1892-1893. Școli de Artă Regală și Regală: A continuat studiile sale la Colegiul Regal al Artei pentru trei ani, urmate de educație suplimentară la Școlile Regale ale Academiei Reale din 1896 până în 1901. Influențe cheie: Frederick Leighton a fost o influență timpurie semnificativă, inspirând abordarea academică a lui Williams și atenția la detalii. De asemenea, s-a inspirat din esteticile Pre-Raphaelite și din curentele artistice mai largi ale revivalului celtic.
Expoziții Regale: Williams a avut prima expoziție la Royal Academy în 1902 cu *Paolo și Francesca*, urmată de un portret al tatălui său în 1903. A continuat să expună acolo timp de optsprezece picturi pe parcursul carierei sale. Societatea Regală a Artiștilor Britanici: În 1910, a fost invitat să se alăture Societății Regale a Artiștilor Britanici, expunând treizeci și șapte de picturi cu ei în următorul deceniu. Comisioane Regale: Un moment decisiv a avut loc în 1911, când Regele George V l-a comandat pe Williams să creeze o pictură comemorativă a investiturii princesului Edward, Duce de Wales, la Castelul Caernarfon. A realizat două versiuni ale acestei opere importante.
Opera lui Williams este caracterizată de:
Christopher Williams a jucat un rol semnificativ în promovarea artei și a culturii galeză pe parcursul vieții sale. A participat activ la Eisteddfod național ca judecător și a servit în comitete pentru Muzeul Național al Galiei și Societatea Onorabilă a Cymmrodorion. Lucrările sale reflectă un puternic sentiment de identitate națională și au contribuit la prosperitatea artistică a Galiei în primii ani ai secolului XX.
Piese sale sunt deținute în numeroase colecții publice, inclusiv Muzeul Național al Galiei, Colecția Regală și Galeria de Artă Glynn Vivian din Swansea, asigurând moștenirea sa continuă să inspire și să captiveze publicul astăzi. A fost un membru al familiei Appleyard, fiind fratele lui Fred Appleyard și tatăl astronomului Evan Gwyn Williams și al artistului Ivor Williams.
