Portretul lui Charles Robert Leslie

Picturi Charles Robert Leslie: Cele 100 de cele mai faimoase, prin ochii unei galerii

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În ochii galeriei, cea mai celebră pictură a lui Charles Robert Leslie este James William Wallack (1837), a cărei originală este expusă la Art Institute of Chicago, Chicago. Charles Robert Leslie (1814) și Charles Pepys, 1st Earl of Cottenham (1840) completează trioul pe care orice ochi îl recunoaște. Dintre cele 159 opere ale lui Charles Robert Leslie din catalogul nostru, galeria prezintă mai jos cele 100 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.

1794 – 1859, Londra Cele mai multe lucrări: Muzeul de Artă Plastică din Boston

Cele mai apreciate 10 picturi ale lui Charles Robert Leslie din galerie

1
James William Wallack (1837) de Charles Robert Leslie

James William Wallack

1837 · Oil On Canvas · Art Institute of Chicago, Chicago

A Presence in Shadow The man sits before us, caught in a moment of quiet, dignified stillness. His gaze drifts slightly to the left, away from the viewer, as if lost in a private thought or a memory just out of reach. The light enters from the upper left, brushing against the bridge of his nose and the curve of his cheek, leaving the right side of his face to…

2
Charles Robert Leslie (1814) de Charles Robert Leslie

Charles Robert Leslie

1814 · Oil On Canvas · National Portrait Gallery, Londra

This portrait by Charles Robert Leslie presents a quiet study of a man from the early nineteenth century. Created in 1814, the work captures a specific moment in the sitter's life, rendered in oil on canvas. The subject is depicted with a composed presence, looking directly toward the viewer from his position within the frame.

3
Charles Pepys, 1st Earl of Cottenham (1840) de Charles Robert Leslie

Charles Pepys, 1st Earl of Cottenham

1840 · Oil · National Portrait Gallery, Londra

A single book rests in the hand of Charles Pepys, 1st Earl of Cottenham. He stands against a heavy drape, a figure anchored by the gravity of his own station. A white cravat catches the light, sharp against the dark expanse of his coat. His wig is a structured crown of hair, framing a face that holds the stillness of a man accustomed to being observed. In the shadows behind…

4
Benjamin West (1817) de Charles Robert Leslie

Benjamin West

1817 · Oil On Canvas · Muzeul de Artă Plastică din Boston, Boston

The portrait presents an elderly man positioned in a bust-length composition against a dark, indistinct background. The subject is rendered in a monochromatic palette, utilizing a range of grayscale tones from deep blacks in the heavy fabric of his coat to bright whites on his forehead and cravat. Light strikes the upper portion of the face, specifically the high forehead and cheekbones, while the lower elements of the figure and…

5
Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828) (1823) de Charles Robert Leslie

Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828)

1823 · Oil

The scene unfolds within the dramatic narrative of Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828). This oil painting captures a moment of profound revelation, where the truth of a master's descent into madness is spoken aloud in an opulent, shadowed setting. The work is the creation of Charles Robert Leslie, an artist whose life and vision spanned the transition of…

7
John Constable (1776–1837) (1830) de Charles Robert Leslie

John Constable (1776–1837)

1830 · Oil On Panel

In this intimate portrait, we find ourselves in the presence of John Constable, captured by Charles Robert Leslie in 1830. The work is a study in restraint, presenting the artist in a three-quarter pose that feels remarkably immediate. He gazes directly at us, his expression carrying a weight of contemplation that suggests a mind preoccupied with the nuances of light and landscape. There is a stillness here, a moment of…

8
Sarah Cabot Parkman Atkinson (1818-1892) (1833) de Charles Robert Leslie

Sarah Cabot Parkman Atkinson (1818-1892)

1833 · Oil On Canvas · Harvard Art Museums, Cambridge

This 1833 oil on canvas presents a formal portrait of a young woman, Sarah Cabot Parkman Atkinson, depicted from the waist up. The subject is positioned in a straight-on, eye-level view, creating a direct connection with the viewer. She maintains a poised posture and a calm expression. Her clothing consists of a white fabric with a translucent quality, draped over her shoulders and chest, paired with a heavy, matte brown…

9
Amy Robsart (1532–1560) (1836) de Charles Robert Leslie

Amy Robsart (1532–1560)

1836 · Oil On Canvas

A young woman is seated in a central position, her body angled slightly while her gaze remains fixed in a contemplative manner. She rests one hand against her forehead, a gesture that directs attention to the pale skin of her face and the subtle expression of her features. Her attire consists of heavy, draped fabric in shades of deep red and gold, which gathers in thick folds around her torso…

Picturi cu Charles Robert Leslie, clasate de la 11 la 100

11Children playing at coach and horses de Charles Robert LeslieChildren playing at coach and horses 12Don Quixote And Dorothea de Charles Robert LeslieDon Quixote And Dorothea 13Lady Jane Grey Prevailed on to Accept the Crown (1827) de Charles Robert LeslieLady Jane Grey Prevailed on to Accept the Crown1827 14Scottish Loch, Sunset de Charles Robert LeslieScottish Loch, Sunset 15At the Pool (1840) de Charles Robert LeslieAt the Pool1840 · Grundy Art Gallery 16A Scene from Tristram Shandy ('Uncle Toby and the Widow Wadman') (1831) de Charles Robert LeslieA Scene from Tristram Shandy ('Uncle Toby and the Widow Wadman')1831 17My Uncle Toby and the Widow Wadman (1831) de Charles Robert LeslieMy Uncle Toby and the Widow Wadman1831 18The Last Throw (1840) de Charles Robert LeslieThe Last Throw1840 · Metropolitan Museum of Art 19Ellen Tree, Mrs Charles Kean (1806–1880), as Hermione (from 'The Winter's Tale') (1840) de Charles Robert LeslieEllen Tree, Mrs Charles Kean (1806–1880), as Hermione (from 'The Winter's Tale')1840 20Morning, Ullswater, Lake District (1860) de Charles Robert LeslieMorning, Ullswater, Lake District1860 · Tunbridge Wells Museum And Art Gallery 21Highlands (1868) de Charles Robert LeslieHighlands1868 22Welsh Landscape, Llyn Nant y Clif, North Wales (1871) de Charles Robert LeslieWelsh Landscape, Llyn Nant y Clif, North Wales1871 23The Moors at Cotantagle, Perthshire (1882) de Charles Robert LeslieThe Moors at Cotantagle, Perthshire1882 24Thirlmere Looking towards Helvellyn (1882) de Charles Robert LeslieThirlmere Looking towards Helvellyn1882 25Loch Lubnaig, Perthshire (1882) de Charles Robert LeslieLoch Lubnaig, Perthshire1882 26The Moors at Cotantagle, Perthshire (1882) de Charles Robert LeslieThe Moors at Cotantagle, Perthshire1882 · The Dock Museum 27View of a Loch (possibly in Scotland) (1885) de Charles Robert LeslieView of a Loch (possibly in Scotland)1885 28Loch Katrine, Ellen’s Isle (1879) de Charles Robert LeslieLoch Katrine, Ellen’s Isle1879 · Royal Holloway 29Llyn Gader (1881) de Charles Robert LeslieLlyn Gader1881 · Llyfrgell Genedlaethol Cymru / The National Library of Wales 30Snowdon from Capel Curig (1880) de Charles Robert LeslieSnowdon from Capel Curig1880 · Llyfrgell Genedlaethol Cymru / The National Library of Wales 31Uncle Toby and Widow Wadman (1831) de Charles Robert LeslieUncle Toby and Widow Wadman1831 · Shandy Hall 32Queen Victoria Receiving the Sacrament at her Coronation, 28 June 1838 de Charles Robert LeslieQueen Victoria Receiving the Sacrament at her Coronation, 28 June 1838Colecția Regală 33John Howard Payne de Charles Robert LeslieJohn Howard PayneMuzeul de Artă Plastică din Boston 34Le Bourgeois Gentilhomme de Charles Robert LeslieLe Bourgeois Gentilhomme 35Olivia de Charles Robert LeslieOlivia 36Florizel And Perdita - de Charles Robert LeslieFlorizel And Perdita - 37Elizabeth Fry - de Charles Robert LeslieElizabeth Fry - 38Scene From 'the Taming Of The Shrew' By William Shakespeare de Charles Robert LeslieScene From 'the Taming Of The Shrew' By William Shakespeare 39Dr. John Wakefield Francis de Charles Robert LeslieDr. John Wakefield FrancisMetropolitan Museum of Art 40Proposal de Charles Robert LeslieProposal 41Study Of 16th Century Costumes de Charles Robert LeslieStudy Of 16th Century Costumes 42Grandmaman de Charles Robert LeslieGrandmaman 43Sir Isaac Newton de Charles Robert LeslieSir Isaac Newton 44A Garden Scene, with a boy de Charles Robert LeslieA Garden Scene, with a boy 45Autolycus, scene from 'A Winter's Tale de Charles Robert LeslieAutolycus, scene from 'A Winter's Tale 46Hermione de Charles Robert LeslieHermione 47A Female Head de Charles Robert LeslieA Female Head 48A Garden Scene de Charles Robert LeslieA Garden Scene 49Queen Victoria, In Her Coronation Robes de Charles Robert LeslieQueen Victoria, In Her Coronation Robes 50The Merry Wives Of Windsor de Charles Robert LeslieThe Merry Wives Of Windsor 51Jeanie Deans And Queen Caroline de Charles Robert LeslieJeanie Deans And Queen Caroline 52Sketch For 'sancho Panza In The Apartment Of The Duchess' de Charles Robert LeslieSketch For 'sancho Panza In The Apartment Of The Duchess' 53Mountain Scene, Wales ( ) de Charles Robert LeslieMountain Scene, Wales ( ) 54Head Of Prince Hal de Charles Robert LeslieHead Of Prince Hal 55Katherine Of Aragon With Her Maid de Charles Robert LeslieKatherine Of Aragon With Her Maid 56Honeysuckle Roses and Carnations de Charles Robert LeslieHoneysuckle Roses and CarnationsAuckland Art Gallery Toi o Tāmaki 57Juliet de Charles Robert LeslieJuliet 58Portia de Charles Robert LesliePortia 59A Squall, Southampton Water de Charles Robert LeslieA Squall, Southampton Water 60Sketch For 'charles Ii And Lady Bellenden' de Charles Robert LeslieSketch For 'charles Ii And Lady Bellenden' 61The Discovery de Charles Robert LeslieThe Discovery 62Griselda de Charles Robert LeslieGriselda 63Perdita de Charles Robert LesliePerdita 64May Day In The Reign Of Queen Elizabeth de Charles Robert LeslieMay Day In The Reign Of Queen Elizabeth 65A Scene From Milton's 'comus' de Charles Robert LeslieA Scene From Milton's 'comus' 66The Present de Charles Robert LeslieThe Present 67Falstaff Personating The King de Charles Robert LeslieFalstaff Personating The King 68Ben lawers from ben ledi, looking across loch tay de Charles Robert LeslieBen lawers from ben ledi, looking across loch tay 69Uncle Toby And Widow Wadman de Charles Robert LeslieUncle Toby And Widow Wadman 70Tom Purdie de Charles Robert LeslieTom Purdie 71Scene From Callaco de Charles Robert LeslieScene From Callaco 72The Birthday Present de Charles Robert LeslieThe Birthday Present 73Sketch For 'the Rape Of The Lock' de Charles Robert LeslieSketch For 'the Rape Of The Lock' 74Sir John Falstaff de Charles Robert LeslieSir John Falstaff 75Sketch For 'the Duke And Duchess Reading' Don Quixote de Charles Robert LeslieSketch For 'the Duke And Duchess Reading' Don Quixote 76My Uncle Toby And The Widow Wadman - de Charles Robert LeslieMy Uncle Toby And The Widow Wadman - 77Autolycus - de Charles Robert LeslieAutolycus - 78Sarah Dillwyn's Deathbed de Charles Robert LeslieSarah Dillwyn's Deathbed 79Sketch For 'christ Rebuking His Disciples By Calling The Little Child' de Charles Robert LeslieSketch For 'christ Rebuking His Disciples By Calling The Little Child' 80Knocking At The Door de Charles Robert LeslieKnocking At The Door 81Dominie Sampson de Charles Robert LeslieDominie Sampson 82Sancho Panza - de Charles Robert LeslieSancho Panza - 83Consultation de Charles Robert LeslieConsultation 84The Duke Of Wellington de Charles Robert LeslieThe Duke Of Wellington 85The last Throw de Charles Robert LeslieThe last Throw 86The Toilette de Charles Robert LeslieThe Toilette 87Sketch For 'twelfth Night', Act I de Charles Robert LeslieSketch For 'twelfth Night', Act I 88Timon Of Athens Crleslie de Charles Robert LeslieTimon Of Athens Crleslie 89Florizel And Perdita de Charles Robert LeslieFlorizel And Perdita 90Autolycus de Charles Robert LeslieAutolycus 91The Secret Messenger de Charles Robert LeslieThe Secret Messenger 92Uncle Toby And The Widow Wadman de Charles Robert LeslieUncle Toby And The Widow Wadman 93Scene From William Shakespeare's 'the Merry Wives Of Windsor' de Charles Robert LeslieScene From William Shakespeare's 'the Merry Wives Of Windsor' 94Benjamin Travers de Charles Robert LeslieBenjamin Travers 95The 1st Duke Of Wellington Looking At A Bust Of Napoleon de Charles Robert LeslieThe 1st Duke Of Wellington Looking At A Bust Of Napoleon 96Slender, with the assistance of shallow, courting anne page de Charles Robert LeslieSlender, with the assistance of shallow, courting anne page 97The Locket de Charles Robert LeslieThe Locket 98Sancho Panza In The Apartment Of The Duchess de Charles Robert LeslieSancho Panza In The Apartment Of The Duchess 99Le Malade Imaginaire de Charles Robert LeslieLe Malade Imaginaire 100Head Of Falstaff de Charles Robert LeslieHead Of Falstaff

Piesele celebre ale lui Charles Robert Leslie, perioadă cu perioadă

Subiectele care i-au captivat privirea lui Charles Robert Leslie

Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.

Muzeele care păstrează originalele lui Charles Robert Leslie

Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.

Muzee Oraș Lucrări lui Charles Robert Leslie Picturi din această listă
Muzeul de Artă Plastică din Boston, BostonMuzeul de Artă Plastică din Boston Boston 3 Benjamin West, Sir Walter Scott, John Howard Payne
National Portrait Gallery, LondraNational Portrait Gallery Londra 3 Charles Robert Leslie, Charles Pepys, 1st Earl of Cottenham
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 2 The Last Throw, Dr. John Wakefield Francis
Llyfrgell Genedlaethol Cymru / The National Library of Wales, AberystwythLlyfrgell Genedlaethol Cymru / The National Library of Wales Aberystwyth 2 Llyn Gader, Snowdon from Capel Curig
Petworth House, PetworthPetworth House Petworth 4 A Lady contemplating Suicide (Juliet from William Shakespeare's 'Romeo and Juliet')
Tunbridge Wells Museum And Art Gallery, Tunbridge WellsTunbridge Wells Museum And Art Gallery Tunbridge Wells 2 Morning, Ullswater, Lake District
Colecția Regală, LondraColecția Regală Londra 2 Queen Victoria Receiving the Sacrament at her Coronation, 28 June 1838
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 James William Wallack

Charles Robert Leslie, o pictură emblematică pe deceniu

Lucrări pe deceniu

Alege o deceniu pentru a descoperi opera originală care îl definește.

Picturile lui Charles Robert Leslie: răspunsurile galeriei

Care este cea mai celebră pictură a lui Charles Robert Leslie?Află răspunsul

James William Wallack (1837), Art Institute of Chicago, Chicago. Urmează Charles Robert Leslie (1814) și Charles Pepys, 1st Earl of Cottenham (1840).

Ce vârstă avea Charles Robert Leslie când a finalizat James William Wallack?Află răspunsul

43 ani: James William Wallack datează din 1837, iar Charles Robert Leslie s-a născut în 1794.

Care sunt cele mai importante 10 picturi ale lui Charles Robert Leslie?Află răspunsul

James William Wallack, Charles Robert Leslie, Charles Pepys, 1st Earl of Cottenham, Benjamin West, Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828), Sir Walter Scott, John Constable (1776–1837), Sarah Cabot Parkman Atkinson (1818-1892), Amy Robsart (1532–1560) și A Lady contemplating Suicide (Juliet from William Shakespeare's 'Romeo and Juliet'). Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.

Câte lucrări a creat Charles Robert Leslie?Află răspunsul

Catalogul nostru cuprinde 159 lucrări ale lui Charles Robert Leslie, datate între 1814 și 1852.

Unde sunt expuse cele mai celebrele opere originale ale lui Charles Robert Leslie?Află răspunsul

În principal în Muzeul de Artă Plastică din Boston (Boston), National Portrait Gallery (Londra) și Metropolitan Museum of Art (New York). Tabelul cu muzee de mai sus le enumeră pe toate.

Când a creat Charles Robert Leslie cele mai faimoase picturi?Află răspunsul

În 1830s: 7 dintre cele 100 lucrări de pe această pagină au fost realizate atunci, fiind James William Wallack dintre acestea.

Care sunt cele mai vechi și cele mai recente opere celebre ale lui Charles Robert Leslie?Află răspunsul

Pe această pagină, cea mai veche lucrare datează din Charles Robert Leslie (1814), iar cea mai recentă este din A Lady contemplating Suicide (Juliet from William Shakespeare's 'Romeo and Juliet') (1852).

La ce subiecte s-a întors cel mai des Charles Robert Leslie?Află răspunsul

Portrait (12), Man (9) și Portraiture (8), din cele 100 lucrări de pe această pagină.

În ce tehnică a lucrat cel mai mult Charles Robert Leslie?Află răspunsul

Oil On Canvas, pentru 7 dintre cele 100 lucrări de pe această pagină.

Ce opere originale ale lui Charles Robert Leslie deține Muzeul de Artă Plastică din Boston?Află răspunsul

Benjamin West, Sir Walter Scott și John Howard Payne: Muzeul de Artă Plastică din Boston, Boston deține 3 dintre lucrările de pe această pagină.

Charles Robert Leslie: artistul

Early Life and Training

Charles Robert Leslie, a name now synonymous with charming depictions of everyday life in 19th-century Britain, was born on October 19, 1794, in the bustling heart of London. His lineage traced back to American parents – Robert Charles, an American merchant, and Lydia Leslie, a woman of considerable social standing. At just five years old, the family embarked on a transatlantic journey, settling in Philadelphia, Pennsylvania, where young Charles received his initial education. However, it wasn’t long before the call of art proved too strong to resist. Initially apprenticed to a bookseller – a practical step for a young man of that era – Leslie's true passion lay in capturing the world around him through brush and paint. This early experience, grounding him in observation and detail, would prove invaluable as he later sought his fortune in London’s vibrant artistic scene.

Arrival in London and Royal Academy Recognition

In 1811, a pivotal moment arrived: Leslie secured letters of recommendation and journeyed to London, eager to immerse himself in the city's renowned art world. His arrival coincided with a period of considerable opportunity, thanks to the support of established artists like Benjamin West – a figure whose influence extended across generations of British painters – and Washington Allston. These connections paved the way for his enrollment at the prestigious Royal Academy Schools in 1813. It was here that Leslie truly began to hone his skills, quickly demonstrating an aptitude for both historical painting and, crucially, genre scenes—a shift that would define his later career. His talent was immediately recognized, culminating in two silver medals awarded to him at the Academy’s annual exhibitions – a remarkable achievement for a young artist just beginning his journey. The influence of West and Allston is evident in his early works, particularly in their grand compositions and dramatic use of light, but it wasn't long before Leslie developed his own distinctive style.

A Shift to Genre Painting and Notable Works

Leslie’s artistic trajectory took a significant turn as he moved away from the imposing scale of historical painting towards the more intimate and relatable subjects of genre scenes. This decision proved remarkably prescient, aligning with a growing trend in 19th-century art that celebrated everyday life and human character. Among his most celebrated works are “The Murder of Rutland by Lord Clifford,” an early piece that showcased his ability to emulate the dramatic style of historical painting, and "Londoners Gypsying," a lighthearted depiction of London street life—a scene brimming with energy and capturing the spirit of the city. His portraiture also gained recognition, exemplified by his captivating portrayal of Sir Walter Scott, a celebrated Scottish author and poet. These works, alongside others like “Sir Walter Scott’s Portrait,” demonstrated Leslie's skill in capturing the likeness and personality of his subjects.

Museum Involvement and Legacy

Leslie’s career was inextricably linked to the Royal Academy, where he served as an associate in 1821 and achieved full membership in 1826. His legacy extends beyond his own paintings; he is also remembered for his insightful biography of John Constable, a fellow artist and close friend, published in 1843 – a work considered a seminal text in the history of art criticism. The archives of Charles Robert Leslie’s work are preserved at the Centre d'art britannique de Yale, offering scholars and enthusiasts alike access to a rich collection of his paintings and sketches. Leslie’s life and career reflect the evolving artistic landscape of 19th-century Britain, bridging the gap between grand historical narratives and the intimate portrayal of human experience—a testament to his versatility and enduring appeal as an artist. He passed away on May 5, 1859, leaving behind a body of work that continues to captivate audiences today.