Pe scurt
În ochii galeriei, cea mai celebră pictură a lui Charles Errard este Renaud abandonnant Armide (1640), a cărei originală este expusă la Musée du Pays de Hanau, Bouxwiller. Dintre cele 1 opere ale lui Charles Errard din catalogul nostru, galeria prezintă mai jos cele 1 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.
Cele mai apreciate 10 picturi ale lui Charles Errard din galerie
Muzeele care păstrează originalele lui Charles Errard
Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Charles Errard | Picturi din această listă |
|---|---|---|---|
| Bouxwiller | 1 | Renaud abandonnant Armide |
Charles Errard, picturile emblematice ale fiecărei ani
Fiecare original datat al lui Charles Errard de pe această pagină a fost realizat în 1640: iată-le, începând cu cele mai celebre.
Picturile lui Charles Errard: răspunsurile galeriei
Care este cea mai celebră pictură a lui Charles Errard?Află răspunsul
Renaud abandonnant Armide (1640)
Ce vârstă avea Charles Errard când a finalizat Renaud abandonnant Armide?Află răspunsul
34 ani: Renaud abandonnant Armide datează din 1640, iar Charles Errard s-a născut în 1606.
Câte lucrări a creat Charles Errard?Află răspunsul
Catalogul nostru conține 1 lucrări ale lui Charles Errard.
Unde sunt expuse cele mai celebrele opere originale ale lui Charles Errard?Află răspunsul
În principal în Musée du Pays de Hanau (Bouxwiller). Tabelul cu muzee de mai sus le enumeră pe toate.
Charles Errard: artistul
A Life of Art and Academy
Charles Errard, also known as Charles Errard the Younger, was a French painter, draughtsman, engraver, and writer. Born in Nantes to Charles Errard the Elder and Jeanne Cremé, his early life involved studying in Rome, where he drew ancient works of art, figures, busts, reliefs, ornament, and Trajan's Column. His career included significant roles within the French art establishment, as he was one of the founders of the Académie Royale de Peinture et de Sculpture and served as its director. He also held the position of Director of the French Academy in Rome during two separate periods.
His professional reach extended to decorating various royal sites, including the Louvre Palace, the Palace of Fontainebleau, Saint-Germain-en-Laye, and Versailles. As an engraver, he produced illustrations for the Vite by Giovanni Pietro Bellori and an anatomical Atlas for the scholars of the French Academy in Rome.
Artistic Contributions and Legacy
Beyond his work as a painter and decorator, Errard was active as a scenery painter for the royal opera. His artistic output included:
- Illustrations after Poussin's sketches to Leonardo da Vinci's Trattato della Pittura.
- Bronze copies of Florentine sculptures, specifically from Michelangelo's sculptures in the Medici Chapel, which were left to Louis XIV and are now held in the Louvre.
Errard's career was marked by his involvement in major institutions and his travels, including an art-collecting trip to Flanders on behalf of the king. He served as the Principal of the Accademia di San Luca and eventually resigned his offices following the death of Colbert. He died in Rome and was buried in Santa Trinità dei Monti.